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#le fay icons
virtuemoires-sources · 11 months
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morgana le fay 1x01-1x02 icons.
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ASK GAME!!!!! uhhhhhhh morgana plspls🙏
Absolutely
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The emotional roller-coaster that she is
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stelacole · 7 months
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psd coloring : 𝐏𝐒𝐃 𝟓𝟎𝟎 : 𝐂𝐀𝐌𝐄𝐋𝐎𝐓
a free psd coloring for my tip jar/subscribers i made & spend my time on on my deviantart !  feel free to adjust layers if you want to. just keep the credit to me still ! it might not work on all colors the same. this psd coloring comes with some adjustments !
PRICE : none. only for my tip jar/subscribers ( if you don’t have deviantart or don’t want to subscribe to the tip jar, /hmu and i can send you my ko-fi you can donate on and ill send you the psd after it ! )
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the-void-archives · 1 year
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Morgan le Fae | Fate | 181 Icons
[ Dropbox ] Medium: Game/Manga/Anime Please Like or Reblog if you are using! None of the Art is by me, all of it belongs to its original Curator.
Examples:
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dykeboi · 4 months
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Blaise Drummind, b. Liverpool, 1967. Gewaltige Raume Unerschlossenen Landes [Immensité des territoires inexplorés], 2007. Huile et collage sur toile
Blaise Drummond peint un symbole réalisé par le Corbusier 'Unité d'habitation de Marseille, dans un espace vierge et blanc avec au sol des tâches de couleurs. Une phrase en anglais rythme la façade: [Parfois je fais ce rêve où nous découvrons des pièces supplémentaires dans notre maison, comme une aile secrète. Elles sont presque d'élabrées mais ont un grand potentiel pour un projet d'extension et de restauration Un nuage beige, fait d'un morceau de couverture, surplombe le bâtiment et semble perturber la quiétude du paysage. Cette ceuvre est l'illustration parfaite des préoccupations de cet artiste anglais installé en Irlande, sur la rupture entre habitat et nature, l'homme et son milieu. En reprenant les emblèmes iconiques de l'architecture moderne, Drummond traite de la contradiction entre l'utopie moderniste, son industrialisation et les nouvelles conditions de vie assujerties.
Blaise Drummond paints a symbol made by Le Corbusier, "Habitation Unit of Marseille", in a blank white space with colored spots on the ground. A sentence in English punctuates the the facade: "Sometimes I have a dream where we discover these extra rooms in our house, like a secret wing. They are pretty dilapidated but have good potential for a sort of restoration extension project." A beige cloud, made from a piece of blanket, hangs over the building and seems to disturb the peacefulness of the scene. This work is a perfect illustration of the concerns of the English artist based in Ireland, of the rupture between habitat and nature, humankind and their surroundings. By reclaiming the iconic emblems of modern architecture, Drummond addresses the contradiction between modernist utopia, its industrialisation, and the new conditions of life subject to it.
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rabiosantologia · 7 months
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⸻ 𖤓 | VEDIC ASTROLOGY MASTERLIST (Vol. 3)
→ Volume 1 | Volume 2
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A BASIC GUIDE TO VEDIC ASTROLOGY
SHATABHISHA & THE RAHUVIAN URGE TO LIE
• SNAKE YONI: MRIGASHIRA & ROHINI | DEER/RABBIT YONI GIRLS | ASPECTS IN VEDIC ASTROLOGY
MRIGASHIRA: THE PRICE OF SPEAKING THE TRUTH
MRIGASHIRA: OBSESSIVE & OBSESSED OVER
• → DRISHTI
TUPAC: UTTARA BHADRAPADA MOON
🪷 l NAKSHATRA FEATURE FOCUS: PUSHYA BLENDING SOFTNESS & STRUCTURE
♃ PHOEBE BUFFAY IS A PUNARVASU ICON
♓︎ | THE PISCES HEART OF CINDERELLA
SATURNIAN WOMEN DOMINANT
🎨 THE ASTROLOGY OF MUSES · A VEDIC EXPLORATION: PART 1 |
— PUNARVASU & SWATI: COSMOGONY, REALITY & CONSCIOUSNESS
— UTTARA BHADRAPADA & REVATI: PSYCHIC INSIGHT, TIME TRAVEL & DREAMS
WHICH HOUSE IN ASTROLOGY IS FOR HAPPINESS
EXPOSING YOUR STELLIUM
REVATI'S MYSTERY & MAGIC
YOUR FAV RAPPERS ARE JYESTHA PLACEMENTS
★ 10TH HOUSE · THE FAME RELATED HOUSES IN ASTROLOGY: PART 1 |
12H SYNASTRY
🗡️ • KRITTIKA WOMEN · OBSERVATIONS: PT 1 | PT 2 | PT 3 |
— ♂ | MARS, SEX & CELIBACY
THE PATH OF EVOLUTION OF NAKSHATRA YONIS
CROWS AND THEIR RELATIONSHIP WITH SOME NAKSHATRAS
MERCURY GIRLS AND MOMMY ISSUES
FROM ROHINI/MRIGASHIRA TO JYESHTA: MORGAN LE FAY AND THE MORRIGAN
HASTA & THE FINAL GIRL TROPE IN HORROR FILMS: A (MINI) ANALYSIS
KETU (SOUTH NODE) AND YOUR SPIRITUAL POWERS
MERCURY DOMINANT THEMES
♃ · JUPITER DOMINANT MEN
JUPITER WOMEN AND HUSKY/DEEP OR EVEN SMOKY VOICES | +additional comments
♄ · SATURN DOMINANT THEMES
VEDIC ASTROLOGY OBSERVATIONS: MARS DOMINANT MEN
···· THE OUTCASTE NAKSHATRA URGE TO BE ANTI-ESTABLISHMENT: PART 1 || PART 2 ||
• RANDOM ASTROLOGY OBSERVATIONS
☾ MOON DOMINANCE & MANIPULATION: PART 1 / PART 2 /
RAHU & KETU: THE MYSTERY OF BEING | ABUSE & ADDICTION | THE NODAL URGE TO REBRAND | RAHU: OBSESSION, ABUSE & STALKING |
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caswensworld · 22 days
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One thing about me is I will always respect a good villain gang when I see one and THIS gang! The gang of Merlin Academy running the shots! No exception. Rent. Was. Due! Disney, from here on out, if your teen villains do not look like these baddies who are serving seductive, poisonous cunt, Respectfully, Ion want it.
