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drwilfredwaterson · 7 days

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Taylor Swift's Tortured Poets Department: Some Background and Perspective From the End of Her Highly-Inclusive and Diverse 1989 World Tour, the Big Machine/Borchetta MAGA Nazi Anti-DEI Response, the reputation Album, the Club 27/2017 London Drink Spiking Domestic Abuse Incident, the reputation Tour Sabotage, the Big Machine Contract Negotiations and Masters Situation, the Highly-Transactional and Enriching Alwyn "Co-Writing/Production/Grammy Awards" and Eternal Royalties Scam, and The Eras Tour Sabotage... It's Been a Long Time Coming for Joe Alwyn and the Alwyn Family.

Taylor Swift - cowboy like me Published: December 10, 2020 (345th day) (the 3 year anniversary of the Tree Paine and Joe Alwyn London drink spiking incident)

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Duration: 4:40 (280 seconds) https://www.youtube.com/watch?v=YPlNBb6I8qU YPlNBb6I8qU (6, 8) YPlNBbIqU bbilnpquy 2+2+9+20+40+60+70+200+400=803. 803+6+8=817. 817+280=1097. 1097+345=1442.

Strong's Concordance #1442 gadaph: to hack (with words), i.e. revile, blaspheme, reproach. Original Word: גָּדַף

The entertainment industry is packed with cowboys like Scott Borchetta and Scooter Braun; otherwise, those two wouldn't be as successful as they are. Those types of people collect human being livestock (petting zoo farm animals) as trophies and LOVE to display their broken trophies as a reminder to what will happen to other trophies if they step out of line.

Yes, Taylor Swift and her family are edging closer to reclaiming their family legacy, and people are raking in mega-profits from Taylor by allowing her and her Swifties to pretend and fantasize they're winning, and that all creative artists and underdogs will eventually win with a happily-ever-after fairytale ending, but if anyone thinks people like Scott Borchetta and Scooter Braun are going down without a fight when the industry faces billions or trillions of dollars worth of losses in artist contract renegotiations and rerecords, and Borchetta and Braun personally have $300 million dollars worth of investment fraud PLUS criminal defense attorneys fees, prison time, and fines hanging over their heads, and with Shamrock Holdings actively side-eyeing Borchetta and Braun with each of Taylor's Taylor's Versions releases, they're mistaken.

This underdog(s) story of all creative artists, Taylor Swift, the Swift Family, and all the Swifties will have a tragic Amy Winehouse ending if Swifties don't take successful steps to counter all of their enemies' plans by plastering solid facts and evidence about the entire Borchetta, Braun, Paine, and Alwyn timeline all over the internet so they can and will be prosecuted to the fullest extent of the law should Taylor Swift have a "vodka accident" or "misadventure" like Amy Winehouse before, or after, she and her family are able to reclaim their legacy (Borchetta and Braun shouldn't be able to purge the internet, or have any more Swiftie accounts permabanned and destroyed, for sharing Taylor's opening night reputation Stadium Tour speech if any Swifties have video or audio of it, because Shamrock Holdings is now the legal owner and custodian; and, of course, if Taylor Swift wants to upload that evidence to YouTube to protect herself, then no one other than Shamrock Holdings could potentially try to stop her or force her to remove that life-protecting criminal investigation evidence).

In Taylor Swift's opening night reputation Stadium Tour speech, she indicated that immediately after coming off the highs and amazing fan interactions of her 1989 World Tour, the people around her somehow managed to convince her that none of that was real, that her fanbase hated the entire 1989 era, her massively diverse 1989 World Tour, her entire discography and life, and that her fanbase was finally fed-up and through with her.

Taylor was then sold on the idea that her "only hope" was an actor and future "Grammy-winning producer and songwriter," who just happened to have a psychotherapist mother; who memorialized himself as a violent, sadistic, and bigoted Nazi domestic abuser before coming home to Taylor and teaming up with Tree Paine to drink spike Taylor while Ed Sheeran sang, "'Cause honey your soul can never grow old, it's evergreen" during his Capital Jingle Bell Ball set in London, during Taylor Swift's 28th birthday weekend on December 10, 2017.

Good thing award-winning actor and "Grammy-winning producer and songwriter "TaylorSwift'sBoyfriendJoeAlwyn (he chose to make and keep it all one word for 6 whole years) was there to save the day during Taylor Swift's bitter contract negotiations and masters issues; because TaylorSwift'sBoyfriendJoeAlwyn then continued on and ALSO single-handedly saved her floundering and catastrophically-damaged career that she personally destroyed with all of that tacky and worthless love, hard work, and social media stuff; when everyone knows Taylor's only hope to ever be truly saved and redeemed from her lifetime of endless failures, was finally embracing and unleashing her dark side so that everyone would know and understand Taylor completely faked and hated her first 5 eras of memories with her Swifties (because all of Taylor's first 5 albums eras were complete failures, obviously).

