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#the 100 4x07
laufire · 1 month
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STACKED100 | march 22nd | “gimme shelter” Now that, that's a survivor's move. Bonus:
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bitchthefuck1 · 2 months
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Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.
Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.
It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.
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izloveshorses · 9 months
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this is SUCH a great scene damn
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okmcintyre · 2 years
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#TheBestofThe100: Pick Your Favourite - Dynamic 'Clarke and Murphy'
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peniscat · 11 months
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it's funny because some people were getting genuinely annoyed at those who thought the martini was a gerri reference but here comes jesse armstrong with a steel chair
jesse didn't just come with a steel chair, he beat people to death with it with the quasi-love of his life comment 💀
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float-me-now · 2 years
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Funny how Beth says to John "choose one of the 50 things (Jamie) has done that make him unfit for the office and then you remove his ass from the capitol" when Jamie did like 49 and a half of those things to cover up John's ungrateful ass and so he could incriminate John as well but oh well-
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juuuuunaaaaaooooo · 9 months
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So….Rio know that him and the girls are watch by SS. He finds a wire and thought Beth work with them, BUT….He asks her and trusts her for find a complete stranger to be a bank???? And also…Rio follows Beth everywhere, so he knew if it has a Fourth girl in the group…. Yeah, no….He knows and he plays…. Like all this scene scream….I KNOWWWWWWWWWWWWWWWW!!!!!!!!! Also…All the girls face and attitude scream LIEEEEEEEEEEEEEESSSSSSSSS AND GUILTYYYYYYYYYYYYYYYYYYY!!!!!
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frecklesandfanfics · 2 years
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I was catching up on RNM and holy shit, I thought they killed off Dallas. I about had a heart attack, it seemed so unceremonious!
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imminent-danger-came · 10 months
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SWK being so flawed is like one of LMK's strongest bits. I feel like a different show would just have him be infallible or have him be like a twist villain or irredeemable or something. But he's neither of those, he's just incredibly flawed. It's also interesting that even though Mei and Pigsy are critical of him, they're still shown to care about him.
All in all, hes a more complicated character than people give him credit for :/
I 100% agree!
Honestly, if Sun Wukong wasn't flawed I'd find him a bit boring. You remove his flaws and you remove the meat of his character. Even all the way back in season 1 you get the feeling he's withholding information and concealing his past ("Show me the real Sun Wukong! The old you would have leveled this whole mountain range to stop me!"), and that only becomes more and more prevalent as the show goes on.
Wukong is first introduced as a hero, as the King who defended the world from DBK. Next he's introduced as a mentor, planning to make MK his successor (which I think is pretty debatable at this point, as I've said I personally think he just needed an excuse to train MK).
Slowly we learn SWK is pretty terrible at both of those things. He's not the hero or mentor anyone thought he would be—he's not even the mentor he thought he would be:
Macaque: “Haha, you saw a story about a hero who got handed everything, who didn’t have to work for anything, and you thought you were the other guy? The second the hero got real power, he couldn’t care less about his friends.” [ - ] "You know, I meant what I said—you really are a good kid. A good kid, with a really terrible teacher." (2x07 Shadow Play)
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Pigsy: "Back from what? Your vacation? No- what could have been SO important you'd leave MK alone to face that- that thing! You're supposed to be his mentor!" (2x10 This is the End!)
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Sun Wukong: "I know I can never make it up to you. Honestly I- I never thought I'd live as long as I have let alone be someone's mentor—turns out I'm not very good at it. I guess what I'm trying to say is, I'm sorry MK, for all of it." (3x14 Destiny Fulfilled)
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(he's staring sadly at a bowl of soup, never a good sign.)
s1 of Monkie Kid, as well as the Revenge of the Spider Queen special, establish a baseline. We meet Wukong as we're meant to know him—the legendary yet cheeky hero. Now that he's retired, Monkey King is training the next generation to protect the world and be the heroes in his place.
Right?
Well, just like our perception of Wukong, our perception of the role of the hero slowly degrades as well:
Lady Bone Demon: “Heroes? Please, you’re mere agents of chaos, the very thing I aspire to eradicate in this new world. No more destruction, no more disorder, I WILL HAVE PERFECTION.” (3x12 The Corrupted King)
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Curse MK: "We’re just like Wukong. A fraud! A trickster! Destructive! Why would our legacy be any different? Actually, no no- the chaos and destruction we’ll bring upon the world will make Wukong’s past look like nothing." (4x07 Pitiful Creatures)
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MK: "That can't be true! Monkey King's a hero he wouldn't just—" Azure Lion: "You saw it with your own eyes! His betrayal, his brutality—he took the only friends I had from me." (4x08 The Brotherhood)
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Heroes aren't people fighting for the side of good, or even for what they think is right—they're agents of chaos. Destructive. "All doomed to play a role in tearing this world apart." Heroes are introduced as one thing, and then slowly revealed to be another.
