Tumgik
#new revised standard version
Text
Tumblr media
Share in Others Joy and Sorrow
Rejoice with those who rejoice, weep with those who weep. — Romans 12:15 | New Revised Standard Version (NRSV) New Revised Standard Version Bible, copyright © 1989 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. All rights reserved. Cross References: Job 2:11; Job 30:25; Ecclesiastes 3:4; Hebrews 13:3
10 notes · View notes
Text
Acts 20:29-31 NRSVA
"I know that after I have gone, savage wolves will come in among you, not sparing the flock. Some even from your own group will come distorting the truth in order to entice the disciples to follow them. Therefore be alert, remembering that for three years I did not cease night or day to warn everyone with tears."
Study questions:
(1) What does Paul mean by "after I have gone"?
(2) What does he mean by "from your own group"? What group is he referring to?
(3) Why does he emphasize that he warned them with tears? What kind of warning does this imply?
4 notes · View notes
breathofgod · 2 months
Text
Tumblr media Tumblr media
0 notes
em-dash-press · 5 months
Text
Practical Benefits of Creative Writing if You Need Some Motivation
Writing stories isn't just a hobby. It's a practice that sharpens so many skills. You'll use these skills all your life, so write that silly idea and let's start refining these talents that come from our work:
(Psst—this is where you should open that copy of your resume if you're also applying for jobs!)
Communication: You know how to use words to convey complex and simple ideas.
Emotional identification (for personal benefit, not so much standard careers): You'd be surprised how many people can't name or describe their emotions, much less make them something others can feel.
Thematic analyzation: You can find or create a common thread between wildly different people.
Community building: You can bring people together by making them feel things deeply.
Perspective shaping: You make others try on new perspectives through your characters and their challenge, which also points back to your communication skills.
Encouragement: You know how to make other people dream through your work.
Empathy: You remind readers they aren't alone in their experiences—we are all going through different versions of pain together.
Typing: Let's be real, every boss will think you're amazing if you can type with more than two fingers at a time (or with two fingers really fast!).
Time management: You're always finding ways to fit your writing into your schedule, even if it's only once a month.
Commitment: because that 100,000-word fanfic won't just appear on paper because you daydreamed about it.
Self-reliance: When you set a goal to write a story, you (mostly) finish it. All on your own!
A willingness to learn: Your editing and revising work keeps you open to growth opportunities, which is essential to being a good person/team member/employee.
Organization: Those folders with all your story ideas, character outlines, and plot arcs? That's a skill, my friend.
Creativity: You're in touch with your creative instincts, which brings vision to projects and team efforts that produce better results
1K notes · View notes
golyhawhaw · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
ATHLETIC PRESET
Look out! A finalised and revised version of my preset which is tailored to athletic and muscular sims.
This is a new preset that addresses a lot of the concerns that people had with my other preset, along with my torso meshes being unable to work with clothing. Think of this preset as a final amalgamation of all my prior presets and torso tops, but formed into one, clean preset.
More information and the download under the cut
Information
Contains - 2 Modifier Presets(Different Variation) & 1 Sculpt 'Overlay' Preset & a Preset 'remover'
The 2 preset variations consist of:
A standard back size version. This one is more in line with EA's back size.
A large back size version. This is for those who want a more oversized bodybuilder back size.
What is a Modifier Preset?
This is what is considered a standard body preset that most would like to use as it is quite straight forward. Once you click the preset, it should automatically give you an ideal shape you desire.
What is a Sculpt Preset?
A sculpt preset is a type of preset that allows you to overlay presets on top of each other. You can use it in conjunction with other body presets. This one is tricky as in order to remove the effect, you have to click on the preset remover to cancel the effect. I only recommend using this if you use Luumia's height presets or want some other feature to work with the preset.
What is a Preset Remover?
This removes ALL preset effects from the sim.
