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#lose you to find me
slaughter-books · 7 months
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Day 30: JOMPBPC: Read In September
My September, 2023 reading wrap-up! 💜
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the-final-sentence · 6 months
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And the really good food.
Erik J. Brown, from Lose You to Find Me
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magicalyaku · 8 months
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August felt soo long. At first, it was great with my vacation and a successful convention and great books and then reality came crashing back in with developments at work that left me reeling for a bit. I'm bad with change. /D Anyway, on to the books! I had a lot of train time this month, so there's quite a few.
Slippery Creatures, Subtle Blood, The Sugared Game (The Will Darling Adventures 1-3) (KJ Charles): Ooh, these took me by surprise! I read two of the author's other books last month and needed something light and easy for my train trips. These were so much more delightful than I expected. I read all 3 of them within five days. Fun! Adventure! Intrigue! Characters I actually like! No really, I loved Will and his attitude. Sure, he has kind of a short temper and resorts to violence quickly, but … everyone deserved it! (And it's just a book.) This is my fantasy, you know. Actually spitting people in their face when they annoy me. Actually telling them off no matter the consequences. Hah. I guess, this is why I like this sort of character. (The Tarot Sequence's Brand and All for the Game's Andrew come to mind … Interestingly, just like Kim in here their partners are lying little shit's as well. And seen from that angle, Laurent and Damen of Captive Prince fit that category as well. I'm starting to see patterns in what I like to read. :'D) So anyway, I had a lot of fun reading this series! <3
Lose you to find me (Erik J. Brown): I have things to say. 8D First of all, yes, it's cute. It made me smile when my day was shit and while the characters had their annoying phases I'm glad it turned out how it did in the end. Before reading, though, I was so disappointed it was just a contempory romance. After All that's left in the world with it's postapocalyptic but not too outlandish setting I was hoping I'd get more of that "a little different". Yeah, didn't work out, but the pain eased a little because the book was nice actually and we reconciled for real with author's afterword. And to be fair, usually, I'm all in when authors do different things with each book instead of writing the same all over again, so I have to give him credit for this. But there's still one more thing I have to mention. Why is there no content warning for SEVERED BODY PARTS?! Like what the hell seriously. I'm not squeamish usually but one of my coworkers cut off a part of his finger permanently at the beginning of the year, so this was waaay too real to me. A warning would have been appreciated. /D
Prince in Disguise (Perilous Courts 2) (Tavia Lark): More stuff that's easy to read. I liked the first volume better because the stakes were higher but it was still pretty okay. I definitely like how close these volumes are in timeline and story while still being separate adventures. I wish Whisper's mission in this would have had a little more impact but well, it is what it is. (I think I just like Whisper more than Bell or Rakos 8D). Also new mascot animal. Cute! I wonder if there'll be one in volume 3 as well … 8D
Afterglow (Golden Boys 2) (Phil Stamper): After Lose you to find me I was in the mood for more contemporary YA and as it turns out the themes in this one are similar. High school graduation, college applications, self-discovery. It also felt very American to me. As a European reading books like this is always like a cultural study. :'D I think, what I liked most about Golden Boys was its quiet tone. It had its dramatic moments but, at least in my memory overall, it was more calm and understated and while I love my adventure stories reading something nice and calm was a good change of pace. And the sequel takes it even one step further. While there's anxiety towards the future it's never the kind of overwhelming where I have to squeeze my eyes shut and take a moment to calm my nerves before I can continue reading. 8D In terms of content this works because it's a sequel and we already know everyone and their previous struggles. I have a lot of respect for the writing process. Juggling four boys and the timeline? Ugh. And yeah, I liked the book and the paths the boys take. All these different perspectives on life. It's not just another "where's the next party" and "oh he doesn't like me what should i do" but focusses on the characters and their indivual worries and their friendship. It's nice and it's warm. :)
Sir Callie and the Champions of Helston (Esme Symes-Smith): Well … I wish I liked this better than I did. The story is fine, the characters are fine (in comparison to the next book below they a stellar), the themes are important and I can see what it wants to do and most of it it does pretty well, but … Yes, in order to overthrow a system you first need to establish it. But the first third of the book was hard to get through as the world Callie steps into is very rigid in its rules surrounding gender and stuff and it's making Callie hurt, angry and defensive and even though I knew it would eventually lead to a better place, it was making me angry as well and I get angry easily everytime I step outside, I don't really need that in my books. It gets better once the kids actually meet for real and spend more time with each other. But there's the other part that I didn't like: There's something jarring about the writing style. Like bumps on a smooth road - the more bumps we ride over the more annoying they get. It happened most noticably with distances and the passage of time. The hole that Callie's mother left in her heart took years to grow over, but never fully healed. But they've only been away from said mother for two years. When Callie confronts Peran, Papa draws them backwards, Neal steps between them, yet Peran's face is so close, they can see coloured specks in his irises. He's also way taller than them, so how does that work? At one point I wondered if the author might have less visual imagination power than I do because all the descriptions of distances around the castle, the town, the bridge and the forest just felt jumbled to me. (Or maybe I was just not reading well.) Last example: Callie and Edwyn circle around the dragon and attack their back with swords and it's said in a single simple sentence like it's nothing. But that dragon must be huge, because their face is as large as a human, and also it was flying a few minutes earlier and directly afterwards it's said how there's fire all around them. But yeah, apparently that swing was super easy to do, so one sentence is enough to say it happened. It just felt weird and it happened so often. And I feel bad for picking at a book for kids with a good cause but damn. All these things are so easy to make better and more coherent. :I
The Last Fallen Moon (Gifted Clans 2) (Graci Kim): Ugh, I don't know, this might be the first middle grade book I read where I'd say "I'm too old for this." Not really a fan of the humor and the attempted quirkiness, the pop culture references (and how it basically says that all (Korean?) celebrities are witches which I find actually offensive. Pretty sure none of the kids reading these books will have any magical abilities, so they won't ever make it to stardom or what no matter how hard they try? Hmm.) It was also hard to be patient when things are so obvious and still get treated like a big revelation pages after (The Stairbucks toilets?!) And the characters felt so bland to me. I couldn't tell you a single interesting thing about any of them. Things got better towards the end, when everything starts to fall into place instead of being a string of small tasks that can never be completed because there's suddenly some new issue. The two things I liked are that Riley gains a brother rather than a love interest (or a brother who is a love interest … 8D) and that her sister has an active part this time. Will I read the next installment? …. Probably not?
