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thedeathwitchescats · 5 months

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Okay, review time!! If you are one of the oddballs who thinks you cant be critical of something you love I suggest you stop reading now before I ruffle your feathers. Iron flame, second in the empyrean series. I am gonna start with what I was not a fan of and then go into the shit I adored.

1) what in the actual fuck was the pacing of this book?? I can tell you what, it was non existent. There was none. Where I thought there was a lot of filler in the last book there was none in this one. We got snap shots of conversations and then *boom* more plot flew at you. The timeline of this book greatly suffered for it i think bc we end only a couple weeks, if that, after threshing, which happens sometimes in October. This book was actually so wild with times.

2) while it was a spectacular cliff hanger, xaden becoming venin pisses me off. Especially if Rebecca yarros isnt going to have him tell violet. Like if that small tid bit of a conversation we got wasnt him telling vi that he was venin then the entire romantic conflict of this book was rendered pointless and their going to be having the same fucking fight for the rest of the series and at rhat point I give up.

3) I understand that the revolution is trying to take down basgaith and make the world better or whatever the fuck but can someone actually formulate a real plan for me?? Because I feel like their mission is just, giving violet and xaden something to be pissed at each other about.

4) the entirety of cats character. I get that she was set up as a spin on the typical jealous ex. Like having her be bitter about xaden picking violet over her but OH WAIT it wasnt actually about the man it was about the crown, oohh not like other girls. Im a writer too I see the point. I dont care. I think it was trashy. If you wanted her to be a bitter spiteful ex then have her be a bitter spiteful ex, the whole crown thing was shallow.

OKAY haters your time is up now onto the shit that made my heart hurt with joy and sadness

1) xadens arc in this book. I really liked that he went from "transparency is never gonna happen" to losing his fucking mind over violet and giving her everything. I love feral men and he qualifies. I think his arc was really well done and i liked it.

2) I appericiate that violet stuck to her guns for this book. She wouldnt let xaden off without a fight and I loved that. She made him bow and scrape and I was eating it up. It was spectacular.

3) the throne room scene. Violet on the throne. "Im making a temporary point not a lasting vow of maschocism" xaden being feral.

4) that gets its own point actually, just xaden being completely feral this entire book healed a part of my soul.

5) andarna's little speech at the end where she was like "I waited for you violet" made me ugly cry. That was just so hopelessly good I loved it. Andarna in general heals my heart but that part was just *chefs kiss*

6) tarin being completely and utterly ready to eat people this entire book. Just, at every turn "I want lunch their pissing me off " was spectacular

7) every scene their squad was in. Rihannon, violet, sawyer and ridoc are my roman empire. Their bond is so amazing. The fact that they launched a rescue mission for violet. Rihannon being ready to kill xaden at every turn. Ridoc being so platonically and adorably in love with violet. Just- augh happy cries happy cries. I love it all. Their so special tbh.

8) I love xaden actually, just, the whole book every scene hes in lives in my brain.

9) I liked that we saw a small bit of violet being feral this book too. I hope that we get more of that in future books. I want more of violet losing her fucking mind. Hot, badass women covered in blood

10) Liam. Fucking Liam. When violet was kidnapped and Liam was there. Now, do I logically understand that he was a hallucination, yes, do i care?? No. He was a gift from Maleck I will be hearing no critiques on that. It was so fucking sweet and amazing. I love violet and Liam and Liam being dead so horribly breaks my heart. I loved Liam. Liams death lives rent free in my skull.

#i might add more to this later #please #i am begging yall #dont get weird #i am allowed to love this book and have critical opinions abt it #if i start getting threats about my fandom opinions again i might lose my mind #haters get fucked #anyways #i need the third book right now and the fact that i wont get it until next year kills me a little #i loved iron flame #i loved fourth wing #xaden riorson #violet sorrengail #violet and xaden #fourth wing #iron flame #book review #iron flame review #🪓

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infizero-draws · 5 months

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QUICK haters are asleep, post MOUNDERS YAOI

#trafficblr #pearlescentmoon #mumbo jumbo #fanart #secret life smp #THIS IS YAOI TO ME. anyways im lowkey obsessed w them. in my design pearl's a vampire cuz mumbo bit her. maybeee bdubs too i still need #to review the footage o7 also kind of art spamming today I JUST DREW A LOT TODAY AND AM IMPATIENT LOL #mumbo x pearl #mumbo jumbo x pearlescentmoon #<- do they have a ship name ToT someone please tell me im dying out here

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welcometogrouchland · 1 month

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your talia in your newest comic is very pretty 💜 shiny hair save me….

