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#superheores
goldenphoenix4 · 2 months
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PLEASE I FORGOT JACK DRESSED UP AS HOTCH BECAUSE HE’S A REAL SUPERHERO
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bats-and-the-birds · 2 months
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As a queer person who is relatively new to reading comics, the official DC Comics page for LGBTQ+ characters is my new favorite thing.
Not because it's good, no, not at all.
Because it's fucking insane.
You have normal entries, like Tim Drake, or Harley and Ivy, or Apollo and Midnighter, but they're sprinkled in between a whole lot of wild ones.
Here are a few of my favorites in no particular order:
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I already knew about these two because of the My Adventures with Superman TV show, but I like the way their entry is phrased.
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The page does note that Coagula is DC's first main continuity transgender character, but then has to also note that the first one overall is a sentient street.
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I know nothing about these characters, it just seems like a *lot* of drama happened here.
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Why was this established??? It's fun that it is, it just seems like a really specific thing to have established about a fictional city.
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Good for you, Eddie.
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This is my favorite because it, unlike *every other* entry, does not explain in what way this character is queer. The actual informational page for this character ALSO does not mention him being LGBTQ+ in any way.
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justsofiaaaa · 2 months
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First ever comic for a hero AU I’m working on! Super happy I finally got this done!
+Some close-ups w/out the background :)
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bloominh12 · 1 year
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Saw some people doing their own rendition of this panel so I said to myself yeah why not join and make one of it as well, it was such a sweet moment! idc
So here's my redraw for Tim Drake: Robin #3
Posting this wayyy later than I wanted to but it seems like today is Bernard's debut anniversary? so it all lines up perfectly i guess
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spiderstarki · 7 months
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• stony
Interesting training
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theskeptileptic · 6 months
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thing is, whether or not GoodDad!Bruce is canon doesn’t matter anymore. the people [me] yearn for it. what is brave about giving your heroes the fatal flaw of child abuse? what is brave about making them needlessly violent against the same characters they’re created to protect?
bravery is looking at the world’s expectation that even heroic men can have child abuse as a treat, and saying, f-that.
bravery is writing fatal flaws that harm your character without oppressing others. give Bruce self-doubt, sure. give Batman bad habits that stem from his trauma, okay. but quit giving him children only to pass on generational curses that will traumatize them way more than the Joker ever could.
you’re no longer writing Batman when you do that. you’re writing Odin and Zeus and God and all the other shitty fathers myths gave us because Patriarchy™️.
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psuedofolio · 1 year
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Big Lady (wip)
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lorenzonuti · 2 years
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Symbiote.
Fanart.
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superectojazzmage · 2 months
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X-Men works best, I feel, when writers understand on at least some level that it's really basically a cyberpunk/biopunk horror story that just happens to also be a superhero comic.
X-Men is the story of the world entering a new epoch where any random person on the street might randomly get superpowers - ranging everywhere from green hair to mind control - simply because they happened to win(?) a genetic lottery as part of a cosmic process programmed into humanity in ancient times by ineffable star gods. All around you are people who are ostensibly still people, but are also inhuman entities with alien powers who are gradually developing their own subculture that tells them they are the future dominant species destined to replace mankind. Many of them are just normal folks... but just as many see you the same way ancient homo sapiens saw neanderthals.
X-Men is the story of fear and hatred rising in the hearts of men in the face of that new epoch. Corrupt humans and mutants alike use bigotry and xenophobia to divide the two peoples, pushing them into a war not just for politics, but for evolution and the planet themselves. Mankind begins altering themselves and building machines of death to keep up with the mutants, in the process creating a third race of humanity; transhumans and robots, that in time come to be no different from the mutants, superpowered monsters of society's own making that see the humans as flatscan wastes of genes at best, oppressors to be destroyed at worst.
X-Men is the story of humanity fighting amidst themselves in their senseless darwinistic war while their world tumbles through a swirling universe of terrifying eldritch threats. Out in the stars and spiritual dimensions are alien empires once like us now advanced beyond comprehension, legions of magical wonders and nightmares in equal measure, lovecraftian machine hive minds that eat planets, demons that feast on our sin, cosmic entities that have as much in common with us as we do ants.
And above it all, X-Men is the story of how recognizing each other's humanity, of embracing love instead of hate, may be the only thing that ensures even a hope of survival in the face of the unimaginable, mind-breaking horror of a world entering a new era whether it's inhabitants like it or not... or perhaps, the only thing that decides whether or not we deserve to survive.
The best X-Men writers are the ones who recognize this. Chris Claremont, Johnathan Hickman, Grant Morrison, Kieron Gillen, etc.. The writers who recognize that there's something profoundly and utterly, existentially TERRIFYING about what the series really boils down to (a self-defeating war between mechanical and genetic evolution with normals caught in the middle that may be the extinction of all three races) and reflect that in the aesthetics and tone by emphasizing a cyberpunkish vibe.
Emphasizing that this is a world where people - willingly or not - alter their bodies like mechanics alter cars and any random person you see on the street might be a mutant or Sentinel or something that can kill you with a look, and that random person is probably hiding from something even worse that wants to kill them just for being born.
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darkphoenix180 · 6 months
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The new Blue Beetle movie was awesome! If you've seen it, let me know what you thought of it.
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sunnycanwrite · 4 months
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It's simply so easy to project chronic pain onto superheroes. So many opportunities. Works so well.
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delsin-r0we · 11 months
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Wonder Woman (New 52) + Covers [Issues #7 - #12]
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neutron669 · 4 months
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Acquaman by James Harren
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bloominh12 · 1 year
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Tim and Bernard my beloveds 🖤💛
Redraw of their cobo in Tim Drake: Robin #2
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aracspyder133 · 1 month
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Loonatics Rivals
These are some designs that I made some long time ago and lost, so I had to redo them from memory, I think they ended up looking better than the original The idea was to make characters that were not necessarily villains but more antagonists or rivals for the loonatics, even potential members of the team, not all of them would have powers, some would require their physical abilities and technology. Tory Russo could easily be an old friend of Lexy's who got superpowers and has a hard time controlling them (cryomancer) , she could also be a love interest for Duck, Pierre le pew would have some smell that influences people's emotions (perhaps a colony), and would be a good swordsman to rival Ace Peeny Pussycat (shadow cat) would be a professional thief who has a avanced tec suit that makes her invisible, she plays for her own side and can be both an ally and an enemy. Fox is perhaps the most original for not having a better-known counterpart to the Looney Tunes. I imagine her as a hacker, an expert in clandestine weapon technologies and a potential rival for tech. Finally Veloz Gonzales and Toro would be sporting rivals for Rev and Slam respectively, although honorable rivals, Veloz would have superspeed and Toro super strength and invulnerability
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baeddelzebub · 10 days
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On today's issue of Flux, my transgender supervillain story: :)
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