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intimidatingsqueak · 6 months

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Shop Photos: Kimura Takuya

#kimura takuya #木村拓哉 #takuya kimura #scans #shop photos #…nishiki hair #which means~#1995 #queue've got a pulse and queue are breathing

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sunlightfeeling · 7 months

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The Judgment series is chock-full of references to Kimura Takuya’s IRL appearance and endeavors. And what’s really neat is one of the other characters is inspired by him, too, Saori! Well…her hair specifically:

You don’t believe me…I can tell…

How ‘bout now??

—

*Photos are from 1995

#rgg #judge eyes #shirosaki saori #saori shirosaki #kimura takuya #takuya kimura #scans #shop photos #okay personal tags time…..#the ones of him and the bear are some of the cutest pictures ive ever seen…theres a few others that i didnt add…#probably do a seperate post for the rest of the photos from this set #but he’s posing like the bear in these ones tho lookithimmm

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tomatoliciousheya · 6 months

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cr. on watermark

#toma #生田斗真 #toma ikuta #ikuta toma #japanese actor #johnny's shop photos #shop photos

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unidragonshop · 1 year

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little guys who go on your phone. catch them all!!!

#pokemon #vulpix #jirachi #ponyta #galarian ponyta #artists on tumblr #shop stuff #shop photos #unidragon merch

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zytes · 4 months

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this manatee looks like it’s in a skyrim loading screen

#misc #I encourage anyone dyslexic to try rotating him in your mind. I can’t do that; which is why I’m asking you to.#also: a bunch of tags are surprised this isn’t ‘shopped #it’s the lighting. backlit by the sun (which is diffused through the water) but also forelit artificially #the artificial light - a flash pack or something - casts a hard shadow under the creatures arm #which normally wouldn’t be possible if backlit by the SUN; you’d see a less-hard/more-fragmented shadow above water #as light sources ‘compete’ in a sense - and since there aren’t any light sources which can outshine the literal sun #it looks a bit weird when the darkest shadow is being cast from any other origin point - which is what’s essentially happening here #I don’t know the mechanics of how light travels through water; but I know the effect is substantial even with relatively short distances #also: it’s been balanced and color corrected by the author of the photo - who made deliberate choices to bring out the full potential #so it’s not like it’s a fresh and untouched export #but the kind of ‘tacked on’ appearance of the creature is a result of the lighting conditions within the image

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fuckyeahgoodomens · 3 months

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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

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anglerflsh · 9 months

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a homing of pigeons

#[.art]#birds #I like doodling animals. it's very calming #pigeon #pidgeon #<- the superior name of course. Abbreviated as pid in this file #my art #also not technically homing pidgeons but... the name was better heard in my head #this was party referenced from a series of photos I took of birds in the park and in the coffe shop #it was warm out so they were just laying down flat against the tables. Really nice #dove #as it is the same animal basically

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dappermouth · 6 months

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A limited run of signed 'Thicket' prints is now available at The People's Print Shop! imo it's one of the loveliest reproductions of my art ever

#jentalk #shop stuff #prints #my photo here is mediocre haha #but! it looks so very nice in person

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wuntrum · 5 months

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groovy! (prints)

#evil dead #bruce campbell #ash williams #save me ash...#my art #also about to post abt the shop update. dont mind me #this is based on that one behind the scenes photo 👍

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icedteadrinker · 2 years

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#Anyway #I just remembered this sign I saw in a gift shop in Queenstown #my photos

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batfamhyperfixation · 1 year

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Batkid Groupchat

Dick: someone save me pls

Jason: What's wrong?

Dick: Gala at Wayne Manor

Dick: This guy won't stop talking to me

Jason: lol sucks to suck

Damian: Sorry Richard, I cannot attend to the situation. That would give up my hiding spot.

Damian: I meant vantage point.

Damian: If any of you tell Bruce, I will murder you.

Cass: Damian, look up

*sends photo of Damian in the rafters of Wayne Manor*

Damian: Ah, great minds think alike I see.

Tim: hold up Dick, I wanna get out of this conversation too, I'll be over in a sec

Steph: Can't relate

Steph: This is why you don't let the first billionaire who offers adopt you

Steph: then you gotta go to the stuffy parties

Steph: Duke and I are the only smart ones

Duke: Agreed, have fun at the party

Later at the Gala

*Red Hood and the Outlaws come busting through the door*

Red Hood: This is a hostage situation

Red Hood: We want Dick Grayson, Tim Drake, Cassandra Cain, and Damian Wayne.

Bruce, also desperately wanting to get out: Aren't you forgetting someone

Red Hood: Oh, right, Alfred Pennyworth

Bruce: aren't you forgetting someone else?

Red Hood: No

Bruce: Ja- Red Hood. Aren't you going to take me!

Red Hood: what would I need you for? I already have CEO of Wayne enterprises *ruffles Tim's hair, about to get fought by Tim* (under his breath: you fight back, I'm leaving you behind), a police officer, biological son of a billionaire, cool af dancer Cassandra Cain, and Alfred the Almighty

Bruce: don't you want a billionaire too?

Red Hood: If I take you, who is going to pay the ransom?

*Taking the Batkids and Alfred out of the gala as Bruce pouts*

Jason: one of you swipped Bruce's credit card before we left, right?

Tim: of course, we aren't amateurs

Jason: then ice cream on Bruce!