AHH THANK YOU SM I didn't shade her hair originally when I was coloring cause I was trying to streamline things but it looked so incomplete without it...I can't help it if she has L'Oreal model energy. Anyway you're always really nice on my Steph posts so here's some misc Stephs I had lying around as thanks for this ask (feat one of those alt cowl designs i posted back when!)

#dc comics #dc #stephanie brown #batgirl #batgirls #asks #i have many wips that I don't feel are worthy of posting but yknow? these ones aint half bad #I've already done a lot of my essential steph reading so now I'm just looking for other stuff shes been in #she's briefly in the GA trade I'm reading rn! big win! I didn't even know that when i bought it but fate is fate #I'm gonna read batgirls at some point but i have to be in a headspace for it w/ the requisite amount of context #also i know it's one of those series you need to stick with to get the maximum amount of enjoyment with it #since every review I've read has said ''i know it starts off rough but PLEASE just get past the midpoint it gets better''#so i gotta be in that headspace too #(demons in my head saying 'or you could just reread cass' batgirl run' and I'm like STOP I NEED TO FINISH GA AND BB LEAVE ME BE!!!)#anyway thank you for this it was really nice <3

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the-sage-libriomancer · 5 months

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Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!

And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.

Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.

#i admittedly haven't seen wish yet so i feel a little hypocritical complaining about it #but i have Not been hearing good things about it and i trust the youtubers on this one #years of cross referencing other people's reviews with my own thoughts has taught me how to sense #when the masses are right and when they're talking shit #and when it comes to wish i think it really is just a corporate-controlled mehburger :/#anyway please rewatch princess and the frog it is SOOOOOO GOOD #i really couldn't ask for a more perfect movie #might make another post talking about it because it needs way more appreciation that it gets #it's the movie that killed disney's 2d animation era #but it was so worth it just for the movie to exist #princess and the frog #wish 2023 #analysis #sage speaketh

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cozage · 8 months

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I finished OPLA and here are my thoughts.

There will be a time and place for criticism, but now is not that time. Now is a time for celebration. Of the greatest Live Action anime adaption to be created.

There’s gonna be very light spoilers in this, so read on if you’d like.

I think my favorite part of it all is that you can tell just how much care went into this show. This production team was truly made by fans, for fans. The little nods towards things in the future really made me keep my eyes peeled and had me freaking out over the littlest moments. Things like Binks no Sake playing in the bar, and Nami reading Nolan the Liar were my favorite. I’m sure there were hundreds of other moments, but those were the two that had my feet kicking and giggling like a maniac.

Am i blinded by biasness and clouded with my love for One Piece? Yes. I’m aware of that. But I went into this show knowing it was a new, different adventure than the one I was familiar with. It’s not perfect to the manga, and they’ve said from the beginning it wouldn’t be. I think that’s the hardest part for people: not understanding why “pointless” changes were made (there were only two changes that kind of bothered me, but we can talk about those later). Most of the changes that occurred still felt fluid and natural, giving a lot more screen time to beloved characters who we normally don’t see for hundreds of chapters. I liked that aspect. Not everyone will. But keep an open mind.

Just like when I watched the anime, I found myself smiling and laughing the whole time. Joyboy is still very alive and apparent in this live action. As an anime and manga fan, i loved this new aspect of their journey and this new medium to watch. It kept me intrigued, surprised, and so invested in my crew. Just like when I watched the anime, I had a very difficult time picking who was my “favorite”, because they’re all so enjoyable and quirky in their own way.

Are there things to improve? Absolutely. There always is. All I can hope is that it gets enough love and attention that Netflix will renew it for a season 2, and we’ll all get to explore the Grand Line and Alabasta together.

If you’re on the fence, or didn’t like the first episode and decided to drop it, I implore you to keep going. I think it gets better by the episode. And so much happens, I was never really bored. Please watch it, even if you just have it on in the background. This show is so special to so many people, and the next season cant get better if we don’t give it the chance.

#also I didn’t know where to put this in the review #BUT #THE ZOLU CONTENT?????#WARMED MY COLD DEAD HEART #like damn they really FED. US.#also if we get a season two….#ace….#please i need to see a live action Ace…#please #opla #one piece #opla thoughts #coza thoughts

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stoshasaurus · 9 months

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i still cannot fucking draw feet and refuse to learn.

anyway, more work with poses and an experiment with cell shading and some half-tone brushes i have. this one actually turned out decent, the hands most of all.

