Tracklist:
Define Me • Foot In The Door • Kerosene • Running To Forget • Never Gonna Win • Heavy Little Heart • Leave Me Alone • Why Die On A Hill? • Hungry Ghost • Cemetery Window
Spotify ♪ Bandcamp ♪ YouTube
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In 1967, UK psychedelic band Nirvana released one of the first narrative concept albums.
Nirvana would eventually sue the Seattle grunge band for using the name, but it was settled out of court. The UK band even planned on covering the Seattle band's songs for an album titled Nirvana Sings Nirvana, but the project was abandoned when lead singer Kurt Cobain died. They did cover Lithium, though, which appears on their album Orange and Blue.
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<1971.02.19> Comus - First Utterance
2001 CD, Rock Fever Music - RFM 020
Front cover by Roger Wootton. Inside cover by Glen Göring
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Throwback: Happy 80th Birthday, Jimmy Page!
Throwback: Happy 80th Birthday, Jimmy Page! @ledzeppelin @JimmyPage
January is a busy and auspicious month in music history:
Legendary hip-hop pioneer Grandmaster Flash celebrated his 66th birthday on January 1
Led Zeppelin‘s and Them Crooked Vultures‘ John Paul Jones celebrated his 78th birthday on January 3
French touch pioneer Thomas Bangalter, best known for his work in Stardust and the multi-Grammy Award-winning duo Daft Punk celebrated his 49th birthday…
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Ohm Suite Ohm - Pink Floyd :: U.S. bootleg vinyl record of the live performance for KQED TV broadcast at Fillmore West (San Francisco, CA) on April 29, 1970. Vinyl released in 1975.
Tracklist:
Side A: Cymbaline | Grantchester Meadows | Green is the Colour | Careful With That Axe, Eugene
Side B: Atom Heart Mother | Set the Controls for the Heart of the Sun
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guardian angels, pearls before swine (1968).
you're trapped in a world of angels who no longer care
in the space where his hand was my hand is
reaching out for you there
love is the weapon left after the fall
it may not seem like much, but, girl, that's all that there is
girl, i love you
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211: Erkin Koray // Arap Saçı
Arap Saçı
Erkin Koray
2021, Pharaway Sounds
Pharaway Sounds’ Arap Saçı (Arab Hair) collects 24 Erkin Koray tracks originally issued as singles between 1968 and 1976. Koray is best known in the West for his groundbreaking fusion of Anatolian/Arabic folk and classical with crunching psychedelic rock on his 1974 debut LP Elektronik Türküler. However, as Angela Sawyer’s tart liner notes observe, Turkey was predominantly a singles market at the time, and back home Koray did most of his damage on 7”. The limitations of the format, and the preferences of Koray’s record company, preclude the kind of long-form acid voyages he undertook on Elektronik Türküler, but he's able to generate plenty of smoke on these “pop” singles.
Highlights abound. Arap Saçı kicks off with 1973’s “Mesafaler” (“Distances”), a scorching psych banger complete with cowbell that only stops rocking to periodically gawp and stare fixedly into space for 20 or 30 seconds at a time before shaking itself awake to get back to business. (Is there footage of a Turkish TV performance featuring liquid light art? You bet your hairy ass there is.)
The waltzing, organ and hand drum-led “Komşu Kızı” (“Girl Nextdoor”) is a classic melancholy Middle Eastern ballad that hides a wild, surprising drop two-thirds of the way through; Koray freaks “Aşka İnanmıyorum” (“I Do Not Believe in Love”) with his insinuating croon and serpentine guitar licks; “Istemem” (“I Do Not Want”) mixes a light-stepping folk beat with some stinging solos that aren’t too far off what Uli Jon Roth would get up to in Germany with Scorpions a few years later. There really isn’t a bum track to be found.
This new compilation covers much of the same ground as the ‘70s Erkin Koray (AKA Mesafaler) and Erkin Koray 2 (AKA Şaşkın) singles compilations, and Pharaway Sounds opts to follow their track sequencing as closely as possible—a good choice, as they had a great flow, though a bit frustrating for those hoping to track Koray’s musical development chronologically. Regardless, we know that Koray was exposed to Western music as a young age, learning Occidental classical music on the piano as a child and discovering rock ‘n’ roll as a teen. According to the liners, Koray was performing songs by Elvis, Fats Domino, and Jerry Lee Lewis in the late ‘50s, and by the late ‘60s, when he began to emerge as a recording artist, he’d clearly imbibed industrial quantities of Hendrix, Cream, and the other usual psychonauts.
In a previous review, I briefly contrasted Koray with Egypt’s Omar Khorshid, a fellow guitar god and contemporary pioneer in electrified Arabic music. Khorshid had some familiarity with Western pop music, but he was working with the top stars in Arab folk and classical, using electric instruments to push traditional Eastern music forward rather than to fuse it with rock. Koray on the other hand was a long-haired freak who claims to have fought in the streets with a knife and joined Anglo-American-inspired combos with names like Mustard (Hardal) and Sweat (Ter). By the late ‘60s rock had become popular in Turkey, as had Arabesk music, which Sawyer describes as “a purposely uncouth… appropriation of Arabic pop and folk, popular with rural or marginalized folks who were suddenly encountering pockets of urbanized Europe in their backyard.” Koray intuitively crossbred the invasive genre (rock) with the reactionary one (Arabesk) and found himself one of the fathers of a powerful new mongrel breed of psych music.
By reissuing both Elektronik Türküler and these essential singles, Pharaway Sounds has done a real service to psych and non-Western rock aficionados. Koray makes a great gateway to the other masters of ‘70s Anatolian folk-rock, including Selda, Moğollar, and Barış Manço, a loose affiliation of artists that has been one of my most prized discoveries of recent years.
211/365
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