Thankfully, eventhough Scott Borchetta and Scooter Braun erased all traces of Taylor's reputation Tour speech from social media and purged and permabanned all Swiftie social media accounts that mentioned or shared recordings of it, Shamrock Holdings (whom Scooter and Scott defrauded of $300 million dollars) is in possession of, and holds the rights to, Taylor Swift's reputation Stadium Tour speech evidence that ties Scott Borchetta and Scooter Braun to Tree Paine, Joe Alwyn, and 6 years of attempts to sabotage and destroy Taylor Swift and her family. The hundreds of thousands of Swifties who witnessed Taylor's opening night reputation Stadium Tour speech know what Taylor said, know that the only people around Taylor between the end of the 1989 World Tour and her final BMG album, reputation, were: Andrea, Scott, and Austin Swift, a select group of Taylor's closest friends, and Scott Borchetta, Tree Paine, Joe Alwyn, Joe's endlessly hovering psychotherapist mom and brother, and Joe's father; and all Swifties know for a fact that Taylor's family and closest friends didn't convince Taylor that her fanbase was through with her immediately following the entire 1989 era with the 1989 Secret Sessions, Swiftmas, and the 1989 World Tour (along with all of Taylor's other beloved eras).

Taylor Swift - "Champagne Problems" (December 10, 2020 - the 3 year anniversary of the Tree Paine and Joe Alwyn London drink spiking incident): "How evergreen, our group of friendsDon't think we'll say that word again And soon they'll have the nerve to deck the halls That we once walked through" Songwriters: Taylor A. Swift / William Bowery (Joe Alwyn)

Hmm…why write a song to suggest that Taylor and her Swifties should never think about or mention the December 10, 2017 "evergreen" drink-spiking incident again, unless you know that you and Tree Paine are facing a 10 year prison sentence in the UK, there are no statutes of limitations for criminally prosecuting the two of you, and it's possible that your mother, brother, Scott Borchetta, and Scooter Braun would also come under criminal investigation to figure out why that happened mere days after the wrap party of "Operation Finale," where you sought out Nazi acting work WHILE Taylor Swift was regularly being accused of being a Nazi goddess, and you were just memorialized for posterity laughing about a woman being savagely beaten and abused by an entitled, pathetic, privileged, blonde-haired, blue-eyed, cloud-white-skinned bigoted crybaby?

$300 million dollars worth of investment fraud is a serious crime to be associated with the December 10, 2017 drink spiking incident on Taylor Swift's 28th birthday weekend; and Joe Alwyn's constant attempts to marinate Taylor Swift's vocal cords via lots of sad songs and trying to drown his (and Taylor's) personal anguish over TaylorSwift'sBoyfriendJoeAlwyn's failure(s) to become "Hollywood's Next Leading Man" with gallons upon gallons of alcohol, all while Taylor was trying to rerecord and reclaim her legacy, also looks particularly suspicious, when that's directly connected to the $300 million dollars worth of investment fraud; plus, someone close to Taylor Swift (Tree Paine?) keeps trending #DrunkTaylor whenever Taylor has an alcoholic drink in public to attempt to establish her as an out-of-control drunk; AND then there's the fact that Monte Lipman sits on the board of the Amy Winehouse Foundation.

Scott Borchetta partnered with Universal Republic president/CEO Monte Lipman to form Republic Nashville because Monte Lipman was Scott Borchetta's partner on the top 40/crossover side for Taylor Swift’s records. https://www.billboard.com/music/music-news/the-billboard-qa-scott-borchetta-1268017/

Scott Borchetta's Big Machine Distillery produces: Vodka. A woman can suffer from alcohol poisoning if she consumes at least four drinks within two hours. (Mayo Clinic)

"C'MON! GET DRUNK, BABY! WHOO! HAVE ANOTHER! YEAH!!!"