#art #ultrakill #ultrakill fanart #gabriel ultrakill #working on some partner poses next hopefully #maybe with v1?? who knows #i haven't drawn v1 and gabriel together much and that needs to change #i gave him a pussy in the initial sketch #was tempted to leave it in but i have no idea what tumblr's policy for that is #i've gotten mixed reviews #if anyone has any idea please let me know #i haven't drawn much smut #but i know of a lot of great fanfics that need fanart #looking at you pit of feathers

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blueskittlesart · 1 year

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profs will set the due date for the final as april 24 and then STILL NOT HAVE THE FUCKING ASSIGNMENT UP TO SUBMIT THE PAPER BY 11PM ON APRIL TWENTY FUCKING THIRD

#ALEC. BESTIE. PLEASE. I AM BARELY PASSING YOUR CLASS AS IT IS I NEED YOU TO WORK WITH ME HERE #i feel the need to explain the level of bullshit that has been going on with this particular final actually because holy shit.#he first told us about it about 3 weeks ago which. fine. but all he said was 'you will have to pick a topic and write a paper'#like nothing about what the topic should relate to how the paper should be organized word count etc. literally nothing #radio silence for 2 weeks. we all forgot about it. then out of the blue 'btw your papers are due in a week lol!'#so we all scramble to figure out what the hell the assignment actually is #come to find out he never actually posted the assignment brief on canvas as an assignment. the only way we can access it is via a pdf #linked in ANOTHER UNRELATED ASSIGNMENT.#the project brief in question describes several in-class activities we straight up have not done.#no one actually knows if it's really due tomorrow or next week because he keeps pushing shit back and DOESNT ANSWER EMAILS #but the date on the syllabus is the 24th. and there is still nowhere online where we can submit our papers at all.#jesus fucking christ in heaven #personal #he is going to be getting a. shall we say INTERESTING professor review from me. lmao

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softness-and-shattering · 1 month

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Ok the latest episode of dungeon meshi is gory as fuck.

Major episode 11 SPOILERS

Given that the episode is dragon part one, I assumed they would fight the dragon, mostly fail, cliffhanger, and the next episode would be defeating it.

I did NOT expect them to kill it, root around its insides, and find Falins fucking bones!!

The foot comes down on Senshi and he immediately vomits blood? Chilchuk knocked out by bricks to the head, Laios loses his leg?! (Nitpick but. If the leg was disconnected what was keeping him from falling out the dragons mouth? Anime rule of cool physics?)

And then. Chilchuk and Senshi is heaps of pain and Laios' leg is just itchy? Its a good joke, but I think there's more. Those heals were too easy after that amount of unprecedented violent gore.

Laios had a btw-line about of the dragon and is mating and then dismissed the thought with no given reason. So I think next episode theres gonna be a second Red dragon. ( Its possible part 2 will be next season, but following more common episode title namings, red dragon 1 and 2 will be the season finale. )

And theres the unanswered question of the whole season, why is the dragon more active, why is the ecosystem of the dungeon off-balance. I think next episode will be our big clue.

Re Falin, its no coinicidence we were introduced to the racist rich guy who assures us that souls dont leave bodies in the dungeon. That was confusing up till the last episode because the characters sure act like death is possible, and we've seen dead people and heard about body-retrieval. Then Namari goes to revivals to ask about Falin and there are bodies stored behind the desk guy. Which puts the pieces together, bodies that can be retrieved are retrieved, and the people can be revived. If someone cares to, and presumably pays for it. Someones gotta pay for retrievals.

Its also no accident that our warm-fuzzy sibling scene before finding Falins skull is about a ghost who is trapped with his body, and Falins intuition/ability with ghost magic. Can she be revived, will she stick around as a ghost, remains to be seen. (Remains.)

As someone who hasnt yet read the manga, Im also curious about long term story. Ive gotten the impression that theres significant story to go, possibly probably they reach the end of the dungeon? But Ive not seen Falin present in any of the art, and for the story to continue they need motivation to keep going.

So Im guessing that Falin ends up as a ghost, or unreviveable, and they have to get to the bottom to find the mad mage, work out what stops people from crossing over post-death (does that include monsters, orcs, humanoid mermaids or fish-oid[???]mermen), and only then can they bring Falin back to life.

That or they revive her and theres some other plot hook, but my guess is what I just described.

(Another silly nitpick, the fire is blocked by the adamantium but the heat isnt a problem until after the fire is done? "WE HAVE TO MAKE SURE TO EXHAUST ALL ITS FUEL" THAT WOULDVE LEFT FALIN BEYOND ALL HOPE!!!!!!)

And its funny re Senshi's knife, ooh its mithril it can cut through anything, well of course! he's used it to cut every single monster theyve eaten! And we never wondered how! Foreshadowing by cookware, its ridiculous and I love it.

