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#story idea
ant1quarian · 9 hours
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"Until Dawn Breaks."
An Apocalyptic story where it's safer to travel at night, due to the insane levels of radiation that scorch the earth below.
An Apocalyptic story told from the former-teachers point of view, the youngest being 25, the oldest being 36.
An Apocalyptic story where they have to desperately adapt and survive and look over their former students acting as if they were main characters in a novel.
Foolish.
An Apocalyptic story where the infection doesn't always act the same with different people.
An Apocalyptic story where Immortality has already been discovered and while everyone else is trying to reach it, these Teachers are avoiding it like the zombies that scuttle out from hiding in the middle of the day- somehow capable of bearing the radiation and heat.
An Apocalyptic story where no two infections are the same, so no two zombies are the same or have the exact same abilities.
An Apocalyptic story that started from the stupidity of the never-satisfied Human Curiosity.
...
An Apocalyptic story where everyone becomes a zombie and evolves in their own way.
Yeah I'm gonna write this. For the funnies :3
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novlr · 15 hours
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five-rivers · 1 year
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Group of friends who are close because they all have the same superpower except no they don't.
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greentrickster · 1 year
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Daughter of fantasy villains decides to rebel against her parents by actually going through with her arranged marriage to a local golden retriever of a prince instead of running off with some local villain-to-be or conquering said golden retriever’s kingdom and ruling it solo like her parents expect her to. Plus, sue her, she’s into the clean-cut earnest look.
At the same time, local prince charming discovers that he’s actually very into the gothic fiance his parents have landed him with in order to try and establish peace with the local evil lair down the lane, he would never have guessed a spiderweb pattern could look so fetching on a ball gown...?
Meanwhile, two pairs of parents in a tizzy because they both expected their offspring to whole-heartedly reject this union and give them an excuse to conquer their goody-two-shoes/evil neighbours, they’re not supposed to actually like each other-!
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thehmn · 2 months
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Here’s a job you probably never even knew existed but is perfect for episodic stories.
Years and years ago I worked for a substitute/temp company, meaning other companies could ask for, say, five workers for any kind of job for anywhere from a day to a month and my company would then pick out five of their employees with suitable skills and ask us if we wanted to take the job.
You can imagine I ended up getting all sorts of wacky experiences. This was the job where I was hired to clean a dirty old kitchen with 10 other people at a mansion but got lost one day and walked into a cultish room with an altar and thrones lined up along the wall.
And when I say any kind of job I mean it. People asked for all sorts of unskilled work but the company also got requests for specialized work that only certain workers could do. I spent a week in an empty building where I only saw the other worker who had been hired along with me attaching wheels to carts. At another job we were sent up through a hole in the ceiling at a mall where we cleaned out old boxes. A particularly beautiful job entailed “braiding” small transparent tubes down a wall at a temporary closed factory while the sun was shining through ceiling windows which made the tubes glitter like glass. No idea what that job was about. We did anything from cleaning to preparing food to clearing a building site to factory work to hauling fish to painting to looking after animals to-
And if you like dressing your characters up you’re going to love this; our company didn’t have their own uniform because we were always dressed in the uniforms of the companies we were hired out to, or the companies would dress us in work appropriate clothes like overalls or aprons. I was once handed a cute long dress to wear while I sold pancakes.
I realize some of it sounds dangerous but it was all perfectly safe. Sometimes companies just needed extra help with something for a few days. The only reason why I stopped was because the work wasn’t stable and you never knew how far you’d have to travel to the next job. It was fun though.
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cod-dump · 11 months
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Ghost knowingly buys a haunted house because he needed a place to live and by this point he didn't care if it was haunted. But, instead of harassing him or making living there hell, the spirit actually is very helpful. It does the dishes, helps find things that Ghost had misplaced, is far better than any guard dog that Ghost has ever owned, and is a decent companion. Though there was a messy incident involving the dishwasher overflowing with suds, which led to the affectionate name Ghost gave the spirit.
Soap.
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Idea for an animated kid's movie/comedy.
So there's this dinosaur park that's a thinly veiled Jurassic Park knock-off (call it Cretaceous Island), and it's a bit of a toy story situation, in that the dinosaurs can talk and communicate when the humans aren't looking, mostly at night.
The dinos don't really want to break out since they like their cushy zoo lives and five-star treatment from the staff, so they're willing to get oggled by a bunch of twelve year olds to keep the food coming.
Out main characters are a T-Rex, two raptor sisters, and a wise old triceratops. The raptors are bored with their lives and long for adventure, the triceratops is a wise-old mentor figure, and the T-Rex is lonely since the park won't engineer any other T-Rex's for safety reasons.
Through magical shenanigans they get sent back to the actual Cretaceous period.
Now these pampered genetically engineered dinos have to survive in the savage dinosaur era. To underscore the differences between them, the future dinos are animated as pretty standard cartoon dinosaurs, a la Land Before Time, while the dinosaurs from the past are animated to be as scientifically accurate as possible.
The dinos go through shenanigans, amke friends in the past, evade predators, and eventually make their way home through magic portal stuff, except for the T-Rex who elects to stay behind since he's fallen for a female T-Rex he met in the past. His friends are sad to leave him behind, but go to the present anyway.
