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#john romita senior
pulpsandcomics2 · 6 months
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John Romita
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curtvilescomic · 5 months
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Ghost Rider by Gerardo Zaffino in absolutely awesome homage to amazing Spider-Man #50 John Romita
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makeminebronze · 11 months
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RIP to the Master.
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jeffpennington · 19 days
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Space Ghost: Host No More cover art!
Just a fun fan comic I'm messing around with. This is a parody of the famous "Spider-Man No More!" John Romita Sr. interior art
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popping-your-culture · 5 months
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nevenkebla · 6 months
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Portada de Amazing Spider-Man Vol 1 #100 (1971) por John Romita y Frank Giacoia.
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p-c-ba-dcforever · 6 months
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Wonder Woman Day pt 2
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funnypages · 10 months
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Rest in Peace John Romita Senior
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evilhorse · 4 months
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Captain America #193
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Rest in Peace John Romita Senior
And thus passes the third of the three men who laid the foundation for Spider-Man.
A lot of people, rightly, praise Ditko's work but I think it is important to bear in mind how vital Romita Senior was to the mythology of Spider-Man, and his pop cultural success.
Spider-Man went far more mainstream when Romita Senior began working on the title, in part because his style was more conventionally attractive. This is to not frame him as lesser than Ditko, they were both masters of their respective approaches, those approaches were just very different.
Ditko was the only man who could have co-created Spider-Man with Stan Lee, but Romita Sr. was the only man who could have taken Spider-Man to the next step of his place in pop culture and also the character's personal development.
This is the man who not only co-created staples of Spider-Man's mythology like Joe Robertson, the Rhino, the Shocker, or the friggin Kingpin and the Punisher, but who's artwork defined the looks of Peter Parker, Spider-Man, J. Jonah Jameson, the Green Goblin, Norman and Harry Osborn, Gwen Stacy and essentially the world of Spider-Man from the mid-1960s-the late 1980s.
This isn't even touching upon the fact that his rendition of Mary Jane (a character he only technically didn't co-create, but might as well have) is the definitive take on the character Every rendition since 1966 has been defined by how similar or how different it is to his take upon her.
So influential was his era on Spider-Man that it became the default setting status quo for virtually every adaptation until the 2000s, and even then aspects of his work were liberally incorporated into what anyone else was doing.
His rendition of Spider-Man and his world was so iconic that Marvel essentially enshrined that everyone had to try and adhere to how he drew those characters throughout the 1970s and for most of the 1980s. Indeed, until arguably the 1980s, but definitely the 1990s, whenever you saw Spider-Man merchandise it was always Romita Senior's rendition.
Not to mention his MASSIVE body of work in the Spider-Man newspapers and critical contributions to other Marvel characters, Daredevil perhaps being the most notable example.
Whilst Kirby was the King of comics, Ditko was the Master of his style and niche in the medium, Romita Senior is the undisputed GOD of American Romance comics.
And where Spider-Man is concerned, if Lee and Ditko are Peter's father's then Romita Senior is undeniably his Godfather.
Rest in Peace legend.
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pulpsandcomics2 · 1 month
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The Spectacular Spider-Man #1 - Treasury Edition (1974) by John Romita Sr
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avengerscompound · 7 months
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Steve Rogers
Captain America Comics (1941) #77
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makeminebronze · 7 months
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60 Years of the Original X-Men pt 2
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daredevil-artwork · 5 months
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Daredevil by John Romita Sr. (& signed by Stan Lee)
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Rampage No. 15. The Defenders cover by Gil Kane and John Romita Sr (originally used on The Defenders No. 16, 1974).
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