Last point is it just me or are...is it Kaka and Kiki? Theyre discount Vex and Vax, right?

#for ppl who dont know me my nitpicks aren't hating on the show #i just have a brain that points out these things and they need expression #its not a negative #theres always gonna be a level of movie magic #its fun to find where that line is of what just needs accepting and whats secret foreshadowing to extrapolate from #also no major spoilers please!#dungeon meshi #delicious in dungeon #mine #review #sort of

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heyhelloitsmilo · 1 month

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poll for my hobie enjoyers

i cant believe i set yhis for a week...... i have to wait until next wednesday for this shit............ god

lack of foresight on my part...... i forgot how impatient i am

#atsv #art #reviewing #shush milo's talking #hobie brown #atsv hobie #hobie #twink???#enough?!#i need feedback #please #help #CRITICISM OPEN

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ali-ali-al1 · 4 months

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I need to talk to strangers on the internet about The Thursday Murder Club character Chris Hudson and the accurate depiction of a very common and very miserable relationship with food that is not usually given space in media to breathe past being the butt of a joke or an unimportant detail (god fucking bless Richard Osman). I need to talk to strangers on the internet about the Thursday Murder Club. I need a fandom (if that’s still the correct terminology) how am I meant to live like this ⁉️⁉️⁉️

#the thursday murder club #please please please please please please please #I need more than millennial book reviews #I need motion #I need discourse #I need more than one singular fan fiction #if anyone has the secret key to this community please contact #richard osman

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supercantaloupe · 11 months

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The Rent Post™

aka, a lengthy screed on how rent the musical goes about adapting la boheme, where it fails, and what can be done about it

so i’m admittedly a reformed Theater Kid™. and tbh i still very much am a Theater Person, even a Musical Theater Person, i’m just in my 20s now and my taste has shifted away from what’s mainstream on broadway right now and closer to the world of opera. but there absolutely was a time in my early teens when i was Really Into Rent, as many Theater Kids™ were…and there was also a time in my later teens when i thought about it and realized that rent was not only just not my thing, but that there were some significant Problems with it, as its own work and as an adaptation. now, having finally seen boheme for myself, i feel like i’m really in a place to piece together how the two works compare to one another, and why/how i think rent falls short of success (as a piece of theater anyway. obviously rent is not lacking in commercial and popular audience success, for better or worse).

i knew years ago that rent is a direct adaptation of la boheme, but wow, only after seeing the opera did i come to realize just how closely rent follows boheme: in plot beats, in character names, even borrowing a couple of lyrics and musical motifs here and there.

but it also changes things from the original opera -- namely, it adds things -- and i think this is the first place where rent runs into trouble. now i am by no means such a purist that i think no work should ever be adapted unchanged (more on this later...what’s the point of adaptation if not to change things to make the work resonate with a new audience anyway?). however, any and every change made to an existing work in adaptation should be thoughtfully made and motivated, because every single change has an effect on the whole product in some way, and many small changes can add up to create a rather different final product than a creator might realize.

(and this goes both ways, i think -- both in a work where a more flawed source material is adapted into something new and better, and when a superior original work is adapted into a worse new creation.)

definitely some of the changes made in rent while adapting la boheme are due to the change in medium. opera and musicals are both theater, sure, and more similar in many ways to each other than either is to straight play or film perhaps, but it’s still like a spanish speaker and an italian speaker trying to have a conversation with one another. the languages are similar and there might even be a bit of crossover in mutual intelligibility but they are still ultimately two different languages with different grammars and vocabulary. opera in general tends to have slower pacing than book musicals, fewer plot threads of equal importance. that rent is specifically a musical adaptation of la boheme, rather than a true rock opera, demonstrates this well. the mimi/rodolfo relationship is still front and center (americanized of course as mimi and roger), with marcello and musetta close behind (though expanded in rent as more of a love triangle among mark, maureen, and joanne, the latter being an invented character for the musical who i think embodies the original marcello as much as mark does). but rent adds a lot of stage time and focus to a new couple, collins and angel, who are directly lifted from colline and schaunard, who are essentially secondary comic relief characters, whereas collins/angel are arguably as important plot wise to mimi/roger and mark/maureen/joanne.

