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#string quartet
glassesfreekjr · 1 year
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FOR REAL THIS TIME
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The King Salmonid who all Fish Sticks aspire to be. The first Griller to surpass their mortal coils and ascend to a state far more... eldritch. A grotesque autonomous collective and yet a ruler in its own right. The aquatic roi des rats of the whirlpool's roil, whose name shall not be uttered. The worlds worst maypole by far, 0/10.
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And yet there are sea creatures far worse, and far scarier, out in the unknown depths... beyond the splendour of the tempest; the sandbank’s luring smile. Encircled by flopping hordes of mindless and amorphous dancers, lulled amidst the muffled, maddening beating of vile drums and the thin monotonous whine of accursed flutes.
Waiting for their moment.
(Rough concept art courtesy of @zenders-art)
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gasparodasalo · 26 days
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Franz Joseph Haydn (1732-1809) - Unfinished String Quartet in d-minor, Op. 103, I. Andante grazioso. Performed by L'Archibudelli on period instruments.
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eawai-osc · 1 year
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You can listen to my previous cover arrangements here: #my covers
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higherfriends · 25 days
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First string quartet out of a series I’m currently writing. Reflecting on life seasons, the nature of existence and love. 🎻🥀
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A lovely piece by Arnold Bax (1883-1953) - String Quartet in E Major, "Cathaleen-ni-Hoolihan" ·
Maggini Quartet
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cinnamonbunpuff · 5 months
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how a song changed my year.
achilles, achilles, achilles come down, won't you get up off, get up off the roof?
it's officially been one year since i first heard this song. it's kinda crazy how much can happen in that time, in reality and in mentality.
i still remember stumbling upon it. i'm sure i've seen it on my recommended in the past but this was the first time i really listened to it. it was late and i was sat on my bed, recovering from a cold. stressed over my barely-started application for some of the UC schools i never saw myself going to. i paused to take a little peruse through youtube, where i saw this performance. based on the song of achilles (a familiar name), and choreographed to achilles come down (an unfamiliar title).
i was drawn immediately in. not just by the smooth flow of the dancers portraying their characters, but by the power of the lyrics and how it affected what i was seeing of achilles, patroclus, and briseis.
and so i decided to look up the actual song and its lyrics, to see what they really were. and they were beautiful.
today of all days, see, how the most dangerous thing is to love,
this song, all seven minutes and two seconds of it, has seen me through so many monumental changes in my life. from growing positively mentally, to graduating high school and starting uni, to familial tensions.
how you will heal and you'll rise above, crowned by an overture bold and beyond,
it's honestly a wonder how i haven't grown bored or tired of it yet. and i think that's because every time i sit and really listen to it, there's always something new i'm discovering or interpreting, whether that be compositionally or lyrically.
to start, it was realising that the only instruments are strings - definitely a cello, and in all most likely a string quartet. as a violinist myself, i love hearing any use of strings in modern songs. having a whole song relying on the softness and dynamics of them though? that's gonna get me every time. how almost the entirety of the song is underlaid with the eighth notes of the cello, and throughout the verses the intermittence of the higher strings.
as i grew familiar with achilles come down, i discovered the power that all the lyrics held. there were a select few that drew my attention, from either how poetic they sounded, to how they seemed to mirror an aspect of my life that i didn't know could be put into words.
loathe the way they light candles in rome, but love the sweet air of the votives,
then there were the sections of spoken french. i thought that the addition of a second language in the song really added to it as a whole, but upon looking up (and attempting to translate what i could), i found that they added another level of melancholy. because what better way is there to make the song more emotional than including snippets of french philosophy about the value of life?
qu'on appelle une raison de vivre, est un même temps une excellent raison de mourir
through this year, i've found myself coming up with scenarios in my head, with this song playing in the background. mostly it's been with characters of my current hyperfixations, but i've found myself in these situations as well. it's definitely a reflection of who i see myself to be, but i hope it's also an envisioning to who i hope to be.
thank you to achilles come down for finding its way into my life. thank you for the past year, and i hope the next is just as exciting.
throw yourself into the unknown, with a pace and fury defiant
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blackswaneuroparedux · 11 months
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It must be a sign of talent that I do not give up, though I can get nobody to take an interest in my efforts.
- Fanny Mendelssohn
The Mendelssohns grew up making music together in Berlin at the beginning of the 19th century. Felix, younger by four years, became one of history's most brilliant composers. Fanny, a strong-willed pianist but worried about her worth as a composer, has been neglected. Still, as Felix's career soared and Fanny struggled to publish her pieces, the two remained close. Early on, Fanny helped Felix with structuring some of his pieces. Later, Felix was supportive of his sister but, like their father, discouraged her from actually publishing her music. Fanny wrote a String Quartet in E-flat major in 1834. Despite this and other than playing and conducting in salon settings, Fanny made just one public appearance, as soloist in her brother's First Piano Concerto at a benefit concert. Very little of her music was published in her lifetime, and much of it today remains privately owned.
Fanny died suddenly of a stroke at age 41, in 1847. She died in Berlin of complications from a stroke suffered while leading a rehearsal of a cantata by her brother Felix, "The First Walpurgis Night."
Felix was crushed. You can hear the pain he poured into the String Quartet No. 6 in F minor, completed in September of that year. Felix Mendelssohn's music is always a joy. He was an optimist by nature. But in this quartet you feel immediately that there's something strange. You will be shocked by music with so much power and drama, and violence. Indeed Felix referred to the quartet as his "Requiem for Fanny." He would die two months later, at 38, after a series of strokes. He was buried next to his sister in Berlin in 1847.
