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#serpent series
respectthepetty · 4 months
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The Eagle & the Serpent in The Sign
As a lover of tattoos, I noticed in the trailer that Phaya has wings tattooed on his back as well as another design.
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Also in the trailer for the show, there was a shot of a book titled Legend of Naga & Garuda.
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They are important mythical (and religious) entities. Garuda is a birdlike deity and is in a constant battle with snakelike Naga.
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We saw them in the trailer as well.
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The title card for the series also features them. The eagle is on the left and the serpent is on the right with its tail being the top of the wording.
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This is Naga in creature-form confronting our Garuda in human form .
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Phaya comes from a wealthy family (in any life).
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And was in the air force before being recruited into the special investigations unit, which could be the reason for the wings tattoo.
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So who could the serpent in human form?
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And because I always pay attention to colors, Chalothon wears green ties, so this could be him or someone sent on his behalf watching Tharn.
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In the trailer, Phaya speaks to a woman wearing a gold serpent crown and serpents on her necklace.
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She mentions her sister will find Phaya in any life, and when we see Wansarat, she shares the same accessories with a serpent belt and bracelets as well but in green.
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She was Naga's in their past lives.
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But in this life,
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she will be Phaya's.
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Because Phaya is "of the air" he will struggle with water.
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And he has since he was a child.
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In the tale of Garuda and Naga, their conflict stems from powerful water that Naga possessed.
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Note that there are three kids who see Phaya drowning: Tharn, Yai, and another unnamed kid.
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One kid appears to wear green.
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Wild Ass Theory - That kid is Chalothon and he had something to do with Phaya being in that water.
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Tharn's parents died in an accident when he was a child, and he almost died as well.
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He has the gift of foresight, and Garuda's most known wife is Unnati who was known for her wisdom. His gift is tied to karma, and as a child, he was told to free himself from the person he was tied to in a previous life, he needed to return a protective amulet to its owner.
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Two Theories - I think for Tharn to no longer be tied to Chalothon, he had to save Phaya who is the person Chalothon has wronged in the past (and possible present) or Wansarat betrayed Chalothon by saving Phaya in a previous life therefore tying them together forever, and she must save him in every life now.
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So when will the necklace reappear?
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Because Phaya seemed to be wearing some sort of necklace when he confronted Tharn in the bathroom.
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Bonus: We have a lion on the squad.
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And Yai's girlfriend, Sand, is played by Yoshi who is transgender and Miss Tiffany's Universe 2017, so Yai better keep his eye on the prize and quit looking at other girls.
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queen-paladin · 4 months
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disclaimer: yes, I am complaining about cheating in media. Because, yes, writers have the freedom to create what they want but if the morality in creation is free for all forms of media, but no piece of art is exempt from criticism, and that includes criticism on personal moral grounds. I betcha if I said Harry Potter is good, actually, everyone on here would flood my blog telling me I am wrong because of the author's intense prejudice. That being said, I am criticizing cheating in fiction, If you don't like that, don't interact
So often lately I see period dramas where the husband cheats on the wife (ex. Poldark, The Essex Serpent, Queen Charlotte, The Great)...and not only do I despise the cheating trope with every fibre of my being to where I get panic attacks when I consume the media...but specifically with period dramas...
Do these writers not understand the greater implications of a husband cheating on a wife during these periods? More than just the humiliation and heartbreak in the case of a loving, good marriage just like it is today.
In the Western world, probably until certain laws were enacted in the 1900's, if a woman married a man, she was legally his property. She had no legal identity under him. She was financially dependent on him. Any wages she made would automatically go to her husband. Her children were also not legally her children- they belonged to the father. If the husband died, even if the wife was still alive, the children were legally considered orphans.
Women could only rarely gain a divorce from their husbands. In England in the mid-1800's specifically, if a wife divorced a husband she had to prove he had to not only cheat but also be physically abusive, incestuous, or commit bestiality. On the other hand, a husband could divorce a wife just for being unfaithful. Because, kids, there were sexual double standards.
Getting married was often the endgame for a lot of women during that time. Sometimes you couldn't make your own living enough- marriage was a way to secure your entire future financially, with more than enough money to get by. If you were a spinster and middle class, you could get by with a job. But if you are an upper-class lady, the one thing a lady does not do is get a job and work. So upper-class spinsters basically were dependent on their families to get by (ex. Anne Elliott in Persuasion faces this with her own toxic family). As strange as it sounded today, marriage gave them some freedom to go about since a husband could be persuaded sometimes more easily than a father and one had a different home, their servants, etc. A husband was your foundation entirely for being a part of society, and standing up as your own woman.
