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#london 02 June 2019
fashionbooksmilano · 2 months
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Supreme Glamour
Mary Wilson with Mark Bego
foreword by Whoopi Goldberg
Thames & Hudson, London 2019, 238 pages, 20x31cm, ISBN 978-0-500-022 009
euro 24,50
email if you want to buy [email protected]
With the assistance of her close friend Mark Bego, founding member Mary Wilson tells the complete story of The Supremes, both on- and off-stage, from their beginnings as The Primettes in June 1959 to their 1964 breakthrough Motown hit, ‘Where Did Our Love Go’, and from the departure of Diana Ross to the group’s comeback in the mid-1970s. Packed with personal ancedotes and reflections from Mary herself, the text is accompanied by rare archive photography and ephemera, much taken from Mary’s personal collection.
The Supremes have always been synonymous with glamorous, elegant co-ordinated costumes. Supreme Glamour complements and extends their inspiring story by interleaving text sections with the cream of Mary Wilson’s unparalleled collection of Supremes outfits, showcasing thirty-five of the most eye-catching ensembles, painstakingly re-assembled and photographed on the Grammy museum stage. Detailed captions accompany each photograph, providing all the key information about the design, the fabric, the embellishments, and the occasion on which each was first worn. Contemporary photos of The Supremes wearing the outfits bring the costumes to life.
This sumptuous volume builds a complete picture of the charm and sophistication of The Supremes. Supreme Glamour is sure to appeal to fashionistas, Supremes enthusiasts, Mary’s numerous fans and visitors to her frequent exhibitions of the Mary Wilson/Supremes Gown Collection.
10/02/24
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Japan's All-Female Metal Band LOVEBITES Returns With New Bassist And 'Judgement Day' Music Video
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LOVEBITES, the all-female heavy metal band from Tokyo, Japan, has returned from its hiatus with a new member, a new music video and news of a fourth studio album coming in February 2023. The LP is also available to preorder today from JPU Records, and is available physically in three editions.
"Judgement Day", the fittingly titled album, will be the first to feature the band's new lineup, which includes bassist Fami, who was selected after an audition process and is just 20 years of age. The fast, melodic and heavy metal sound that LOVEBITES has excelled at since its debut is still burning strong, but has been sublimated further. Newcomer Fami also brings an added charm to the quintet, including her signature slap technique. The album contains ten completely new songs, mixed and mastered by Finnish masterminds Mikko Karmila and Mika Jussila, who have worked on all of the band's studio albums.
Fans can get a taste of the new LOVEBITES today with the release of the digital single and music video to the album's title track, available to download, stream and watch now.
The cover art for the album features a wolf, an incarnation of the band that has appeared on all of LOVEBITES's previous albums. This time, as the title suggests ("Judgement Day"),the wolf clutches scales that weigh good and evil within its jaws, and is captured sprinting between the sun and the moon. Further meaning from the cover art can be discovered in the title track's music video, and further details will likely be revealed in the future too.
"Judgement Day" will be released digitally worldwide on February 22, 2023, and released on CD from JPU Records from February 24, 2023. A video-on-demand and CD bundle is also available directly from JPU Records' web site. It features a documentary of the bassist auditions which includes interviews with the members of the band, as well as Fami while she was still one of the finalists — all with English subtitles. It also includes four studio sessions; "The Hammer Of Wrath", "Golden Destination" and "Shadowmaker" from the audition finals, and "Bravehearted", the first session with Fami as an official member of LOVEBITES. There is also a third edition that includes the CD, the video on demand content and a "Judgement Day" t-shirt. Additionally, 50 orders of this latter bundle will randomly receive a sleeve case that has been signed by the members of the band.
"Judgement Day" track listing:
01. We Are The Resurrection 02. Judgement Day 03. The Spirit Lives On 04. Wicked Witch 05. Stand And Deliver (Shoot 'Em Down) 06. Victim Of Time 07. My Orion 08. Lost In The Garden 09. Dissonance 10. Soldier Stands Solitarily
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LOVEBITES formed in 2016 with vocalist Asami, guitarists Midori and Miyako, bassist Miho and drummer Haruna. The band's EP "The Lovebites" EP was mixed by Mikko Karmila and mastered by Mika Jussila, a team of talented Finnish engineers known for their work with NIGHTWISH, CHILDREN OF BODOM and AMORPHIS. In May 2017 LOVEBITES made their debut and released "The Lovebites" EP through London's JPU Records, followed by full length album "Awakening From Abyss" in October 2017 and had a series of shows in Japan and the U.K.
In 2018 LOVEBITES made their first festival appearance at Vans Warped Tour Japan 2018, as well as a headline show in June for mini album "Battle Against Damnation". In July they participated in Headstrong Fes.18 organized by ANTHEM, followed by performing at the world's biggest metal festival Wacken Open Air in Germany and Bloodstock Open Air in the U.K. They also toured Europe with X-ray Touring. After returning to Japan, LOVEBITES completed their second album "Clockwork Immortality" by the end of the year, and performed at Metal Mania, which also featured LOUDNESS.
