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#the aesthetic really works for me tho
haaam-guuuurl · 6 months
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Little Women Amy x Laurie Ballet Modern AU
The March sisters grew up tripping over dance bags and discarded ballet slippers. Piano music and counts of eight were the soundtrack of their childhoods, ever since Meg first joined the ballet class at their local dance studio, every sister following her soon after. Careful Meg, spirited Jo, delicate Beth, and artful Amy all found their place along that barre, different tempers and styles united by effort and a love of dance.
Ballet brought them closer, brought them friends - most notably Theodore Laurence, Jo's partner and best friend - and even brought them their futures. All of them incredibly talented and dedicated, it was no surprise when the four sisters each found their way in the world of ballet.
Meg surprised everyone when, though gifted enough to pursue a profissional dancing career, she settled into a teaching position at the studio they'd all attended, happy to instead pursue what had captured her heart from the very beginning. None shocked more than Jo, however, who got as far as being offered a contract from a prestigious ballet company, but turned it down and turned away from dancing all together, pivoting into academics and other passions, seeking to make her own mark in the world. Beth remained in the studio, but fell in love with the music instead of the steps, finding an inclination for the piano in the corner of the room, and a talent for it unmatched among her artistic possibilities. It was only the youngest, Amy, who'd dreamed of becoming a prima ballerina since first stepping foot in a ballet class, that followed those dreams all the way to her place at a professional ballet company.
Though they'd all loved it, Amy was the one who'd wanted it, wanted it all, had ambition for it beyond the passion. She didn't only want to dance - she wanted to be great. That ambition carried her through her apprenticeship, through the corps, through being one of many and feeling like she'd never be good enough to stand out, all the way through to one of the coveted soloist positions. At last, a chance to be seen, to be exceptional! A chance she wasn't going to give up that easily, not even when she was cast opposite Theodore Laurence for the company's production of Firebird.
Laurie had been the closest friend of the March sisters, once. And though he'd cared for them all, Jo was definitely his favorite. She was his partner, his best friend, his beloved. And when she'd abandoned dance, she'd left him too. He'd envisioned them working side by side forever, spending their lives together. But that wasn't what Jo saw. It wasn't what she wanted. Though they'd always fit together so well, they couldn't understand each other in this, not really. So, Jo went on, and Laurie did too, signing with the furthest company that would have him, determined to forget all about Jo, and about their childhood.
Amy and Laurie had not seen each other for years. They'd gone on to different companies, in different cities, and only now, by chance, did they find themselves in the same place, Amy just promoted, and Laurie just hired. Though she was still new and eager to prove herself, he'd been a soloist at his previous company for some time, had grown comfortable and complacent in his position. The two had been pleased to see each other again after so long, if not also surprised, and it could've been fair to assume they would've worked perfectly well together, if not for that difference in their careers and dispositions.
Dancing Katerina, Amy was working hard every day to be great, yet also constantly feeling the sting of second best. Laurie's attitude was no help, either. As Ivan, he had a principal role and every advantage and talent one could have, but he seemed intent on wasting it, going through the motions every rehearsal and putting in only the bare minimum in his performance. He had lost his passion for dancing, carrying on mostly out of habit and duty, but he hadn't felt the same ever since Jo left. And Amy, in his arms, couldn't help but feel like a poor substitute.
The pair had been friends for years, before. Even clashing during rehearsals, they did get along well now, managed to become closer than before and have fun together. But this wasn't something they could move past. Amy finally had enough of it. She couldn't bear to see Laurie waste it all like this, throw away everything he had, while she was fighting for every opportunity. He wouldn't work with her, and he wouldn't work for himself. She came very close to quitting the production.
Amy had always been powered by her ambitions, but deterred by the knowledge of how hard it was to succeed in this business. If there was something she couldn't get past, if this was the best she'd ever get, if she'd only reach second tier, only ever good enough, and never great, then what was the point?
Surprisingly, however, Laurie heard her. Amy made him see what he'd been avoiding for years. He knew what he was doing. He knew he was wrong. He just didn't want to face his own pain, didn't want to change, to grow up, to truly leave it behind. But he also knew he had to. If he wanted to keep going, he couldn't be dragged back by the past.
And then there was her. He and Amy had become so close through the course of rehearsals. She had been the one to wake him up, and to see there's a future beyond Jo, to make him start to love dancing again. He desperately didn't want her to quit the show, to quit him. He wanted to be there, to be better for her, wanted to dance with her, wanted to be the partner she deserved.
Laurie committed. He showed up, for Amy, every rehearsal and every show after that. More than that, he worked hard on it, not just for her, but because he'd begun to feel passionate about dancing again. And in his revival, he made Amy feel it too. Though she'd never abandon her dreams, seeing Laurie like this made her remember why she loved dancing in the first place. Not just to be a prima, not just to be great, but to be an artist.