So if a husband cheated on a wife, that was a threat to take all of that away.
He could give a lot of money that could be used to support his wife and children to the mistress. He could completely abandon said wife for the mistress. And since the wife legally couldn't get a job as he still lived, she would be dependent on any money he would said- and that is IF he sent over any money.
He could take her to court and publicly humiliate her to get a divorce away from her (look up the separation of Charles and Kate Dickens, he would call her mentally ill and say her cooking was bad and that she was having more children than they could keep up with all while having an affair and divorcing her to be with the misteress). And even if the wife was the nicest, more proper, goodest, more rule-abiding never-keeping-a-toe-out-of-line lady in town...as a man, the law was default on his side (look up Caroline Norton's A Letter to the Queen which details exactly that, the poor woman had her earnings as a writer taken by her husband and was denied access to her children from said husband)
So yeah...even if there was "no love" between them (and anytime the wife is portrayed as too boring or too bitchy so He HaS tO cHeAt is brought up is...pretty victim blamey)
So yeah. Period drama writers, if you have the husband have an affair ...just consider the reality of these things and address them, maybe punish the husband for once (*gasp* men facing consequences for their actions?!?!!), and if not, just please find other options and other tropes and devices for once.
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zanephillips · 1 year
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Fabien Frankel in The Serpent 1.03
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chicademartinica · 1 month
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The Thai tourism committee should buy this picture and make it a promotional “Welcome to Thailand : the land of the Naga.” Poster. (The government did say it was a national treasure now !)
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carites · 6 months
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I saw a lot of people saying that Katniss will appear in the new Thg movie, I agree, but not in the way everyone thinks. I don't think Jennifer will appear. Imagine, the film is over, everyone is sitting around waiting for the credits to go up and Katniss's father appears in the forest, along with her singing Lucy's song or even The Hanging Tree, focusing on the little girl and the credits go up .
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cherrystar12 · 7 days
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This edit make their relationship looks like a horror movie (it actually is)
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rainingriversofyou · 4 days
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“And if the serpent grows in monstrousness and corruption, if it poisons the land of Elfhame itself, then let me be the queen of monsters. Let me rule over that blackened land with my redcap father as a puppet by my side. Let me be feared and never again afraid.”
—The Queen Of Nothing
Artist: _jadee.art
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pickletrip · 4 months
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The crazy fantasy elements in The Sign trailer.
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I have no idea how this ties into the plot, but damn! They did some great work with the CGI.
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rosisregiis · 11 months
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my blog caters for a very specific audience which is those who have read exactly the same books as i have so that they get all my references :)
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vbecker10 · 4 months
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Shh 🤫
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goth-maudra · 5 months
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OH NO NO NO THE NO.
Looking back. "I know what YOU smell like." And suddenly, subtly, it's THERE. Tiniest of bleps here and there. Which Aziraphale knows, because HE bleps in Hell to be in character. Crowley bleps a LOT around Jim-biel, trying to suss out if he's faking it. When he's explaining VAVOOM (and KUDOS to Jon Hamm because Goob's trying to do the Tennant/Crowley Left Eyebrow😄!), and infamously in the "Hello Gabriel" scene. It's been there the whole. Damn. Time.
But I looked, and: yeah, it's here. A half second after this gif starts, when he's hyperventilating and trying not to cry and soldiering on...blep. Tiny blep. Trying to maintain control...
Blep.
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sepulchrypha · 1 month
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The Horned Serpent sinks into your dreams again. But this one isn't like the others.
✨️Happy Presidents' Day!✨️
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henrycavillary · 8 months
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Serpent & Dove series | Shelby Mahurin
“Ask me no questions, mon amour , and I shall tell you no lies.”
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quirkyquest · 10 days
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I made a wallpaper! Hope you like it ☺️
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awkward-sultana · 8 months
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(Almost) Every Costume Per Episode + Diane de Poitiers's white gown with black stripes in 1x01,3
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regallibellbright · 3 months
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So, I've been thinking about Toby's knives.
Well, okay, I specifically think primarily about Toby's main knife, but there's something interesting to be said about all three of the knives she "regularly" wears (silver, iron, and the new one.) All three of them are gifts. All three of them are given to her by someone expecting Toby to be a hero.