Beginning with the deaths of several 27-year-old popular musicians between 1969 and 1971 (such as Brian Jones, Jimi Hendrix, Janis Joplin, and Jim Morrison), dying at the age of 27 came to be, and remains, a perennial subject of popular culture, celebrity journalism, and entertainment industry lore. This cultural phenomenon, which came to be known as the "27 Club," attributes special significance to popular musicians, artists, actors, and other celebrities who died at age 27, often as a result of drug and alcohol abuse or violent means such as homicide, suicide, or transportation-related accidents. (Wikipedia)

During her bitter contract negotiations with, and attempts to purchase her masters from, Scott Borchetta, Taylor Swift was targeted with a drink-spiking attempt by Tree Paine and Joe Alwyn on December 10, 2017; and it just happened to be three days before her 28th birthday so she'd still be induced into Club 27 for being uppity...

Amy Winehouse's death at age 27 prompted media comparisons to other musician deaths at the same age, collectively named the 27 Club. Investigators recovered one small and two large bottles of vodka from Amy Winehouse's room. A coroner's inquest reached a verdict of misadventure. The report released on 26 October 2011 explained that Winehouse's blood alcohol content was 416 mg per 100 ml (0.416%) at the time of her death, more than five times the legal drink-drive limit. According to the coroner, "The unintended consequences of such potentially fatal levels was her sudden death." Amy Winehouse's record label, Universal Republic, released a statement that read in part: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer." After the singer's death by alcohol intoxication in July 2011, the Amy Winehouse Foundation was set up by Winehouse's family and launched on 14 September 2011 (which would have been Winehouse's 28th birthday). (Wikipedia)

Drug and Alcohol Use – Musician Health and Wellness The negative effect of alcohol is two-fold. It dehydrates your body, making your voice less resilient to recover from traumatic vocal use, and it also has an anesthetic effect that causes one to press their vocal cords together harder in order to achieve a normal sensation while talking or singing. (Saint Olaf College)

There are no official statute of limitations for criminal cases to be prosecuted in the United Kingdom. Drink spiking is illegal in the United Kingdom and carries a sentence of up to ten years in prison. If a robbery, sexual assault or other criminal behaviour has taken place, the sentence may be even longer. For rape the penalty can be life imprisonment. Offenders will also be placed on the sex offenders register. (www.suffolk.police.uk) When tried in the Crown Court the maximum penalty for witness intimidation is 5 years imprisonment. In cases where there are threats of violence to witnesses and/or their families or deliberately seeking out witnesses the case will always go to the Crown Court. (www.criminaldefencebarrister.co.uk)

Perverting the Course of Justice - effective from 01 October 2023 Common law Guideline effective from: 01 October 2023 Triable only on indictment Maximum: Life imprisonment Offence range: Community order – 7 years’ custody Culpability The level of culpability is determined by weighing up all the factors of the case. Where there are characteristics present which fall under different levels of culpability the court should balance these characteristics to reach a fair assessment of the offender’s culpability. Demonstrated by one or more of the following: A – High Culpability Conduct over a sustained period of time Sophisticated and/or planned nature of conduct Underlying offence very serious Breach of trust or abuse of position or office Source: https://www.sentencingcouncil.org.uk/offences/crown-court/item/perverting-the-course-of-justice/

As a beloved and highly successful music therapist, Taylor Swift was cast as Rosemary in The Giver. As a Christmas tree farmer's daughter, Taylor Swift was cast as Audrey in The Lorax. Those were perfectly cast roles.

Taylor Swift - "Karma" "Addicted to betrayal, but you're relevant Karma's on your scent like a bounty hunter Karma's gonna track you down Step by step from town to town"

Joe Alwyn sought out and was repeatedly cast as a domestic abuser. Why did so many casting professionals believe that Joe Alwyn was THE perfect match for so many domestic abuser roles?

Courtesy of the Swiftie Intelligence Agency's Karma Bureau: The Tree Paine and Joe Alwyn Capital Jingle Bell Ball London Drink Spiking Incident - December 10, 2017: Taylor's 28th Birthday Weekend (Last Chance for Taylor's enemies to INDUCE her into "Club 27") Joe Alwyn/Taylor Swift Relationship Timeline: Drink Spiking & Domestic Abuse 2016 to 2018.

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Published: July 2, 2018 (183rd day) Duration: 9:39 (579 seconds) https://www.youtube.com/watch?v=oTmbn2wug80 oTmbn2wug80 (2, 80) oTmbnwug bgmnosuw 2+7+30+40+50+90+200+900=1319. 1319+2+80=1401. 1401+579=1980. 1980+183=2163.