The two of them, dancing together, managed to get past complacency, past ambition, past insecurities. They managed to dance, to create something beautiful, to fall in love with it all over again. They managed to fall in love.
Amy and Laurie made each other better. They inspired each other, captured one another's hearts. They danced together, and together they shined.
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lilywhisperer · 11 months
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So fucking pissed at people who say that hyperspecific labels “make the queer community look bad” or “is just pure attention seeking”, NO MF I JUST LIKE HAVING A NAME FOR THINGS I FEEL.
Like, my situation with gender is so fucking complicated that having a person coin something such as “dazegender” was so good to me, and I still have a complicated relationship with gender !! I’m so glad for whoever coined the term “Omnisexual/romantic” because it would've been a living nightmare to do mental gymnastics to feel like I fitted pan or bi.
“But those are spectrums” do people treat them as such ? Do they really ? Plus it's just difficult to my head to grasp the concept of “spectrum” it either is or is not, that's how my brain works personally. (My brain needs to be able to name things, basically. And also to know exactly what to do, if we're talking about chores, per say).
In today's generation so many people (me included) just find it SO HARD to put their feelings into words that it is genuinely a blessing to have labels that can label what we feel so precisely (to us, at least), “but you're overcomplicating something that should be simple” feelings are so far from being simple, honestly, and what is simple to you may not be to me, and that's okay, just don't call me attention seeking or whatever.
Also, also !! Hyperspecific labels/flags just make me (at least) feel more validated, since it makes it clear to me that I'm not alone in the way I feel and it kinda validates me (in a good way) :] And it's the Queer Community after all, so I think it's past the time we start actually acting like that.
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wildflowercryptid · 6 months
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a random thought that i've been pondering : do grimoire & sally keep any form of self defense on their person or are they just rawdogging these investigations with nothing to protect themselves with if worse comes to worst?
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1-800-got-junk · 2 years
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(the jackass crew’s signature “weird girl”)
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Shit. You do realize that this is supposed to be funny, right? Not mentally scarring?”
“what the hell are you talking about? that was fuckin’ hilarious”
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drbtinglecannon · 2 years
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Goddamn Alador's face here.
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He said he hasn't had a day off in 5 years and it fucking shows in his appearance & demeanor -- things that were chalked up to just be his personality but are maybe actually signs of his suffering -- but when you see Odalia threatening to really put the kids to manual labor the palpable fear on his face is devastating. (Like, her own kids!!!! It probably would've fallen mostly on Amity as she's the one skilled with abomination, but also probably would've resulted in forcing the twins to get abomination sigil sealed instead of studying any of their actual interests)
I feel bad hating him before, like yeah he was neglectful to the point of not talking to his kids prior to this pivotal moment of him finally standing up to her, but with this context revealed he probably hasn't really had a chance to talk to any of them since like... Amity's bday party where they forced her to ditch Willow, lest they become worked like cattle too. He's beaten down and mistreated but if he just shoulders it all himself at least the kids won't get too much of the overflow abuse, right?
Makes you wonder what his side of the bargain was to keep her from exploiting the kids, or how it got to that bargain to begin with. If the closeness they displayed back at Hexside was ever genuine, or if Odalia sought him out specifically thanks to Oracle magic and seeing a wealthy future and it was all some long con, or if maybe it was genuine at one point but then eventually over time it rotted from the core and suddenly Alador found himself locked into this nightmare.
This reveal alone really gives a lot of justification to all of Alador's previous behaviors, and thanks to King of all people he finally got to get out of dodge and save the kids in the process. Good for him. Happy divorce, dude
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mishkakagehishka · 1 year
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Idc anymore i think i'm a good enough writer that i can say that when i noticed the pattern in what exactly makes a book "good" on booktok (and, bc of that, what makes it popular and top bestseller lists), it feels almost demeaning and denigrating to the entire craft. Idk if i should blame the way tiktok-esque social media has utterly rotted everyone's ability to concentrate and read more than three sentences, but literally none of those books are objectively good.
(Yes, yes, art is subjective. HOWEVER. Art is subjective when you look at style, at themes, at motifs, at plots and characters. Art is still a craft, it still requires skill. I've seen beyond the tiktok quotes of these books. Not even their editors are good given the amount of typos/spelling mistakes. That is not something that you should find in a traditionally published book.)
You look at these books, and you know the only reason for their existence is to make money. I cannot and will not accept that as art.
(I'm on Tumblr, of course I have to explain every point. Artists who make money off their art =/= people who only create art meant to be profitable. There is a difference between an artist who hopes to monetise doing what they love, who creates what they wish to see more of and who happens to then create something that other people wish to see more of, and a person who looks at what's trending and decides that making an unholy frankenstein's monster of a book that mashes all those trending tropes and motifs together would get them rich quick. The fact that a lot of these booktok books become popular because of nepotism is just the cherry on top. It's soulless.)