"Ms. Daye?" "Yes, Dare?" It was like trying to leave kindergartners with a babysitter. If I was lucky, they'd run out of questions before the sun went down. Maybe. "Here." She pulled a knife out of her sleeve, offering it to me. I didn't recognize the style of the blade, but if it was street legal, I'm a Kelpie. "In case you don't scream fast enough." "Good idea," I said. She looked almost disappointed by my reaction - she was still young enough for the rules against saying thank you to seem pointless. I winked, sliding the knife into my belt with the edge facing outward to keep me from cutting myself. She brightened, reading the unspoken gratitude in my eyes. She was pretty smart when she let herself be.
(Rosemary and Rue, Chapter 21, pages 239-240)
The first and most important, of course, is Dare's knife. And yet, this is a pretty minor moment. There's no sign this particular knife is special to Dare - it's mentioned earlier she's got enough weapons on her at the moment to clank. Manuel will ask for it later, claiming it was a loan, but that's the most he can say - and May, who would know, corrects him that it was a gift.
By this point, Dare's already told Toby she wants to get away from Devin and take Manuel with her, and Dare asks because Toby's already her hero. She got out. Dare doesn't get to, in the end. And so the knife that Dare all but offhandedly gave her becomes a keepsake, and one of Toby's most valued possessions. As Toby says taking it in A Local Habitation, maybe Dare's knife would help her be someone else's hero. Eventually, it does. Dare's knife is Toby's promise to herself not to fail anyone again. It's the justification she uses when she needs to go back and confront Blind Michael. (Incidentally, May tells her they can get a new knife in response. For all that she remembers being Dare, she doesn't yet understand what the knife is to Toby.) It's so tied to Toby's identity that when she loses her way home, among all the allies she can't recognize or only knows as enemies -
[Quentin] walked toward me, pausing to bend and gingerly retrieve a silver knife from the floor. It looked sharp. It also looked well-used; there were flecks of blood dried on the hilt, and streaks of something much fresher on the blade. "I'll just, um, hold this for you, for now," he said. "I promise I'll give it back when you're ready." "You can't give it back when it's not mine," I snarled. At least I could talk.
(A Killing Frost, Chapter 19, page 266)
Toby thinks at this point that she's sworn to Sylvester and can return to him, not knowing she's banished. He's not part of her way home anymore. But the knife is. When Toby can't recognize the knife, it's because she's not herself anymore. (Incidentally, it says a lot about how thoroughly Sylvester fucked up, particularly in AKF, that Shadowed Hills isn't home anymore.) On top of that, because of its link to Dare, the knife is also Home - the shitty flophouse for changelings with nowhere else to go run by an exploitative crime lord, but also the place where Toby learned to fight and survive. Sylvester's tried to teach her, but she's not the kind of knight to use a sword.
Moving on:
Then Acacia's hand was on my shoulder, and a knife was landing in the dust beside me. "Kill him or let him go, Amandine's daughter, but don't torture him," she said. "Make your choice. You haven't got much time." I looked up. "Acacia -" She looked down at me, the short tendrils of her hair curling around her face. When I distracted Blind Michael, that must have broken his hold on her, allowing her to rip herself free. "No. You let others make your choices too often. Kill him or let him live, but do it now. No more games." "I don't know what to do." "You always know. You just don't listen to yourself." She shook her head, turning, and started to walk away. The Riders parted to let her pass, still silent, still staring at me. Choices. Oh, Oberon's blood, choices. I put the candle between my teeth, keeping my knife pressed tight against Blind Michael's throat. The flame licked at my cheek, filling the air with the hot smell of singed blood as I reached out and picked up Acacia's knife. I almost dropped it when the metal hit my hand. Iron - it was made of iron. It would have to be; did I really think I could kill one of the Firstborn with silver alone? That was never an option. Not really. ... "I'm sorry," I said. "I can't forgive you." I lifted my hand, bringing the two knives together, and slammed them together down into his throat. Iron slices through faerie flesh like it's nothing but dry leaves and air. That's what iron exists to do: it kills us. Silver can do almost as well, if you use it properly. Acacia's knife was iron, Dare's was silver, and I held them together as I thrust downward. ... It didn't really matter; he was dead, I had won, and I couldn't fight anymore. No more children would suffer because of him. In the end, I'd proved myself as a child of Oberon's line, no matter how much I tried to deny it; I was a hero...