Back in the present, the dinos think nothing has really changed, but they find that the exhibit in the visitor's center, previously a single roaring T-Rex skeleton, has been replaced with two T-Rex's, famous for being found fossilized together called "The Deadly Lovers", and its their friend and the mate he found in the past. It ends on the bittersweet note.
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nerdpoe · 1 year
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Danny and Dani and Dan get Alfreded in three fell swoops
So like, sad time, but Alfred dies while Bruce is doing his world tour. He never survived long enough to see Bruce become Batman. Died alone in the Manor, after a particularly nasty fall and a broken neck.
But that was unacceptable.
Master Bruce, insufferable boy, could not lose another paternal figure in his life. Also the Manor was still a mess, and Bruce would need someone to make sure he didn't accidentally poison himself.
So he hid his corpse on the Manor grounds, and got to work.
And he was so glad he stayed; sure, it had taken a bit to stop glowing, but really the floating thing was amazingly helpful in reaching the chandelier, and after Master Bruce had returned he had gotten so many grandchildren.
Fast forward; Danny defeated Pariah Dark, he is Crown Prince of the Infinite Realms, Dan is attempting reformation and is technically a Prince by relation, and Dani is attempting to be Dan's parole officer and is definitely a Princess 100% she never forgets that no sir.
And Danny gets approached by some of the Observants, and they tell him that there is a very powerful ghost in Gotham, one that fully and completely blends in with humans and really needs to come to the Infinite Realms to complete his paperwork. But whenever they show up, this ghost thinks that they're there to force him to stay in the Infinite Realms.
And he kicks their asses.
Brutally.
For a bit he had a tiny kid ghost with him kicking their asses as well, but the kid randomly disappeared one day.
The Observants very clearly outline that this ghost is not Gotham herself, although the tax-evading criminal has been seen having tea with her.
Danny has no desire to deal with this; he just graduated high school and needs to focus on what college he's going to choose, so if Dan or Dani want to throw hands with some weird Gotham Ghost then by all means. Fuck taxes anyways, what did the Zone even take for taxation, what-?
So Danny splits his time college hunting and trying to find out how tax laws work in the Ghost Zone.
Dani goes to the old man first, and Alfred promptly sits her down and gives her cookies and hot chocolate, treats her like the kid she's never been treated like between Vlad and all of the Zone focusing on the Princess thing, and she feels at home for the second time in her half-life.
Dani gets a call from a nervous Observant, and promptly tells him she isn't going back either so nyah.
Dan goes to pick her up, and Alfred asks him if he is quite alright, he looks rather tense, and that if it is a fight he wants then the Justice League could probably use a new member, after all Alfred knows an upstanding young man when he sees one, and clearly Dan just needs a chance to prove to himself that he can be good.
Just like another young man Alfred knows.
Dan gets a call from a nervous Observant, and tells them that he's a little busy stopping an alien invasion, and is a tentative member of the Justice League now so he doesn't have time for their bullshit.
Also fuck taxes.
Finally, Danny has no choice.
He goes to drag this random old man and his little sister back to the Zone himself.
Alfred takes one look at him and slowly slides a flier for Gotham University across the kitchen island.
"Your younger sister speaks well of you," the dead butler says, eyes beaming, "and I believe that, given what she has said, you qualify for one of the Wayne Educational Grants for a full ride, so to speak."
Alfred never gets dragged into the Ghost Zone, although eventually he does learn that they weren't trying to drag him into the Land of the dead but were just trying to get him to do paperwork.
He never goes.
Bruce, however, is very fucking confused as to where these strange kids came from.
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theladysunami · 4 months
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I listen to a lot of audiobook murder mysteries, which has me thinking:
Shen Yuan transmigrating into a murder mystery… as the killer!
There are a couple of ways the story could go.
First Option: Shen Yuan lets his System know, in no uncertain terms, he will not be murdering anyone.
Its response: [Alternate Plotline Initiated. New Assignment: Designated Red Herring].
Poor Shen Qingqiu finds himself stuck in a whole murder mystery series, and any time anyone is murdered, he somehow ends up being the number one suspect!
The victim? Probably picked a fight with Shen Qingqiu at some point. (Shen Qingqiu tries to avoid such arguments, but it never seems to work!)
The murder weapon? Yeah, Shen Qingqiu is almost guaranteed to have touched it. (Shen Qingqiu is severely tempted to start wearing gloves 24/7.)
The body? Either Shen Qingqiu finds it himself at some inopportune time, and/or it was stashed somewhere “only” he is supposed to have access to. (At some point it's just: Shen Qingqiu opens a door… sees a body… closes the door. “Time to call the cops, yet again.”)
Shen Qingqiu ends up a tad paranoid about the whole thing, setting up cameras outside his house, in his office, in his car, etc. just to (hopefully) stop people from planting evidence any of those places.
If anyone asks about the truly absurd number of (eventually dropped) murder allegations, Shen Qingqiu insists he's cursed. Even with genre blinders on (making the number of convoluted murders in the area seem normal somehow), it's hard for anyone to argue the point.