LOVEBITES began 2019 by touring Japan, followed by supporting ARCH ENEMY on tour in China. First live album "Daughters Of The Dawn: Live In Tokyo 2019" was released in July, recorded at Mynabi Blitz Akasaka in Tokyo in support of "Clockwork Immortality". The same month the band toured festivals, including Download Festival in the U.K., Graspop Metal Meeting in Belgium, and Download Festival Madrid in Spain. At Download Festival in the U.K., Asami joined HALESTORM on stage to sing "Love Bites (And So Do I)", the song that gave LOVEBITES their name. When the band returned to Japan they toured Tokyo, Nagoya and Osaka before appearing at Summer Sonic 2019. They then joined DRAGONFORCE for their U.K. tour in November as special guests.
In January 2020, the band released third album "Electric Pentagram". It became the band's first album to enter Japan's Oricon Top 10 rankings, peaking at number nine. The band then kicked off tour of Japan in February and released "Five Of A Kind: Live In Tokyo 2020" in July, recorded at Zepp DiverCity, which reached number one in the Oricon Music Blu-ray chart.
In March 2021 they released mini album "Glory, Glory, To The World", which reached No. 10 in the Billboard general chart. Immediately afterwards the band began the "Ride For Vengeance" tour 2021, touring four cities across Japan. In August Miho left the band and it was announced that LOVEBITES would take a break. In the meantime, "Heavy Metal Never Dies – Live In Tokyo 2021" was released in the U.K. as a CD and video on-demand release, featuring the Tokyo show from the "Ride For Vengeance" tour 2021, followed by best album "In The Beginning: The Best Of 2017-2021".
In April 2022, the band held an audition for all nationalities, ages, and genders worldwide to find a new bassist. After a long selection process, fami joined in October of the same year, leading to LOVEBITES once again being composed of five members.
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scarletunit4 · 7 months
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London, L. and Gunn, Z. (2023). Is body diversity in fashion a lost cause? [online] Luxury London. Available at: https://luxurylondon.co.uk/style/hers/body-diversity-in-fashion-models-catwalk-fashion-week/.
Tsui, D. (2019). Finally, Some Age Diversity on the Runway. [online] The Cut. Available at: https://www.thecut.com/2019/02/older-models-of-all-ages-were-on-the-runway-at-fashion-week.html. ‌
Zhang, A. (n.d.). Children on the catwalk: youth modeling should not be permitted. [online] El Estoque. Available at: https://elestoque.org/2019/02/26/opinion/children-on-the-catwalk/ [Accessed 27 Sep. 2023]. ‌
Nichol, R. (2020). See adorable Northumberland girl, 6, walk down the London Fashion Week catwalk. [online] ChronicleLive. Available at: https://www.chroniclelive.co.uk/news/north-east-news/fashion-week-northumberland-child-model-17775472#google_vignette [Accessed 27 Sep. 2023].
Ishmael, A. (2022). Are We Making Progress In Fashion? Experts Weigh In. [online] Teen Vogue. Available at: https://www.teenvogue.com/story/future-fashion-industry. ‌
Watts, R.D., Matt (2022). All hail the gender-neutral catwalk as London Fashion Week kicks off. [online] Evening Standard. Available at: https://www.standard.co.uk/news/uk/london-fashion-week-june-2022-begins-gender-neutral-b1005329.html. ‌
https://www.harpersbazaar.com/uk/fashion/fashion-news/a24874811/victorias-secret-still-refuses-to-include-plus-size-women-in-its-shows/
https://www.elle.com/uk/fashion/a29047458/tess-holliday-body-positivity-fashion-week/
Nast, C. (2019). Teen Vogue: Fashion, Beauty, Entertainment News for Teens. [online] Teen Vogue. Available at: https://www.teenvogue.com/. ‌
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badkarmaviscomm · 11 months
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CVL - Bibliography Part 1 - SD
Williams, J. (2009) ’30 Classic Games for Kids’. [online] Available from: https://www.wired.com/2009/08/simpleoutdoorplay/ Accessed: 24/04/2023.
Loisse, L. (2023) Instagram account [online]. Available from: https://www.instagram.com/lila_loisse/ Accessed: 24/04/2023.
Multiple Artists (2022) ‘The Healing Collective: Spaces for Healing’ [exhibition] Bournemouth: Giant Gallery, 19 June - 4 Sept 2022. Available from: https://www.giant.space/healing-collective Accessed: 24/04/2023.
Champion, K. (2022) ‘Bin Laden’s Hard Drive’ [online] Available from: https://www.kurtchampion.studio/binladensharddrive Accessed: 24/04/2023.
Briggs, R., 1978. The Snowman. Hamish Hamilton UK.
Public Delivery (2019) ‘Why was Sally Mann’s ‘Immediate Family’ so Controversial’ [online] Available from: https://publicdelivery.org/sally-mann-immediate-family/ Accessed: 25/04/2023.
Battimelli, M. (2022) Conversations with Maria. Available from: https://www.miabattimelli.com/conversations-with-maria [online]. Accessed: 25/04/2023.
Spence, J. (2016) Jo Spence: The Final Project [exhibition]. London: Richard Saltoun Gallery, 12 Feb - 25 March 2016. Available from: https://davidcampany.com/jo-spence-the-final-project/. Accessed 25/04/2023.