So let’s run down the line. Let’s take attendance.
Dara Renee said she looks cute as Ulyana, NOT HOT! OKAY GREEN! Look at her smile! First her daughter, now her sister, Ursula’s family has me in a chokehold and they are never letting me go (and I don’t want them to hehe). This look gives very much Ursula from Once Upon a Time vibes and I love it! So much! I wanna be part of her gang! Like, Ulyana, baby girl, what are you insecure of? I don’t care about Ursula anymore. I got Uma and I got Ulyana, I don’t want Ursula. I’m trying to keep it pg-rated, but…I would let her top me. I want her tentacles all over me, I’m so sorry…I’m not.
Hades has left the Underworld and he is looking sharp! I love leather. I love spikes. I love the whole punk persona! I have a punk persona! So I love the fact that me and Hades, one of my favorite villains…Are the same. Exactly the same. I am going to find a studded leather jacket and choker so we can match. We also got similar taste in music, like Hades, let’s be friends. Let’s start a band. We can call ourselves “Fire!”
Queen Maleficent, Mistress of Darkness may be lurking in the back, but I’m seeing her. Now her horns look a little weird right now but I’m gonna wait for the official posters and pictures with better quality before I start to give my full judgement. But like…y’all, she’s Maleficent, when have we ever had a Maleficent who doesn’t serve with looks, darkness, and attitude? Like, girl, come for Ulyana! Pull Hades! I expect you to use magic! I demand at least ONE Dragon transformation! DEMAND it!
Ulyana is the Captain here, jot that down, but Hook is still serving so let’s have a conversation. Looks are clearly a strength in the Hooks family, so what do the girls look like? The men are handsome, so let’s have the girls do some Justice please. His fit almost exactly replicated the cartoon and I love that. The only problem I have is…where’s the hat? The iconic red hat with the big feather? Disney, he better have that hat. Don’t be playing with me.
Morgie…he’s giving kinda Carlos and Gil vibes. That is indeed a compliment. Now is his outfit as extravagant as the others? No. Is it still good and is he still killing the game? Absolutely. These VKs stay with the drip. Who else is looking good in a scarf? I don’t see anyone else wearing one! Now his mother is said to be the Morgana Le Fay in Sofia the First so…Is our dear Princess in the Descendants Universe lol? Is my girl enrolled in Auradon Prep? Is she with Hugo? I’m sorry, I just find this so funny, where is Enchancia on the Auradon map? Watch Morgie reference this in the movie, I just, I can’t!
One thing about villains is they will always be looking good and I will always be wanting to find a way to thrift their clothing. I can’t wait to see these looks with better qualities
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camlannpod · 2 months
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Hello! Sorry if it's been asked before, but how do you choose which legend/story to feature in the episode? Is it just something you really enjoy, it fits thematically or are there other reasons? Thank you!
Hello! It's definitely a mix of reasons - one part is certainly stories I enjoy, but they're also very much thematic!
Also this got so long, so I apologise. I hope you enjoy it!
For example, in episode 1, Twrch Trwyth and its story Culhwch ac Olwen is one of my favourite stories, but I also think of it as an iconic Welsh story and I wanted to situate Camlann within that tradition immediately. Plus Episode 1 is Dai's episode, and Dai is both very proud of his Welsh identity and very funny. Culhwch ac Olwen is maybe the oldest comedic Welsh story so it was a good fit.
With the Kelpie - there are a lot of different variations of kelpie / water-horse stories across the British Isles. Obviously the Kelpie itself is a Scottish story, that then travels to England. Welsh 'kelpies', the Ceffyl Dŵr, are universally benevolent. Part of the reason I used this story was that it was, to me, a really interesting 19th century English version of a Kelpie story (as recorded by Katharine M Briggs - a horse comes to a church at midday and says 'the hour has come but not the man'. Later a passing lord comes by at night and the priest tries to save him by keeping him away from the river and locking him in a room in the church. When they open the door just after midnight, they find the man has drowned on dry land.)
So partly I just wanted to use that because it's such a great rescension of the kelpie story. But it's also because Morgan, whose episode ep 2 is, is so tangled in conflicting traditions about Morgan Le Fay and her own understanding of both the character and her own identity. Morgan is Welsh, and a Ceffyl Dŵr wouldn't have hurt her, but she's terrified of the English corruptions of these stories, in many ways literally haunted by them. Was Morgan le Fay a victim or a villain? How do we interepret monstrous women in medieval stories? I wanted to play with that a bit.
The Lantern Man is another situation of a great story that really inspired me - an 1800s English midlands story I found in a book called The Lore of the Land. But also that's Perry's episode, and I needed to show you why Perry's paranoia is justified, and the flip side to Dai's urgent desire to find other people is Perry's terror of the monster lurking in shadows that they're trying to protect them from. Having someone knocking at your door - that idea of a human figure with a light - was perfect for that.
The dogs were a big one for thematic reasons. This is Gwen's episode, episode 4 - normally Shucky Dogs / Black Dogs / Grimms / Church Grimms / Black Shucks are benevolent and protective. They evolved as a story from an English practice of burying a dog in a graveyard first, as there was a superstition that the first person buried in a graveyard would be stuck in purgatory between earth and heaven. The idea was to bury a dog and let its ghost shepherd souls. This evolved into stories of huge ghostly dogs as protective, territorial spirits. However over time there's a little offshoot of that story - huge black hounds with hell-red eyes haunting stretches of road and abandoned buildings, the ghosts of murdered people whose killers were never found, seeking vengeance.
So on the one hand, from a literalist perspective, over thousands of years a lot of people get murdered, especially women and trans people, and I wanted to make a point in this drama inspired by medieval literature about violence against women and queer people. But I also liked the idea of the dogs being both - both restless spirits full of fury seeking vengeance and protective, territorial guardians who were wronged. That really resonated with me as a queer woman, and I really liked the idea of both Gwen and Morgan seeing a lot of themselves in these restless ghosts.
Then finally, most recently with Gwaine and the Green Knight. First, I wanted to blur the Green Man and the Green Knight because I think of the Green Man as one of England's most iconic folkloric creatures, and the closest we have to a clearly identifiable non-Christian folk deity, essentially. There are faces of the Green Man in York cathedral! From the 1200s! And the theme of the Green Man as the living embodiment of Spring - a giant who brings green mist to everything he touches - resonates for me with the Green Knights themes of renewal and change and life. Both are some of my favourite stories.
