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#novels
gffa · 22 hours
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ANYONE WHO SAYS KI-ADI DOESN'T HAVE A SENSE OF HUMOR IS GETTING THIS PAGE STAPLED TO THEIR DOOR. (Star Wars: The Living Force | John Jackson Miller)
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shepherds-of-haven · 2 days
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hi!! So. i like writing for Trouble and my MC but i spend so much time clowning on him and making up silly scenarios that now i have no idea how to write him actually catching on to one of the moves she makes and what kinds of moves he cant explain away. Please do you have any tips or crumbs to throw my way to help? I need to write him making out sloppy style w my girl PLEASE!!
Anyway I really love shoh and I think about Trouble and my MC almost every day so tysm for the lovely gift of him <3 i also wrote this ask intending to be silly but if it sounds demanding or rude i am SO sorry I would never demand anything of u and will love anything you may kr may not respond with whether that be in 17 minutes or 17 years 🩵
Aw, thank you so much for this sweet message, it made me so happy to receive! 💖 Please don't worry about sounding rude at all, your words were so kind and made me grin ear-to-ear, so thank you!
To answer your question, I like this excerpt from the old novels to explain how I think Trouble can be in a romance: I usually envision him being casual or friendly and light-hearted, and then catching onto something--some shift in the mood or a lingering glance--and then kind of abruptly shifting into a more intense version of himself. It's not a side of himself he shows very often--we're mostly exposed to the goofy, jocular Trouble, but that 'intense' dominant Trouble is there, lurking underneath it all, and that's kind of the part that he struggles with because it's also tied up in his ferocious past and his temper. It's the same Trouble who can go from smiling and laughing with his friends in a bar to completely unsmiling and intimidating when he overhears some guy being a dickhead to a server nearby, except obviously in these scenarios it's sexual/romantic tension he's responding to (even if he doesn't fully know it's that) rather than regular like situational tension. I don't know if you have access to the alpha build, but the scene in the cave in Chapter 7 when he's warming up MC's hands or the abrupt change from "yay we're having fun" to "something just happened" in his latest day off (when Cordy flirts with you) are good examples of this, too! This sort of stilted "everything is great 95% of the time and then 5% of the time something happens and he can't control it" that's impeding him and MC's easy friendship is what's really throwing Trouble for a loop; he starts to feel guilty and confused and tormented about it because he thinks he's the only one feeling these things and getting in the way of what should be a smooth companionship, so he's just... feeling a lot of things and not knowing what to do with them, lol.
So I imagine 'heated makeout' tends to happen during one of these sudden changes to 'intense Trouble,' when he catches on to something he can't ignore--but I generally don't think it happens because of an outright flirtation or hint of MC's, because he can usually just laugh those off as them just joking around, so he doesn't really respond to those like one might expect? He's dazzlingly good at not catching on to things like that (short of an outright serious confession), so maybe that's why you're having trouble imagining it! I tend to imagine it happening entirely randomly, during some moment of unthinking intimacy, like in the cave in Chapter 7 or during a mission when emotions are high or something like that. Here's another example of what I'm thinking of!
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...Or something like that, idk lol! Obviously take all of this with a huge grain of salt and don't let me influence you; however you write Trouble and MC's romance is fantastic! Hopefully some of these tips help you in some way!
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mean-figure-minute · 3 days
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intopermanence · 2 days
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I understand his madness, why does he run away from me? I feel close to him, why does he not feel close to me, why doesn't he see the resemblance between us, between our madness. I want the impossible, I want to fly all the time, I destroy ordinary life, I run towards all the dangers of love as he ran towards all the dangers of war. He runs away, war is less terrifying to him than life…
Anaïs Nin, from “A Spy in the House of Love”
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xielianlover2 · 2 days
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Mu Qing: I made tea
Feng Xin: I don't want tea
Mu Qing: I didn't make you tea. This is my tea
Feng Xin: Then why did you tell me!?
Mu Qing: It's a conversation starter
Feng Xin: It's a horrible conversation starter
Mu Qing: Oh, is it? We're conversing. Checkmate
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ninja-go-to-therapy · 21 hours
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Hey guys I need to see smth real quick
Overall, do you think regular fiction or fanfiction is better?