Heroes, just like Wukong and anyone else, are flawed. They still make wrong choices. They still hurt people. Of course Wukong isn't a twist villain or irredeemable, because ultimately he IS a hero with plenty of the positive traits that come with that. But heroes are also flawed, and this is something I think is at the core of Lego Monkie Kid.
You can love someone, and that someone can do plenty of good, but that doesn't mean they're not broken, or that they aren't capable of causing suffering. This isn't something that only applies to Wukong either—pick any character and I'm sure you could apply this to them.
Now, all this to say that Wukong's two fatal flaws are his lack of communication and his self-sacrificial tendencies. Like Azure Lion says—he has a habit of keeping people at arms length, and more often than not doing that to protect them. These tendencies lead to his downfall.
So! Let's make some lists of where we see these flaws in the show.
Wukong's lack of Communication:
"Look, I'm going to come clean—um, I've been kind of watching you."
Leaving MK and lying to him during s2 (this includes lying about both going on vacation AND that LBD had returned)
Keeping his plan to stop LBD a secret during s3
"Where I got my staff!" "Got or took, right? You took it?"
Not telling the gang about the 4th ring
Other lies I'm sure have yet to be revealed (such as the truth about MK's origins, if that's the direction the plot's going)
Him and Macaque's past
Wukong's Self-sacrificial tendencies:
Leaving during s2 to find a way to stop LBD on his own
"What!? You're not going I'm going!" "Yeah so, here's the problem, you guys have this thing called mortality, so-"
Gravely injuring himself to get the samadhi fire Map
Blocking the brunt of the samadhi fire to protect MK in 3x10
Originally planning to put the Samadhi Fire in himself
Going off to fight the Lady Bone Demon alone
Protecting MK from the curse in 4x01
(and this post here that travels into theory territory)
Now, most, if not all, of these decisions lead to something bad happening. It's very in line with MK's words in 4x08:
MK: It doesn’t matter if I want to help people or not! Everything I do just- it just makes things worse!”
Wukong, even if he has a very questionable way of going about it, is truly motivated by protecting the people he cares about. However, these choices also hurt those same people. Not to reference samadhi fire Mei another time, but this is EXACTLY what she points out:
Mei: "We trusted you! All of us! How could you lead us into the fight without a real plan? Time and time again I've watched you put MK in danger leaving him to figure out EVERYTHING on his own. Don't you realize you're hurting the people who care about you the most?" (3x10 The Samadhi Fire)
But that's the point, isn't it? Even with all these flaws and after all these mistakes, Wukong still tries (he's very much like Mei in that regard):
Sun Wukong: “Point is, mistakes happen, but so long as you leave the world in better shape than you found it, then it’s all good. Right?” (4x01 Familiar Tales)
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Sun Wukong: “We can’t change who we were yesterday or in a past life, or a hundred life times ago! We live with the choices we’ve made, for what matter is the choices we make RIGHT NOW! Only we decide who we are and what we do with the power we have.” (4x07 Pitiful Creatures)
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This is who Wukong is. He's not a hero or a mentor, but he's someone who cares (and maybe that's what a hero is). That's the tragedy of his character, really. That's the tragedy of both him and MK. They're people doing the best with what they have, but still failing anyways.
"Nice hero speech bud, but I know better—deep in your hearts, you don't believe a word of that."
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But people still love you anyways.
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joshdonnas · 1 year
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“Nothing’s happening right now. By the end of the night, 100 million votes will be cast. Polls have been open in the East for six and a half hours. You know how many votes have been cast? One percent. Everybody votes after work. Not me, I vote first thing. The VNS exit polls are down in Michigan for a little while. And it’s raining in Oregon.”
JOSH LYMAN AND DONNA MOSS Election Night (4x07) ↭ The West Wing
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raayllum · 9 months
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since Finnegrin sorta took Aaravos’s place in the rayllum development this season, was wondering if you had any parallels between the two figures specifically? :D
Oh yeah, for sure!!
There's the way they both have this almost gentlemanly, still too sinister to be entirely pleasant but like... calmer outer demeanour? But something cruel and volatile lurking right underneath when they get pissed that will be brutally unleashed if you dare disobey in a way that offends or presents an obstacle to them.
There's their associations with keys and threes (three quasar diamonds, three main mage pawns, three glowtoads, three keys to Finnegrin's door) in addition to being a clearly more rare kind of elf compared to the rest. There's the way they don't actually tend to fight their own battles, per se, but instead use vessels/pawns - for Aaravos, it's his collection of mages, and for Finnegrin, it's Elmer. Ownership and control go hand in hand with both of them. As Finnegrin says, "The chains are just for show," which feels very indicative of Aaravos' whole "I could just possess any of the dark mages in my collection, but I choose to bolster and manipulate them instead" and their reliance on fear.