ALSO! This is a story about queerness. It's a story about finding ways for your queerness and culutral identity to co-exist. And it's about living in the shadow of history and tradition and everyone who's come before you and not feeling good enough. Gawain and the Green Knight is so much a story about courage, and integrity, and it was exactly the journey our Gwaine needed to go on. But with the monstrous twist that this is the end of the world, and our Gwaine shouldn't need to risk his life to prove he's a good man. That queer people shouldn't need to put ourselves in real social, political, even legal danger in order to love who we love and be who we are. That that's not a fair ask of anyone.
I hope you enjoyed these ramblings! I needed to walk a little around some spoilers but yeah!
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perduedansmatete · 2 months
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dimanche ennui donc liste (certainement pas exhaustive) de moi à moi des artistes que j'ai déjà vu en concert, de ceux que je vois bientôt, de ceux que j'aimerais voir et de ceux que je RÊVE de pouvoir écouter en live un jour:
concerts faits dans un ordre totalement approximatif:
julien doré (petite, j'étais amoureuse de lui et je me souviens d'avoir eu mal au cœur quand il chantait winnipeg)
jeanne cherhal (petite aussi, j'étais absorbée car elle avait chanté quelques chansons suspendue à un cercle en l'air)
olivia ruiz (toute mon enfance)
la grande sophie
the dedicated nothing (ils ont fait un album on en a plus jamais entendu parler et je les avais vu dans une boutique longboard comme c'était des surfeurs mdr)
the dø (dans un festival paumé en vendée, j'étais la plus heureuse)
george ezra
the black lilys
radio elvis 2x
feu! chatterton 3x (j'ai l'impression de faire l'amour quand j'entends arthur teboul chanter en live, un des trois concerts était en plein air vers l'océan c'était beau et poétique)
grand blanc
jumaï
chevalrex
pr2b
clarika (toute mon enfance, dans la voiture avec ma mère)
the limiñanas (inattendu, jamais écouté avant de les voir mais si cher à mon cœur maintenant)
girls in hawaii (souvenirs d'adolescence)
genghar (concert avec mon père dernièrement, j'écoutais beaucoup adolescente aussi)
sallie ford 2x
norma 2x (elle fait fondre mon cœur j'aimerais qu'elle perce)
mattiel
the twilight sad
las aves
prudence (la chanteuse de the dø, on avait gagné un concours avec ma sœur!!)
cate hortl
clara luciani 3x
pomme 2x
franz ferdinand 2x
arctic monkeys 2x (dont une fois catastrophique à rock en seine, des amitiés se sont brisées, des crises d'angoisses, un son merdique)
the strokes (son merdique et problèmes techniques car rock en seine mais j'étais au max)
ledher blue
the cure (que dire de plus??? 3h de the cure en live c'est le paradis)
depeche mode (que des bangers, je m'en remets pas encore)
pi ja ma (choupette, je l'aime depuis la nouvelle star)
delilah bon (à la fin de son concert on a eu droit à tous les chants de manifs de gauchos sans aucune raison pendant 20 minutes et c'était génial)
kalika
fontaines dc (je veux les revoir)
ethel cain (c'était thérapeutique)
angel olsen
lucy dacus (très vite)
tamino 4x (je l'adore de tout mon cœur mais je fais une pause je l'ai trop vu)
ko ko mo 7x ou plus?? (découverts dans un festival paumé en vendée, depuis on les voit tous les ans)
jesse jo stark (trop sexy)
hachiku
jen cloher (lesbiennes australiennes je vous aime)
dynamite shakers
odezenne (j'ai pu chanter je veux te baiser en live c'était fantastique)
georgio (marque le début de la fin d'une amitié mais j'étais tellement heureuse ce soir là)
slowdive
frank carter and the rattlesnakes (ma sœur qui se fait une entorse dans un pogo)
the mysterines
yeule (premier concert toute seule, il m'a fait du bien)
sorry (chanteuse toute timide toute choupi mais génial et j'ai pu crier les paroles de there's so many people that want to be loved)
alexandra savior (écoutez là c'est un ordre)
sarah maison
sextile (concert génial soirée traumatisante)
wunderhorse (de vrais anglais qui s'en branlent de tout c'était cool)
no elevator
emma peters (j'écoute pas mais sympa)
skip the use (j'y allais en mode souvenirs, j'avais jamais écouté ses récents albums et le gars est trop chaud en live)
agar agar
nada surf (le chanteur est trop gentil <3)
hoorsees
adrien gallo (à défaut d'avoir pu voir les bb brunes... et j'étais aussi amoureuse de lui petite)
therapie taxi
nova twins (un de mes meilleurs concerts elles avaient une énergie trop folle)
la femme (mes meilleurs pogos)
tori amos (concert avec ma mère, icone)
l'impératrice 3x (2 fois sans que je veuille vraiment juste ils étaient dans des festivals et j'en peux plus leur scéno c'est toujours la même et c'est mou)
terrenoire
snail mail (mou)
parcels (j'écoute pas mais en concert c'est fou)
tame impala (l'impression d'avoir pris du lsd pendant 1h30)
gaz coombes (le chanteur de supergrass!!)
inhaler
idles (de loin mdr)
foals (mouais)
wet leg (absolument génial premier rang à crier toutes les paroles, tellement qu'il a plu et qu'on a fini le concert dans la boue)
yeah yeah yeahs
izia
the murder capital (amoureuse)
suzie stapleton
maddy street (une copine de ma sœur, c’est trop bien)
origine club renommé bonne nuit (à revoir c’est des vendéens et j’adore les vendéens pas fachos)
alice et moi
prochains concerts:
stoned jesus
dionysos (cadeau de noël pour mes parents, ils nous ont bercé avec)
air
ethel cain (encore)
mannequin pussy
cherry glazerr
lana del rey!!!!!!!!!
ko ko mo (pour la millième fois mdr)
eartheather (j'ai eu une place alors qu'il n'y en avait plus??? yaayyy)
artistes que j'aimerais voir:
yoa
the marias (ils avaient annulé la seule date qu'ils faisaient en france alors qu'on avait nos places avec ma meilleure amie, on leur en veut encore)
anna calvi
bar italia
the last dinner party
coco & clair clair
dora jar
king krule (on m'a empêché de prendre une place la dernière fois car apparemment il chante mal en live)
beach house
lebanon hanover
japanese breakfast
mitski
sally dige
deerhunter
tove lo (je l'ai raté à rock en seine...)