(and i’m not gonna get into the level of #problematic there is to the depiction of maureen as an overly promiscuous bisexual or discuss why colline and schaunard can’t have been a gay couple the whole time or whatever because. wow i do not care. there are more important things to complain about here c’mon)

first big addition to rent that wasn’t original to boheme is that increased stage presence/focus for collins and angel. it's not inherently a bad addition, and for its time the open depiction of multiple queer romances onstage was still kind of groundbreaking. and yes, rent having a longer runtime than boheme should give it the opportunity to flesh this relationship out more as well as the other two to make sure they all have an equal chance to develop and end in a satisfying way. hell, they don’t even all have to be equal in stage presence/focus/importance to be a positive addition to the show (and how can it be when angel dies halfway through act ii? then again, the character dying doesn’t exactly mean the relationship loses its importance in the plot…) but despite the extra runtime and faster storytelling pace, rent doesn’t actually develop angel and collins all that much, especially not before angel dies. this isn’t an issue with colline and schaunard, of course, cause it’s obvious they’re not important characters in boheme. but collins and angel are arguably more important in rent than even mark/maureen/joanne. and angel dies halfway through act ii…meanwhile, mimi survives the end of rent, when she very pointedly does not in boheme.

and…oh, mimi. she is probably the biggest and most problematic adaptational change in rent as compared to la boheme. on the surface she (and roger/rodolfo) seems the least changed of all the opera’s characters, her name not even undergoing the same americanization treatment as the others. but there are just so many small details that add up and up until she’s a fundamentally different character in rent. i don’t even begrudge the change in occupation: her becoming a stripper/exotic dancer/possible sex worker(?) rather than a seamstress does bring with it some cultural baggage, but i am not personally interested in reading any morality into her choice of occupation, and i choose not to read her line of work as having any implications for her “innocence” or moral value as a character. nor will i read her addiction or disease as being moral qualities either. however: there is a big difference between tuberculosis in the 1840s and both AIDS and drug addiction in the 1980s. neither boheme’s mimi nor rent’s are morally responsible for their illnesses. but there is absolutely nothing mimi could do about her tuberculosis in boheme except die, because it was france in the 1840s and nobody knew what an antibiotic was. in new york in 1989, there were rehab clinics and there were medications for HIV. these things were expensive and hard to access, yes, but rent really goes out of its way to show us that mimi had the resources to access these things -- she is able to afford AZT in act i on her own (and the fact that she’s on AZT is used as shorthand for her HIV+ status, as opposed to other characters about whom we are told outright)...

… and her relationship with benny (the much-expanded counterpart to boheme’s benoit the landlord character) in act ii, who verbally offers to pay for her admittance to a rehab program.

yet the next time we see or hear anything of her, her loving mother is calling to ask where she is as she’s presumably gone missing…

…and then discover she has been living on the street, dying from exposure/disease/addiction.

did she do this willingly? did benny refuse to continue supporting her? we don’t really get an answer to any of this; rent isn’t really concerned with why mimi is in the position she’s in, but is rather entirely preoccupied with staying true to boheme -- up until mimi’s death, anyway. because mimi doesn’t die in rent, she is saved, and says that angel told her to keep on living (as though it were a choice). why? we can only speculate. really, if any character embodies the same “dying tragically in a world too cruel for them to survive” theme as mimi in boheme does, it’s angel. and her death is honestly used as a tool throughout the rest of the show: a purpose for kindness, community, life.

is this a bad “bury your gays” kind of thing? i don’t really know, i’m inclined to believe not. but i do think angel’s death is more thematically akin to mimi’s death in boheme than the actual (near-)death of mimi in rent.

and this is the biggest difference between rent and boheme: boheme is not about hope. boheme is a tragic romance about how important relationships are among people in disadvantaged communities/situations, but it does not say that love will transcend or materially improve those conditions. rent, by contrast, does. rent suggests that the love of partners and community (even if filled with complications and tensions) is lifesaving.

(and i know rent’s stated thesis is “no day but today,” i.e. live and enjoy every day as though it could be your last, but i think thematically all the characters and their interactions overall suggest a theme of community just as if not more strongly, whereas “no day but today” is more limited to the HIV+ characters and has little to do with the mark/maureen/joanne subplot. mimi's outlook on "no day but today" changes when she chooses to stay alive on the urging of angel from the other side.)

now i don’t think this is altogether a bad moral to have in your theater piece. especially in one of the first major pieces of theater centered on marginalized queer characters. i will not deny how important and cathartic it can be, both now and especially thirty years ago when rent premiered, to end on a hopeful note rather than a tragic one. but i have a couple of issues with how rent goes about making this its central theme. for one thing, mimi has frankly too many Things affecting her health in the end for her survival to be realistic, and absolutely nothing up to this point in the show has suggested a setting of magical realism or pseudofantasy; everything has been as grounded in real life as possible, until finale b, when mimi suddenly and near-inexplicably survives. it feels like it comes out of nowhere tonally and thus isn’t very satisfying an ending when put to scrutiny. for another, angel has already died, and angel is, compared to mimi, a much more beloved and uncomplicatedly positive force in their community and relationships. angel’s entire stage presence (while she’s alive and when her character is invoked or referenced after her death) is a positive one: caring for collins when he’s injured, providing food and funds to the group, placating arguments, etc.