Time's Up! Strong's Concordance #2163 zaman: to fix (a time) appoint, to be fixed, appointed Original Word: זָמַן

The math wasn't mathing for me on how Taylor's enemies accomplished what should've been impossible, until it finally did. It made no sense that Scott Borchetta, Tree Paine, Joe Alwyn, Joe's psychotherapist mother, Joe's brother, and Joe's father were able to convince Taylor Swift that her fanbase hated and was through with her; when massive fields of Swiftie social media posts celebrating and praising all of Taylor's eras were readily available, all of the scrapbooks from all of Taylor's eras with all of the photos were readily available, all of the videos and online pictures celebrating all of Taylor's eras with her fans were available online, and most importantly, Andrea, Scott, and Austin Swift were right there with her to remind her of the truth and counter every lie Taylor was being assaulted with.

That's when I remembered that Taylor said she was completely disconnected and isolated from the internet, her Swifties, and the truth of her reality for the entire time Scott Borchetta, Tree Paine, Joe Alwyn, and the Alwyn family were having their way with Taylor during Scott Borchetta's attempts to enslave, exploit, and extort Taylor forever. And then I remembered about Taylor's Global Citizen performance of "Soon You'll Get Better" and the fact that the Denver DJ issue was also a major stressor for Taylor and Andrea during all of that. Taylor couldn't lean on her normal family support network the way she normally would and could because she was being guilted into believing she'd further stress them out and harm their health during their already stressful multi-faceted endless nightmare. That's how Scott Borchetta, Tree Paine, Joe Alwyn, Joe's endlessly hovering psychotherapist mother, Joe's endlessly hovering brother, and Joe's father completely disconnected Taylor from reality and her Swifties and brainwashed her for her permanent enslavement where she didn't, couldn't, and wouldn't have a name unless someone else decided what her name would be and if she was even allowed to use it, or the "I" pronoun, in any way, ever again.

So with math, you always have to check your math; and I did so with the Shamrock Holdings situation; and this is how my math checked out:

Shamrock Holdings was disconnected from reality and their most critical support person for the purchase of Taylor Swift's masters.

Shamrock Holdings was required to accept anything and everything they were being told, and all of Scott Borchetta's and Scooter Braun's terms, or they didn't get to have anything at all.

Shamrock Holdings was guilted into believing there was something wrong with them for not accepting anything and everything they were being told, and all of Scott Borchetta's and Scooter Braun's terms.

Shamrock Holdings got massively defrauded in the deal and was left looking and feeling a lot like Taylor Swift after trying to believe in and trust Scott Borchetta. It looks like my math checks out, but the only ones who'd know for certain are Taylor, Andrea, Scott, and Austin Swift.

Just like Scooter Braun and Scott Borchetta, notice that even though Joe Alwyn was the one who repeatedly sabotaged Taylor, he's still profiting from her work forever…

And why is there a song about Joe Alwyn that references Scooter? There are some very unfortunate "coincidences" going on here…

There's a repeating pattern here that connects back to 10:10:29 in Taylor's directorial debut: the Speak Now "Mine" music video; and the 14.5 hour meet and greet, the All Too Well issue, and the Speak Now World Tour. It all connects to attempting to disempower, break, and enslave all women and girls through Taylor Swift; and the foundation of all of that is gaslighting.

Anyone who's watched the 14.5 hour meet and greet videos can see that Taylor Swift and her Swifties are unstoppable around each other; because they synergize, heal, regenerate, and resurrect themselves and each other perpetually through love, trying to put love into words, and then trying to express that love in massively creative ways.

All of that is unstoppable and uncontrollable and humanity's enemies are determined to squash, dampen, and extinguish that in every inhuman and antihuman way they can think of. Just as they tried to break Taylor before the Speak Now World Tour, they tried to break Taylor again immediately after the 1989 World Tour, and then again before and during the reputation Stadium Tour, and yet again before and during the Eras World Tour; and it always involves gaslighting and setting Taylor and her Swifties up in ways that are meant to squash, dampen, and extinguish their relationship and connection with each other and eliminate the presence and power of love on Earth. It's an endless war of hate vs. love.

On June 11, 2010, Swift performed "Mine" for the first time at a small, intimate concert that aired as a part of CMA Music Festival: Country’s Night to Rock on ABC on September 1, 2010.

Taylor Swift Now - Ep1: 13 Hour Meet & Greet - June 13, 2010 (164th day) (Part 1)

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Published: February 20, 2017 (51st day) Duration: 9:36 (576 seconds) https://www.youtube.com/watch?v=9s1kO6ND9BE 9s1kO6ND9BE skONDBE bdeknos 2+4+5+10+40+50+90=201. 201+9+6+9=225. 225+576=801. 801+164=965.