tv girl
sir chloe
hooverphonic
tomberlin
portugal. the man
last train
baxter dury
sophie meier
thao & the get down stay down
fka twigs
elita
yelle (je serai une femme accomplie le jour où je l'aurai vu)
artistes que je rêve de voir dans mes rêves les plus fous:
lush
soko (elle soignerait tous mes maux)
pulp
garbage
fiona apple (c'est beau de rêver)
the smashing pumpkins
courtney barnett (c'est une nécessité je connais tout par cœur)
siouxsie sioux
björk (ratée en septembre dernier...)
eels (mes parents y sont allés sans moi et sans me le dire????)
alt-j (j'écoute depuis trop longtemps pour ne jamais les avoir vu)
cults
pixies
iggy pop (icone, il faut, et je suis amoureuse de lui)
new order
interpol
massive attack (si je craque pour rock en seine...)
emiliana torrini
deftones
she wants revenge
hope sandoval
sigur rós
arcade fire (je crois que le chanteur est un agresseur sexuel. bon.)
the last shadow puppets
the white stripes mais bon... ou jack white
madonna...... mais je suis pauvre
si une âme charitable a tout lu et veut me fournir de quoi me payer des places de concerts je suis preneuse lol merci
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scarlet--wiccan · 1 year
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Hello! I was wondering, what would you classify as the outfits defining the different eras of Wanda? Like her first, classic, Wada, and Dauterman outfits.
Well, I think you've kinda answered your own question. Wanda's had lots of costumes, but her most iconic ones can usually be attributed a specific artist's work on a specific book. She didn't really start changing up her look until the 90s, but I would say that her most iconic outfits, outside of the classic one, really are the Pérez dancer costume from Avengers (1998), and Kevin Wada's design from Scarlet Witch (2016). A lot of her other looks are more short lived, or just not well-remembered. The new one's made a big splash, but it's too soon to say what kind of staying power it'll have.
Some of those short-lived looks are actually my favorites, though, so I want to do a brief history of Wanda's costumes. This is only going to be from the main Earth-616 continuity, and, full disclosure, I'm cribbing most of these images from uncannyxmen.net's costume gallery.
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The classic Scarlet Witch costume has had several variations over the years. She consistently wears some version of this outfit from the 60s through to the 90s, but there were often changes to the style and cut of her garments. She wore a wimple-like headpiece in her early appearances, and traded it in for the now-iconic M-shaped diadem in Avengers #36, published 1966. She also went through a few maternity versions of her costume during her pregnancy in Vision & The Scarlet Witch (1985).
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Wanda's first major costume changes were actually the result of possession or mental manipulation-- when possessed by Chthon, Wanda takes on a ghastly appearance and her clothing transforms into a dark red bodysuit with a tattered cape, sans headpiece. [Avengers #186] Later, while under Immortus's influence, Wanda cuts her hair short, ditches the headpiece again, and dons a red-and-black costume with a dramatic purple cape. [Avengers West Coast #55]
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Wanda began changing her look more frequently in the 90s. During the late run of Avengers West Coast through Force Works, she wore a red dress over a black one-piece, with a necklace, gloves, and boots-- no headpiece. This is the first real costume change that she made of her own volition. She also had a brief-lived costume which first appeared in The Crossing, that drew more inspiration from the magical characters in Doctor Strange.*
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The Pérez design first appeared in the opening storyline of Avengers (1998). In an alternate reality conjured by Morgan le Fay, Wanda and Pietro both appear as sterotypical "gypsies." Wanda later adapted her her outfit from this world in a contemporary costume. This was intended as an earnest representation of Wanda's cultural identity, but it fell quite short of the mark. Alan Davis later designed a more conventional superhero suit combining many of the same elements, without being an ethnic costume.*
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In the early 2000s, Wanda debuted a set of red body armor with that combined fantasy aesthetics with a superhero silhouette*. This what she's wearing during Disassembled, but it's not well-remembered, perhaps because of the understated color palette. Wanda returned in Children's Crusade wearing a slightly updated version of the classic costume, with a halterless one-piece and cowl-neck cloak. I think this is the version most people refer to when they draw her classic suit, so to that end, it might be the most iconic.
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Wanda had another rapid succession of costume changes in the 2010s, starting with the knee-length red dress with built-in gloves she debuted in Uncanny Avengers (2013).* In the Uncanny Avengers 2015 miniseries, she and Pietro both donned new, but very short lived, futuristic costumes for a brief adventure into outer space.
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Then, in late 2015, Wanda received her first solo title in two decades, and it came with full aesthetic overhaul. Kevin Wada designed a collection of looks inspired by witch-house and dark romance fashion trends. This was eventually streamlined into a cohesive superhero suit for other ongoing comics, with an ornate red bodice and jeweled diadem.
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In 2022, Russell Dauterman designed Wanda's look for the second annual Hellfire Gala event, taking heavy inspiration from the silhouette of her Crossing costume and the darker, more ornate aesthetic of Wada's design. A slightly simplified version of this look became Wanda's main costume in Scarlet Witch (2023) Most notably, this design incorporates the same magical galaxy effect from her son Wiccan's costume into Wanda's skirt and hair, signifying her mastery of chaos magic. Whether or not this costume lasts, I believe that the dark, bejewelled aesthetic and galaxy effect will continue to define Wanda and Billy's looks for years to come.
*these are my personal underrated faves
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mask131 · 10 months
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Seasonal theme: Magical summer (beginning)
This summer will be a season of wonders and enchantments, of spells and wizards - a magical summer!
Here is a list of beings, entities, objects and concepts you can check out if you want to add some magic to your summer:
In the myths, legends and so-called “real” world...
In the Arthurian literature: Merlin the enchanter, most famous of all wizards, derived from the legendary Welsh figure of Myrddin. Morgan le Fay, the ever-so-ambiguous enchantress of Arthurian mythos. Excalibur, the greatest and most iconic of all magical swords.
In Greek mythology: Hecate, the goddess of magic and witches. Circe, the divine enchantress of the Odyssey. Medea, the most frightening sorceress of the Greek legends. Lamia, a Greco-Roman bogeywoman that medieval times assimilated with various monsters and witches.
In Norse mythology: seidr, the old Norse magic, and its patron goddess Freya. Loki, expert shapeshifter and trickster supreme.