But the big one, and the reason why I say I can swap them, is that the core prediction I had regarding Callum-Aaravos-Rayla just came true with Finnegrin swapped in for Aaravos - because Finnegrin is pushing forward and developing similar kinds of dilemmas I imagined along the exact same thematic axis those predictions were built off of: control vs freedom tethered together by love.
To me, Callum having a Key of someone who's imprisoned (and its majority negative associations in arc 1, i.e. being the symbol of temptation and dark magic in Callum's fever dreams) as well as Callum's own associations with freedom (wings like Icarus, the sky arcanum, emphasis in lines of dialogue, etc) seemed like an obvious through line of Callum playing into Aaravos' future machinations and setting the Startouch elf free, for some reason (or at least, foreshadowing being unable to stop him). People doing terrible things for love was a smaller undercurrent in arc 1 (largely with Claudia for her family, and Harrow out of grief with Sarai) and Rayla was the reason Callum had the cube in the first place, at risk to herself, so all those things compounded into Callum, under coercion, doing something he deemed terrible but necessary in order to save Rayla being held hostage/captive, no matter the risk.
S4 just added to this in major ways (and S6 could bring it, wildly enough, wholly to fruition - although I could see the 'captive' part be replaced easily with a fatal wound), largely due to the scene between Callum and Rayla in 4x07:
C: I'm not afraid [Aaravos will] hurt me. I'm afraid that he'll use me, to do awful things, or hurt people I care about.
However, it was always very clear to me that if it came to doing an awful thing or saving his loved ones, Callum would 100% always choose doing the awful thing to save his loved ones. And everything Callum was scared of here due to the lack of freedom and autonomy are things that literally happened in 5x08 thanks to Finnegrin.
Callum frames his relationship with Aaravos as one that's an inherent loss of freedom/control: "When Aaravos possessed me, back at the Storm Spire, I felt so weak and out of control." This is also the level of identity, of someone being able to use his body and strip away his voice - "I was his puppet".
Finnegrin's conversations with Callum centre around a similar theme, but he makes the initial mistake in trying to motivate Callum with his own freedom: "Just one dark magic spell, and you go free." He ignores Callum's obvious signs of 'weakness' ( "Tell me where my friends are") by assuming Callum is interested mostly because he wants to be free: "They won't be springing to your rescue" even when that's hardly what he cares about.
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He identifies that Callum is deeply attached to his personal loyalties, but I can see Finnegrin thinking he's doing Callum some sort of twisted favour, in giving him the opportunity to sell out for his own freedom and leave his friends out to dry. (Love is weakness, after all. Shouldn't you want to prune yourself from weakness?)
The fact that Finnegrin is targeting Callum specifically because 1) Callum is a mage, 2) in relation to dark magic (when that was Aaravos' in, too) and 3) out of revenge (against an archdragon who's spared restricted him, and Aaravos wants revenge for his imprisonment & against the Startouch elves for also sparing but banishing/felling him) just furthers these thematic connotations between Finnegrin and Aaravos.
+ Bonus framing used to make it look like Callum is the one also in a cage, and a framing technique TDP has used before with always framing it so Claudia and Soren are the ones behind bars upon visiting their father in 3x03:
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Then, much like Aaravos, Finnegrin baits a defiant Callum into a test ("those who fail tests of love are simple animals") that he's doomed to lose. Finnegrin's control is immediately set up to be exerted over everyone, yes, but Rayla in particular:
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Because Finnegrin doesn't actually care about any of the other kids besides Callum. All he wants to do is break Callum's morale so that the boy will give up the information he needs, whether that's by trying to force Callum to pick someone to lose a hand (which the others remove as a coercive tactic) or by trying to get him to do dark magic again because as he says "You'll do anything for them."
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But this, of course, is a false pretense. A lie. If Callum had done it here (and the show seems to imply he would have, or was seriously considering it), all Finnegrin would've had to do was use his blood spell to incapacitate everyone else. This is also an interesting point of note in some ways too, because technically... the episode could've just ended here.
Think of it this way: the overall structure of the episode is to get Callum's back against the wall so he uses dark magic, and accepts that he would use it, so he can gain a deeper understanding of himself and access the Ocean arcanum, leading to him throwing off Finnegrin's ice spell. Right? That's the Plot structure stuff that had to happen. If that was all that they wanted, you could do it in these scenes. The main cast would know Callum had done dark magic, which is the major difference, but surely wouldn't hold it against him. Callum could've done dark magic to get their chains off, could've had an impromptu Ocean arcanum realization, and things could've played out exactly as they do in the final scenes of the episode.
The episode could end here, but it doesn't, because well...
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The writers chose to make him give up the information and do dark magic, specifically, to save Rayla. That's what they wanted. That's the relationship they chose to emphasize. Not the group dynamic, or one of the others (Soren or Ezran, mostly, as contenders), but for Rayla. Just like what I always expected Aaravos to prey upon too, even before and definitely after Callum and Rayla's talk in 4x07.