Teen-Elder
Custom Thumbnails
Tumblr media
Download(Patreon)
Public Access 12th of March 2023
2K notes · View notes
satoshi-mochida · 4 months
Text
Hakuoki: Chronicles of Wind and Blossom announced for Switch
Gematsu Source
Tumblr media
Publisher eastasiasoft and developer Idea Factory have announced Hakuoki: Chronicles of Wind and Blossom, a remastered compilation of Hakuoki: Edo Blossoms and Hakuoki: Kyoto Winds for Switch. It will launch in 2024.
Both Hakuoki: Edo Blossoms and Hakuoki: Kyoto Winds have already been released for Switch in Japan, and for PS Vita and PC worldwide, but this collection marks the first time the Switch versions will be available in English. This release also includes revisions to improve English localization based on feedback from the fanbase.
Pre-orders for the physical editions will open exclusively via Play-Asia on January 11 at 7:00 a.m. PT / 10:00 a.m. ET. (Save five percent with our one time-use “GEMATSU23” coupon code or multi-use “GEMATSUCOM” coupon code.) The limited edition will include the game, manual, soundtrack CD, art book, sticker sheet, and numbered certificate in a collector’s box. Standard edition copies will also be available for pre-order.
Here is an overview of the collection, via eastasiasoft:
About
Two legendary visual novels come together in Hakuoki: Chronicles of Wind and Blossom, a remastered compilation of Hakuoki: Edo Blossoms and Hakuoki: Kyoto Winds, each among the most beloved entries in the acclaimed Japanese otome series. Players take the role of young heroine Chizuru as she is surrounded by the handsome warriors of the Shinsengumi. As battle ensues, who will emerge victorious and who will claim Chizuru’s heart? Embrace the political and interpersonal drama of feudalism while navigating romantic scenarios and witnessing events inspired by Japanese history, brought to life through beautifully illustrated cutscenes and passionate dialogue sequences. Explore multiple story routes across both epic visual novels, renowned by long-time fans of the series while serving as a standalone jumping-on point for new players. This updated version includes revised text for the best possible experience, making Hakuoki: Chronicles of Wind and Blossom the definitive way for players to enjoy the game!
Key Features
Take the role of a young heroine surrounded by handsome suitors!
Immerse yourself in a feudalistic setting inspired by the rich history of Japan.
Explore two complete otome visual novel adventures and meet an unforgettable cast of characters!
Navigate dramatic dialogue, making decisions for Chizuru to decide story route and love interest.
Enjoy beautifully illustrated cutscenes and unlock CGs in the gallery as you progress!
Watch the opening movie and limited edition trailer below.
Opening Movie
youtube
Limited Edition Trailer
youtube
164 notes · View notes
bluecatwriter · 7 months
Note
Jonathan: Do I have to read it, oh my dear one?
Me: (cries)
Jonathan: "I will keep my mouth as it were in a bridle: while the ungodly is in my sight. I held my tongue, and spake nothing: I kept silence, yea, even from good words; but it was pain and grief to me. My heart was hot within me; and while I was thus musing the fire kindled."
Me: (cries harder) Do you have to remind me!
OKAY BUT THE INCLUSION OF THIS LINE HAS ME GOING FERAL
(Theological ramble incoming. You have been warned.)
Jonathan is reading from the Book of Common Prayer, but the scripture is Psalm 39. (I originally thought that this was a quote from Jeremiah 20:9, which uses similar language to show the prophet's frustration with burning up inside if he refuses his call to prophesy, but this is even better.)
The psalmist here is a great example of how people's responses to God in the Bible do not fit neatly into the "unquestioning obedience and reverence" framework any more than Jonathan's actions do. The narrator of this psalm speaks despairingly about the vanity of life, begs God to stop heaping hardship on him ("Remove thy stroke away from me: I am consumed by the blow of thine hand"), and while he expresses near the middle that his ultimate hope is in God ("And now, Lord, what wait I for? my hope is in thee"), he also flat-out asks God to leave him alone (the last line of the psalm in King James Version says "O spare me, that I may recover strength/before I go hence, and be no more," though I love the more modern translations such as the New Revised Standard version, which reads, "Turn your gaze away from me, that I may smile again/before I depart and am no more").