Strong's Concordance #965 bazaq: a lightning flash Original Word: בָּזָק

Taylor Swift Now - Ep1: 13 Hour Meet & Greet - June 13, 2010 (164th day) (Part 2)

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Published: March 1, 2017 (60th day) Duration: 6:21 (381 seconds) https://www.youtube.com/watch?v=IKrHCoXnGSs IKrHCoXnGSs cghiknorssx 3+7+8+9+10+40+50+80+90+90+300=687. 687+381=1068. 1068+164=1232.

Strong's Concordance #1232 Buqqiyyahu: "proved, poured out, spread out (as a fruitful vine) of Yah/God," a Levite, book. Original Word: בֻּקִּיָּה

Taylor Swift Now - Ep1: 13 Hour Meet & Greet - June 13, 2010 (164th day) (Part 3)

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Published: April 1, 2017 (91st day) Duration: 5:34 (334 seconds) https://www.youtube.com/watch?v=h8ht4xTQdTw h8ht4xTQdTw hhtxTQdTw dhhqtttwx 4+8+8+70+100+100+100+900+300=1590. 1590+8+4=1602. 1602+334=1936. 1936+164=2100.

Strong's Concordance #2100 zub: to flow freely (as water), gush Original Word: זוּב

She also performed "Mine" and "You Belong With Me" at the 2010 NFL Opening Kickoff event. On October 5, 2010, Swift performed the song live on the Italian X Factor. On October 9, 2010, she performed an acoustic version of "Mine" during Grand Ole Opry's 85th birthday celebration. She later performed the song as well as an acoustic cover of Coldplay's "Viva la Vida" in the BBC Radio 2 studio on October 21, 2010. Swift sang "Mine" on several other occasions.

On October 24, 2010, Swift appeared on The Paul O'Grady Show, where she performed the song. On October 25, 2010, Swift sang "Mine" with two other songs from Speak Now on Speak Now: Taylor Swift Live From New York City, a special program which was streamed live on CMT.com, MTV.com, VH1.com and other MTV Networks websites in Europe, Asia, Australia and Latin America to celebrate the release of her new album. She performed the song on Today show concert on October 26, 2010.

She was scheduled to give a live performance at JetBlue's T5 Terminal at New York John F. Kennedy International Airport where she sang "Mine" and several songs from Speak Now. On October 27, 2010, she visited Scholastic Corporation headquarters to talk about the importance of reading and writing and perform the song to 200 grade-schoolers and middle-schoolers at the publisher's downstairs auditorium. She later performed the song on Live With Regis and Kelly.

Extremely important to remember that the "All Too Well 10 Minute Version" and "The Moment I Knew" situation was...ahem, conincidentally, happening simultaneously while Taylor Swift was growing in personal and professional strength, skill, training, and experience.

An Interesting Anniversary "Coincidence" Directly Connected to Scott Borchetta and Republic Records...

The haters and players have been trying to to squash, dampen, and extinguish all of that love for far more than the last 13 years. Taylor Swift and her Swifties aren't the only ones who've ever fought this war, nor are we all the only ones fighting it. Gotta keep that fragile little flame alive and well-tended forever.

"For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums. Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I’ve received at his hands for years. Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it. This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it. When I left my masters in Scott’s hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words ‘Scooter Braun’ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didn’t want to be associated with them. In perpetuity. That means forever. Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scott’s hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make. I will always be proud of my past work. But for a healthier option, Lover will be out August 23. Sad and grossed out, 💔 Taylor" June 30th, 2019

Why didn't any of the romantic leads in Taylor Swift's live performances or music videos during her 6 years with Joe Alwyn resemble him in the least?

In Taylor Swift's August of 2017 Behind the Scenes/Making Of "Look What You Made Me Do" video, she screamed "Get out of my house! I hate you!" at someone who was living with her between the end of her 1989 World Tour and the making of "Look What You Made Me Do." The only ones living with Taylor during that time were: Meredith, Olivia, and Joe Alwyn.

Are we sure she was really screaming that at Meredith and/or Olivia? In Taylor's "ME!" music video, there was a fight with her live-in boyfriend in front of Meredith and Olivia before she refused his marriage proposal and became a "Three Cats are a ParTay!" catwoman. Hmm… And then there was Taylor's bruised cheek video days before she delivered her reputation Stadium Tour opening night speech outing the Alwyn family; and then there was Taylor's big busted lip the night of her big Cats red carpet event that happened shortly after her friends and family left Taylor's birthday party, just before the premiere. And we know from TaylorSwift'sBoyfriendJoeAlwyn's music that Joe Alwyn spent 6 years ugly-crying into his alcohol about the unfairness of a world where Taylor is a star and he isn't; right before he sought out every domestic abuser and white supremacist role he could find; and then Taylor made the domestic violence hand signal about someone living with her during her Late Night TV interview that Ryan Reynolds and Blake Lively then responded to within hours via a partnership with a domestic violence shelter. No woman would want to have any of that involved in making and raising healthy, happy, empowered and successful children.