Munch Museum (2023) Untitled [Instagram] Available from: https://www.instagram.com/reel/CojqPawDxHy/?utm_source=ig_web_copy_link Accessed: 25/04/2023.
Artspace Editors (2018) ‘1990: Hans Ulrich Obrist Explains Why Damien Hirst's "A Thousand Years" Stopped Francis Bacon in His Tracks’ [online] Available from: https://www.artspace.com/magazine/art_101/art-in-the-90s/1990-the-reasons-why-damien-hirsts-a-thousand-years-stopped-francis-bacon-in-his-tracks-55452. Accessed: 25/04/2023.
Bowels, L. (2023) ‘I Miss My Dead Dad’ [online] Available from: https://www.instagram.com/p/CrF_yIDoyy-/ Accessed: 25/04/2023.
Sontag, S., 1978. Illness as metaphor. Farrar, Straus and Giroux.
Psychcentral (2022) ’10 Exercises to Heal Your Inner Child’ [online] Available from: https://psychcentral.com/health/how-to-heal-your-inner-child. Accessed: 27/04/2023.
Trieu, T.(2023)What Is Inner Child Work? A Guide To Healing Your Inner Child [online] Available from: https://www.mindbodygreen.com/articles/inner-child-work Accessed: 27/04/2023.
Velchev, A. (2023) Instagram account [online]. Available from: https://www.instagram.com/anavelchev/ Accessed: 27/04/2023.
Sahlstrom, A. (2023) ‘Kids Toys, Adult Issues’ [sculptures]
Ingvartsen, D. (2023) ‘Kids Toys, Adult Issues By Andy Sahlstrom’ [online] Available from:https://www.theinspiration.com/2023/03/kids-toys-adult-issues-by-andy-sahlstrom/ Accessed: 29/04/2023.
Terra Mater (2020) ‘Wasps Inside Figs | Incredible Creatures’[film]. Available from: https://youtu.be/aIyLXrfSLc0 Accessed: 29/04/2023.
Child Bereavement UK (2023) Home Page [online] Available from: https://www.childbereavementuk.org/?gclid=CjwKCAjwo7iiBhAEEiwAsIxQEaM5 Pch9V7jhrEkoib9RXNQ4ustnHtmr026lsQWnqcGG0OLXL8oCDxoCkloQAvD_BwE Accessed: 29/04/2023. 
Child Bereavement UK (2019) ‘Parenting Bereaved Children’ [film] Available from: https://youtu.be/uw1MZlKLKI4 Accessed: 29/04/2023.
Child Bereavement UK (2023) ‘Supporting Bereaved Children and Young People’ [online] Available from: https://www.childbereavementuk.org/supporting-bereaved-children-and-young-people Accessed: 30/04/2023.
Child Bereavement UK (2023) ‘Children’s Understanding of Death at Different Ages’ [film] Available from: https://youtu.be/cBA2U_AFBng. Accessed: 30/04/2023.
Raja, R. (2023) Instagram Account [online] Available from: https://www.instagram.com/rabiaraja_art/. Accessed: 30/04/2023.
Foucault, M., 1967. ‘Of other spaces’. In Heterotopia and the City (pp. 25-42). Routledge.
LIT NOOK (2021) ‘Foucault's Heterotopia and the Six Principles’ [online] Available from:https://youtu.be/gdVNQ8CtJRs. Accessed: 02/04/2023.
Elwes, J., (2019). Zizi – Queering the Dataset. [online] Available from: https://www.jakeelwes.com/project-zizi-2019.html Accessed 06/05/2023
Stigma (2016) ‘Serial Experiments Lain - OPENING [VHS]’ [film] Available from: https://youtu.be/JlBLcLdTYr4. Accessed 07/05/2023.
Multiple Artists (2022) ‘Strange Clay: Ceramics in Contemporary Art’ [exhibition] London: Hayward Gallery, 26 Oct 2022 - 8 Jan 2023. Available from: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/strange-clay-ceramics-contemporary-art. Accessed 08/05/2023.
Jones, A. (2020) ‘Serial Experiments Lain: Peeling Back Layers of Queerness Through Y2K Technology’ [online]. Available from: https://www.pastemagazine.com/tv/serial-experiments-lain/serial-experiments-lain-anime-queer-identity. Accessed: 08/05/2023.
hooks, b.,(2000). All about love: new visions. New York: William Morrow
It’s Nice That (2022) This LDF, get lost in an immersive world of virtual design and digital furniture [online]. Available from: https://www.itsnicethat.com/news/london-design-festival-2022-meet-me-in-the-metaverse-digital-120922. Accessed 08/05/2023.
TEDx Talks (2016) ‘No Child Should Ever Grieve Alone | Carly Woythaler-Runestad | TEDxLincoln’. Available from:https://youtu.be/YR9eokO8cFA. Accessed 08/05/2023.
Funeral Guide (2017) ‘The virtual reality experience opening eyes to the challenges of grief’ [online] Available from: https://www.funeralguide.co.uk/blog/virtual-reality-grief. Accessed 09/05/2023/
Lorway, N. (n.d.) ‘Across Voids: An Interactive Experience On Grief’ [online]. Available from:https://www.swctn.org.uk/2019/10/30/across-voids-an-interactive-experience-on-grief/. Accessed 09/05/2023
Lu Yang (2022) Great Adventure of Material World [installation]. UFO: Unidentified Fluid Other. Amsterdam: NXT Museum, 11th Jun. 2022 – 3rd September 2023.
