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#reflect love back
teethkid67 · 2 months
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PAYDAY
aka a valentine for the lovely @itsnotmystic / @corvids-calling - fanart for stars fic of the same name, which you can read here !!! i really enjoyed this concept and wanted to do some art for it :3 hope you like it because i REALLY loved your work & i hope this shows that !!! HAPPY VALENTINES DAY !!!!
this is also a loose love-letter to the wonderful @arginnit 's crazy background-drawing-ability and style/skill at portraying environments . wadds your stuff is insane and i love it
happy @mcyt-valentines exchange !!!!
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tsuchinokoroyale · 4 months
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Happy new years… let’s stay hydrated together ✨
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#I didn’t end up going to the rave just stayed in with my buddies and had KFC (( Korean fried chicken )) and laughed til we cried so#it was still a wonderful start to the new year 💞🥰💞#but the fwb wanted pics of my potential rave look so I figured eh I brought the stuff anyways#and now I’m imagining locking eyes with a stranger on the warm and writhing dance floor#the beat thumps and shakes and rattles the air in our breath as the spotlights dance in the reflections of our held gaze#he pushes his way through the crowd with a singular stare and a wicked smile on his face#I smile and turn my back on him arching myself so he knows I am giving what he’s looking for#I take careful steps through the revelry toward the edge where the crowd thins out#I prop myself up on an available stool in a lonely corner of the club as he closes the distance between us#“now I wonder why you dragged me all the way here” he utters in a playful growl “trying to get far away from the crowd?”#I smile and I nod. “obviously. can’t really do what I want with you out there”#his eyes perk up and his smile gives away the desire building inside him. “yeah? why don’t you show me then.”#“I thought you’d never ask” I smirk. I reach down into my pants and pull out my phone#“so this one is blue. he’s the oldest but he’s sooooo sweet. and that’s Eva. my only girl she’s sassy but she loves swea-” he leaves#whaddahell I say demurely whimpering even… whaddahell…#gpoy
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poorly-drawn-mdzs · 4 months
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At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.
I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)
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kreftropod · 2 years
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Absolutely loving the fact that, despite Dracula being adapted to death and back by media over the last century, a lot of people don't actually know the original story. As in, here we are, in 2022, tagging spoilers for a 125 year old novel that most people thought they knew from it's countless adaptations but turned out to not know at all. It's great. I love it. Thanks for sharing your first-time reactions to this comedy of an old book.
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originalaccountname · 9 months
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Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”
Kafka Asagiri, for the BSD exhibition
On Mori and regret.
This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.
Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.
The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.
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(does this look like the face of a man without regrets to you?)
Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.
For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:
“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty
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(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)
One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:
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To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?
But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.
And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.
But we have a direct example of Mori expressing regret.
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The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.
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Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.
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I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:
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The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.
The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.
So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.
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(translation: Reneray)
But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!
Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...
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(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)
Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.
In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.
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thealatvs · 9 months
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no more mirrors (the beginning of dante’s nightmares)
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5hrignold · 3 months
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homestars handwriting 2000 / 2005
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daydreamingmiller · 4 months
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joel miller 14/?
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cookies-artblog · 6 months
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Inktober day 7: changewing
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skunkes · 6 months
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doodles from last year but i am thinking about vee...
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macksartblock · 22 days
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Despite the pain this teen talk has inflicted, I just know the angst that’ll come from post-s2 Normal-centric fics will be banging
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uncanny-tranny · 9 months
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I'm still thinking about how ashamed I was (and am) with being open about my pain because I am so young. It's so hard to feel worthy of having your pain taken seriously when the people around you insist that young bodies are always in pristine, untouched condition and that you must earn your pain through aging. Never is it considered that young people aren't lying or being a hypochondriac for expressing their pain.
Young people can be in life-altering pain. Young people can have debilitating pain. It doesn't matter what age it happens because pain doesn't discriminate. Complaining about pain and doing things to prevent needless pain aren't something you have to "earn" through aging.
If you want young people to be in less or lesser pain, then encourage them to do whatever they can to minimize it. Don't downplay what they're experiencing. Not everything is a lie, not every experience that is different than yours is exaggeration or deceit.