For Shen Qingqiu's day job (when he's not busy being charged with murder) he works as a professor at a university with a highly regarded Criminology & Criminal Justice program. I'm thinking the original goods was a literature professor, with a strong distaste for cops, who was known for grading anyone in the criminal justice program exceedingly harshly. Naturally one of his students is the protagonist, Luo Binghe.
After his transmigration, professor Shen Qingqiu suddenly becomes a very kind and doting professor with a real passion for literature. This leaves Luo Binghe quickly smitten and makes him a very motivated amateur detective, since he's determined to prove his beloved's innocence as quickly as possible and as often as needed!
Second Option: Shen Yuan takes over after the original goods already committed the murder.
He wakes up with a splitting headache (the victim attempted to defend themselves presumably), looks at his bloody hands… looks at the victim… looks at the weapon… looks at his bloody hands again. “Damn it, Airplane.”
He decides he doesn't want to try and hide a body actually, just to be caught by the protagonist later and charged with a whole slew of things in addition to murder, so he calls the cops himself. He might as well take advantage of the fact he has a concussion and literally doesn't remember a thing. Maybe he can get the charges reduced somewhat and get a lighter sentence.
Of course the first cop that arrives at the scene is Yue Qingyuan, who as the #1 Xiao-Jiu stan gives Shen Qingqiu way too much benefit of the doubt. The most obvious evidence also keeps being erased or damaged by weird as hell coincidences.
Shen Qingqiu knows he certainly isn't responsible for damaging evidence and wonders if the System is working overtime behind the scenes to ensure there actually is a mystery for Luo Binghe to solve. (After all, it wouldn't be much of a story if Shen Qingqiu was already charged and sentenced before Luo Binghe had a chance to even do anything.)
To his complete bewilderment, after a few days leave to recover from the concussion, Shen Qingqiu is actually allowed to return to his university teaching job. He decides to make the best of it, since who knows how long he'll be a free man.
As in the first scenario, a few months later and Luo Binghe is absolutely smitten, not to mention all the other students and faculty that have come to adore him.
As Shen Qingqiu has successfully endeared himself to pretty much anyone and everyone local that could actually charge him or provide eyewitness testimony, not to mention all the shady shit about murder victim Qiu Jianluo the ongoing investigation keeps digging up, the plot stalls for a bit until the state police (aka Huan Hua Palace) are finally called in by Qiu Haitang.
Unfortunately for the ‘HHP’ folks, the protagonist himself is on Shen Qingqiu's side, and Luo Binghe is perfectly happy to muddy the waters by conveniently “losing” evidence, sending them after every single red herring he comes across, and “accidentally” digging up dirt on all the shady dealings going on in their department.
The System keeps trying to motivate Shen Qingqiu to hide evidence, lie, or do literally anything suspicious to progress the plot further, but all its punishment protocols involve sabotaging Shen Qingqiu's coverup attempts (of which he has none) or revealing information to the protagonist (who is complicit by this point) so it's fresh out of luck.
Eventually the System gives up and Shen Qingqiu is congratulated for “getting away with murder!” despite the fact he didn't actually do anything.
“Seriously? Does it even count as getting away with murder when the original goods was the actual murderer? I didn't kill anyone!”
[...]
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some-rotten-nest · 1 year
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Danyal Al Ghul had died long ago. Not even the Pits could ressurect the fallen heir, and therefore Damian Al Ghul inherited the title.
Damian had never seemed to effected by his beloved brothers death, and Ra's had seen that as an advantage, seen Damian as stronger, as unemotional. Damian became the perfect child, and Danyal was left to be forgotten.
Except for the fact Danyal's ghost floated behind Damian all the time, like intangible and invisible, but unable to turn human.
The reason Damian was never effected was because his brother stuck by his side constantly, even after death, helping him, comforting him, as a ghost.
Damain never told anyone, he didn't have any evidence beside his word, which would be taken as the words of a mad man and not a becoming heir to the Demon Head.
So, Bruce never learned. He never knew about his second son, one who had died long ago, and one who had stuck by Damian's side through all of his adventures.
Soon enough, Danyal starts to manifest his usual gallery of powers, and it stars to alert the family.
"Why is there a hole in the wall?" Bruce would ask.
Damian would scramble for an excuse as quick as he humanly can, knowing his brother's powers as Danyal sulked next to him, "I was painting."
"WHY IS MY ENTIRE ROOM FROZEN SOILD?!" Jason would yell.
"Your window was left open, Todd."
"IT'S MAY!"
"What the-- why is my skateboard stuck in the wall?!" Tim.
Danyal buried his head in his hands.
"an art project."
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charlesoberonn · 1 year
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Story Idea: After 999 consecutive terms as Hell’s first and only president, Lucifer decides to step down, putting the entire netherworld in a panic about who will replace him.
At the same time, a recently deceased PR manager who sold her soul to a demon in her youth finds out the rights to her soul have been sold many times and she is now the property of a low-level government clerk who got her as a gift.
Seizing on the opportunity, she decides her meek and introverted new owner should be the next president of Hell. And she’s gonna make it happen.