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But Finnegrin still miscalculates, still not quite understanding that this isn't enough to keep Callum under control. If anything it spurs him further into continually more violent, escalating action: punching Finnegrin, giving up the spell (control), and when both of those prove futile, using dark magic to free himself (freedom) so he can save Rayla (love). And all of these lead him to the ocean arcanum: "To love is simply to know this: the tides are true as the ocean is deep [...] the Ocean arcanum is accepting there are depths you can't see."
Callum already didn't like doing dark magic, but as he says, "I had to, to save my friend(s)" and now he knows what that cost him: the threat of hurting his loved ones because doing dark magic has let Aaravos possess him. And here, as indicated by the intro change being the Callum pawn one, Callum has played into Aaravos' hands - at least marginally. He's accepted this darker side of himself, his willingness to do anything for the people he loves (including keeping secrets and trying to be "strong alone") - the part of him that Aaravos has arguably known all along. Remember those Tests of Love? Yeah Callum just passed one.
By and large, Finnegrin is a smaller, less smart stand in for Aaravos in 5x08. Revenge driven, focused on control and coercion, unnecessarily cruel, and willing to do anything to get what he wants - forcing Callum into the corner and subsequent choices for the person he Loves, as I predicted. (And there will probably be future parallels between Callum and Elmer regarding being pawns and breaking free and identity, but again: post for another day.) The fact that Callum's had this identity arc running throughout S4 and S5 ("Oh, I know [high mage] is my formal title, but you can just call me by my regular name" -> "I don't know how to feel about Rayla either" -> "I'm afraid, Rayla. What if I'm a path of darkness? -> "I have to go after him" "I know" -> "A lot has changed, but not everything's changed. I would do anything for you" -> "I'm not a dark mage" -> ?) and Finnegrin says that seeing Rayla in danger makes him Lose Himself (and Rayla's been setup to also Find Him & break him free of the brainwashing)? Love is a weakness, too, Callum's weakness (and strength). Finnegrin knew it, and I expect Aaravos knows it too, and that we'll see both of sides of the strength-weakness dichotomy come to fruition. TDP loves reconciling its dualities after all.
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So yeah, we're in for a deep, wild, emotional ride.
TLDR; Finnegrin takes all of Aaravos' most direct thematic interplay (freedom, control, tests of love) with Callum from S4 and shores it up (pun intended) for the boy in S5, naturally pushing Callum further onto the "path of darkness" that Callum fears and Aaravos is relying on. After all:
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Let's see just how far that anything goes, shall we?
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laufire · 1 month
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one thing I love about that scene (among many others) is how emori really and knowingly played to clarke's weakness: her sense of entitlement, self-importance, and superiority.
emori: don't tell me you've never killed for revenge. clarke: *pauses like she has to think about it xD* *shakes her head* emori: well, then, I guess you're better than me, because I'm going to.
emori just overheard clarke being incredibly blasé about the idea of boiling a person for their dubiously successful scientific experiment. she disdainfully referred to it to murphy as "not even the scavengers would to me what your people are about to". she knows who she's talking to and how morally bankrupt she is, that's my point lol.
emori: I was cast out of my clan as an infant because of this. I was forced to steal to survive. Forced to kill. You were loved. Told you were special. I was thrown away like someone's garbage. You know nothing of my pain.
it's an emotional appeal where emori uses the real pain she feels regarding her origin, but instead of it being something like early-seasons raven & how her situation was used to make feel clarke more especial, here emori weaponises it and uses against clarke by reassuring her of her sense of superiority~~.
and the season ends with emori making it to space because she has someone in her corner willing to do the impossible to save her who was actually in a position to do it, and clarke being left for death (ft. plot armour) because unlike in 4x08, she doesn't.
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m3r1m4r5u333 · 6 days
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Btw I NEED TO ramble about the scene in which Buck comes out to Maddie and why it just makes me love her even more than I did before. Maddie is my freaking GOAT ❤️❤️❤️
Why? Well, because she already KNEW. She TOTALLY KNEW. And still pretended to be surprised!!
Why do I say she knew? Well. Because it's 100% canon that Buck rambles about his boy crushes, a lot. A LOT. To everyone!!!
I can't remember how much I've talked about this, but Buck totally had a crush on Albert at one point. There's an whole storyline about it, episodes 4x07 and 4x08.
Here's a recap of how it goes:
Buck goes on a date with Veronica. The date goes BADLY. It lasts for about 90 minutes and Buck leaves humiliated, never wanting to see her again.
Albert is Buck's room mate. Buck comes home, rants about the embarrassing date, announces that he never wants to see Veronica again... Goes to take out the trash, and runs across Veronica, realising that she's their neighbour, lives in the same building. Buck runs home and urgently tells Albert that they have to move!!