Christian legends, myths and beliefs: the Malleus Maleficarum, the unfamous manual used by many witch-hunters during the great witch hunts throughout Europe - a manual which was not accepted by the Church, unlike what many people believe. The Ars Goetia, both the art of invoking demons and the grimoire containing the secrets of said art. Astaroth, a demon often associated today with witchcraft. The famous witches sabbath, that was the great terror and fantasy of devil-fearing men of the Middle-Ages and the Renaissance. The paintings of Goya, which illustrated the various superstitions and beliefs surrounding witches in Spain.
The folklore of the British Isles: the British Grimalkin, with its cousins the English King of Cats and the Celtic Cat-sith. Lugh, the Irish Celtic god that mastered all of the arts, including magic.
Vaïnämöinen, the great bard-enchanter of Finland, and one of the sorcerer-heroes of the Kalevala alongside the magical blacksmith Ilmarinen, all fighting against the evil witch-queen Louhi.
In fairytales: the fairytales of the brothers Grimm brought many of the famous fairytale witches, from the evil queen with her magic mirror in Snow-White to the witch living in a house of bread and sugar in Hansel and Gretel. In Slavic fairytales, the great and iconic witch is the dreaded Baba Yaga. The French fairytales also brought the archetype of the fairy godmother: Cinderella, Toads and Diamonds, Donkeyskin, Cunning Cinders, The Hind in the Woods/The White Doe, Prince Marcassin... And let’s not forget Carabosse, the wicked fairy of the fairytale Princess Mayblossom, that became thanks to Tchaïkovsky’s ballet the old antagonistic fairy of Sleeping Beauty. Plus: the seven-league boots, one of the most famous magical items of French fairytales, appearing in Little Thumbling or The Orange Tree and the Bee.
The world of alchemy: the famous philosopher’s stone, elixir of life, and panacea that formed the ultimate goals of alchemists. Hermes Trismegistus, the mythological patron and ancestor of all alchemists (himself a mix of the Greek god Hermes and the Egyptian god Thoth). Nicolas Flamel, the 14th century book-seller everybody believed to be the discovered of the philosopher’s stone.
Some famous grimoires of our world: The Book of Abramelin, a tome of sacred Jewish magic. The Lesser Key of Solomon, a demonology grimoire of the 17th century inspired by the older book of sacred spells known as The Key of Solomon. The very famous duo of French grimoires known as the Grand Albert and Petit Albert. The Book of Shadows, a type of grimoire originally part of the Wicca religion, and that became popularized in America media thanks to the television series Charmed.
Principles, beliefs, personalities and practices of our world (which, as you will note, frequently mix magic with religion and folk-healing): Nostradamus, the great French prophet. The magi of Persia, Zoroastrian priests and astronomers that gave birth to the concept of the “mage” as we know it today. The original mana - not the video game mechanic, but the supernatural force of Oceanian beliefs. The Celtic druids and the most famous of their sacred sites: Stonehenge. The marabout, a type of Muslim holy man from Africa to whom was attributed some magical powers in folk-belief. The shamans of Siberia, the ones from which the very principle of “shamanism” was codified in the West. The medecine people of the First Nations in Northern America. The sangomas of Southern Africa, one of the most famous types of African “witch-doctors”. The Haitian Vodou and the Louisiana/New-Orleans Voodoo, folk-religions and magic beliefs deriving from the Vodun religion of West Africa (not to be confused with their various “cousins”, such as the Vodu of Cuba, the Jejé of Brazil or the Hoodoo).
More general magic tropes and concepts: the magic potion. The flying broomstick. The magic wand, or its variation the wizard’s staff. The familiar of the witch. The trope of the wizard duel, which, despite its prominence in modern literature and contemporary folk songs, has roots in ancient mythological fights and legendary magic hunts. The tempestarii, or the belief in weather-influencing, weather-changing sorcerers.
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roundtabletea · 5 months
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Disney Villains as Arthurian Characters
We compiled a list of our favorite Arthurian villains, and compared them to some of our favorite Disney villains. Surprisingly, there’s a LOT of similarities; whether it’s motives, gender expression, or character traits, there are some great, classic Disney counterparts to traditional Arthurian villains.
Morgan le Fay as Maleficent
This one is a bit self-explanatory; “evil sorceress obsessed with killing a certain member of a royal family” is a category that both Morgan le Fay and Maleficent fall neatly into. In Arthurian legend, Morgan le Fay does whatever it takes to kill King Arthur, her brother. She’s portrayed as vengeful and cunning; definitely not a good character. Likewise, in the 1959 Disney film Sleeping Beauty, Maleficent curses Princess Aurora to die and spends sixteen years trying to make this happen! She devotes her life to revenge against the king by cursing his daughter, and her scary presence makes for one of the most iconic Disney villains ever. This is just the most obvious similarity between the two, though; when you look deeper into it, they’re really very alike!
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One of the biggest similarities between the two characters is their ability to shapeshift. If you read “Aftir Thes Questis” in Le Morte D’Arthur, you’ll remember when Morgan le Fay transforms herself into a rock while Arthur is chasing her. Because of this, she’s able to get away—she even boasts about it later, saying that she’s not afraid of Arthur since she can do magic and shapeshift whenever she wants! Her kinda-bravado is a notable aspect of her character and shows how capable she is with magic—she can’t fight with a sword and shield like the male characters, so she turns to magic to keep herself squarely in the game. Honestly, it makes her so much more interesting than Arthur; her motives are confusing and, while we know we should be on Arthur’s side, we want to see what she does next!
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In Sleeping Beauty, Maleficent has a similar shape shifting moment of her own. Near the climax of the film, Prince Philip breaks free of the dungeon Maleficent had imprisoned him in. While he’s on his way to save Aurora, Maleficent transforms into a terrifying, purple dragon in order to stop him. This was honestly such a scary scene to watch as a kid and it still holds a lot of authority; it’s the classic hero vs. villain end-scene battle, and is the ultimate expression of Maleficent’s power. Can Prince Philip shapeshift??? I don’t think so. Even though she loses the battle because the story needs a happy Disney ending, it’s still an iconic scene; we remember Maleficent as the terrifyingly interesting sorceress, not just the loser of the battle. She’s such an interesting character because of her wickedness (which is a lot like Morgan le Fay…); I rest my case on the fact that she got her own film series with Angelina Jolie.