FutureEverything (2023) ‘This Place [of mine]’ [online]. Available from: https://www.thisplaceofmine.org. Accessed 13/05/2023
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More Havard Refrencing:
Vintage Dancer. (2015). Victorian Edwardian Tea Dress and Gown Guide. [Online]. Vintage Dancer. Last Updated: 29 June 2015. Available at: https://vintagedancer.com/1900s/edwardian-tea-dress-and-gown/ [Accessed 28 November 2022]
artincontext. (2022). Victorian Paintings – Looking at the Best Victorian-Era Art. [Online]. Art in context. Last Updated: 29 April 2022. Available at: https://artincontext.org/victorian-paintings/ [Accessed 28 November 2022].
Chanel Vargas. (2022). 16 Fascinating Facts You Didn't Know About Queen Victoria. [Online]. Town & Country. Last Updated: 19 May 2022. Available at: https://www.townandcountrymag.com/society/tradition/a14510744/queen-victoria-facts/ [Accessed 28 November 2022].
Richard Jones. (2016). The ragged schools. [Online]. Jack the ripper tours. Last Updated: 6 February 2016. Available at: https://www.jack-the-ripper-tour.com/generalnews/the-ragged-schools/ [Accessed 28 November 2022].
Dolores Monet. (2022). Victorian Era Women's Fashions: From Hoop Skirts to Bustles. [Online]. Bellatory. Last Updated: 10 April 2022. Available at: https://bellatory.com/fashion-industry/Fashion-History-Victorian-Costume-and-Design-Trends-1837-1900 [Accessed 28 November 2022]
Dress with a pattern that complements the shape created by the cage crinoline worn underneath it. Museum no. T.702-1913. © Victoria & Albert Museum, London​
This fashion plate from 'Ladies' magazine of 1801 shows the characteristic high waistline of the time. Museum no. E.249-1955. © Victoria & Albert Museum, London​
Victoria Montalti. (2019). Pop Culture: From Days of Decadence to Age of A.I.. [Online]. The Lexington Line. Last Updated: 4 December 2019. Available at: https://www.thelexingtonline.com/blog/2019/10/25/pop-culture-from-days-of-decadence-to-days-of-ai [Accessed 29 November 2022].​
margaret-skratulja.polyvore. (2012). 1920s. [Online]. Printest. Last Updated: December 2012. Available at: https://www.pinterest.co.uk/pin/417849671646795213/sent/?invite_code=a6c0132d2e224a879c4b26bdfe12415 [Accessed 29 November 2022].
Victoria Montalti. (2019). Pop Culture: From Days of Decadence to Age of A.I.. [Online]. The Lexington Line. Last Updated: 4 December 2019. Available at: https://www.thelexingtonline.com/blog/2019/10/25/pop-culture-from-days-of-decadence-to-days-of-ai [Accessed 29 November 2022].​
Lady Jojo. (2020). 60 Fashion. [Online]. Printest. Available at: https://www.pinterest.co.uk/pin/80361174573806866/sent/?invite_code=4f25f3c1e0554ac7b86735789cff8603 [Accessed 29 November 2022].​
Paul Swendson. (2022). The Ultimate Generation Gap of the 1960s. [Online]. Soap Boxie. Last Updated: 19 October 2022. Available at: https://soapboxie.com/social-issues/The-Ultimate-Generation-Gap-of-the-1960s [Accessed 29 November 2022].​
Lilah RamziI. (2014). Back to the Future With '60s Space-Age Chic. [Online]. Vogue. Last Updated: 1 August 2014. Available at: https://www.vogue.com/article/60s-space-age-fashion [Accessed 29 November 2022].
Jessica. (2021). How did madonna become popular. [Online]. About the 80s. Last Updated: 29 May 2021. Available at: https://aboutthe80s.com/how-did-madonna-become-popular/ [Accessed 29 November 2022].
Ana Escalante. (2022). 21 Most Popular 80s Fashion Trends To Dress In 2022. [Online]. the vou. Last Updated: 3 October 2022. Available at: https://thevou.com/fashion/80s-fashion/ [Accessed 29 November 2022].
Pjosik. (2019). 1980s Moodboard. [Online]. imjur. Last Updated: 19 November 2019. Available at: https://imgur.com/gallery/s4QfhMK [Accessed 29 November 2022].
molly savident. (2015). 1980s Moodboard. [Online]. molly savident. Last Updated: 2 February 2015. Available at: https://mollysavident.wordpress.com/2015/02/02/1980s-moodboard/ [Accessed 29 November 2022].​​
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mollydobby · 5 years
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Taron Egerton performing "Your Song" as special guest at Hugh Jackman’s concert - "The Man, The Show, The Music" (June 2019, London)
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tomhiddleslove · 5 years
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tommyray_1998 on Twitter:
"Thank you @josierourke for an amazing night with amazing people. Even met @twhiddleston and #markgattis and the new Artistic Director #michaellonghurst #actor #actorslife #casting #castingdirector #agents #bridgetheatre"
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feelingofcontent · 2 years
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DNP Rewatch: Time For A Change
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Date video was published: 01/25/2019 (X)
DNP Main Channel Rewatch: 386
The first video of 2019! This was late in the year for the first Phil video (I say as we had to wait all the way until February in 2022...)