(An Artificial Night, Chapter 31, pages 295-296)
A longer passage there because Acacia's knife is by far the one that gets the most dramatic focus when Toby receives it, for obvious reasons. But it's also more significant than the moment itself. Up to this point, the closest Toby comes to considering herself a hero in more than Dare's eyes is just before the Ride, where she thinks that all her kids are safe (except Katie, who she can't save,) and that she should run before the Ride begins, even if it kills her, because at least then she'd die a hero. There's even a moment early in the book where the Luidaeg calls her a child of Oberon (five pages after Toby reflects to herself that the children of Oberon are heroes,) and Toby thinks to herself that the Luidaeg's wrong, since she still thinks she's Daoine Sidhe.
But she claims it here, because she has no option not to. You can't kill one of the great monsters of Faerie and not accept that you are, ultimately, a hero. So long as she's herself, Toby won't deny that she's a hero again.
Toby carries Acacia's knife with her regularly for the period of time between the end of An Artificial Night and the events of Late Eclipses. This is all but exactly six months - she receives it on October 31, 2010, going back to confront Michael almost immediately after being freed from the Ride. She stops being able to carry it regularly once Amandine changes her blood, in early May 2011. (I’d have to reread Late Eclipses in full to get the exact point it ends, since she’s still carrying it even though she can feel it in the scabbard at the very end.) After that, she keeps it secured at home unless her blood’s changed far enough back towards mortal that it’s safe. But she always keeps the iron knife, and she always brings it with her when she IS more mortal than fae. In The Brightest Fell, she notes the hilt fits perfectly for her. She has to throw it off her when she changes back in Chimes at Midnight, but once the False Queen’s been ousted, Toby apparently makes sure to reclaim it from the treasury. It’s not a good idea to lose a gift from one of the Firstborn, after all. And you never know when you might need to kill another one, especially when one of them is your (terrible) mother. Which she considers, to some extent, at the start of The Brightest Fell, and openly threatens in its ending to get Tybalt and Jazz back.
In short, Toby thinks of the iron knife as being a part of her life for much longer than it actually was, consistently. Part of it’s definitely that it represents the balance of her blood the way she was used to for most of her life - after all, when she gets another blood choice vision in CAM, the choice is presented as iron and silver knives for human and fae. But it’s also the knife she used to kill one of the Firstborn. Dare’s knife is Toby’s promise to be a hero going forward. Acacia’s knife is Toby choosing the title, and all the danger that comes with it. She stabs them both into Michael at the same time. When she’s rebalancing her blood, in CAM, she does the same thing to herself.
"... You do make the first cut, though, and you use my knife to do it, since yours is probably covered with something unspeakable that would despoil my beautiful creation." "Or she can use mine," said a male voice, from behind me. I turned. There was Oberon, still in his mostly-unassuming buise, the antlers on his brow small enough not to attract more attention than he wanted. He was wearing red, which was a little odd, since he wasn't part of the official wedding party, but he was also Oberon, which meant absolutely no one, not even his daughters, was going to tell him "no". And he was holding a knife by the blade, offering it to me hilt-first. I blinked, first at the blade, then at him. "Sire?" I asked. This was one of those things that probably held some great meaning and import no one had ever bothered to explain to me, assuming it wouldn't be important enough to matter. ... "I would be honored," I said, and took the knife from Oberon's hand, turning to face the cake. ... Oberon was gone when I turned around, leaving me holding his knife. I tightened my grip on the handle. I wasn't putting this one down until I could return it to its owner.
(And With Reveling, the novella/epilogue to When Sorrows Come, pages 360-361)
Today would be the first day I carried two knives to Arden's Court. The first, the silver, was familiar. The second was relatively new, although it felt natural and easy in my hand, and was made of a material I still hadn't identified. In a very real way, it was the only gift I had received on my actual wedding day. ... The knife was different. I hadn't even realized it was a gift at first; I'd thought it was just something I could use to cut the cake. But when I'd tried to return it, the Luidaeg had interceded, explaining that once her father - you know, Oberon himself - handed someone a weapon, it was a grave insult to hand it back, and did I really want to insult my grandfather, the Lord of All Faerie, on my wedding day? Was I that eager to become something genuinely unpleasant and leave Tybalt functionally a widower? I was not. And so now I carried a gift from the father of us all on my left hip, sharp and deadly and ready to be used. But no pressure.