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What really brings these two characters together, at least for me, is that I still end up liking them even though they’re villains. Their feminine characteristics are so fleshed out, they possess insane magical powers, and they devote their whole lives to revenge—they’re way more memorable than boring Prince Phillip and do-nothing King Arthur! They’re the real stars of the stories they’re in.
Image one credit: Sleeping Beauty, 1959, Walt Disney Productions
Image two credit: Morgan le Fay, 1862, Edward Burne-Jones 
Image three credit: Sleeping Beauty, 1959, Walt Disney Productions
Guenevere's mom as Ursula
Surprisingly, Queen Guenevere’s mom from The Awntyrs Off Arthure is very similar to the one of the most beloved (or feared, depending how you look at it) Disney villain, Ursula from The Little Mermaid. Despite the obvious differences due to both the time periods, existence and the settings, the way they embody their femininity is one and the same.
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Both are portrayed/described as hideous and powerful characters. Ursula uses her power to control Ariel and in turn King Triton, similarly Guenevere’s mom uses her ghostly state to scare the men into changing the way they portray their masculinity. Their power caused them to be feared by the characters in the stories. Ursula was shown as a manipulative con-women and Guenevere’s mom was described as a spiteful ghost condemned for being too prideful and as an adulterer.  Guenevere’s mom is also fairly manipulative, for example, she uses christianity’s hell to scare Guenevere into praying for her soul and the future death of Arthur to scare Gawain into changing the way he portrays his masculinity.
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I think we can all agree that this powerful portrayal of femininity is what makes them such great villains, as it challenges gender norms and threatens masculinity. Who doesn’t love that? Strong female characters are personally my favorite villains or not.
Image 1; “Ursula the Sea Witch Animation Cel”, Smithsonian’s National Zoo & Conservation Biology Institute, 1998
Image 2: “Ghosts in Medieval Literature” Medievalist.net, Lady Guenevere, Howard Pyle, 1903
Mordred as Jafar
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One thing that both Mordred and Jafar have in common is betrayal. Mordred betrayed King Arthur by usurping him (also playing a key role in the downfall of Camelot (and himself)), while Jafar betrayed Amara by turning her into a serpent. Both characters sought to gain more power and authority at the expense of others; both wanted to gain control of a kingdom. And, in the end, both characters’ lust for power and control ended in their downfall—Mordred ended up dying while battling Arthur, while Jafar ended up dying after his lamp was destroyed by Iago. Traditionally, Mordred embodies a more toxic masculinity, driven by things like ambition and, once again, a desire for power, just like Jafar.
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While both characters embody these particular power-hungry toxic traits, it’s important to note that these portrayals are dated and don’t align with today’s values of masculinity.
Image 1: Mordred, 1907, Howard PyleImage 2: Aladdin, 1992, Walt Disney Productions
Lancelot as Hans
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Now, don’t get me wrong. There are a lot of differences between Lancelot and Hans. One is the greatest hero of Arthurian Legend and one is the twist villain of one of the highest grossing animated movies of all time in 2013’s Frozen. But at the end of the day, there are quite a few similarities as well. Both are love interests to a female member of a royal family, with Lancelot pining for Guinevere and Hans and Anna establishing a rapid connection with one another (I mean, they sing a song about their love for one another, so you know it’s important to Anna at least; after learning Hans’ plan, the song kind of loses its umph, though). They both also are seen loyally serving the one they are romantically attached to without question, as Lancelot is constantly saving Guinevere from danger and obeys all of her commands and Hans takes over the kingdom in Anna’s absence while she tries to save Elsa because she tells him to.
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The main crux of their connection is the trust they gather before their betrayal. Hans knows exactly what he is doing and has been trying to gain Anna’s trust from the very beginning and yet plans to betray her when the time is right. He is thirteenth in line for a crown he will likely never get, so he goes to Arendelle to take that crown instead. Meanwhile, Lancelot betrays Arthur not because he wants to, but because his love for Guinevere was too strong to ignore. One feels no love for their supposed romantic partner and one feels such strong love that it causes problems. When it comes to Hans and Lancelot, it is more of the idea of the betrayal that connects them over any other aspect, as they are mostly polar opposites otherwise. However, behind the scenes, they have another connection. Lancelot is a later addition to the Arthurian Canon and, similarly, Hans is one of Disney’s more recent animated villains in their own “canon”. And yet, everyone agrees that Lancelot is essential to the Arthurian Canon and many people, including myself, see Hans as one of the more recognizable and important villains in Disney’s vast library of such villains. But really, Lancelot. You could have avoided the whole betrayal problem if you could keep your hands to yourself for five minutes…
Image 1: Frozen, 2013, Walt Disney Productions Image 2: Sir Lancelot du Lake, 1907, Howard Pyle
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lostaff · 1 year
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Ch-ch-changes
🌟 Novità
La versione aggiornata della pagina delle impostazioni del blog sul Web è ora disponibile per tutti.
Il 2022 Year in Review di Tumblr è ora disponibile!
Tumblr ora può essere installato come app Web progressiva tramite Google Chrome e Microsoft Edge. Per verificarlo, vai su tumblr.com/dashboard in Chrome o Edge e fai clic sull'icona di installazione nella barra degli URL all'estrema destra.
L'editor di post sul Web ora supporta alcune scorciatoie da tastiera aggiuntive: ctrl + maiusc + z inserisce un blocco di collegamento, ctrl + maiusc + p inserisce un blocco di immagine (solo in Google Chrome), alt + maiusc + p inserisce un blocco di immagine (tutti i browser ), ctrl shift + L inserisce un blocco audio, e infine ctrl + virgola trasformerà il testo selezionato nel piccolo formato.
🛠 Correzioni
Abbiamo apportato alcuni miglioramenti al modo in cui gestiamo i post con immagini di dimensioni/proporzioni molto diverse nel modulo del post sul Web. L'anteprima nel modulo del post ora corrisponde anche a come apparirà il post nella dashboard una volta pubblicato.
La scheda "I tuoi tag" non si aggiornerà più dopo aver aperto le opzioni "Gestisci" (a meno che tu non modifichi effettivamente qualcosa nelle opzioni "Gestisci").
Risolto un problema per cui lo spostamento di un'immagine all'interno del modulo del post contava come un caricamento.
Sul Web, abbiamo risolto un problema per cui il pulsante "Segui" nella pagina /following si spostava su due righe in alcune lingue.
Risolti un paio di problemi con il modo in cui il nuovo editor di post web gestisce i blocchi di testo "Più grandi", che potrebbero causare la perdita della loro formattazione o la duplicazione.