It's a gut-wrenching psalm that doesn't flinch from the realities of life: things feel meaningless, hardships are heaped on those who are faithful, humans are fragile, riches cannot safeguard against death— and the right to rage and weep before God is a given. It ends not with the line of hope from the middle but with a challenge to God, and the main conflict of the psalm is not resolved or neatly tied up. Like all the Wisdom literature in the Bible, it invites the readers to sit in the tension and the confusion and the pain, rather than hastening on to a "correct answer" or even a sense of resolution.
I assume this is why it's included in the Book of Common Prayer's burial service: death cannot be tied up with a bow, or smoothed over with platitudes. This psalm expresses solidarity with people from every generation who have tried to make sense of their hardships and pain and the devastating reality of mortality.
Anyway, inclusion of this line in this scene was absolutely stunning. I suspect that many of Bram Stoker's original readers would have familiarity with the burial service since it would be read at every funeral, so adding in the words was wonderful to enhance the experience for the modern non-Anglican reader. This passage helped drive home how thematically resonant these words are with what's happening in the story in the moment. Very cool.
231 notes · View notes
amateurvoltaire · 2 months
Text
Tumblr media
When you get publicly slapped by 4 surrealist poets because you insulted a guy's historical crush
(translation and context under the cut)
Gallantly Defending Robespierre’s Honour
In the conservative daily paper, Le Gaulois, on March 3, 1923, the journalist and man of letters, Wieland Mayr, expressed his pleasure: there would not be, he wrote, a "vile apotheosis" for "that holy scoundrel" Robespierre. On the other hand, Mathiez had the Surrealists with him. Following the article in Le Gaulois, Robert Desnos (1), accompanied by Paul Éluard (2), Max Ernst (3), and André Breton (4), summoned Mayr in a café and publicly slapped him for insulting the memory of "the Incorruptible."
Why did Mayr get Slapped?
In short: studying history in the 1920s was a messy business, especially when it came to the French Revolution….
To explain why Mayr ended up getting slapped, please allow me to briefly dive into the French Revolution's historiography during the late 19th and early 20th centuries. Keep in mind, that this is a grossly oversimplified version.
Before 1848, it was pretty standard for French republicans to proudly see themselves as inheritors of Robespierre’s legacy. (If you’ve ever wondered why in Les Misérables, Enjolras’ character is very much channeling Robespierre and Saint-Just, here’s your answer!) However, things start to change with the Second Republic.
In 1847, Jules Michelet brought back the negative portrayal of Robespierre as a tyrannical "priest" and leader of a new cult. This narrative helped fuel an increasing dislike for Robespierre, with radicals like Auguste Blanqui arguing that the real revolutionaries were the atheistic Hébertists, not the Robespierrists.
Jump to the Third Republic, and the negative sentiment towards Robespierre was only getting stronger, driven by voices like Hippolyte Taine, who painted Robespierre as a mediocre figure, overwhelmed by his role. This trend was politically motivated, aiming to reshape the Revolution's legacy to align with the Third Republic's secular values. Obviously, Robespierre, the "fanatic pontiff" of the Supreme Being, didn’t quite fit this revised narrative and was made out to be the villain. Alphonse Aulard (a historian willing to stretch the truth to make his point) continued pushing Danton as the face of secular republicanism. Albert Mathiez, one of Aulard’s students, was not having any of it and strongly disagreed with his mentor’s approach.
The general disdain for Robespierre began to shift after World War I. One reason was that people could better appreciate the actions of the Revolutionary Government after experiencing the repression during the war themselves. Albert Mathiez and his colleagues were actively working to change Robespierre's tarnished image. With tensions high, it's no wonder Mayr ended up being publicly slapped by a bunch of poets who were defending the Incorruptible's honour!
Notes
Robert Desnos (1900-1945) was a French poet deeply associated with the Surrealist movement, known for his revolutionary contributions to both poetry and resistance during World War II.
Paul Éluard (1895-1952) was a French poet and one of the founding members of the Surrealist movement, celebrated for his lyrical and passionate writings on love and liberty.