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arsonlookers · 5 days
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✧ MS. THERAPIST Yandere Childe! Idea ✧
slight suggestive please be warned.
Yandere Childe! who becomes obsessed in love with you because you are his therapist.
Yandere Childe! got sentenced to jail for the same actions of being a total creep and a yandere. sentenced for murder, stalking, attempting kidnapping, assault, stealing, and many more gruesome acts he did.
Yandere Childe! who was very stubborn and murderous after going to jail. yelling that he needs to protect Lumine [the victim of his Yandere acts] and lumine not even planning to time visiting him in jail [i mean who would?]
Yandere Childe! who stops eating and taking care of himself being dishearten by not seeing lumine for the past month and starts starving since then. losing the reasoning to keep living.
Yandere Childe! who meets reader [you] in his 2nd week of staying becomes his personal therapist since then.
Yandere Childe! tried to kill you because he dont want to see anybody except lumine.
Yandere Childe! Who nearly did murder you if not for your fast instinct and taekwondo training you got as a child, and knock him off the ground he was not able to get back up again.
Yandere Childe! becomes more interested in you after that incident keeps apologizing about what happened before and keeps asking you to fight him. To strangle him with your thigh again.
Yandere Childe! who keeps dreaming about the incident and just wants to be in that position again. in between your plush thigh. starts to be more and more interested in your life for some reason
Yandere Childe! who keeps checking you out every time you are there or its therapy session.
Yandere Childe! Who keeps asking you if you have a boyfriend or husband, if you do what they look like, what are their names, The more he is around you the more his questions become personal and creepy.
Yandere Childe! who for some reason starts to become healthy again, and starts to work out inside his jail. starts to show off his hard work abs and all, for some reason starts to become more and more touchy and just keeps asking you to be inside in a room again promising to not hurt you ever again.
Yandere Childe! who now shamelessly dirty talks to you and keeps talking about everything like I mean every thing in his life and how he was obsessed and why he did all of it.
Yandere Childe! who opens up everything where he hides the bodies how he disposes of them, his past trauma, how he got kidnapped, how he stalks and keeps a altar for lumine, E.V.E.R.Y.T.H.I.N.G.
suggestive warning ahead!!!
Yandere Childe! who shamelessly starts thinking about you in sensual ways, like how he likes to feel your mouth and all around his body. and absolutely in his mouth.
yandere Childe! shamelessly masturbates in front of you or in his cell. like "ahhh~ uggg~ I ~ keep talking!- AHhhh~~mmmm~ your so cute~~ " behind his cell, he is doing all those unholy things
Yandere Childe! keeps asking you to either strip, about your underwear, join him, shamelessly dirty talks while he is pumping his member keeps his eyes on your body and never looks anywhere. just in you and in your eyes, he just keeps talking about "I want to fck you~ mminside that hole~ AHHHhhhh~mmmm~ look at me darling~ look at how you made me feel~ you are making me feel so~ so~ goooood~~ my cute~ sexy! therapist~~ "
Yandere Childe! Who knows that You can't just leave him and ask other therapists to be his doctor because he tells you how he will kill them even behind these bars. if he knows that you actually wanted to leave him [ oh honey he will kill even if it meant to also be the reason of his death]
Yandere Childe! begging for you to just stay with him, "I will be your good boy~ pleaseee~ agggh ~ ummpphh~ " while keeping his hands on his member
Yandere Childe! If you will truly leave him he will find ways to break out of these prison cells. and will search for you even if it means to go travel around the world to search for you.
Yandere Childe! who is rich by the way like he truly has the money. and actually bribes some of the guards in the prison without you knowing. just to keep an eye on you of course .
Yandere Childe! Who actually starts to call you pet names shamelessly like "darling" "baby" "slut" "savior" and many more all these other pet names of his are getting worst by the day.
Yandere Childe! who enjoys how you also slowly start to enjoy his company even if some of it is just absurb and questionable. He also enjoys how he somehow did get you to talk about your past a little bit.
Yandere Childe! who is in prison but actually got some information about you from the outside. he will not tell you that of course.
Yandere Childe! who now found an interesting and lovely woman to obsessed with, to love, to keep him forever and ever may she like it or not. Yandere Childe! who promises you that you will be stuck with him forever. Yandere Childe! who now found another will to live this life of his, found his true purpose, he who accepts that everything that is happening now is FATE that you two are FATED to be together.
Yandere Childe! who behind the cells can still do anything to his power to have you, to control you, to make you stay, to make you love him, your oh so LOVELY PATIENT.
"ms. therapist ~ I need your assistance!~ I feel so lonely would you care to join hmm~ to help me feel better~ help this lonely patient of yours~"
Yandere Childe! will love you forever .,.and actually has a shrine for you outside this prison in his house so yeahhh. hahahaha.
YANDERE CHILDE! who is MADLY in love with you .