Risolto un problema nell'editor di post in cui le icone dell'inseritore di blocchi venivano allineate in modo errato nelle finestre del browser più piccole.
La scorsa settimana, i post in coda sono stati pubblicati più tardi del previsto. Questo problema è ora risolto.
🚧 In corso
Niente da segnalare oggi.
🌱 In arrivo
Il tuo Year in review personalizzato!
Hai riscontrato un problema? Invia una richiesta di supporto e ti risponderemo il prima possibile! 
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underthe-shadows · 5 days
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LES HYBRIDES —
tw : discrimination raciale, bâtardise, mention de meurtres.
Le terme hybride représente les êtres issus de l’union des Fay et des Humains. De manière plus spécifique, on considère deux sortes d’hybrides au sein de cette espèce, les Demi-Seelies et les Demi-Unseelies.
GENERALITES caractéristiques physiques — Les hybrides possèdent une apparence plus humaine que Fay, bien qu’iels soient pourvus d’oreilles plus pointues que celles des humains et des canines plus prononcées dans le cas des Demi-Unseelies. Contrairement à leur parent féérique, les Hybrides ne possèdent pas d’ailes.
reproduction — Les hybrides peuvent se reproduire avec un·e Fay de la même espèce qu’elleux, ou un·e humain·e. Iels peuvent également se reproduire entre elleux, si tant est que leur ascendance féérique appartienne à la même Cour.
longévité — Les hybrides et ce peu importe leur ascendance, possèdent une longévité semblable à celle des humains.
la magie — Les hybrides ont la capacité de manipuler un type de magie de la Cour de leur parent féérique. Contrairement à elleux cependant, cette magie n’est pas innée et ne leur vient pas naturellement. C’est un pouvoir qu’iels doivent apprivoiser et apprendre à manipuler, mais surtout iels doivent le vouloir. On remarque également qu’iels sont dans le cas des Demi-Seelies, immunisé·es aux effets de la morelle noire. Les Demi-Unseelies, elleux, sont immunisé·es aux effets du bois de sorbier.
les faiblesses — Les hybrides possèdent les mêmes faiblesses que les êtres humains. Il est à noter qu’iels sont sujet·tes aux maladies humaines comme magiques.
langues — Les hybrides parlent couramment la langue commune, et il arrive qu'iels parlent également les dialectes des régions dont iels sont issu·es. Celleux qui ont intégrés le Cercle des Traqueurs se voient apprendre les rudiments de la Langue Ancienne.
territoires — On trouve des hybrides aux quatre coins des différents territoires de Fae'Alas. La plus grande concentration se trouve cependant à Mythralis ou au sein des Terres Libres.
relations avec les autres espèces — Les hybrides ne sont pas perçus de la même manière, qu’iels soient né·es à Mythralis ou à Vesperia. Au cœur de Mythralis, les hybrides possèdent le même statut que les différents citoyens, et iels sont considéré·es comme un symbole même de l’union des Fay et des Humains. Iels sont donc largement acceptés au sein de la société et sont poussé·es à poursuivre des études au sein des Tours Lunaires du royaume pour y apprendre à maîtriser la magie. On compte quelques familles royales qui sont aujourd’hui composées d’hybrides.
La situation est cependant différente au sein de l’Empire de Vesperia. De manière officielle, et ce grâce à la Chantrie, les humains perçoivent les Demi-Unseelies comme les Champion·nes des Evanuris, celleux qui apporteront la lumière sur le Monde Connu et permettront aux habitants des différents royaumes de trouver grâce aux yeux des divinités. Les Demi-Seelies cependant, sont plus mal perçu·es, les Seelies étant considéré·es comme celleux qui brisent l’équilibre de la magie et qui courroucent les Evanuris.
Si ce semblant d’acceptance pourrait faire croire à une grande tolérance quant au sujet de l’hybridité, la vérité est cependant loin de la réfleter. En vérité, les Unseelies considèrent les hybrides comme des bâtards, des hérésies qui pourraient perturber l’équilibre pré-établi par l’espèce dominante depuis plusieurs siècles. Pour cette raison, nombreux sont les Unseelies qui pourchassent leurs bâtards avant qu’iels n’aient eu le temps de rejoindre le Cercle des Traqueurs, afin de les éliminer.
crédit des icons : miserunt.
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moondal514 · 9 months
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Just Leave a Comment Fest 2023
I was too disorganized to post daily totals but my final overall comment total for the @justleaveacommentfest was: 56
Which, considering how busy my week was, isn’t half bad
Thought I’d make a fic rec list of a few of the fics I read (reread in some cases), loved, and commented on that were on theme for each day of the fest
Day 1: old/new fics
Fandom: All For the Game
Don't Speak Against the Sun by zeffyamethyst
adversus solem ne loquitor.
Sometimes it's not about winning, but how you play. Other times it's about doing whatever it takes to come out on top. Like, literally on top because Sarah enjoys holding Tish down.
The iconic 1st ever aftg fic that inspired Nora to create Laila and Alvarez
Fandom: All For the Game
The Love We Unravel by fullyvisible/ @fullyvisible
Jeremy deserves a comfortable, safe life; Jean knows he can't give it to him - and neither can Kevin. But they don't consider whether Jeremy thinks they're a risk worth taking.
Excellent KereJean angst
Day 2: <2k words
Fandom: Mo Dao Zu Shi
dam wei ying your bobbies by Yuisaki
"Are you even seeing my nipples?"
Lan Zhan's hand is still pressed to Wei Ying's chest. The nipple in question is poking at the center of his palm. Possibly where his lifeline is, which is an unspeakably cruel piece of irony and the fact that kindness is dead in the world. "I see them," says Lan Zhan instead.
At the banquet after the Grand Prix, Lan Zhan measures the circumference of Wei Ying's chest, among other things.
Will never be able to look at donghua!yiling laozhu ever again without thinking of this fic and cackling
Fandom: Six of Crows
honey to taste by alltheworldsinmyhead/ @alltheworldsinmyhead
"She reaches up and rests her hand lightly on the nape of his neck, pulling him towards her.
“Let’s not go anywhere today,” she says. “Write me down in your calendar, Dirtyhands. I’m yours for the weekend.”
Some gorgeously written post-canon Kanej
Day 3: au’s
Fandom: Mo Dao Zu Shi
notes on a rivalry by HeylookGiraffes/ @heylookgiraffes
“Ooo,” he says, turning the stand towards him. “‘Card-bored for cardboard ensemble,’ that’s original. Might as well write a dedication with that title.”