And to finally say what I wanted to say, it's because none of these books have any deeper message or even artistic value to them. You will find a few out of context quotes or paragraphs, ones written specifically so they'd look deep and beautiful when taken out of context, so that people would post them, so that people would buy the books. Entire books written just so those few lines could become viral and make cash. It cannot even be compared to a hook line writers would post to get people interested in their works, because in booktok's case, those are the only lines of quality and in the context itself, they are often out of place and forced.
I just hate booktok, i hate what modern social media has done to art. It's all created to be quickly consumed, for the few ☆aesthetic☆ glances, and then discarded. Just to make more money for those who are already nepo babies. As if artists needed more obstacles to jump over.
#of course historically it's always been the same#people with free time to create (rich powerful) created#very rarely did you see someone from a humble bg make it as an artist#which is why killing maiming everyone saying Shakespeare was actually a rich guy btw#but like it makes me angry personally#before you call me just jealous - i don't have any wish to monetise my art#my career ambitions lie in a different field (tho adjacent i suppose since i'm a linguist)#i'm saying it makes me angry for other writers who want to make money doing what they love most#it's always been hard. you've always had to have connections or fight tooth and nail for a chance at being published#why? because of how SUBJECTIVE it is#but at least if your skills distinct you and if you bring a truly unique concept you'd have better chances#then modern social media rolled around and no longer can we just publish and disappear no no#WE have to market our works. on twitter on instagram on podcasts on the radio and tv it's up to the authors#i already found that demeaning enough as an introvert#but now it's not even that. publishers no longer look for unique and distinct#they found out booktok is the real cash cow. they look for colleen hoovers who publish fifty books a year#all of poor quality but with enough aesthetic lines that they can easily be marketed thru#the youth who uses AO3 tags and ''omg it's so girlboss!'' and ''it has representation! (not really it's always piss poor rep)'' to market#it to others. who take the same line over and over and go ''omg... this is so deep'' but the lines never look good in context
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pada55 · 2 months
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<3
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britneyshakespeare · 3 months
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i dont know where to scream about this but i honestly feel some sort of weird relief that r//nbow high is declining. i knoooow i know it's popular and they've been such high quality dolls and collectors have loved them and some(?) people like the web series (or do they? ive heard mixed things but ive never had any interest in watching it) but oh god. i just. sometimes it takes me awhile to appreciate modern doll lines and their aesthetics but i just could not get past their weird fish faces and in general i do not like monochrome styling themes. i realize their designers did so much with their concepts, i realize a lot of heart and effort went into them, and i completely understand why so many people were floored with the quality of the dolls and the rate at which they were being put out. even though the prices kept rising for them, you could at least see where your money was going, like they were always so well-constructed and doing new things. but like. at the end of the day. on a very basic level they were just never all that aesthetically pleasing to me and it was kind of maddening to see all that potential going towards a line of dolls that had just... like... facial proportions i could not get past lol.
#i wasn't super into the way theyd ape (or 'pay homage to') modern celebrity/designer fashions#but like i get it. that's a strong brand aesthetic. it's NOT something i really care for but yeah.#i guess if you were to compare it to like. lol omg dolls and the way they do so many celebrity homages#i think lol omg elevates it a bit more. im not a HUGE fan of lol omg but im like ok i DO get it.#even tho the faces are flatter and more dead-inside i actually think that makes it more forgivable and doll-like for me.#like. r//nbow high just hits some kind of undesirable middle for me between cartoony and stylized and realistically detailed.#also not everything's about 'quality' and fabric diversity and working zippers and pockets or whatever#i mean those things ARE nice but at the end of the day i just prefer imaginative designs. things should have a mix#not saying rh didnt have those things but. oh god. i just. i just did not like the dolls in themselves#the monochrome thing again i just cant do it. i heavily dislike monochrome doll designs and unnatural colored doll hair#not that it can never be done (the wild colorful hair) but for me it's gotta be done in a very specific way#it has to stand out rather than blend in i guess? idk im not a design expert i have no reason to be so snobby about this#tales from diana#dolls#rant#i actually think whatever they've been doing w their latest line. downgrading everything in 'quality' and making them seem like#they're appealing to a younger audience before and cheapening the production... i think it makes them look less weird to me#i still dont LIKE them but like theyre not off-putting to me. like to me they look no worse#this isn't to like mock anyone who ever really was into rh bc i know that was a lot of ppl. i get it#i just felt VERY alienated by how popular they were and how much lavish praise theyd get all the time#bc overall the end product just lacked smth for me. that i felt like other doll lines had. which was... cuteness#anyway dont take any of my mean opinions too much to heart. remember that i was a na na na surprise fan#i own four of those dolls. so take everything i say w a grain of salt#(i loved them when they were still fabric-bound ngl i thought that was such a cool brand choice... it saddens me theyre hard plastic now)
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aeide-thea · 2 years
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sometimes... the original state of an old clock and the OTT way somebody's repainted it can both be ugly, actually...