0:00 - I like that he starts off wearing the same shirt as from PINOF 10. the transition to the next era!
0:04 - well that is a start
0:17 - “private Philly time” um. 😳 did not think about that one before he said it
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0:26 - they really were constantly going in 2018
0:46 - dramatic music! this was a big change for Phil
0:59 - “many reasons” and a sudden blank 😂 or at least a blank on reasons he can share with the internet
1:10 - don’t think this one was as much of an issue after the move to the second London flats
1:21 - jesus christ Phil
1:40 - I mean valid
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1:59 - that tweet also served as a “warning” that this change was coming so the video wouldn’t be a complete surprise
2:06 - we’ve spent so many years on dog hill
2:20 - lol at Phil’s annotations
2:32 - well that’s specific and terrifying
2:40 - love Phil reading the full tweet thread conversation
2:50 - mr english language degree there... 😂
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3:21 - is this the first time he just straight-up said “bitch” on his channel? it might be. I know he did, like “bee-otch” previously
3:30 - candles and plants...very consistent now for Phil
3:40 - the pickle will end up in his background at some point!
4:27 - I’m sure there are smaller ones than that
4:39 - love Phil’s utter confusion there
4:58 - “the mall” lol
5:11 - “cool stuff...like a penis pillow” alrighty then
5:30 - Phil really sees dicks everywhere 😂
5:53 - yeah, no that is definitely horrifying not cute
6:11 - “do I want naked handstand man? probably not” I’m cackling
6:56 - background reveal! this set-up was in the little room behind the sliding glass door where Dan’s background was originally in the filming flat. so Dan must have known he wasn’t going to be filming there anymore
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7:06 - “or new piece of wall” yeah, he knows he can’t say “new home” without the speculation flying
7:15 - “a little bit of help from Danny boy” of course
7:20 - that one had already been alive a long time, so probably the safest plant choice
7:23 - love the TATINOF cube tower holding the lava lamp 😂 they got a lot of use out of those
7:42 - I like the dinosaur lamp
7:58 - the candle Dan gave him for Christmas 2016! wonder if he ever finally burned it to see the skeleton part inside
8:05 - Lion is on such a low shelf that it isn’t visible in a lot of the videos
8:20 - whoops; I’ve done that before when buying things online. but he has that vase his new background now! haha
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8:40 - yeah that does not work
8:50 - I feel like it takes him a while before he tries anything really “new”
9:02 - why...does Phil want to dip his toe...in honey
9:17 - oh, the start of the cactus club. I can’t believe that was all the way back in 2019
9:57 - Phil’s discount code ideas 😂
10:15 - also the start of the dog end screens
This is a good video for the first one of the year. And a necessary one for a somewhat-big change.
DNP went to visit friends up in the Manchester area in early January (1, 2, 3, 4, 5), including going to an arcade bar, which they posted a lot from (1, 2, 3, 4, 5). They also did an Interactive Introverts “viewing party” where they live tweeted through it. After that (1, 2) is when Dan went almost fully quiet online until BIG in June.
So this video kicked off kind-of an “inbetween” era, after Interactive Introverts, but pre-coming-out. I’ll be honest - I already know that Phil’s early 2019 content is not my favorite, but maybe I’ll find a couple surprises that I end up liking more on rewatch!
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mia-soufi2018 · 3 years
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VIP club Soho House aims to go big in the US as bosses plan to list it on the stock market 
By Lucy White For The Daily Mail - June 22nd 2021, 2:02:40 am
Soho House is known for its exclusive hotels and clubs around the world, including 11 in the UK - eight of which are in London. In 2019, Soho House raised £72million for a 5 per cent stake.
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Link
In Alfred Hitchcock’s 1938 film, The Lady Vanishes, a young woman on a train becomes disturbed by the sudden disappearance of a kindly older woman, a governess and music teacher. The latter, a spinster, is introduced to the viewer when she writes the letters of her name in the condensation on one of the train’s glass windowpanes, only to have them evaporate almost instantly. Within minutes, she is gone, and the other passengers, steward, and conductor claim to have never seen her. Asked to describe her, the young woman can only say she was “middle-aged and ordinary,” before admitting, “I can’t remember.” Later in the film, the older woman is reduced to “a hallucination, a subjective image, a character in a novel subconsciously remembered,” and even “nothing but lumps of raw flesh,” all before she is revealed as a British spy, the movie’s ultimate heroine in the final scene.
[...] Her words evoke another woman walking, unseen, down the street nearly a century ago. As Clarissa Dalloway shops in London for flowers on a June morning, Virginia Woolf speculates about her protagonist’s transitory identity.  [...] One’s identity, Woolf seems to say, is transient, and perhaps all the more so with age. As women become older, they entertain a wider set of choices about when and how they are seen. This vanishing can occur more rapidly or be felt more acutely. Clarissa Dalloway’s sense of fleeting self was described more explicitly decades later by the writer Francine du Plessix Gray in her essay “The Third Age.” If the gaze of others wanes, Gray suggests, one might choose to “acquire instead a deepened inward gaze, or intensify our observation of others, or evolve alternative means of attention-getting which transcend sexuality and depend, as the mentors of my youth taught me, upon presence, authority, and voice.”