Then... Buck knocks on Veronica's door, trying to reconciliate. He does not want awkwardness between neighbours. They agree that the date was terrible, and then... Albert walks out of the shower in a towel.
Next... We see Buck and Taylor (she's a reporter) at work. They're watching a guy who's having a meltdown on a low roof. The emergency is taking forever, Taylor and Buck talk... Or rather.. Buck does!!
Not only does he rant about Albert and Veronica to Taylor, he also talks about them to a random first responder. Albert in a towel!!! has certainly left Buck reeling. It's super obvious that the one Buck actually fancies is Albert. The one date with Veronica was terrible, they definitely weren't ever in a relationship -- but Buck is sputtering about "breaking of bro code!!" and Albert in a towel?? Yeah.
They're not the only ones hearing about Albert. There's also a scene (can't recall which episode) where Chimney and Maddie enter a karaoke bar. Chimney says something about this being nice reprise because he's heard enough about Albert lately...
Anyway, back to Veronica/Buck/Albert/Taylor. Buck invites Taylor on a double date - without telling her it's a double date. Taylor arrives, takes in the queer love square she's been pulled into, very pointedly says that she's heard A LOT about Albert because Buck keeps talking about him... And then she's like "Actually I'm off, this is ridiculous.", and storms off (go queen 👑!)... (Then she and Buck reconciliate. Her capacity to forgive is unparalled, just saying.)
Anyway, back to WHY I LOVE MADDIE. (And Chimney!!!)
The crush on Albert isn't the only obvious boy crush Buck has, is it?
Eddie... The way they meet and Buck goes nuts trying to impress Eddie. The peacocking (mutual peacocking!!!!) is absolutely ridiculous. Chimney watches this mating display dance, shakes his head, rolls his eyes, chuckles to himself... Chimney can tell what's going on, for sure.
Then there's that famous scene in which Buck rambles about Eddie and Chris, is apparently elbows deep online researching for ways to help Eddie with Christopher... Maddie finally asks if the boy crush on Eddie means that Buck is over Abby.
... And there is of course also that scene where Buck assumes that when Maddie meets Chimney and says "he's so cute!", Maddie is talking about Eddie... Even though Maddie and Chimney are before line that seen talking and flirting like they're totally in their own bubble.
Anyway - then let's jump to season 7. Buck is rambling on and on about Eddie and Tommy, and how they've hit off. Apparently has for a good while. Buck is super bothered by their friendship, it's clear he's pressing Chris for intel, snooping around the Diaz home trying to find more information... Maddie listens to this absolutely ridiculous, clueless prattling. And she knows. She totally knows.
Buck is GLASS. He's absolutely transparent. This man isn't straight.
And she's not the only one who knows.
Chimney enters the room. Maddie looks at him "NO! Don't you dare say anything!!!" But Chimney can't resist indulging himself with some subtle teasing.
He jumps in, praising Tommy. "That Tommy's SO COOL 😍!!" Basically just adding fuel to the fire, getting under Buck's skin.
Maddie, in the background is making a face like:
"jdjdkkeke CHIMNEY 🤦 ...Ugh, thank you, darling. 🙄👌You've done it. I'll be here all day, listening to this absolutely brainless jealous meltdown. Fucking great!"
So...
Why won't they say anything, talk to Buck about how ridiculous he's being? Sit him down and spell:
YOU AREN'T STRAIGHT. YOUR BOY CRUSHES CAN BE SEEN FROM OUTER SPACE. Wake up!!
Well... Because they are being patient. Because they are being considerate, because they do not want to press him, because they're letting him take his time, figure it out at his own pace.
Because they know that confronting someone who isn't ready to face their queerness can go badly.
Forcing someone to confront their queerness can backlash, it can make that person retreat further inside the closet.
It can be embarrassing and traumatizing for the closeted person to be pressed about this inner conflict. The closet is a maze, it is scary, and confusing, and the denial can be powerful enough that the closeted person doesn't even have any idea that hey, I'm queer, I'm closeted.
So Maddie and Chimney are being sensitive. They see that Buck isn't ready to talk about his sexuality - he's obviously not even aware of it.
So Maddie and Chimney are giving him the time he needs to come to term with it. They may indulge in some gentle teasing, maybe try to give him the occasional hint to help him along, but mostly they're just waiting, listening, letting him be.
So!!!!
What about Maddie's (my GOAT, I love her ❤️) reaction to Buck coming out? Why did she pretend to be surprised by Buck's attraction to men?
Because she was being KIND. Considerate. Because she loves her brother and realises that this moment... It's not about her. It's about him. It's about the reaction Buck needs, to feel supported.
It's not the time to embarrass him. It's not the time to GLOAT about how smart she is, to have realised, ages ago, that Buck is clearly into into men, too.