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lemongogo · 8 months
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little ch.19 ww redraw or smth
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puppyeared · 4 months
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i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand
#me when im the only person on the bus wearing a mask: i should make a furry plaguesona#its hard to explain bc. most of the time i try NOT to give my characters a 'strong' theme like making their whole design around#one thing like apples or even broad stuff like baking or cottagecore.. idk if its partly for flexibility or because i cant imagine them#making it their whole personality. not bc i find it cringe or overblown but more like ive learned to associate design with character depth#i had a cutesy uwu persona for most of highschool because i thought it would make me more. likeable? easy to remember? since#memorable character designs are easy to recognize. and one way of doing that is simplifying it with a theme or symbol so you form an#association. but since im a real person its exhausting keeping up that appearance all the time and denying myself things when they dont#fit my 'aesthetic' or 'theme.' i think ive grown past that bc i just collect stuff because i think it looks cool and dont let myself dwell#on how it might 'fit' with my image. but i cant help feeling bad doing it to my own characters bc it feels like im making them too one#dimensional. despite knowing that theyre not real and design alone doesnt reflect depth i cant help feeling like its wrong#despite that i love seeing motifs because it feels like it reflects the characters soul and paradoxically gives them depth. it makes them#interesting to look at too and honestly its pretty fun combining things that fall under a similar category when designing#i struggle find a balance between those two things#actually this reminds me of noelles christmas theme.. i dont remember her saying anything abt liking christmas despite a lot of#her design and character tying back to it. it makes me wonder if she would have feelings about that or doesnt think abt it too hard#or if its like a matching family shirts situation and shes just going along with it??#maybe i should just do whatever i want with my character designs since theyre not real and im thinking abt it too hard#although. this probably has something to do with deep seated identity issues huh#yapping#oc talk#oc
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reineydraws · 25 days
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Saw your Mishanks bodyswap art! Very cute and fun! (Mihawk with a genuine smile on his face so so fun)
I imagine Shanks whould have trouble fighting in Mihawk's body at first since it's been years since he's had two arms
yes absolutely, i imagine that too! conversely, i think mihawk would have a little bit of trouble adjusting his balance and reach with a body missing one arm, as well. it's interesting to think about how they both would be forced to change their fighting style, and whether or not they would exchange swords.
mihawk's been seen using yoru with just one hand so he could probably pull it off with shanks's body. also interesting to think about shanks tripping up on having two arms until he naturally slips into his old fighting style again--or would he? because there's also the question of muscle memory, right? would mihawk's body automatically do things that shanks isn't predisposed to doing, and vice versa?
the other thing i find intriguing about body swapping in one piece is the question of whether or not your haki powers would switch as well. they say haki is spiritual presence, so presumably your haki switches if your spirits switch, but if it's the kind of spirit that's tethered to the presence of the body? then consider mihawk having the strongest conqueror's haki out on the blues, or shanks being able to use observation haki at mihawk's level, practically being able to predict the future--or mihawk, able to counter with shanks's haki-kill technique. food for thought!
#rei replies#one piece#mishanks body swap au#mishanks#akataka#dracule mihawk#shanks#akagami no shanks#red haired shanks#re: the genuine smiling#i also like to think shanks in mihawk's body would have this moment where he realizes his cheeks ache from all the smiling he's doing lol#bc mihawk's facial muscles arent used to doing it#and when they switch back shanks teases mihawk about it ('you exercise so many of your muscles hawky but your cheeks? they're weak!')#and he manages to get a smile out of mihawk that's mihawk's version of a genuine smile and it's softer and less wide but it's honest#and oh shanks is soooooo in love with him hahaha#BY THE WAY ALSO I JUST THOUGHT OF THIS OMG but in this body-swapped au mihawk-as-shanks would 100% shave for shanks#like hell is he gonna let shanks grow *stubble* on *his* face. dracule mihawk with STUBBLE? banish the thought!!!!!!#but shanks doesnt do it up to his standards so there's totally a scene where mihawk and shanks are body swapped in the bathroom#and mihawk is standing too close and shaving his lil pointy sideburns and mustache onto shanks's face#and shanks is having a crisis because that's his own face breathing too close and waaaay to intimately but that look of concentration#is ALL mihawk. shanks can practically his eyes--so familiar from the mirror and wrinkled with laugh lines--glow yellow with how#much mihawk looks like himself right now even in shanks's body.#it's all very strange. shanks has been attracted to mihawk for a long time but it's just blatantly unfair that the first time in YEARS#theyre this close again and it's shanks's own body that he has to look at. on the upside he supposes all he needs to do to ogle#mihawk is to look down. pros and cons pros and cons.#(mihawk isnt having a crisis. mihawk is annoyed that hia beard is easier to do in first person it is to do in the third person.#surely not having to do it reflected in a mirror should be easier and yet for some reason everything feels off! ugh.)#i digress
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howlonomy · 1 month
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Does clover prefer being a monster more, or a human more?
ive been sitting on this question bc ive been trying so hard to think it out and my final answer is: i dont know!
it very much depends. there are upsides and downsides to both; human clover is just what theyre familiar with. its their skin, their body. they were sturdier and didnt have to worry about overworking themselves because of their soul or their now low hp
but monster clover is allowed to be alive. they wouldnt be, without this body. and they can do new things; summon attacks, have cool new limbs like a tail and wings, and they dont have to worry about injuries so much
i think it wavers. some days they’re grateful to their monster body for the new life it lets them live. some days they curse it for its weakness and fragile nature. they miss being human too, of course. they always will. but they live as a monster now, and theyll learn to love that too
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