Gray may be talking about the difference between being a subject and an object. It is a cliché to point out that ours is a culture in which men routinely objectify women, but according to Alison Carper, a psychologist who practices in New York, if a woman is complicit in this practice—that is, in viewing herself as an object—she cannot help but be acutely aware when that object loses its desirability. “As humans, we all need to be recognized,” Carper adds, “but as we grow older, the manner of recognition we search for can change. A subject is someone who experiences her own agency, who is aware of how she can and does have an impact on others and how she is, ultimately, the author of her own life. She is aware of the responsibility this carries.” A woman without fully developed interiority might continue to objectify herself.
[...]  A reduced sense of visibility does not necessarily constrain experience. Associated with greater empathy and compassion, invisibility directs us toward a more humanitarian view of the larger world. This diminished status can, in fact, sustain and inform—rather than limit—our lives. Going unrecognized can, paradoxically, help us recognize our place in the larger scheme of things.
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briiiiiiiiiig · 5 years
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Honoree Nik Dodani (L) and Brigette Lundy-Paine seen onstage at the closing night gala and Visibility Awards during Revry's 4th Annual QueerX Festival at The London West Hollywood on June 02, 2019 in West Hollywood, California.(June 1, 2019 - Source: Getty Images North America)
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Havard Referencing for the images I used:
Vintage Dancer. (2015). Victorian Edwardian Tea Dress and Gown Guide. [Online]. Vintage Dancer. Last Updated: 29 June 2015. Available at: https://vintagedancer.com/1900s/edwardian-tea-dress-and-gown/ [Accessed 2 December 2022]. 
Pjosik. (2019). 1980s Moodboard. [Online]. Imgur. Last Updated: 19 November 2019. Available at: https://imgur.com/gallery/s4QfhMK [Accessed 2 December 2022]. 
eighth of may outfitters. (2021). 80’s Mood Board. [Online]. Printerest. Available at: https://www.pinterest.co.uk/pin/678565868855657736/sent/?invite_code=2482d535fefb46708cb38a775be93e4 [Accessed 2 December 2022]. 
Molly savident. (2015). 1980's moodboard. [Online]. Molly savident. Last Updated: 2 February 2015. Available at: https://mollysavident.wordpress.com/2015/02/02/1980s-moodboard/ [Accessed 2 December 2022]. 
margaret-skratulja. (2012). 1920s collage. [Online]. Printerest. Last Updated: December 2012. Available at: https://www.pinterest.co.uk/pin/417849671646795213/sent/?invite_code=a6c0132d2e224a879c4b26bdfe12415 [Accessed 2 December 2022]. 
Jennifer Emmerich. (2019). 20s Vintage edit. [Online]. Printerest. Available at: https://www.pinterest.co.uk/pin/810296157948154388/sent/?invite_code=168b1b29b971425e902010672d3489a [Accessed 3 December 2022]. 
Victoria Montalti. (2019). Pop Culture: From Days of Decadence to Age of A.I.. [Online]. The Lexington Line. Last Updated: 4 December 2019. Available at: https://www.thelexingtonline.com/blog/2019/10/25/pop-culture-from-days-of-decadence-to-days-of-ai [Accessed 3 December 2022]. 
Lady JoJo's. (2018). 60s Fashion. [Online]. Printerest. Available at: https://www.pinterest.co.uk/pin/80361174573806866/sent/?invite_code=4f25f3c1e0554ac7b86735789cff8603 [Accessed 3 December 2022]. 
Paul Swendson. (2022). The Ultimate Generation Gap of the 1960s. [Online]. soapboxie. Last Updated: 19 October 2022. Available at: https://soapboxie.com/social-issues/The-Ultimate-Generation-Gap-of-the-1960s [Accessed 3 December 2022]. 
The Ultimate Generation Gap of the 1960s - Soapboxie 
VL McBeath. (2017). Victorian Era Women's Suffrage. [Online]. VL McBeath. Available at: https://travelwritedraw.com/portfolio/ [Accessed 3 December 2022]. 
Kathryn Hughes. (2011). Victorian buildings: architecture and morality. [Online]. The Guardian. Last Updated: 11 September 2011. Available at: https://www.theguardian.com/artanddesign/2011/sep/11/victorian-edwardian-british-architecture [Accessed 3 December 2022]. 
Pastime design. (2022). Vintage 1800s Ladies Hat Fashion,Instant download,Vintage Victorian Ephemera,Printable vintage image,vintage download,Vi. [Online]. Etsy. Available at: https://www.etsy.com/uk/listing/615514772/vintage-1800s-ladies-hat-fashioninstant [Accessed 5 December 2022]. 
Christine Bolton. (2020). Art Movements of the 1920s. [Online]. hancock historical museum. Available at: https://hancockhistoricalmuseum.org/i-love-the-1920s/art-movements-of-the-1920s/ [Accessed 5 December 2022]. 