She did see it coming, and because she is the BEST sister ever... She prepared. She researched this shit, how to react to someone's coming out in a positive way.
And if this is new to you - pay attention now...
Many queer people say this about their coming out;
It sucks if the person you're coming out goes "I KNEW IT! I CALLED IT! I SAW THIS COMING! YOU WERE SO OBVIOUS!!"
Because it totally belittles their struggle. It can be humiliating to learn that when you were scared, and stressed, and confused, and trying to hide your vulnerable underside... Someone was watching you, and thinking "Pffft. You're so freaking obvious. You're fooling nobody. Just come out already."
This gloating "I knew it" reaction isn't just bad because it makes you feel stupid, embarrassed, to learn that you were being transparent. It's like you have no privacy anymore. They saw your performance and gave it one star.
This "Oh I knew"... It makes you anxious because then you wonder... Who else already knows? Who else am I obvious to? What else am I obvious about?
Learning that they knew... It can be traumatizing. Embarrassing. Scary. Because nobody wants to learn that they're easy to read.
Maybe... you aren't ready to come out to everyone, and this reaction makes you terrified that you won't have the option to get ready, that they will realise what you're hiding, and force you to talk about it.
Because maybe... you're still freaked out abour people knowing you're queer. Maybe you fear people spotting it and lashing out.
Or maybe... You aren't afraid of a hateful reaction, but panic at the idea of even a supportive talk about your sexuality with someone. Sexuality is an universal taboo, talking about is awkward and stressful to almost everyone.
And also, when you come out and the person you told tells you they already knew, that your queerness was obvious, and they were expecting you to come out..?
It can be a shock in another way. Maybe your queerness was something you, at some point, were desperate to hide from others... And clearly, you failed that mission. What else are you failing to hide? Because everyone has something they're insecure about!!! Secrets, traumas, embarrassing moments, vulnerable parts. We all try to guard something.
So being told that your poker face sucks? It can make you feel totally paranoid. You think... Omg. I thought I was hiding this. I tried so hard to hide this.
But clearly I wasn't hiding. They saw right through me. Am I always so easy to read?
Do people know all my secrets, everything that makes me nervous and embarrassed, and scared? Do they just look at me and think "They're so dumb to put up that front, we can totally tell how you really think and feel."
Do people look at me and laugh? Do they joke about me behind my back?
And so on.
Basically, when someone comes out to you and you go "Thank god! ABOUT TIME!!"... You're being a prick.
They're opening up to you. They are being vulnerable. They are trusting you with something.
This moment... Your reaction is important. If you want to be a good ally, and support this person coming out to you.
Your job is to provide reassurance. Support. A listening ear. Your love.
Your job isn't to gloat, or dismiss their fears. Your job is not to induce panic, paranoia, or humiliate them by making them feel dumb.
They may be scared of your reaction. Respect that fear, however irrational it is. It doesn't matter if you're queer too, or think you're the best ally in the world, this moment can still be something they've been nervous about. Don't shit on it by smugly gloating about your excellent queerdar.
Yes, you can be honest, if they desperately want to know if you suspected anything. You can gently tell them that you saw some signs. But really, this moment isn't the time to humiliate them or freak them out. Be sensitive.
....
.... Oops sorry, got lost in the ramble 😅😅!!
Uh... Where was I? Yes.
Basically what I wanted to say with this post is that...
Maddie. Freaking. Buckley!!!! You are the love of my life, does not matter that you are fictional. You're my freaking GOAT anyway. I'm... weak.
Because her reaction to Buck's coming out?!!!
Jdjdjjdjdbndnd.
It actually makes me emotional. It was so perfect. It was so full of love!!!
Because yes, she totally knew, had known for years...
AND she kept that knowledge to herself!!!!
Because she'd seen Buck, the closet he was so lost inside in, and she loves Buck... So she wanted to be there for him.
And she knew that it's not easy to come to terms with one's queerness. That it can be tough and scary.
So she thought "What can I do to help? How can I do my best to support my queer brother?"...
And rolled up her sleeves. She researched this. She found out it's not helpful to press someone, that it's important to be patient. She looked up the experiences of queer people coming out. What is helpful! What isn't! She came up with a plan.
Yes, she totally did. I'm telling you, she fucking studied for this test. To make sure her reaction would be freaking perfect, and help Buck on this journey.
Because she did everything right. She realised that letting Buck know how obvious his bisexuality was to her... Might be detrimental to his well-being, and their relationship.
She understood that it wasn't important that she'd known.
That it wasn't her time to brag about how clever she was, to have seen this coming, but to be sensitive of this struggle, to respect this struggle.
So when the day finally came... She was surprised, yes, to realise Buck had been on a date with a man.
I mean, it came out of the blue, right? Buck had been so oblivious to his closet. She'd missed the moment Buck became aware of the closet, and immediately ran on a date.