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so please take care of this sick patient of yours ok? ms. therapist~
✧ahhhh!! my first Yandere writing I never imagined I would write it I'm not really that confident about this one I'm trying something new other than angst so yeahh thank u for reading just a random idea really if there are any grammar mistakes sorry about it. it might be quite messy but I just want to share and had this idea of being his therapist and will be forever stuck being his therapist for life. hehe anyways bye~ - ars onlookers
"ART IS NOT MINE" -from pinterest
♡♡Reblogs and likes are much appreciated!!♡♡
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The Writer's Guide to Mastering Dialogue
You've heard it a thousand times—show, don't tell. One of the most effective ways to do this in your writing is through dialogue. Dialogue helps bring your story and characters to life, propels the action forward, and engages readers. But crafting realistic, compelling dialogue is an art form that takes practice. Don't worry, Rin's got you covered. In this guide, you'll discover techniques for writing dialogue that sparkles. You'll learn how to make conversations sound natural, differentiate character voices, convey subtext and emotion, and use dialog for exposition. By the end, you'll be writing dialogue with confidence and watching your characters come to life on the page. So grab a cup of coffee or mocha (my favorite), settle in, and let's chat about the art of conversation.
Why Dialogue Matters in Your Novel
Dialogue is one of the most powerful tools in a writer's arsenal. It brings your story to life and creates realistic characters that readers can connect with. If you want to master the art of fiction writing, you need to know how to write compelling dialogue.
Dialogue reveals character and moves the story forward. Through dialogue, readers get a sense of your characters' personalities, backgrounds, and motivations. It's a chance to show, not tell, what your characters are like. Dialogue also propels the action and builds suspense, as characters chat about the events unfolding in the story.
There are a few keys to crafting believable and engaging dialog:
•Make it sound natural. Listen to real conversations for inspiration. Dialogue should flow and feel spontaneous, not stiff or forced. Use contractions, interruptions, and imperfect speech.
•Give each character a unique voice. The way people speak depends a lot on their background, education level, profession, and personality. Capture the subtleties of different speaking styles to bring your characters to life.
•Use dialogue tags and actions. Adding "he said/she said" and descriptions of characters' actions and expressions during conversations helps readers keep track of who's talking and provides context. Use a variety of tags like asked, exclaimed, and murmured.
•Move the conversation along. Keep dialog concise and avoid unnecessary filler words. Get to the point so readers stay interested in what's being said. Dialogue should always move the story forward.
•Show tension and conflict. Interesting conversations often involve disagreement, sarcasm, arguing, or questioning. Create tension through dialogue to keep readers engaged.
With the right techniques, you can make dialogue a pivotal part of your story. So listen, observe, and practice the art of great conversation - your readers will thank you!
Developing Distinctive Character Voices Through Dialogue
To develop distinctive voices for your characters, focus on how they speak. Dialogue is one of the best ways to bring your characters to life and propel your story forward.
Pay attention to your characters’ backgrounds, experiences, education levels, and attitudes. All of these factors influence how people talk in real life, so apply that to your characters. Maybe your wise-cracking character uses a lot of humor and sarcasm, while your shy character speaks hesitantly in short sentences.
Listen for speech patterns, accents, and catchphrases in real conversations and note them for inspiration. Capture the rhythm and flow of natural dialogue.
Give each character their own vocabulary based on their interests, jobs, and lifestyles. The tech geek’s dialogue will differ from the history professor’s.
Establish characters’ voices from their first lines of dialog. Look for a memorable way for them to express themselves. The impatient character may frequently use phrases like “spit it out already!” while the pessimist’s go-to is “what could possibly go wrong?”
Use dialog to reveal aspects of characters’ personalities and backgrounds without telling readers directly. Show, don’t tell. For example, a character who says “please” and “thank you” in every sentence likely has a polite and courteous nature.
Read dialogue aloud to make sure it sounds natural. Get friends or family members to read different characters’ lines. If anything sounds off, rework it.
With practice, crafting distinct voices for your characters through dialog will become second nature. Your characters' voices, conveyed through the words they say and the way they say them, will make your story come alive for readers. So take the time to get to know your characters by how they speak. Their voices are worth developing.
Using Dialogue to Reveal Character
Reveal Character Through Dialogue
Dialog is one of the best ways to reveal details about your characters and show their personalities. Carefully crafted conversations can expose a character's background, values, education level, and more without telling the reader outright.
As your characters talk, think about what kinds of words and phrases they would use based on who they are. An older British gentleman will speak very differently than a teenage skateboarder from California. Listen to people with similar backgrounds and life experiences to your characters for inspiration.
Also consider:
The rhythm and cadence of their speech. Do they speak quickly or slowly? Formally or casually?
Their vocabulary. Does your character use complex words and jargon or simpler language?
Grammar and pronunciation. Does your character follow the rules or have their own way of speaking?
For example, here's a short exchange that shows the contrast between two characters:
Jenny (teenage skateboarder): "Hey, you gonna drop in on the half pipe today or just pose by the ramp again?"
Mr. Edwards (older British gentleman): "I'm afraid vert skating is a young man's game, my dear. I'm quite content to watch you whippersnappers from the sidelines."
Even from this brief conversation, you get a sense of each character's age, background, and attitude without the author explicitly telling you. Mastering the art of subtext in dialog will make your stories come alive and allow readers to discover the depth in your characters for themselves.
Driving the Plot Forward With Meaningful Dialogue
To keep your readers engaged, your dialog needs to propel the story forward. Meaningful exchanges between characters should reveal information, create conflict, and raise the stakes.