Lynsey Ford. (2018). The 10 Most Influential Artworks from the 1920s and 1930s. [Online]. culture trip. Last Updated: 6 April 2018. Available at: https://theculturetrip.com/europe/united-kingdom/england/london/articles/the-10-most-influential-art [Accessed 5 December 2022]. 
Elizabeth Puckett. (2021). Some Of The Most Beautiful 1920s and 1930s Cars On The Planet. [Online]. Motorious. Last Updated: 9 October 2021. Available at: https://www.motorious.com/articles/features-3/1920s-and-1930s-cars/ [Accessed 5 December 2022]. 
Simone Aïda Baur. (2014). The past en vogue: Vintage and retro. [Online]. global inspirations design. Last Updated: 8 August 2014. Available at: https://www.globalinspirationsdesign.com/50s-60s-interior-design/ [Accessed 5 December 2022]. 
the new york times. (2018). Painting From the 1980s, When Brash Met Flash. [Online]. The New York Times. Available at: https://www.nytimes.com/2017/02/09/arts/design/painting-from-the-1980s-when-brash-met-flash.html [Accessed 5 December 2022]. 
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virtuemoirdailynews · 4 years
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Post-Official Retirement Timeline #05
Post-Official Retirement Timeline (starting in 2020)
Links: #01 Post-Sochi 2014-2016, #02 Post Comeback 2016-2018, #03 Post PyeongChang 2018-2019, #04 Post-One-Year Anniversary to PyeongChang 2019
2020
January 4-7 – Tessa films a tv series about Canadian destinations [with Kelly and Sheri T.] (Yellowknife, NT)
January 8 - Tessa spotted by several fans at the train station and in the train to Toronto (London)
January 9 - Scott practices for his upcoming celebrity curling game (London) + Tessa attends the “A night with blue and white” Leafs charity gala for the MLSE Foundation with Morgan Rielly at the Fairmont York Hotel (Toronto)
January 11 - Scott participates in the Continental Cup celebrity curling game (London)
January 13 - Tessa hosts and participates in a cooking demonstration with her sponsor Saint Yves Veggies (Toronto) + Scott is spotted at Nationals with Kaetlyn Osmond and Mike Slipchuk (Mississauga)
[January 13-19 – Scott attends Nationals (Mississauga)]
January 16 - Tessa attends a Barre Belle class (Toronto)
January 17-18 – Tessa attends “an evening with Tessa Virtue” as a guest speaker at the Carleton University (Ottawa)
January 19-20 – Scott attends Nationals with his mother, aunt and fiancée (Mississauga)
January 23 - Tessa rumoured to be spotted at lunch or dinner with Morgan Rielly by a fan (Location unknown)
January 25 - Tessa spotted by a couple of fans in a bookstore (assumed Bayfield)
January 26 - Tessa spotted at dinner by a fan (assumed Toronto)
April 1 - Tessa as a special guest for the Women on Top of the World event/summit (Halifax)
May 8 - Tessa attends “an evening with Tessa Virtue” at the Young Fellows Club of Weyburn at the Weyburn Curling Rink (Weyburn, Saskatchewan)
******May 12-19 – GKP Ireland (Galway and Conmerra)
******May 20-27 – GKP Italy (Matera)
June 8-10 – Tessa as a guest speaker for the ESPN Women Summit (Vancouver)
July
Scott’s Wedding
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fashionbooksmilano · 4 years
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Keith Haring
edited by  Darren Pih, with contributions by Paul Dujardin, Tamar Hemmes, Hans-Jürgen Lechtreck and Darren Pih
Tate Gallery Pubn, London 2019, 127 pages, 100 colour illustrations, ISBN  9781849766272
euro 30,00
email if you want to buy [email protected]
Published on the occasion of the exhibition of the same name held at Tate Liverpool, 14th June-10th November 2019, at Centre for Fine Arts (BOZAR), Brussels, 6th December 2019-19th April 2020, and at Museum Folkwang, Essen, 22nd May-20th September 2020
An energetic and accessible introduction to iconic American artist Keith Haring, this exhibition catalogue accompanies Haring's first UK institutional exhibition.   Featuring around fifty works supported by rarely seen photography, film and archival documents from the Keith Haring Foundation, this book will not only introduce Haring to a new audience but also throw fresh light on an artist whose work remains symptomatic of the subcultural and creative energy of 1980s New York.    Essays exploring various aspects of Haring’s practice are interspersed with illustrations of his works and a timeline featuring key social and political events of the 1980s (from the election of Reagan in 1980 and the explosion of hip hop from underground movement to global phenomenon to the fall of the Berlin Wall in 1989) and Haring’s responses to them.     Keith Haring (1958 – 1990) was an American artist, and one of the leading figures of the graffiti art movement which emerged from New York in the 1980s. His work reflected a profound commitment to social justice and activism, raising issues that remain relevant today, including the AIDS crisis, racism, and environmental degradation.                                                                          Darren Pih is Exhibitions & Displays Curator, Tate Liverpool 
14/02/20
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skippyv20 · 5 years
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Thank you😊❤️❤️❤️❤️
The Duchess of Cambridge`s  style moments
SEPTEMBER 5, 2019 - For Princess Charlotte’s first day of school, the Duchess of Cambridge chose a lovely pink floral dress, which she paired with pointy toe pumps and a black, waist-defining belt.