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frolic-in-frame · 3 days
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Animal farm quote, George Orwell (made by me 21/4/24)
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lucidloving · 7 months
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@roach-works // Melissa Broder, "Problem Area" // Mary Oliver, "The Return" // @annavonsyfert // Koyoharu Gotouge, Demon Slayer // Haruki Murakami, Dance Dance Dance // David Levithan, How They Met and Other Stories // Tennessee Williams, Notebooks
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mactiir · 6 months
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obsessed with mass market paperbacks. their pleasing rectangular proportions. how they fit badly in a hoodie pocket so you can drag them around everywhere with you like a temporary little buddy. the way they fit in your hand because they're MADE for human hands and not as bookshelf decoration. the way the pages feel when you riffle them gently with your thumb. How pristine and crisp they look when you get them and how creased and folded they look when you're done, even if you try to be nice to them. how that wear is okay, how that's correct actually, because they're made with the philosophy that books aren't meant to be PRETTY, they're meant to be read. that little ripple new ones get on the left side from where you hold them when you're reading, the way the ripple only goes as far as you've read, because u change stories by reading as they are changing you. how you can find thousands of these creased and folded and loved little dudes in every thrift store and used book shop and neighborhood library and you can instantly see the ones that someone carried around in a backpack for weeks or read to pieces or gave up on halfway through because they wear being read like fresh snow wears footprints. I love these poorly made, subpar little rectangles so much. truly the people's books.
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morbid-romance · 1 month
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🦇 🫀
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smashing-yng-man · 1 year
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gffa · 22 hours
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PLEASE READ THE LIVING FORCE IT'S THE CUTEST FUCKING THING YOUR HONOR
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sirobvious · 26 days
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“You just wrote your medieval fantasy setting to have medieval gender roles and homophobia and prejudice because you secretly fantasize about being able to be sexist and homophobic in a land with no PoC without any pushback! It’s fantasy, there’s dragons and wizards, it doesn’t have to have prejudice unless you, the writer, want it like that! In *my* D&D setting, there’s no sexism or homophobia, so that gay transgender women of all races can be holy knights fighting to protect the good kingdom from the endless hordes of the evil dark race that has threatened its borders for a thousand years!”
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sas-soulwriter · 6 months
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Dark past ideas
A dark past can be really intresting in books .here are some ideas:
Mysterious Orphanage Escapee: A character who grew up in a sinister orphanage and narrowly escaped its dark secrets.
Traumatic War Survivor: A soldier who witnessed unspeakable horrors on the battlefield, leaving deep emotional scars.
Secret Criminal Past: A reformed criminal who once led a life of violence, but is now trying to make amends.
Kidnapped as a Child: A character who was abducted at a young age and endured years of captivity before escaping.
Tragic Family Betrayal: A character who was betrayed by a close family member, leading to a life filled with distrust and pain.
Cult Escapee: Someone who managed to break free from a dangerous cult, but is haunted by their past involvement.
Haunted by a Violent Crime: A person who accidentally caused harm to someone in their past and has been tormented by guilt ever since.
Dark Addiction: A character who battled a severe addiction that nearly destroyed their life before seeking recovery.
Betrayed by a Friend: A friend who turned out to be a traitor, leading to significant emotional trauma.
Abandoned in Isolation: Someone who was left alone and abandoned in a desolate place, struggling to survive.
Witness to a Murder: A character who saw a murder as a child and was forever scarred by the experience.
Childhood Experimentation: A person who was subjected to unethical scientific experiments in their youth, leaving lasting physical and emotional scars.
Kidnapped and Forced into Crime: A character who was abducted and forced to commit criminal acts against their will.
Betrayed by a Mentor: Someone who was betrayed by a trusted mentor, leading to a deep sense of betrayal and loss.
Survived Natural Disaster: A survivor of a catastrophic natural disaster who lost everything they held dear.
Abusive Relationship Escapee: A person who managed to escape an abusive relationship, but continues to struggle with the trauma.
Witness to a Dark Ritual: A character who stumbled upon a sinister occult ritual in their past, leaving them haunted by the experience.
Family Curse: A character burdened by a dark family curse that has brought suffering to generations.
Identity Theft and Framing: A person who had their identity stolen and was wrongfully accused of crimes they didn't commit.
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intopermanence · 2 days
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For a moment she saw her love anxieties as resembling those of a drug addict, of alcoholics, of gamblers. The same irresistible impulse, tension, compulsion and then depression following the yielding to the impulse, revulsion, bitterness, depression, and the compulsion once more…
Anaïs Nin, from “A Spy in the House of Love”
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xielianlover2 · 17 hours
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I laughed so hard when I read these parts haha
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