Share Relevant Details
Use dialogue as an opportunity to share important details about the characters, their relationships, backstories, and the world they inhabit. For example:
“Did you hear they’re raising tuition again next semester?” Jenny asked.
“Ugh, not again,” Mark groaned. “How are we supposed to afford another five percent?”
This exchange informs the reader that Jenny and Mark are college students struggling with the costs. Look for natural ways to slip in context through dialog without sounding forced.
Create Conflict
Interesting stories thrive on tension, disagreement, and clashing perspectives. Have your characters bicker, argue, and challenge each other. For example:
“You never listen to me!” Alice shouted. “You always have to be right.”
“I’m not trying to be right,” Brian retorted. “I’m trying to protect you, but you’re too stubborn to see that.”
The quarrel fuels the underlying conflict in their relationship and keeps readers wondering how they’ll resolve their differences.
Raise the Stakes
Use meaningful dialog at key moments to increase the urgency, suspense or importance of what’s happening in the story. For example:
“The test results came back—it’s not good news,” the doctor said grimly.
Not only does this distressing announcement raise the stakes for the character’s health issue but it also creates a cliffhanger, leaving the reader wondering about the diagnosis and anxiously awaiting more details.
Meaningful dialog is essential for crafting an engaging story. Use it to inform readers, create conflict between characters, raise the stakes, and propel the plot toward a climax. With practice, writing authentic dialog will become second nature.
Creating Tension and Conflict Through Dialogue
To keep readers engaged, effective dialog should create tension and conflict between characters. As in real life, the conversations in your story should have stakes and push characters outside their comfort zone.
Show underlying tensions
Have characters disagree and argue to reveal underlying tensions. For example:
“You never listen to me. It’s always about what you want.”
“That’s not fair and you know it. I’ve sacrificed a lot for this family.”
This type of emotionally-charged exchange shows the couple has deeper issues to work through regarding resentment and lack of appreciation.
Create awkward situations
Put characters in awkward situations through dialog to ramp up the tension. For example:
“How’s the job search going?”
“Um, still looking. The market’s tough right now.”
“Really? I heard your company is hiring. I put in a good word for you with some people I know there.”
“Oh. Thanks, I guess.”
The second character is now in the difficult position of admitting the job search isn’t going well and they don’t actually have any leads. This cringeworthy moment translates the tension to readers.
Issue challenges and ultimatums
Have characters challenge each other by issuing warnings, demands or ultimatums, for example:
“If you walk out that door, we’re through. I mean it this time.”
“Don’t threaten me. You need me more than I need you.”
Throwing down the gauntlet in this way forces characters to back up their words with actions, which heightens the tension and conflict. Readers will keep reading to see who comes out on top!
Using dialog that highlights tension, creates awkwardness, and issues challenges is a great way to craft page-turning scenes that keep readers on the edge of their seats. Mastering the art of writing gripping dialogue is key to writing a story that resonates.
Avoiding Common Dialogue Mistakes
One of the biggest mistakes new writers make is crafting unrealistic or clichéd dialog. Your characters’ conversations should flow naturally and sound believable to readers. Avoid these common dialog doners:
Repeating Characters' Names
In real life, we rarely use someone's name in every sentence when talking to them. Only use a character's name when beginning a new exchange or for emphasis. Repeating names too often makes the dialog sound unnatural.
Overusing Exposition
Don't have characters explain things solely for the reader's benefit. Only include exposition that makes sense for the characters to actually say to each other. Find other creative ways to convey important backstory or worldbuilding details.
Forgetting Emotion
Dialog without emotional cues like facial expressions and body language can seem flat. Use emotive verbs and adverbs to show how the lines are delivered. For example, "she exclaimed" or "he muttered angrily." Also describe characters' physical reactions and behaviors to further bring the scene to life for readers.
Talking in Complete Sentences
Real conversations are often choppy, filled with interruptions, tangents, and imperfect grammar. Vary your sentence structure and length. Use fragments, run-ons, and breaks when appropriate. Not all dialog needs to be in perfectly punctuated full sentences.
Clichéd Phrases
Certain overused phrases like "it's quiet...too quiet" or "we've got company!" indicate lazy or clichéd writing. Come up with original ways for your characters to express themselves that fit with their unique personalities and situation. Avoid reusing trite or familiar sayings.
With practice, writing natural-sounding dialog will become second nature. Pay close attention to how real people speak, and aim to replicate the flow and cadence in your writing. Follow these tips, and your characters' conversations will truly come alive on the page!
Formatting Dialogue Correctly
When writing dialog, formatting it correctly is key to making it clear and compelling for readers. Here are some tips for formatting your dialogue effectively:
Use quotation marks
Place all dialogue between double quotation marks (“”). This indicates the character is speaking. For example:
“Hello,” she said. “How are you today?”
Start a new paragraph for each new speaker
Having each character's dialog on its own line makes it easy to follow who's talking. For example:
“Did you finish your homework?” Mom asked.
“I'm almost done,” I replied. “Just have some math problems left.”