Waiting for Godot (Samuel Beckett): Oops, something totally different in here for once. I like theatre, but liking in this case means, that I know all plays by Eugene Ionesco and Oscar Wilde, topped with a singular Wedekind and this one. :'D I'm terribly picky and not actively seeking out new stuff. But the Theatre of the Absurd especially has a way with words and weird situations that I always found fascinating. I read Godot a long time ago and went to see it on stage a couple of years ago but when I thought of it recently I realised I didn't remember anything so I reread it and well … I understood why my memory failed. I don't know if I'd actually call the piece good. It's weird, it's weirdly sad and therefore it's weirdly endearing. But most of all it's a giant "what the fuck is going on". It made me think of all that "Is our life a simulation"-crap since Estragon seems to be the only one capable of remembering previous events. But I'm not going to try to think about what it all could mean as it will lead nowhere anyway. :'D
Dark Rise (C.S. Pacat): The sequel is coming in November so I thought it time to refresh my memory! I own the English edition but went and borrowed the German edition from the library for all the things I might have missed and because it's interesting to read the translation vs. the original. I remember having a blast reading this for the first time (I think this was the first time for me writing something book-related on my blog because it was just too wild to contain 8D). And now, knowing the twists and turns it was delicious to look for the foreshadowing (and the twists and turns were delicious as well like hnng!!). And now waiting for the next volume is even harder. Damn!
For September I have planned something nice! Please look forward to it!
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rawmeataddiction · 14 days
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Fuck tommy and gabe I need a book focused on Brad mother freaking Waldorf hes just a lil guy istg
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bookbaran · 28 days
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Reading Lose You to Find Me and it's cute so far, but I find myself actually rooting for Tommy to wind up with his closeted hookup partner rather than the other guy on the cover.
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theapollus · 5 months
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This is what I listen to when I’m depressed
Selena, Julia, Mattias Per Larsson, Robin Lennart and Justin were really spot on. This record is so heartfelt and gut wrenching that it always makes me cry.
Everybody should listen to it (demo and official version) and it’s no surprise that it was Selena’s first number 1. It’s so good and if feels like she’s cleaning her spirit in every lyric and every keynote.
Maybe I’m a bit biased as a selenator LOL.
Stay safe.
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every-feeling · 9 months
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let it hurt, then let it go
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erikjbrown-author · 1 year
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Clearly I’m here because Twitter is collapsing. So I guess here are some buy links!
I’m Erik J. Brown. Author of the YA postapocalyptic romance ALL THAT’S LEFT IN THE WORLD.
And my second novel, LOSE YOU TO FIND ME, is a coming-of-age, workplace Rom-Dramedy that’s HOT DOG GIRL meets EMPIRE RECORDS and it will be out May 2023!
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razreads · 4 months
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You thought I was going to tell you how to break them up and get him to go after you instead? Kid, that’s such a waste of time. And if there’s one thing I know about time, you don’t get any of it back.
Erik J. Brown, Lose You to Find Me
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inkskinned · 9 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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slaughter-books · 3 months
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Day 5: JOMPBPC: Hardcover Or Paperback?
I absolutley love paperbacks! 💕
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poorly-drawn-mdzs · 9 months
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Vine_Boom.mp3
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quietwingsinthesky · 2 months
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you ever think about how much rose tyler loved jack because i do. she loved him so much. she saved and unmade him in the same breath, she loved him so much. whoever jack harkness was, folded into the thing he became after rose breathed life back into his lungs, abominable and glorious, so much that the doctor can barely look at him. rose loved him so much that she fixed him in time, but not in hers. she destroyed every dalek for love of the doctor, but she brought jack back from death and held him there for love of him.
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herebutnotpresent · 1 year
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Brainwashed Jetko au where both Jet and Zuko get taken by the Dai Li and are displaced in the big city.
Jet and Li find each other anyways.
(That luck however did not extend to their family and friends)
Its all good...then it catches up to them :D
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naturecalls111 · 7 months
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Me, consuming any other media ever: how can I make this about zosan
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anditwentlikethis · 7 months
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put this on my grave
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