She thought Buck was still in the dark, so him suddenly going on a date with a man never even entered her mind as an option.
Then she realised... OH. He IS there? He has figured this out. He's coming out to me, now?
Okay!!! Let's follow the game plan then.
Be sensitive. Don't act like you were totally expecting this day to come.
The identity of the date? That was the real surprise. I mean, just watch the previous scene in which Buck talks about Tommy and Eddie with her.
He does rant about Tommy, but c'mon... It's really Eddie's attention Buck craves.
It's basically a re-telling of Buck's love tangle with Veronica, Taylor and Albert. Buck told himself he wanted Veronica, and that's why it bothered him that Albert "broke the bro code".... In a towel! Except, the one who Buck wouldn't shut up about... Was Albert.
And Maddie sees that it's happening AGAIN. Wow... Her brother really has no idea WHO he is actually crushing on.
Okay, she thinks. Does not matter now! The coming out is the important part, so let's roll with it. Focus, Maddie! Get it right.
And she did. She was patient. She was supportive. She sae that Buck was trying to run from the topic of sexuality like it was a total nonevent that he'd been on a date with a man...
So she was like "Hey, let's just slow down a bit. Let's acknowledge this moment. I now know that you were on a date with a man. You don't need to continue this pronoun game.
Okay. Let's talk about it being a first date with a man, and what this step means to you. You can tell me."
Really, she was so lovely. She didn't gloat about already knowing, she didn't stress him out by being overly emotional - by acting like this was the biggest event to happen on Earth.
She calmed him down.
She made sure to let him know that this didn't scare her, or make her feel awkward.
That she wanted him to talk about this with her. That she was excited for him, and supportive, and wanted to know more, and that it was okay to date a man.
That she would want to know about Buck's relationships with men just like she'd wanted to know abour her relationships with women.
She let him know that she was there for him, ready to listen, and glad to hear he'd been on a date with a man.
That this didn't change a thing, that she would accept and welcome Buck's male partners just as she had always accepted the women he'd dated. The gender made no difference, she was fine with whoever Buck chose to date.
And she also made sure the mood didn't turn too heavy. She let him know that this was great news, something worth celebrating. That she was excited to see him enter this new chapter in his life, and experience new things.
And that she wanted to learn of it, she wanted him to share this new stuff, let her in his life. So tell me more about this hot pilot!
Jdjbdbdnndnd!!!
Really, she was fucking fantastic. This was such a lovely scene. I love Maddie, she's my favorite. I need a tissue, I'm crying.
Oh and also. It wasn't just great writing. The acting here just blew me away. I love them. So skilled, so lovely, so funny, so human. Brilliant, beautiful, both of them. Fucking impeccable.
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izloveshorses · 9 months
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"you can cook? you can read?" and "yeah he's a real catch 💀"
clarke pls ur so funny asjkhdfdgklhj 😭 🙈
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adrianfridge · 1 year
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Teen Wolf is a werewolf soap opera horror that gradually changes into a gritty horror thriller. And I’d like to explore that in terms of its campiness.
For me, the campiness is determined by the personality of the villain. I’m going to focus on their theoretical willingness to put on the most flamboyant outfits, but that’s merely an illustration of their vibes.
Season 1 has Peter and Kate, who, if we’re being honest, would both go on stage wearing just the most glitter, feathers, and wig to have an epic lip syncing battle. There would be surprise outfit reveals and at least one would do a split. It would go down in history. 10/10 perfection
Season 2 has Matt and Gerard. Matt would only reluctantly put on an outfit, and it’d be something spandex to emulate the superhero comics he reads. Meanwhile Gerard would be eating up the frenzy that Kate and Peter left behind. His outfit would be more grand than both of them combined. He only pretends he’s retired while being the Final Boss of Drag Race. 9/10 some hesitation to cheer for an incel but grandpa can work those high heels
Season 3A has Jennifer and Deucalion. Jennifer is gothic rock opera chic. She’ll flip her hair while singing soprano in an obsidian gown. And Deucalion? He’s gone mad from losing to Gerard at Drag Race, and now he’s back for a rematch, this time with a BDSM-kink themed outfit to display he’s gone darkside. 8/10 trying a little hard but I can get behind it
Season 3B is the Nogitsune. It’s here when the show begins to get more serious, which I think is the wrong lesson the writing room took from its popularity. The Nogitsune has multiple outfit changes. It is kabuki theater. It is a troll dressed as Stiles while wearing the most bombastic display of practical special effects. There’s a smoke machine running underneath the robe that lights up with each step while a soundtrack plays. 100/10 Megamind would be proud
Season 4 is a mixed bag. It promises a rematch of Peter and Kate, but it doesn’t do either of them justice. Instead they’re pushed to the sideline in favor of a more traditional thriller Benefactor arc. The one highlight is the episode 4x07, Weaponized, which has The Chemist bringing back the pizazz (highly recommended; the episode is practically a one shot with everything you love from the early seasons). 5/10 averages to meh
Seasons 5-6 are entirely dedicated to seriousness.