(Be The Serpent, Chapter Two, pages 9-10)
Oberon's knife is given with so little ceremony Toby doesn't realize it's truly a gift at first, at a time where - for once - Toby does not actually need a knife for standard stabbing purposes. Oberon's knife immediately has the kind of importance that Toby isn't entirely comfortable with it, in stark contrast to how quick she is to accept the iron knife and how thoroughly the silver knife has become an extension of her identity. She's gotten used to being a hero, and even a hero of the realm - she lets/asks Aethlin to re-recognize her hero status so she can help investigate, which may or may not mean she's now a hero of the entire Westlands as a realm, not just Maples. (Neither of them bothers to specify.) But when a god gives you a knife, it's understandable to be a little hesitant about it. It's given under the most gift-like circumstances of the three - Dare's was a preemptive gift for self-defense, and Acacia's came with a direct request: Kill Blind Michael, or not, but choose. Oberon's gift is more to have than to cut that cake, even if it's not laid out until later.
Dare's knife's metal isn't actually specified in Rosemary and Rue - it's specified when things are iron in that book, but Toby never actually bothers to mention what they use instead. It comes up for the first time in A Local Habitation, instead. What's important to know at the time is that it's a knife, and a pretty unexceptional one, because Dare thinks Toby might need it. Acacia's knife, of course, is immediately singled out as iron. Oberon's knife is just left as "a knife" in And With Reveling (most importantly, a CLEAN knife,) but when it first comes up in Be The Serpent its material is explicitly mentioned as unknown. We immediately know that will be important. Oberon's children are heroes. The man himself does not give weapons lightly.
The Luidaeg waited until the door was closed behind her before she spoke again. "I saw my father hand you a knife at the wedding," she said. "I know he didn't take it back. Do you have it with you?" "I do," I said, and touched the knife belted to my hip. "Show me." Pulling the knife from its sheath felt like a promise I didn't want to be making, as if by doing so, even when asked, I was committing to using it for its intended purpose. The Luidaeg held her hand out and I dropped the handle into her palm, letting her take the blade for me. She lifted it toward the light, squinting. "Hmm," she said. "I think it's antler, rather than bone, but it should still work." "Oh, go- Wait, what?" "Antler. You know what those are, don't you?" She offered the knife back. I took it. "They're the handles on the stag. Not that I'd suggest grabbing them if you don't have a damn good reason, since the best-case scenario when you do that is being stuck on the end of a pissed-off stag. Bone would be better, but I guess Daddy has a renewable source for antler. He drops them every spring, right around Moving Day, and we used to use them for all sorts of things. There's a piece in every hope chest." "You're telling me that I've been carrying around a piece of Oberon?" I demanded, staring at the knife in my hand. The Luidaeg nodded, apparently untroubled. "He isn't good at showing people he likes them, but he must like you, if he's giving you one of those. He tends to keep them close, given what they're used for." "What's that?" "Murder, mostly." She said it so lightly, like it was nothing out of the ordinary. "Silver and iron for a Firstborn, silver and bone - or antler - for our parents. Not that we know that for sure, of course. It was just what the magic seemed to indicate, and what the oracles Saw, back when there were enough of us to ask." I kept staring at the knife. I couldn't seem to take my eyes away. "So you're telling me this knife could - could -" "Could kill Titania, if you used it correctly and caught her off-guard, yes, I am," said the Luidaeg.
(Be The Serpent, Chapter Twelve, pages 161-162)
Oberon's knife is a piece of himself, and it is the ability to kill one of the Three, if Toby dares, if Toby deems it necessary. Granted, that last part was also the case with Acacia's knife - she's Firstborn too, after all. (And of course, ANY knife has the capacity to kill a changeling like Toby starts the series, or Dare.) But coming from the King of All Faerie, it feels even more tremendous, particularly because it's given when the only one of the Three active is Oberon himself. He's actually surprised when Toby discusses killing Titania or threatens him in Be The Serpent. He isn't actually expecting her to start thinking about killing gods with her god-killing knife. Oberon doesn't think about things he knows A LOT. Toby probably gets it from him.
But he's already given her his absolute trust. You don't give someone the one kind of knife that can kill your wives and yourself if you think they would use it irresponsibly.
Toby's wedding is in many ways, in- and out of universe, a recognition of her heroism. Oberon's knife is, as well. And with it comes the burden she's locked herself into: She's the one who brought Oberon home. She's the restorer of the Roane. She's the one who will go to the Heart of Faerie. She has broken the bindings on Titania, set on her by Oberon himself, and destroyed the illusions of Titania; unraveling something of Maeve's seems as inevitable as finding her and bringing her home as well. The antler knife isn't just marking her a hero, it's marking her as something all but mythic.
Even a hero would be nervous about that responsibility.
But for all the weight it carries, it still feels natural to use, just like the iron knife. The antler knife and the role it brings with it are just as much a part of Toby as the silver and iron. And by the time she receives it, she's more than earned it already.
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