Describe the speech
Use speech tags like "said", "asked", "replied" to indicate how the dialog was delivered. For example:
“I don't want to go to bed yet,” the little girl whined.
Punctuate properly
Place punctuation such as periods, commas, question marks, etc. within the quotation marks. For example:
“Where are you going?” she asked.
I said, “To the store. Do you need anything?”
Use beats
"Beats" are actions or descriptions that replace the "he/she said" tags. They make dialog more engaging and help set the scene. For example:
"I'm tired." John yawned and rubbed his eyes.
"Then go to sleep." Mary folded her arms, annoyance in her tone.
Avoid over-tagging
Don't tag every single line of dialog with "said" or the character's name. Let context and formatting do some of the work for you. For example:
"Did you talk to Mom today?"
"Yeah, she called this morning."
"What did she say?"
"That she'd be home in time for dinner."
Following these guidelines will make your dialogue clear, compelling, and help bring your story to life. Readers will appreciate dialog that flows naturally and is easy to follow.
Using Dialogue Tags Effectively
To write effective dialog, you need to master the use of dialog tags. Dialog tags are the parts of speech that indicate who is speaking, such as “he said” or “she asked”. When used properly, dialog tags can enhance your story without distracting the reader.
Choose tags that match the tone
Pick dialog tags that match the emotional tone of the dialog. For example, use “he whispered” for hushed speech or “she shouted” for loud, angry speech. Avoid reusing the same generic tags like “he said/she said” repeatedly, but don't get too creative either. Stick with simple verbs that imply the manner of speech.
Use action tags
Action tags describe a character's physical actions or expressions while speaking. For example, "“I’m not going,” he shook his head.” or ““What a day!” She ran her hands through her hair and sighed.” Action tags bring dialog to life and help the reader visualize the scene. They also give you an opportunity to reveal character details.
Drop the tag when implied
Once two characters establish a back-and-forth dialog, you can often drop the dialog tags altogether. As long as it's clear who is speaking, the tags become unnecessary. For example:
“Did you finish your homework?” Mom asked.
“Most of it,” I said.
“Most of it? What didn’t you finish?”
“Just some math problems. I’ll do them after dinner.”
“You’d better. I’m checking it tonight.”
After the first two lines, the reader understands that Mom and I are the speakers, so the remaining dialog does not need tags. Dropping implied tags creates a snappier feel and prevents repetitive, unnecessary tags.
Using a mix of well-placed dialog tags, action tags, and implied dialog, you can craft seamless conversations between characters that flow naturally, without distraction. Keep practicing and listening to real-world conversations for inspiration. With time, writing compelling dialog will become second nature.
FAQs About Writing Dialogue
When writing dialogue, questions inevitably come up. Here are some of the most frequently asked questions about crafting realistic and compelling dialogue.
Do I use quotation marks or italics?
In fiction writing, use quotation marks (“”) to denote direct speech. Only use italics for thoughts or emphasis. Quotation marks allow the reader to easily distinguish between dialog and narration.
How do I avoid “he said, she said”?
To prevent repetitive “he said/she said” tags, use action tags that describe the speaker's actions or expressions. For example:
“We should get out of here,” he whispered, glancing around nervously.
She slammed her fist on the table. “Why didn’t you tell me sooner?”
You can also drop the dialog tag altogether if the speaker is clearly identified through context or action. The dialog itself and how you structure the conversation can imply the tone.
How do I make dialogue sound natural?
Pay attention to the cadence and rhythm of actual conversations. Dialog should:
Sound like natural speech, not formal writing. Contractions are okay!
Have an easy back-and-forth flow. Keep responses concise and avoid monologs.
Capture unique speech patterns based on a character's background and personality.
Include interruptions, changes in subject, and imperfect grammar. We don't speak perfectly in real life!
What are the rules for punctuating dialog?
Use a comma between the dialogue tag and the dialog: “Hello,” she said.
If the dialog tag comes before the dialog, end it with a comma: She said, “Hello.”
If the dialogue is interrupted by a dialog tag, use commas to separate it from the tag: “Hello,” she said, “how are you?”
Use a period to end a sentence of dialog: “Hello.”
Use a question mark for a question: “How are you?” she asked.
Use an exclamation point for excitement or emphasis: “Wow!” he exclaimed.
Start a new paragraph each time the speaker changes.
Following these tips will have you crafting dialog like a pro in no time. Let me know if you have any other questions!
Additional Tips For Writing Dialogue
Keep it concise
When writing dialog, less is more. Keep exchanges brief and avoid long speeches. Readers will get bored quickly if characters drone on and on. Focus on using just enough dialog to convey key information or advance the scene.
Use natural language
Write dialog like people really speak. Use casual language, contractions, slang, and imperfect grammar. Drop words like “um”, “like”, and “you know” into conversations to make them sound authentic. Read your dialog aloud to ensure it flows naturally. If it sounds stilted or awkward when spoken, it will come across that way to readers as well.
Share emotions
Dialog should reveal characters’ emotions and attitudes. Have characters express feelings like excitement, frustration, fear or affection through their word choice, tone, and body language. For example, a character who sighs, rolls their eyes or speaks in a sarcastic tone conveys a very different emotion than one who smiles, makes eye contact and speaks enthusiastically.