Operation Finale Scene: Joe Alwyn's MAGA Nazi Salutes at the Neo Nazi sympathizer meeting in Buenos Aires, Argentina (August 29, 2018/241st day)

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Published: December 3, 2020 Duration: 0:17 https://www.youtube.com/watch?v=2I8aij-74qw 2I8aij-74qw (2, 8, 74) Iaijqw ajiiqw 1+600+9+9+70+900=1589. 1589+2+8+74=1673. 1673+17=1690. 1690+241=1931.

Strong's Concordance #1931 hu or hi: he, as for her, himself, it, the same, she herself, such, that, they, them, those Original Word: הוּא

TANAKH (Jewish Publication Society, Hebrew-English) Pages 1502 and 1503: Psalm 74:2 Remember the community You made Yours long ago, Your very own tribe that You redeemed, Mount Zion, where You dwell. Psalm 74:3 Bestir Yourself because of the perpetual tumult, all the outrages of the enemy in the sanctuary. Psalm 74:4 Your foes roar inside Your meeting-place; they take their signs for true signs. Psalm 74:5 It is like men weilding axes against a gnarled tree; Psalm 74:6 with hatchet and pike they hacked away at its carved work. Psalm 74:7 They made Your sanctuary go up in flames; they brought low in dishonor the dwelling-place of Your presence. Psalm 74:8 They resolved, "Let us destroy them altogether!" They burned all God's tabernacles in the land.

Okay, so you're TaylorSwift'sBoyfriendJoeAlwyn. That don't impress me much: While having no previous discography of his own, no previous songwriting or music production experience, nor any music industry credits of any kind, and while in a relationship with American singer-songwriter Taylor Swift, blonde-haired, blue-eyed, and cloud-white-skinned singer-songwriter TaylorSwift'sBoyfriendJoeAlwyn contributed to the production of ten of Taylor Swift's songs released from 2020 to 2022.

As with all stories of every Grammy-nominated and Grammy-winning music producer and singer-songwriter in Grammy awards history, TaylorSwift'sBoyfriendJoeAlwyn stated "it came about from messing around on a piano, and singing badly," and then "being overheard by Taylor Swift, and being, like, 'Let's see what happens if we get to the end of it together'." TaylorSwift'sBoyfriendJoeAlwyn is obviously and rightfully credited as MVP and co-producer for the songs "Exile", "Betty", "My Tears Ricochet", "August", "This Is Me Trying" and "Illicit Affairs" on Taylor Swift's eighth studio album, Folklore (2020); and was also MVP and co-writer for "Exile" and "Betty", under the pseudonym William Bowery.

Due to TaylorSwift'sBoyfriendJoeAlwyn's indespensable and priceless musical and vocals contributions, and his tireless hours, days, weeks, and months of devoted and supportive solo social media promotion efforts via his vast social media presence to his own well-developed millions-strong super fanbase, TaylorSwift'sBoyfriendJoeAlwyn's "Exile" reached the top 10 of the charts in various countries, including number six on the US Billboard Hot 100 and number eight on the UK Singles Chart.

At the 63rd Annual Grammy Awards in 2021, "Exile" was nominated for the Grammy Award for Best Pop Duo/Group Performance, while Folklore won the Album of the Year, marking TaylorSwift'sBoyfriendJoeAlwyn's first Grammy win honoring his lifetime of sweat equity and devotion to his music education, vocal training, songwriting, live performances, touring, marketing, merchandising, business management, endless hours of super fanbase development and maintenance, countless hours of social media promotion of his and all of his co-writers and co-producers creative works, and his overall lifetime contributions to the music industry as a whole. Credited as Bowery, TaylorSwift'sBoyfriendJoeAlwyn also naturally co-wrote "Champagne Problems", "Coney Island" and the title track on Taylor Swift's second 2020 album, Evermore (because TaylorSwift'sBoyfriendJoeAlwyn IS the music industry). In Taylor Swift's tenth studio album, Midnights (2022), TaylorSwift'sBoyfriendJoeAlwyn is credited as co-writer of "Sweet Nothing", again as Bowery (because someone has to carry the entire music industry on their back and Taylor Swift proved through her first 5 albums eras that she certainly couldn't do it). (Wikipedia)