Season 5A is Theo and the Dread Doctors. Theo is like if you took Matt and then squeezed out any joy. He’d refuse to dress up because he’d feel it’s beneath him. Meanwhile the Dread Doctors, who are already in full Steampunk attire, are doing nothing with it. As stiff as mannequins. All business, no play. They’re just here to get the job done and leave. 3/10 but has the potential
In season 5B we get Valack and the Beast, aka Sebastien. Valack, whose power is to disguise himself as other people, is the type to hate costumes. He’s going to wear an accurate reproduction of a medical professional, and he’s going to be annoying about it. Sebastien tries to be camp but it comes off like a parent incorrectly using lingo to try to be hip around their child. No one wants to see it. 1/10 please stop
Season 6A has… a literal Nazi. And the Ghost Riders, who only know how to walk a cat walk. They’d make great supermodels if their job wasn’t to make people forget they exist. 0/10 I want my money back
Season 6B is just straight up trying to be an allegory for modern day political discourse. There’s also the Anuk-Ite, a creepy-pasta knock-off of the greatest hits. You can’t even look at it without being turned to stone. -100/10 I’d rather fight a muskrat on twatter
Ultimately, my point is you lose much of the dramatic flair after season 3B. For many people, such as myself, it’s a disservice to why I started the show. But for other people it’s a good turn since they prefer the gritty realness. It ends up being one of the many reasons for the split in fandom over the direction of the show. And I can bet money that the movie is going to suck all the glamor out of the Nogitsune in favor of the same sort of straight-laced horror the later seasons embodied. Which is to say some people will love it, and it’s not going to be me or Megamind.
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byrhop · 4 months
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Eyes are a window to the mind
We are all familiar with Will’s eyes getting darker in s2 when he was possessed, but I want to talk about how that correlates to Vecna’s and his victims’ eyes in s4. This theory could maybe even indicate that Max isn’t actually blind.
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I noticed a pattern in the show; eyes reflect the person’s state of mind or to say the lack of. Looking back at Henry’s monologue in 4x07 and 4x09 , I think they almost confirmed it. Let’s take a look at 3 different versions we’ve seen and what I think they could mean:
1. Henry/Vecna’s glazed eyes
I want to start by comparing Henry’s eyes when he first landed in the dimension x vs how they looked during the events of s4.
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We can see that one of his eyes was hurt, but the other looked perfectly normal. This changes later on where both of his eyes have this milky glaze over them. I think this wasn’t only for a scary effect, rather to show that he has full control over the hive mind. His mind isn’t only present in his body, it’s in the everything else around him as well. He controls the hive mind through the mind flayer (even if tfs opened the possibility that the mind flayer is still the big bad, Henry is currently pulling the strings and using the power, under influence or not). Which brings me to my second very well known example:
2. Will’s eyes getting darker when he was possessed
Henry’s eyes lost color by using his mind in more than one place, Will’s eyes gained color when having more than one mind in his body.
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His mind was poisoned by an unwanted intruder, that being the mind flayer, even if Henry was the one spying through the mind flayer to get information. Will was basically trapped inside of his own head, but we know by the tapping of the morse code that he was present. His hazel eyes turned into dark brown because he was a dormant for another evil being.
3. Max’s eyes in the finale and 4x04
This is a very interesting one and kinda confirms the other two. When Henry attacks his victims, he traps them between their minds and his own. We know this because Max was able to go from her mind into Henry’s in 4x04.
What I believe he does in the end is: he creates enough power to practically take their mind and trap it fully into his. Why I think this theory is correct? Henry’s monologue (obviously) and Max’s eyes.
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If you compare her 4x04 eyes and 4x09 eyes, they are drastically different, but I’m not 100% sure that is because he injured them. Remember Henry was stopped by El before he managed to do to Max’s eyes what he did to other victims’ eyes.
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Keep in mind, what he did to Max’s eyes he also did to El’s in the flashback. Her eyes are blank because she isn’t currently present, but Henry never got the chance to completely hurt them.
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Unfortunately, he still managed to fully connect to Max which created enough power to get her mind before El intervened. There was only a lil bit left which Henry took after she died. Max said: “I can’t feel or see anything” and that is because she was already trapped in Henry’s mind. That’s why color didn’t return to her eyes.
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Also why El couldn’t find her in the hospital scene. The difference between Max and other victims is that El revived her, so once they beat Vecna her mind will have a body to return to. If this theory is correct, I think she might not be blind, rather there is currently no soul in her body and a little reminder of the saying “A person’s eyes are a window to their soul”.
The conclusion
Eyes reflect your mind and I believe we’ve got enough proof for this to basically be true. I can totally see them going in this direction, but still seriously fck them for putting Max through this.
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