Keep it relevant
All dialog should serve a purpose, whether to reveal something about a character, advance the plot or set a mood. Avoid “empty” exchanges that fill space but add no value. If a conversation seems pointless or dull, cut or rewrite it.
Use action and description
Don't rely solely on dialog to carry a scene. Include action and descriptions to give readers a more complete picture. For example:
"Where were you?" Anna asked.
Mark sighed and ran his fingers through his hair. "I got stuck at work. I'm really sorry."
The description of Mark's actions and appearance helps the reader understand his emotional state and see the full context of the conversation.
Leave room for interpretation
Don't have characters over-explain or outright state their feelings and motivations. Leave some details to the reader's imagination. For example, instead of:
"I'm angry that you lied to me," Amy said angrily.
Try:
Amy folded her arms and glared at him. "You lied to me."
The emotional context is clear without having to explicitly state Amy's anger. Subtlety and nuance in dialog make for a more engaging read.
Conclusion
So there you have it, the keys to mastering dialogue/dialog in your writing. I hope my extensive research was enough information for you all. Focus on listening to the voices around you, develop unique voices for your characters, keep your exchanges tight and impactful. Remember, dialog should always move the story forward, not just fill space on the page. With practice, writing compelling dialog can become second nature. Now go eavesdrop on conversations, study your favorite books and shows, and get to work crafting those conversations. Your characters and readers will thank you for it. Keep at it and before you know it, you'll be writing dialog with the best of them!
(Keep in mind I used both dialog and dialogue just in case there's a few who get annoyed with that.)
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five-rivers · 9 months
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Silly manga-esque idea that is now stuck in my head:
A kid saves a cat from dying. It shortly thereafter evolves that the cat was no ordinary cat, but a cat spirit. Grateful for the kid's help, the cat spirit gives them a gift: nine extra lives. But there's a catch! Every time the kid uses one of those lives, they gain a cat feature. Normally, this wouldn't be a problem. Childhood mortality is at an all time low, and it isn’t as if the kid is a big risk taker. There's another catch, though, related to why the cat spirit was slumming it in the mortal world to begin with. Yeah. There are people out to get the cat spirit. And since the kid holds part of the cat spirit's power... Well. They're after them, too.
Will they survive? Will they ever be able to get rid of their cat ears? Will they ever get the courage to talk to their love interest (who is secretly into this stuff)? Will they eventually turn into a cat entirely?
Who knows!
:3
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earako · 9 months
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Okay screw it another point form thingy
- Ballister has some traits that reflect his upbringing as a commoner in his certain area of the realm
- And both Ambrosius and Nimona love it
- Ambrosius didn't know Ballister had his ears pierced till he was dared to put on earrings in their early teens. Ballister just shrugged and popped them into his ear and didn't understand why his classmates were staring at him. [Apparently nobility didn't pierce their kids ears when they were babies]
- Also I'm giving Ballister sensitive ears. He may be a former street kid but his ears will never accept anything less than surgical steel/hypoallergenic/pure gold or silver [Ballister used to have gold earrings but he ended up selling them for food]
- okay wow that was a long rant on earrings-
-moving on: food as a love language! Ambrosius learned very quickly that Ballister used food as a means to communicate. After an argument or whenever they just didn't mesh well together Ambrosius would find a plate of cut up fruit on his bedside table followed by an apology from Ballister. [Funny enough, Ambrosius also likes to communicate via food, though he has a bit more sorta rules and stuff compared to Ballisters food as a love language]
- Ambrosius made the mistake of telling Ballister he liked a certain food once. So when he saw Nimona repeat his mistake he just said "Well I hope you're ready to eat that for the next month." Nimona didn't believe him. And was quickly proven wrong.
- When Ballister brought Nimona and Ambroaius to visit the area he grew up in Nimona asked him how many relatives he had. Ballister had to explain that he called family friends auntie/uncle/brother/sister out of respect. [Ambrosius also does the same, you know what fine, Ballister and Ambrosius share the Asian experience of calling everyone auntie/uncle/etc.]
- There is a very specific sound that'll get Ballister's attention in an instant. It's like a hiss but also tongue clicking kinda noise. Ambrosius accidentally copied it once and was confused when Ballister's head shot up, looking around confused before realizing Ambrosius made the noise
- Nimona learns about it and now makes the noise every time she wants Ballister's attention
- And back to the earring thing real quick but Ballister and Nimona going earring shopping together.
- Ballister and Ambrosius having traditional foods that look similar but are called different names. They'll playfully argue for hours calling each others dish the name of the dish in their respective home cultures. Nimona just rolls their eyes and eats half the pot so they'll stop.
- Lip pointing. The first time Ballister did it Ambrosius leaned in for a kiss. Poor guy-
- [this is just me projecting buut] sharpening pencils with a knife. Ambrosius gave Ballister a pencil sharpener but he likes the knife better [Screw it I'm giving Ballister a balisong-]
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You're right... It's very... Pretty...
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...
*Blinks rapidly*
Wow... That was really pretty to look at! I didn't know you dabbled in GIF creation. You're pretty good at it too!
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