Max Ernst (1891-1976) was a German painter, sculptor, graphic artist, and poet, a pioneering figure in the Dada and Surrealist movements known for his inventive use of collage and exploration of the unconscious.
André Breton (1896-1966) was a French writer, poet, and anti-fascist, best known as the principal founder and leading theorist of Surrealism, promoting the liberation of the human mind.
Source: The text in the picture comes from Robespierre and the Social Republic by Albert Mathiez
72 notes · View notes
wardevilwins · 9 months
Text
Why is it the War Devil?
Obviously, I am fascinated by the concept of the War Devil. There is a way in which her presence in the story is uniquely Japanese. Since WWII, the question of how to process the Empire’s defeat has hung over Japanese society. On the conservative side, there is a long project to minimize the realities of the War, especially atrocities committed by the Japanese Imperial Army. Alongside this, there is the concerted effort within the legislature to repeal Article 9 of the constitution, the article which forbids the Japanese government from raising an army. On the left, there is a desire for genuine reconciliation and strong support for article 9. However, the effort has not gained much of a foothold. Japan is, much like the United States, a strongly conservative country.
Tumblr media
For example, when the historian Ienaga Saburo wrote his textbook “New Japanese History” for public schools in 1953, the government initially approved his manuscript, but when he resubmitted a revised version two years later, they demanded that 216 revisions be made. Revisions included minimizing the Rape of Nanking, adding a mention of public support for the Russo-Japanese war, etc. Straightforward government censorship of established historical fact.
Ienaga sued the government for damages arguing that he was protected by Article 21, the right to free speech. Note: his book was not a state standard. It was simply one of many textbooks available for use by schools. A district court ruled that the government’s demands didn’t constitute censorship, but did constitute an abuse of authority and granted monetary settlement. An appeal to the High court rejected the monetary settlement, and the Supreme Court upheld the appeal.
In other words, the Japanese Government was granted the right to dictate the facts of history “for the public good” in the words of the rulings. Realities of war were erased from the public consciousness with the intent to control the narrative around the Fallen Empire. And the state reasoning was a paternalistic appeal to the greater good of humanity. If this reminds you of Makima’s plan in part one, I am sure that is not a coincidence.
Tumblr media
This is a metaphor that I think was broadly missed by the international audience. The idea that War should be forgotten for the sake of humanity, this is the ideology behind historical revisionism. Fujimoto is looking directly at the way that political power in Japan is used to manipulate public understanding of history. Pieces of the past are erased, eaten, and forgotten.
This is why I don’t lend much credence to the idea that Chainsaw Man actually modifies the fabric of the universe somehow when he eats a devil. It is not that the world changes, it is that people forget about it. It’s not that our forgotten sixth sense was deleted. We just forgot it used to exist. It disappeared, perhaps as a part of Chainsaw Man’s attack. And then we forgot.
Tumblr media
The main reason I think of it this way is because of the parallel with historical revisionism. Right now in Florida the state government is attempting to erase the suffering of African slaves brought to America from the school curriculum. If they maintain this for three generations, no one in the state of Florida will know of this true part of history. It will be forgotten. Humanity in Florida will have forgotten a part of slavery. We don’t need supernatural mechanics to explain historical ignorance. This happens all the time.
Yoru describes this phenomenon in more detail: “War became a thing of books and movies.” Yoru became weakened as humanity became less afraid of war. Parts of the war that really happened are not gone, but have been consigned to unreality. They exist only at a distance. It is only one step further along this axis until they are completely forgotten, until they aren’t thought about at all.
Tumblr media
This idea of forgetting War is directly relevant to the political conflicts around Article 9. This conflict is split as I mentioned, but the reality of the situation is more complex. During the occupation, the US Government directed the drafting of the new Japanese constitution. In a real sense, Japan was literally Americanized. The text of Article 9 reads:
Aspiring sincerely to an international peace based on justice and order, the Japanese people forever renounce war as a sovereign right of the nation and the threat or use of force as means of settling international disputes.