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mell0bee · 1 year
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perhaps i shouldnt say anything bc im not caught up but that imogen design..... hmmmm.
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what i'm thinking rn
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dear-kumari · 2 years
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It’s kinda odd to see ppl defend Legendary Disaster’s lion swap in 2022.  I get that there were interesting meta reasons behind it but like, we do all remember that “let’s have the paladins match their lions and then switch them all up to match their original 80s placements for the nostalgic appeal” was arguably the genesis for all the worst choices in VLD’s narrative and visual design, right
#Kumari comments#Kumari abuses the tagging system#No shade to people who liked the homage I just think it was an awkward decision that spiraled out into some disastrous storytelling#I guess having an in-universe explanation for the mismatched colors was a cute idea in theory but man did it not work in practice#From a purely aesthetic standpoint it was just plain Bad#and if it'd been planned out properly all the lion cockpits wouldn't have been flooded with a single color#Lance and Keith looked terribly out of place in Red and Black and there's really no getting around that#and all the post-swap discourse basically amounted to 'but when are they gonna swap back tho' bc the expectation to match had been planted#not to mention Everything that went into getting Shiro out of the picture#idk.#sometimes … homages … aren't worth it#If they'd just gone with the original colors/placements from the start and handwaved it as an 'Altean' quirk I could've respected that#it would've felt more like an attempt to respect the sentai tropes from GoLion and less like the producers trying to have it both ways#as-is I just get the impression that they didn't respect the source material /or/ the story they were supposedly trying to tell#It's a lot like the pedantic fuckery in those live-action makes of Disney animated classics ya know?#like 'we want to shamelessly capitalize on your nostalgia but we also need a Logical Reason for xyz fairytale trope'#but perhaps a smidge more earnest bc Voltron isn't/wasn't a huge cash cow on the level of a Disney film#idk. if we're entering a 'VLD was okay actually' era of discourse can someone give me a heads up so I can go scream into a pillow for while?#bc that's not something I wanna be around for
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isekyaaa · 1 year
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this is like. a fun question. the gala boots reminded me of my school's own booths during festivals and i was wondering which activity do you think you'll realisitically be good at? or not good at? if the booth activities were done irl, i think i'll probably flunk Haravatat's booth LOL. i'm so bad at riddles and puzzles. -- @milkstore
Aaaaaa I wish we had school festivals here. That sounds like really fun. ;A;
But realistically looking at this? I think I would be the best at Kshahrehwar (Project Connectivity) and Vahumana's (Antiquity Hunt) booths. Definitely, Ksahrehwar would be the easiest. With things like that, there are so many loopholes you can exploit to just make getting from beginning to end work. Although I kinda learned how to fight dirty from my dad HAHA. As for Vahumana's.... well, honestly academically speaking I absolutely hate history and politics LOL. But I do enjoy scavenger hunts like that.
As for the worst? I'm absolutely terrible at Rtawahist's (Gathering of the Stars) booth. I kid you not I'm just trying to randomly move the stars around to get things to hopefully match up. LOL Irl, I would be terrible at Amurta's (Mimetic Replication) booth because me and biology just don't get along. I am simply Not Observant enough to understand plant and animal behaviors. LOL
In the middle would be Spantamad (Concocted Reaction) and Haravatat's (In Truth's Steps) booths. I'm not much of a fighter, but if I were, I'd probably find the potions intriguing. Not to use, but to see how it works in other people. I'd like to know how they're made. But I don't think I'd be too bad at the fighting part either. And as for Haravatat... Well, I'm honestly terrible at riddles as well, but I do enjoy riddles and puzzles. Escape rooms are my favorite. So I'd hope I'd know what questions to ask haha. I think I'd just be average overall.
But what about you? Which would be your strengths and weaknesses? *eyeballs emoji*
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cloudsrust · 10 months
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At this point me swapping the outfits of a duo/ship I love is just a staple of when I really get into something.
It's always just so- either hella sweet or funny. Ultimate comfort type of fanart fr.
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a9saga · 10 months
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youtube
tbt - the gazette - bath room // i wish i were a hot goth doctor
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earl-grey-love · 2 years
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Continuing my talk abt Roy, he's the only f/o I have who gave me a new type. That type being characters who look like him but aren't him. I always develop a small crush on them in a kind of bracket sense. Like when you see someone who has traits of your crush/partner and it makes you all giddy.
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