and the fact that angel has no concerned parents leaving her voicemails, unlike mark, roger, and mimi, underscores that she has no one else to lean on for support except her community of bohemians. and we’re not given a reason to believe one way or the other about her home life or financial stability outside of today 4 u when she got a sudden windfall for killing a dog (whatever; schaunard did the same thing to the parrot in boheme). in contrast to mimi, roger, and especially mark, who are clearly shown to have family who care about them and want to support them, yet they choose to live in romanticized poverty anyway. mark even gets a good job in filming and still finds a way to complain about it.

really, except for angel (and arguably collins, too), it’s difficult to totally sympathize with the characters in rent and care fully about their plight because they’re just…not depicted as particularly likable people. maureen is an unfaithful and kind of manipulative partner, and her approach to “protest” is really just bad self-absorbed performance art. roger just kind of sucks at songwriting (how is your eyes the song that he’s spent the whole show writing? it’s the worst number in the musical lol), and he’s quick to anger…his decision to leave mimi makes even less sense here than rodolfo’s decision to leave her in boheme, where at least he did so out of genuine concern for her health (also why does he leave mark? rodolfo embraces marcello as a friend still after mimi leaves in boheme...act iii of boheme is the least closely adapted in rent by far.). wheras in rent roger seems to be both genuinely jealous of mimi interacting with other men and upset by her continued drug use. although this last one i don’t begrudge him for, since it’s made clear he’s a recovering addict himself…although it does make mimi’s relationship with him all the worse, considering that mimi’s take on the whole “no day but today” theme is to throw caution to the wind with her actions and not worry about the future at all, and her interacting with roger is directly tempting him back into addiction which he clearly does not want. (and roger’s rejection of her in another day is framed as him being in the wrong with mimi being backed up by the life support chorus…)

while mimi as we’ve seen is reckless and throws her life away even when people try to help her (very very different from boheme’s mimi, who makes no particularly reckless choices, and accepts help when it's offered). and mark is entitled and uses his film as an excuse to disengage with the real world, even exploit it (see: the way he films the life support meeting without permission, or the homeless woman, which is never really confronted elsewhere in the show…)

the inclusion of a homelessness subplot in rent is particularly strange to me. it shows up a lot, especially in act i: the threat of homelessness for the main characters should they not pay their rent or come to some kind of agreement with their landlord; the vague future threat of benny’s “cyberarts studio” getting built which is implied would evict those living in tents on the lot; mimi being found living on the street in the finale; and the chorus/ensemble who show up periodically, as above. homelessness is an ever present element of set dressing/conflict in rent but it’s never really addressed, no points are ever made about it, which is in my opinion kind of wild and very unsatisfying. the above scene especially, considering how direct of a callout it is towards the show’s own characters and writing, yet it is never addressed afterwards, and this conflict is never really resolved.

one could take similar issue with the choice to swap tuberculosis in boheme with AIDS in rent. though in my opinion i think addiction is as much as if not more rent’s analogue to boheme’s TB, since that is a much more acutely seen disease for mimi and only mimi while there are multiple characters (main and chorus) living with HIV…then again, angel is the character who gets the real tragic death analogous to mimi’s in boheme, and angel dies of complications from AIDS, so i suppose it’s open to debate. regardless, there’s a significant contextual difference between TB in the 1840s and HIV and addiction in the 1980s: there was no system, political, social, or medical, that could truly heal someone of tuberculosis in boheme’s setting. but there very much was a medical and social system in place to help people with HIV and addiction in the 1980s; systems which were aggressively denied to those who were suffering by the political system. and for as much as the characters in rent like to sing about revolution, protest, and activism, not a single one actually challenges the powers that be or call out by name those responsible for the systematic denial of healthcare to the marginalized. activism and artistic revolution is hollow and meaningless in rent, they never name a real enemy, just a vague sense of “the man.” but it’s a story set in a real and still recent historical time period, the effects of which we still deal with today (and i’m sure even more acutely so back in 1996); it just feels disrespectful to me to use those crises as such important set dressing for your musical which positions itself as a “fuck the man” revolutionary kind of piece of theater and yet do or say absolutely nothing about the real world issues it is appropriating. for more information i highly recommend checking out lindsay ellis’ video on the topic.