In order to accomplish the aim of the preceding paragraph, land, sea, and air forces, as well as other war potential, will never be maintained. The right of belligerency of the state will not be recognized.
This is part of Chapter 2 in the Articles of the Japanese Constitution. Other chapters contain multiple articles. This is the only article in chapter 2 which is titled “Renunciation of War.” To date, Japan is the only country in the world to include a renunciation of war in its constitution.
Of course, Article 9 doesn’t exist out of the kindness of the Japanese people’s peace loving hearts. It exists because the US military thought that the Japanese people were so intrinsically bloodthirsty, that if they didn’t dismantle the empire and remove their ability to raise an army, there could never be peace.
That said, Japanese politicians were involved in the drafting of the constitution as well. Since the war began in China in 1928, a significant faction even among the hawkish types were exasperated with the boneheaded aggression. But the fascists had control of the Emperor, the key figurehead. Once that was lost, cooler heads who were open to the idea of a peaceful Japan stepped in.
So Article 9 starts with this complex identity. On the one hand, it is an imposition by the occupying force, on the other hand, it is a reconciliation within Japan around mistakes the nation made. This remains the case going forward. Because soon after the occupation ends, the Korean War begins.
America, having secured a foothold in the region, realizes that militarily neutering their nearest ally may have been a tactical mistake. But they also still don’t really trust the Japanese government. So they make a move. The US signs a controversial security-treaty with Japan that creates the “National Security Force” to act as a military police. Japanese conservatives then use this precedent to begin building a military under the premise of it being for “self defense.” Thus the JSDF, Japanese Self Defense Force, is born. This was all done with explicit American support.
The American’s didn’t want to team up with the JSDF per se. They wanted Japan to manufacture weapons to create a short supply line towards the Korean front. The creation of the JSDF gives the Japanese government permission to permit manufacturing of military machinery, which was originally taken to be forbidden by Article 9.
Since it’s founding, the JSDF has gradually crept further and further towards active military activity. The final line was crossed in the Iraq war. At the behest of George W. Bush, Prime Minister Koizumi approved a battalion of Japanese soldiers to act in conjunction with the US military for the invasion of Iraq.
This occurs in 2004, in the wake of the 90s. Japan re-enters war in a real way. At this point, article 9 is essentially window dressing on a country which has what amounts to a fully functional military force. But, the existence of article 9 creates a public perception of Japan as being removed from war, even as it actively participates.
Tumblr media
You can see now why when Yoru appeared in chapter 98 I was immediately excited. The idea of the War Devil coming back is a stab at the powers that be trying to paper over their militaristic intentions with political rhetoric. Conservatives are currently moving to repeal article 9. This was one of Shinzo Abe’s major objectives. But he failed to achieve it.
So the struggle continues under the current leadership. And in that context, Fujimoto is placing War front and center. War that has been forgotten but will come back. War that, should she return to full power, will turn legions of young men into weapons.
Tumblr media
It’s a subtle but also daring message. The debate plays out in politics but is notably absent from public discourse. Japan is different from American in that political conflict doesn’t dominate its media landscape. Generally speaking, the media is running cover for the government.
So to see someone go after this idea of forgotten war, of war coming back from a weakened state, and to highlight the latent threat it poses, is quite refreshing. Once again, Fujimoto manages to subtly weave a cogent political message into the threads of his story, not necessarily by trying to push a particular narrative, but simply by reflecting in his work the political realities he sees in his society.
160 notes · View notes
kittiecode · 6 months
Text
Things I wish I knew when I found the Law Of Assumption..
1. Time is entirely irrelevant
If you stay awake for 48 hours, the sun setting and rising doesn't take away from your continued experience of being awake for 2 days straight.
Sleep creates an illusion of separation between moments in "time", but life is all just one huge experience.
Watch where you are putting yourself at all times. Time isn't real, you are constantly creating.
2. There's no off button
This doesn't only get put to work when you choose to remember to use it. This is how life works. Try to not see it as some kind of life hack, or a human version of an additional Google chrome extension.
This is life, this is how you play it. The sooner you keep yourself in check, the quicker life will change for you.