Taylor Swift's lyrics, "How you took the money and your dignity and got the hell out," couldn't be more true for her ex-boyfriend, Joe Alwyn. "The Favourite" actor will continue to make money from his work with Swift, per The Sun. A source shared, "Joe will be raking in a fortune from these songs for years … He will easily be making a five-figure sum every year from his contributions. Writing six songs for albums as big as Taylor's guarantees a healthy income stream for life." Talk about a "Gold Rush." Source: https://www.nickiswift.com/1298024/joe-alwyn-still-makes-money-taylor-swift-after-split/

Harriet (November 1, 2019/305th day) - Joe Alwyn: "If only you knew how to behave, but you were unruly and untamed. I do own you, Minty. Even now you're mine. They will tear you limb from limb, and tar you, and burn you alive. Even if I'm not there to watch it, I can almost smell it now; like roasting pig."

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Published: February 13, 2020 Duration: 4:40 (280 seconds) https://www.youtube.com/watch?v=zZrDihnANpM zZrDihnANpM adhimnnprzz 1+4+8+9+30+40+40+60+80+500+500=1272. 1272+280=1552. 1552+305=1857.

Strong's Concordance #1857 Deqer: From daqar; to starve, to revile, to pierce, pierce through, a stab; Dekar Original Word: דֶּקֶר

Taylor Swift Arm Lyrics - Speak Now World Tour: Auckland, New Zealand: March 18, 2012: “You know wherever I am, I’ll come running to see you again” – James Taylor, You’ve Got A Friend.

Touch: "Pilot" (alternatively "Tales of the Red Thread") is the first episode of Touch. It originally aired in a special preview event held January 25, 2012, on FOX.

"Today we'll send over 300 billion e-mails and 19 billion text messages. Yet we'll still feel alone. The average person will say 2,250 words to 7.4 other individuals. Will these words be used to hurt or to heal? The ratio is always the same. 1 to 1.618, over and over and over again. The patterns are hidden in plain sight. You just have to know where to look. Things most people see as chaos actually follow subtle laws of behavior. Galaxies, plants, seashells. The patterns never lie. But only some of us can see how the pieces fit together. 7,080,360,000 of us live on this tiny planet. This is the story of some of those people. There's an ancient Chinese myth about the Red Thread of Fate. It says the gods have tied a red thread around every one of our ankles and attached it to all the people whose lives we're destined to touch. This thread may stretch, or tangle, but it'll never break. It's all predetermined by mathematical probability, and it's my job to keep track of those numbers, to make the connections for those who need to find each other, the ones whose lives need to touch. I was born 4,161 days ago, on October 26, 2000. I've been alive for 11 years, 4 months, 21 days and 14 hours. And in all that time I've never said a single word." - Jake/Jacob/Israel Bohm

October 26, 2000: Strong's Concordance #4161 motsa: a place or act of going forth, issue, export, source, spring, growing place, a mine. Original Word: מוֹצָא

A Web search leads Jake's father, Martin, to the Teller Institute, a rundown home at 318 West Tesla Street. Arthur Teller explains that, on his own, Jake discovered the Fibonacci sequence, a mathematical ratio concerning patterns repeated in nature: a wave's curve, a shell's spiral, segments of a pineapple. Jake sees vast connections that amount to road maps, and it's Martin's job, his destiny, to follow them for Jake.

"Imagine the unspeakable beauty of the universe he sees! No wonder he doesn't talk." - Arthur Teller on Jacob/Israel Bohm

In the 2012 television series Touch, season 1, episode 9, "Music of the Spheres", Jacob "Jake" Bohm, a mute boy who mysteriously feels the suffering of those along his path and aims to positively adjust their fates, is revealed as possibly one of the "Lamed Vav Tzadikim" by a Hasidic man. In the second season of Touch, Jake and other people who have special gifts are referred to as members of the 36; throughout the episodes they are exploited for their capabilities and are hunted down by one who believes they hold too much power. The final episode features consideration of the Kabbalah and the mystical roots of the legend of the 36. Lamedvavnik (Yiddish: למד־װאָװניק), is the Yiddish term for one of the 36 humble righteous ones or Tzadikim mentioned in kabbalah or Jewish mysticism. According to this teaching, at any given time there are at least 36 holy persons in the world who are Tzadikim. These holy people are hidden; i.e., nobody knows who they are. According to some versions of the story, they themselves may not know who they are. For the sake of these 36 hidden saints, God preserves the world even if the rest of humanity has degenerated to the level of total barbarism. This is similar to the story of Sodom and Gomorrah in the Hebrew Bible, where God told Abraham that he would spare the city of Sodom if there was a quorum of at least 10 righteous men. Since nobody knows who the Lamedvavniks are, not even themselves, every Jew should act as if he or she might be one of them; i.e., lead a holy and humble life and pray for the sake of fellow human beings. It is also said that one of these 36 could potentially be the Jewish Messiah if the world is ready for them to reveal themselves. Otherwise, they live and die as an ordinary person. Whether the person knows they are the potential Messiah is debated. (Wikipedia)