so is all this to say i think rent is an irredeemable, fundamentally broken work? actually, no; i think it has a decent foundation and some solid music. i understand the reasoning behind and appeal of updating an old work to a new time period/setting for a new audience, and i think trading 1840s paris for 1980s nyc is an interesting and workable substitution. but when i look at rent as it is now, i just do not see a finished product.

and i think this is the most frustrating and disappointing thing about rent to me: rent is, quite literally, an unfinished show. its composer and librettist, jonathan larson, died suddenly the day of its first preview performance. and for so many developing (off-)broadway shows, previews are when the actual finished product is crafted, as the show is revised based on audience reactions. of course audience and critical reception to rent from the very beginning was positive, but i can’t help but speculate how much of that is influenced by the mere fact of its creator’s untimely death. and i wonder what changes larson would have made to his show if he had lived, and been able to hear the audience’s reactions, and revise the show accordingly. i wonder if he would have thought it worked. i wonder if he would have seen the same cracks that i see in it. i don’t think rent is inherently unsalvageable, but it is so far unsalvaged.

and frankly i don’t know that it ever will be salvaged; not for many years, at least. not until copyright and licensing in musical theater changes, and not until broadway audiences get more comfortable with the idea of altering beloved and familiar classics (the 2019 revival of oklahoma! was, in my opinion, a work of genius, but i’m well aware my opinion is not universal, and especially during its national tour the show’s entire concept has been extremely controversial). do to rent what bartlett sher and aaron sorkin are doing to camelot right now: keep the heart and soul of the piece intact, but rewrite what doesn’t work. or do something even more drastic, cut subplots and change character traits, i don’t know. maybe mimi should die; maybe it really is important that she survive! maybe rent shouldn’t have been based on boheme at all; hell, what would rent look like if it was based on la traviata instead? (well the answer to this one is “a different show entirely,” most likely, but if you want to write a poignant and tragic love story based on a romantic opera and set in 1980s nyc featuring queer and/or HIV+ characters, well…it could work and i’ll leave it there.) maybe that’s going too far, i don’t know, but the point is, i want to see directors and writers have the freedom to try that stuff out. because i don’t think rent is unsalvageable; i think it’s unfinished.

but rent is far too popular and beloved for anyone to dare touch its libretto with new ink. the memory of jonathan larson is held far too preciously for anyone to allow such debasement of his work. when searching online for libretti to reference when writing this essay, i found one transcribed script with this at its heading:

and i think that about sums it up for me. “may he be friggen worshiped!” him and all his creations, holy and untouchable. it’d be tantamount to theater sacrilege at this point to try and change it. how dare you sully larson’s good name by thinking you could “fix” his masterpiece…the masterpiece no one wants to admit he never got to actually finish. well, i don’t know, maybe it’s me being jewish and sentimental here, but if i have enough respect for a piece of work i want to be able to engage with it and question it and interpret it as i think it best ought to be. (jonathan larson was also jewish. would he agree with me? i don’t know. but i think he’d want to see the best of his work, just like i do.) live theater is inherently participatory and dialectical. and it ought to be alive, not carved into stone. neither immovable nor under threat of utter annihilation should someone come too close with a chisel. rent has potential. la boheme is still as affecting today as it was a hundred thirty years ago (did you know rent premiered almost exactly a hundred years after la boheme?). rent could be the same. and it does have emotionality behind it as it is now, credit where credit’s due. but it could be more than just that. if we could just let someone finish the thing already, even if larson himself couldn’t.

#sasha reviews #rent #<- afraid of putting this in the tag. rent fans please be cool. just scroll past this if you don't wanna see me being critical ;;#la boheme #this took so long to write. please enjoy #tldr; rent isn't irredeemable or unworkable but it is unfinished #i think it ought to either just let itself be closer to boheme (the 'keep it simple stupid' approach)#or let itself stray from that source material more and give each of its subplots the full attention it deserves (and needs)#(and maybe cut one or two of them...)#and be more of its own thing already #i don't know. who knows what would work best? no one does. cause no one's tried it yet. that's the bottom line i guess

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neverlearnedtoread · 4 months

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Uprooted

⭐⭐⭐⭐⭐; my favourite kind of fantasy - classic fairytale with a side of 'dont worry about the details' and 'you gotta believe in the heart of the cards!'