3. Everything is possible, you're just too familiar with bad states
And that's why things don't seem to change. Revision is great, but too often forgotten. Changing how you feel about previous situations, changes how you get to experience similar situations linked to the previous ones. For anything. SP, friends, money, career.
Change how you feel about things. And yes, that can take a bit more deliberate monitoring of how you see things.
Not everyone comes from stable homes with parents who have decent amounts of money where you've been given iPhone after iPhone after shopping spree after new furniture after vacation after new family car. So yes, that takes changing beliefs and emotional reactions to things for a good amount of people. And yes, that takes as long as you need to in order to start feeling yourself changing how you feel about things.
We are forgetting that we have beliefs that have roots as deep as early childhood. Not everyone has had the same experiences, and so you cannot tell everyone that feelings don't matter.
You tell that to someone who's experienced stress in their home from their mom not being able to pay for electricity and so on that has created pretty strong beliefs surrounding money and stability that has gotten to the point where they think of money and their body goes into panic mode, and they'll struggle to manifest the way you manifest when you've had a pretty stable good foundation to grow up on.
If you have had a rough life and you're still able to easily detach from the bad and accept that everything is possible for you and you can have anything, that's amazing and I mean that. But a lot of people who find out about conscious manifesting are seeking entire life changes, and the old story can come with some baggage
A journey of creation is a personal one. It's for you. Other people can help, that's why I'm on this blog. But remember that what we teach others is what we've experienced movement and success with. I've studied this for years now. I've changed my family's life for the better, from poverty to a significant change to our current standard of living. I've used this enough to know it's the truth, and now I'm here to help others too!
Tumblr media
69 notes · View notes
Photo
Tumblr media
Our Sins Cast Into The Sea
He will again have compassion upon us; he will tread our iniquities under foot. You will cast all our sins into the depths of the sea. — Micah 7:19 | New Revised Standard Version (NRSV) New Revised Standard Version Bible, copyright © 1989 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. All rights reserved. Cross References: Isaiah 33:24; Isaiah 38:17; Isaiah 43:25; Jeremiah 31:34; Jeremiah 33:8; Jeremiah 50:20; Hebrews 8:12
9 notes · View notes
quotesfromscripture · 12 days
Text
2 Thessalonians 2:1-3 NRSVA
"As to the coming of our Lord Jesus Christ and our being gathered together to him, we beg you, brothers and sisters, not to be quickly shaken in mind or alarmed, either by spirit or by word or by letter, as though from us, to the effect that the day of the Lord is already here. Let no one deceive you in any way; for that day will not come unless the rebellion comes first and the lawless one is revealed, the one destined for destruction."
Study questions:
(1) What does the author mean by "the coming of our Lord"?
(2) Why would the audience be alarmed or distressed?
(3) What would the assumptions be if the day of the Lord had already arrived? How would the world change?
(4) Who is "the lawless one" in this passage? Has he been revealed?
(5) The author mentions "by letter, as though from us". Were people spreading forgeries or misinformation in the name of Paul? How could the audience know what was genuine?
6 notes · View notes
operafantomet · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
RESTAGED TOUR STAR PRINCESS FOOTWEAR GALORE
ROW 1: First UK look was white satin shoes with rosetta. For the premiere in 2012 they were worn with thick black stockings, but the stockings didn't last long. However, the shoes were kept for some time. This was worn by Katie Hall and (I assume) Olivia Brereton and Leigh Coggins, and they wore them with fairly standard UK costumes.
ROW 2: Revamped look in the UK was pink satin shoes with high heel and pointed toe. These were worn both with the standard UK costume and the stripped-down version they introduced during the run. These pink shoes were also worn by Julia Udine when the tour opened in the US in 2013.
ROW 3: New pink shoes introduced early in the US tour, with a tounder toe, a T-strap covered by an organza (?) tongue and brooch, and with a slight gold paint patina. I think they were introduced around the time Katie Travis became principal in 2014, and they were worn by most if not all US tour Christines up until the closing in 2020.