JULY 14, 2019 - the Duchess wore a pretty, custom Emilia Wickstead dress for the Men’s Finals Day of the Wimbledon Tennis Championships at All England Lawn Tennis and Croquet Club in London.
July 02, 2019 - The Duchess looked classic in this black and white dress at day 2 of the Wimbledon Tennis Championships at the All England Lawn Tennis and Croquet Club in London.
JULY 1, 2019 - The Duchess of Cambridge chose a patterned Sandro dress for a picnic with children from several of her patronages at Hampton Court Palace.
JUNE 18, 2019 - The Duchess chose an Elie Saab dress and matching pale blue hat for the first day of Royal Ascot. Silver heels and a metallic clutch finished off the look.
JUNE 17, 2019 - She attended the Order of the Garter ceremony wearing a white collared Catherine Walker coat dress with black piping, a black hat, pearl earrings, and black pumps. The Duchess was joined by the Queen, Prince William, Prince Charles, and other members of the royal family for the service.
JUNE 12, 2019 - The Duchess of Cambridge chose a shimmering off-the-shoulder dress for the first annual gala dinner in recognition of Addiction Awareness Week at Phillips Gallery. She paired the look with glittering pumps and a small silver clutch.
JUNE 10, 2019 - The mother-of-three wore a LK Bennett dress for a family trip to the polo . She accessorised the ensemble with her go-to pair Castañer wedges and a punchy Mulberry cross-body bag
JUNE 8, 2019 - For the annual Trooping the Colour parade, the Duchess chose a light yellow dress by Alexander McQueen, with a hat by Philip Treacy.
JUNE 3, 2019 - The Duchess wore a tiered Alexander McQueen gown to a state banquet with Donald Trump. She paired the dress with the Lover’s Knot Tiara, and the Queen Mother’s sapphire and diamond fringe earrings.
MAY 21, 2019 - At one of the Queen’s Garden Parties, on the grounds of Buckingham Palace, Kate paired a coatdress—from one of her all-time favourite designers, Alexander McQueen—with a headpiece by Juliette Botterill.
MAY 20, 2019 - To show the Queen a garden she’d designed at the Chelsea Flower Show, the Duchess went for a high-necked, floral Erdem dress, along with a pair of summery espadrilles.
MAY 14, 2019 During a visit to Bletchley Park—the WWII-era facility where codebreakers, including the Duchess’s grandmother, worked to decipher Axis messages—the Duchess recycled a navy polka-dot dress from Alessandra Rich. She accessorised the dress with a pin designed to look like a gear from the Enigma machine, a device made at Bletchley Park.
MAY 7, 2019 - The Duchess of Cambridge chose a nautical look for this morning’s launch of the King’s Cup. She paired a striped shirt with sailor-inspired trousers and a bright red handbag.
APRIL 25, 2019 - The Duchess of Cambridge arrived at this year’s Anzac Day service wearing a bright blue coatdress and matching hat.
MARCH 19, 2019 - The Duchess of Cambridge arrived at Kings College London wearing a gray Catherine Walker Coat Dress with black trim. She paired the look with black tights and pumps and a Sylvia Fletcher for Lock Hatters hat. She also carried a small black clutch.  
MARCH 17, 2019 - For her annual St. Patrick’s Day visit to the Irish Guards, Kate Middleton wore a dark green Alexander McQueen coat, Kiki McDonough green tourmaline and amethyst drop earrings, a green fascinator, and the traditional gold Shamrock brooch.
MARCH 12, 2019 - the Duchess attended the National Portrait Gallery Gala wearing a re-tailored Alexander McQueen dress, that she previously wore in 2017, Kiki McDonough earrings, and a Prada clutch.
MARCH 12, 2019 - The Duchess chose a wide-legged trouser paired with a purple pussybow blouse for her visit to the Henry Fawcett Children’s Centre. She paired the look with a small top-handled bag and black pumps.
MARCH 11, 2019 - For Commonwealth Day services, Kate stepped out in a bright red coatdress with a matching hat.
MARCH 5, 2019 - The Duchess wore a pale blue dress with nude heels and a small clutch to a celebration at Buckingham Palace in honour of the 50th anniversary of Prince Charles’s investiture as the Prince of Wales.
FEBRUARY 13, 2019 - Kate Middleton arrived to the 100 Women in Finance Gala at the Victoria & Albert Museum wearing a rose-coloured gown by Gucci. The duchess paired the look with a raspberry velvet clutch that matched her belt and pear-shaped drop earrings.
FEBRUARY 13, 2019 - Duchess Catherine arrived at the Royal Foundation‘s ‘Mental Health in Education’ Conference wearing a dark tweed skirt suit paired with black tights and pumps. She was also carrying a small black clutch.
FEBRUARY 10, 2019 - Duchess Kate attended the BAFTAs this year in a flowing white gown paired with a romantic updo and a pair of Princess Diana’s earrings.
JANUARY 16, 2019 - On a visit to the Royal Opera House’s Costume Department, the Duchess opted for an Oscar de la Renta skirted suit and Rupert Sanderson pumps.
JANUARY 15, 2019 - Catherine Duchess of Cambridge visit to King Henry’s Walk Community Garden, Islington, London, UK  
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