“You’re not even in music,” Jiang Cheng hisses under the background of voices arguing.
Nie Huisang raises an eyebrow and pulls out a French horn. In the front of the room, Wei Wuxian’s voice rises.
“I’ve never seen you use that,” says Jiang Cheng.
“I’m a man of many mysteries.”
Wen Qing turns around. Her rubberband and cereal box guitar creaks ominously in her hands. At her glare, the two of them fall silent just in time to hear Lan Wangji say, cool as a cucumber:
“It is no wonder that Wei Ying never writes for real instruments, since he can barely write for ones of his own creation.”
Nie Huisang looks like Christmas has come early. “This is even better than I imagined.”
Literally the exact modern composers au I was dying to read after I finished the MDZS novels
Fandom: All For The Game
Into The Deep by Fortheloveofexy/ @fortheloveofexy
Neil Josten stares at the large building in front of him, his mouth twisted into a small frown.
Yesterday, Browning had handed him a manila folder containing his new name, his new life. Included in that file had been a note, the same slightly crumpled note he’s holding in his hand now, with the name of his new employer.
Foxhole Aquarium. Ask for David Wymack
Absolutely iconic mer au
Day 4: rarepair/platonic
Fandom: BBC Merlin
The Shoemaker by fleete
Historical magical AU. In turn-of-the-century Glastonbury, Freya Lake is the headmistress of an orphanage for magical children. And despite all the seers’ dire warnings, Freya is happy; her infatuation with the shoemaker’s apprentice—who may or may not be a girl underneath his shirt and trousers—is slowly coming to a head. But then a woman claiming to be Morgan Le Fay shows up on the orphanage steps, demanding to see Emrys, and Freya is forced to rearrange her priorities.
Fun fact: this fic was one of the 1st portrayals of an genderqueer character I ever read and so rereading it years later made me quite unexpectedly emotional and I’m glad I got to fix my crime of having not left a comment on it before
Fandom: Good Omens
Should Old Acquaintance Be Forgot by xylodemon/ @xylodemon
In which Crowley starts over. Again, and again, and again
Hilarious and fantastic read
Day 5: try something new
Fandom: Mo Dao Zu Shi
work song (crawl home) by animediac/ @jaywalkers
Jiang Cheng looks at Nie Huaisang curled up on his bunk, covered by a spare set of Yunmeng Jiang robes, and something inside him remembers the stories of soldiers coming home to their lovers.
Chengsang is a ship that never would’ve occurred to me on my own (prob cuz I haven’t watched cql) but if anyone could convert me to it, it would be Róisín and this fic is of course gorgeously written
Fandom: Black Mirror: Bandersnatch
The Pleasure Principle by fluorescentgrey/ @yeats-infection
"You weren't exactly starting from square one on the road to madness."
So I have watched exactly one Black Mirror episode (and it wasn’t this one lol) but Gen is such a talented writer that I would prob love reading even her grocery lists so it’s no surprise I love this fic despite my unfamiliarity with its canon
*
Loved this fest, will continue to comment on fics as I have been doing. Much love to fic writers out there, thank you for sharing all your work and talent <3
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andthesunrisesagain · 2 years
Video
Coloriser une photo avec Photoshop et les neural filters
Version requise : Photoshop CC 2021 minimum
Exemple de photos colorisées : avatar 1 ; avatar 2 ; avatar 3
Durée de la video : 9.40min avec 4 photos testées
Vidéos avec explications sonores mais non sous-titrée. Tutoriel écrit ci-dessous.
Note 1 : la colorisation et la restauration de photos n/b est un travail à part entière, qui demande du temps et des compétences en photos et en couleurs. Ici, nous ne faisons qu’utiliser un outil automatique et cela ne remplace pas un travail global.
Note 2 : Il faudra faire très attention au whitewashing (ww) et/ou pocfishing (pf) de certaines colorisations. L’outil utilise les zones lumineuses et les ombres pour définir les couleurs, ce qui implique des erreurs possibles. Et comme on parle d’intelligence artificielle/algorithme, il y a obligatoirement des biais et dans ce cas là, qui entrainent des colorisations claires sur certaines photos. Pour cela, je conseille de comparer avec plusieurs autres photos (red carpet, vie quotidienne, dans la rue...) pour s’assurer que la colorisation est réaliste et naturelle. Les photoshoots sont à éviter selon moi car ils ont, de base, des colorings et des effets de lumières qui peuvent modifier les couleurs.
Tutoriel
Sélectionner la photo à coloriser dans le panneau des calques.
(1.37 min) Se rendre dans le menu filtre -> neural filters. Un panneau latéral va s’ouvrir sur votre gauche. Vous y trouverez plusieurs outils, avec à côté un petit icon “nuage/cloud” : chaque outil demande à être téléchargé avant l’utilisation. Je vous conseille de télécharger uniquement l’outil qui vous intéresse, ici “coloriser”.
Une fois le téléchargement fait, activer le switch qui a remplacé l’icon “nuage”. Vous verrez votre photo se coloriser automatiquement.
(2.40min) En cas de zone à revoir (un tissu resté en n/b, un bout de paysage dans une mauvaise couleur...) : Placer votre souris sur la zone à revoir sur la photo du panneau latéral. Cela va créer un “point” de couleur. Choisir la couleur souhaitée. La zone non colorisée prendra cette nouvelle couleur. Jouer avec le curseur “intensité” juste en dessous pour coloriser + ou - la zone. Réitérer jusqu’à satisfaction.
Vous pouvez jouer avec les réglages de saturation, balance de couleurs. Personnellement, je ne le fais pas car j’utilise mes coloring par dessus ensuite. L’objectif ici est seulement d’avoir un rendu naturel et réaliste d’une photo couleur.
(4.10 min) Choisir “sortie : nouveau claque”. Cela créera un nouveau calque de votre photo colorisée pour que vous ayez toujours la photo de base dessous. Valider.
(6.50 min ) Vérifier que le rendu final n’est pas ww ou pf en comparant avec d’autres photos. S’il y a seulement quelques zones trop claires (exemple les zones qui prennent la lumière), vous pouvez corriger avec un calque de correction selective, le pinceau en produit/lumière tamisée/couleur !
Si vous avez des questions sur la vidéo et/ou le tutoriel écrit, n’hésitez pas à me demander.
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