ROW 4: A closer look at the new pink US shoes.
ROW 5: The new pink US shoes worn with very different costumes; a vintage Las Vegas one, and the new stripped-down style. I would claim it was a better match to the latter.
ROW 6: Lo and behold! Boots! These were introduced as the tour opened in Australia in 2022 and the costumes got a revision. The boots had various grade of blue ombre outlined with silver, and with pink lacing. These were worn by Amy Manford, Bridget Costello, Kayleigh Marven and presumably Claire Lyon, and they wore a pimped up version of the stripped-down costume.
ROW 7: Alas the boots didn't make it into the Austrian premiere. Here a fifth look was introduced: Heeled pink strap shoes with pink "jewelled" rosetta or buckle. These were worn by Lisanne Veeneman at the opening in March 2024, and I assume it is what the other Christines will wear as well. The costume looks fairly similar to the Aussie ones.
27 notes · View notes
detailtilted · 13 days
Text
Revised Enhanced Edition - CHICON 2007 J2 Main Panel v2.0
youtube
Direct link.
This was my fourth enhanced video. I didn’t want to ever update my videos after publishing them because it changes the YouTube link, which will probably cause confusion. However, I have to.
With huge thanks to AgtSpooky who sent me their original recorded videos, this version’s video quality is much better than the first. A more detailed explanation is below.
This is the last of my CHICON 2007 revisions. In case you missed any, here are all the links. My next completely new video is probably 1-2 weeks away.
J2 Breakfast Jensen Solo Panel Jared Solo Panel J2 Main Panel
Quick recap for anyone not familiar with this project…
In December 2023, I started this project to enhance old convention videos. I'm upscaling the videos and making other visual improvements, adding extra content to clarify various references, and adding good color-coded subtitles so you can better understand the sometimes-chaotic audio.
My goal is to publish the best and most watchable versions of these older conventions yet seen, but this is only possible thanks to the fans who captured the footage in the first place.
Why I "had" to revise this video…
In another post, I was excited to say I’d tracked down AgtSpooky who had recorded CHICON 2008. They had videos with footage I'd been missing up to that point and generously sent them to me with permission to use them. I upscaled them for my use, then sent the upscaled versions back as a very small “thank you”.
They’d also recorded CHICON 2007, so I offered to upscale those too. I had no intention of using them myself because I was reasonably happy with my original versions and I didn’t want to break the links. When I saw AgtSpooky's videos, I discovered the ones I'd used had originated from them but proper credit hadn't been given. Someone else added the burnt-in Portuguese subtitles and put them on YouTube.
I guess in the process of doing that, the video quality was degraded. I was shocked by how much better AgtSpooky’s original files upscaled. My original upscales now look embarrassingly bad to me. With AgtSpooky’s permission, I swapped out my original upscaled videos with these better ones. Most of the extra content has remained the same, aside from a few small standardization changes.
Comparison photos…
Click to enlarge, and you'll understand why I had to revise my videos!
Tumblr media
24 notes · View notes
wolfythewitch · 9 months
Note
Maybe try "The New Oxford Annotated Bible with Apocrypha, New Revised Standard Version"?
Ooo I like the sound of that title
88 notes · View notes
wumblr · 1 month
Text
music industry long overdue for legal revisions. it should not be industry-standard to sign over copyrights to label, and there needs to be some kind of recourse for malicious and exploitative copyright holders, like matt healy, lukasz gottwald, scooter braun... this is also why poe left the industry except that it was label mergers and acquisitions and not specifically one guy. primary wave bought prince's masters from his family. this is part of what killed disco. this is why megan is indie now, this is why little simz has never had a major label contract, this is why oprah skewered toni braxton for going bankrupt while having gucci flatware... did you know katy perry and drake don't own their recordings either?
"taylor's versions" worked well in that instance but i have said before that it did not make any much needed changes for anyone else, and it seems safe to assume rina has considered this and opted not to rerecord every song she's written just to own the recording copyright (expensive, time consuming, not new work, does not change the state of the industry)
21 notes · View notes