Oh?? 👌😉😏

a really sharp, quick-witted, and willful female protagonist going 'fuck it!' every few chapters or so and doing something crazy (crazy fun) to drive the plot forward, off a new exciting cliff

a soft magic system that really shows off in the best light what makes soft magic systems so valid. its all about the metaphors!! you have to measure the chocolate chips with your heart!!!

nature is so magical and beautiful and deadly. specifically if you treat trees bad they will form a sentient vengeful forest to raze your civilization to the ground and salt the earth with your bodies

kasia. i love an atomic blonde unkillable bad bitch with the strongest queerplatonic vibes with her best friend from birth

a CLASSIC grumpy 'beastly' male love interest. he seals himself away in a lonely tower, makes girls hang out with him for 10 years at a time, and unironically calls himself 'the Dragon'. he even has the audacity to be offended that everyone thinks he's creepy!!!!!!

No.. ❌🤢🤮

if you like having explanations for how magic works and any semblance of a hard magic system in your fantasy, put this book back. 'round here we operate on Vibes Only, babey!!

similarly, if your love language is words of affirmation and/or you think that fanfic-style romance plotlines should stay in fanfic, this romance is Not For You. this is not a judgment, only a warning

Summary: Agnieszka loves her home in her little village in the valley - you know, except for the evil forest simply known as the Wood that's been around as long as there have been people in the valley, with terrible creatures and sentient walking trees. And the century-old wizard known only as 'the Dragon' living in the tower overlooking their land, who takes a young woman every ten years to serve him. But what Agnieszka dreads the most is that her best friend, Kasia, will be chosen next, and that Agnieszka is helpless to save her. Until the day of the choosing, when the Dragon picks Agnieszka instead.

Concept: 💭💭💭💭 I've never gotten along that well with a book blurb, but this one does its damn job - gives me enough plot premise to get me interested without giving it all away, and doesn't make me feel like I've been lied to once I start the book! some stories really don't do what they say on the tin, or take ages to get there at all, but Uprooted starts off exactly at the spot the blurb said it would - with a girl, in a valley, scared of a terrible wizard, about to be whisked away to a tower.

Execution: 💥💥💥💥💥 This story is EXACTLY what it says it wants to be, down to the cadence of the prose - a Polish folklore-inspired fairytale. The rhythm of Novik's narration even fits right - one day I'll get the audiobook for this and get to hear it the way I read it in my head, like a grandmother's bedtime story with twists and eddies and crescendos at the all the right bits. I was in love with the aesthetic of every character, they fit perfectly into the backdrop of what this story was.

Personal Enjoyment: ❤❤❤❤❤ This book aligns to my tastes much the same way An Enchantment of Ravens does, and shares of lot of the same elements without ever feeling derivative - smart girl meets magic boy, causes all kinds of irreversible political upheaval, and lives happily ever after being just as they are - a Girl with The Audacity. its a tale as old as time, and i'll hear it told just as often

Favourite Moment: you know its a good book when you really can't choose a favourite moment - one that comes to mind is agniezska choosing to save sarkan from being grafted onto the heart-tree in the Wood instead of setting fire to it. the 'fuck it!' energy agniezska brings to her moments of crisis is SO good, plus the motif of her always reaching out to sarkan to cast magic together - 'hey real quick, cast a spell with me while you're being pulled into an evil magic tree trying to twist your magic and life force against us. couldn't hurt, eh?' and then it WORKS

Favourite Character: now yall know i love a sarkan-esque character - pathetic wet cat men who are so offended by their own squishy feelings are a great time! and kasia is SO bad bitch extraordinaire, her and agnieszka's love for each other literally makes the plot go - every time, every time without hesitation she puts herself as the last thing standing between agnieszka and the Wood. but agniezska herself is really Something. the way she uses magic, her connection with nature and her refusal to be anything else than what she is - a grubby young woman who wields kindness as her weapon against the world, who holds onto her humanity with both hands and teeth - she shapes this fairytale to be the story she wants it to be, one of connection and empathy. and im still thinking about her introducing the lord of the whole valley to her mother 🤣 power move!!

#uprooted #naomi novik #books #book review #booklover #bookblr #reading #sarkan's refusal to bind himself to the valley is SO. one day agnieszka will stop for breath mid-bickering and really come to grips with #unpacking why he was so unokay with tying himself to the land. an orphan with incredible magical ability growing up surrounded by #power-hungry nobles? yeah that guy has trust and commitment issues. need agnieszka to fuck that out of him #i mean OF COURSE teach him that the valley is a home and not a cage (that no one will ever force him to stay not even her #that he can come and go as he pleases and still be theirs) and its ok to be tied to the people that love you and vice versa etc etc etc.#but also like. he deserves to be dommed into feeling safe enough to put down roots. as a treat.#anyway kasia x agnieszka x sarkan throuple with agnieszka as the homing beacon and kasia + sarkan as the migrating birds always circling #always knowing the way back home

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