Composers can't fully develop their gifts without the freedom of ambition that fuels the required effort. Even Mozart took years to hit his stride. The notion that Fanny Mendelssohn could've become a major composer if she'd been free to pursue that goal isn't far-fetched at all. Indeed it’s tragedy her gifts were never allowed to see the light of day. I like to think Felix probably in part felt the same in not just losing a beloved sister but also a wonderful gifted composer.
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mikrokosmos · 4 months
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Franck - String Quartet in D Major (1890)
It's been a long time since I updated this blog with a new post. Too long. And to be honest it's been a tough year for me personally. I've gone through different kinds of losses and had lost enthusiasm for this hobby of writing about music. Today was a pretty rough day emotionally and, if I'm allowed to use cliches, music "saved" me. At least this quartet brought me back into a music mindset, and I don't write about Franck that often here. Main reason is that, despite his esteem as a major or great composer of the later 19th century, his reputation relies on a handful of works from much later in his life. This String Quartet was his last completed work and it shows the hallmarks of his self-realized style; very lyrical and melancholic, constantly modulating and flowing through a stream of tonality. He had completed this after studying quartets by Beethoven, Schubert, and Brahms. Especially from Schubert is where we get unexpected modulations. Ironically this last work was the first to get him praise during his lifetime. And as with his other major works, the quartet is cyclical, with themes from each movement returning in the finale. And I hope this music lifts your spirits as well to end off 2023
Movements:
Poco Lento, Allegro
Scherzo: Vivace
Larghetto
Finale: Allegro molto
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nofatclips · 6 months
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Waves by Naxatras (live with a String Quartet) from the EP Live in Athens. Recorded during the headlining show at Fuzz Club in Athens on 13.5.2022.
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ourpleouppy · 5 months
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Excuse me for being a fucking music nerd for a moment but I fucking love string quartets written in the last 150 years or so. Composers were just doing so much incredible shit with this ensemble, this form, the textures this group of instruments were capable of.
I know I'm totally biased as a viola player, but I really think the string quartet is one of the most expressive ensembles, it strips all of the bombast of larger ensembles away and shows what a composer can really do with limited (but flexible) resources. I feel like if you really want to know what a composer is about you first check out what they've written for ensembles of 3-5 players, and ideally the string quartet.
I really do think that the 20th century string quartet is just an incredible thing though. Stretching the rule slightly and reaching back to Dvorak's and Debussy's 1893 quartets, you then see composer after composer just writing the most sublime works for this ensemble: Ravel, Bartok, Janacek, Shostakovich of course, Haas, Kurtag, Schnittke...
I'm definitely missing some great composers and some great quartets (and dear god there's definitely a dearth of quartets from women composers on that list!) but these are the ones that I'm aware of that particularly resonate with me.
I just... god, I love string quartets.
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glassesfreekjr · 1 year
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The King Salmonid who all Fish Sticks aspire to be. The first Griller to surpass their mortal coils and ascend to a state far more... eldritch. A grotesque autonomous collective and yet a ruler in its own right. The aquatic rattenkönig of the whirlpools roil, whose name shall not be uttered. The worlds worst maypole by far, 0/10.
And yet there are creatures far worse, and far hairier, out in the unknown... waiting for their moment.
(Rough sketch courtesy of @zenders-art)
EDIT: The REAL, unabridged version is called "Rattenkönig Roulette" and will be posted tomorrow (+ additional sketches!) at the conclusion of this Splatfest.
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gasparodasalo · 3 months
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Charles Gounod (1818-93) - String Quartet "Petit Quatuor" in C-Major, CG. 561, IV. Finale: Allegro vivace. Performed by Quatuor Cambini-Paris on period instruments.
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thesobsister · 2 months
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Kronos Quartet, "The Funky Chicken"
The leadoff cut from their debut album. Which I'd never even heard of until last Friday. Very good, to start, plus it's the first branches of the musically ecumenical tree that the Kronos crew would grow over the last 50 years.
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jgthirlwell · 2 months
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02.15.24 Jack Quartet play a composition by one of it's members, Austin Wulliman, on the eve of the release of Austin's solo album The News From Utopia. At Roulette Intermedium NYC.
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Charles Koechlin (1867-1950) - String Quartet No. 1, Op. 51 (1911-1913)
Performed by the Ardeo Quartet
Movement One: Allegro moderato - 0:00 Movement Two: Scherzo - 6:50 Movement Three: Andante quasi adagio - 10:55 Movement Four: Final - 15:24
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tabney2023 · 1 year
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Surprising Orchestral Pop Music Covers in Shondaland's Queen Charlotte befitting its royal subject.
Alicia Keys’ If I Ain’t Got You covered by the Vitamin String Quartet
Beyoncé’s Halo covered by Brian Chan & Caleb Chan
Beyoncé’s Déjà Vu covered by Audiostation
Beyoncé’s Run the World covered by Brian Chan & Caleb Chan
Billy Eilish’s Gen Z banger covered by the Vitamin String Quartet
Madonna’s Material Girl covered by Kris Bowers
SZA’s Nobody Gets Me covered by Brian Chan & Caleb Chan
Whitney Houston’s I Will Always Love You—Vitamin String Quartet
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