Touch - Season 1 Trailer

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Published: 12/5/2020 https://www.youtube.com/watch?v=dvQ_qJYZ-7A dvQ_qJYZ-7A adjqqvyz 1+4+600+70+70+700+400+500=2345. 2345+7=2352. Strong's Concordance #2352 chuwr: hole, cave, a pit, to bore; the crevice of a serpent; a prison cell, a grave, a tomb. Original Word: חוּר

TANAKH (Jewish Publication Society, Hebrew-English): Pages 870 and 871: Isaiah 11:1 But a shoot shall grow out of the stump of Jesse, A twig shall sprout from his stock. Isaiah 11:2 The spirit of the Lord shall alight upon him: A spirit of wisdom and insight, A spirit of counsel and valor, A spirit of devotion and reverence for the Lord. Isaiah 11:3 He shall sense the truth by his reverence for the Lord; He shall not judge by what his eyes behold, Nor decide by what his ears perceive. Isaiah 11:4 Thus he shall judge the poor with equity And decide with justice for the lowly of the land. He shall strike down a land with the rod of his mouth And slay the wicked with the breath of his lips. Isaiah 11:5 Justice shall be the girdle of his loins, And faithfulness the girdle of his waist. Isaiah 11:6 The wolf shall dwell with the lamb, The leopard lie down with the kid; the calf, the beast of prey, and the fatling together, With a little boy to herd them. Isaiah 11:7 The cow and the bear shall graze, Their young shall lie down together; And the lion, like the ox, shall eat straw. Isaiah 11:8 A babe shall play Over a viper's hole, And an infant shall pass his hand Over an adder's den. Isaiah 11:9 In all of My sacred mount Nothing evil or vile shall be done; For the land shall be filled with devotion to the Lord As water covers the sea. Isaiah 11:10 In that day, The stock of Jesse that has remained standing Shall become a standard to peoples--Nations shall seek his counsel And his abode shall be honored.

TANAKH (Jewish Publication Society, Hebrew-English): Page 1053: Jeremiah 17:13 O Hope of Israel! O Lord! All who forsake You shall be put to shame, Those in the land who turn from You Shall be doomed men, For they have forsaken the Lord, The Fount of living waters.

TANAKH (Jewish Publication Society, Hebrew-English): Page 1459: Psalm 39:7 Man walks about as a mere shadow; mere futility is his hustle and bustle, amassing and not knowing who will gather in. Psalm 39:8 What, then, can I count on, O Lord? In You my hope lies.

TANAKH (Jewish Publication Society, Hebrew-English): Page 1616: Proverbs 10:28 The righteous can look forward to joy, But the hope of the wicked is doomed. Proverbs 10:29 The way of the Lord is a stronghold for the blameless, But a ruin for evildoers.

TANAKH (Jewish Publication Society, Hebrew-English): Page 1617: Proverbs 11:7 At death the hopes of a wicked man are doomed, And the ambition of evil men comes to nothing.

TANAKH (Jewish Publication Society, Hebrew-English): Page 1620: Proverbs 13:12 Hope deferred sickens the heart, But desire realized is a tree of life.

TANAKH (Jewish Publication Society, Hebrew-English): Page 1678: Job 14:7 There is hope for a tree; If it is cut down it will renew itself; Its shoots will not cease.

“I believe with complete faith in the coming of Mashiach. Though he tarry, nonetheless I await him every day, that he will come.”.

"For beautiful eyes, look for the good in others; for beautiful lips, speak only words of kindness; and for poise, walk with the knowledge that you are never alone." - Audrey Hepburn

"The words of kindness are more healing to a drooping heart than balm or honey." - Sarah Fielding

"No matter what people tell you, words and ideas can change the world." - Robin Williams

"Whatever words we utter should be chosen with care for people will hear them and be influenced by them for good or ill." - Buddha

"The language of friendship is not words but meanings." - Henry David Thoreau

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