Little Women Amy x Laurie Ballet Modern AU
The March sisters grew up tripping over dance bags and discarded ballet slippers. Piano music and counts of eight were the soundtrack of their childhoods, ever since Meg first joined the ballet class at their local dance studio, every sister following her soon after. Careful Meg, spirited Jo, delicate Beth, and artful Amy all found their place along that barre, different tempers and styles united by effort and a love of dance.
Ballet brought them closer, brought them friends - most notably Theodore Laurence, Jo's partner and best friend - and even brought them their futures. All of them incredibly talented and dedicated, it was no surprise when the four sisters each found their way in the world of ballet.
Meg surprised everyone when, though gifted enough to pursue a profissional dancing career, she settled into a teaching position at the studio they'd all attended, happy to instead pursue what had captured her heart from the very beginning. None shocked more than Jo, however, who got as far as being offered a contract from a prestigious ballet company, but turned it down and turned away from dancing all together, pivoting into academics and other passions, seeking to make her own mark in the world. Beth remained in the studio, but fell in love with the music instead of the steps, finding an inclination for the piano in the corner of the room, and a talent for it unmatched among her artistic possibilities. It was only the youngest, Amy, who'd dreamed of becoming a prima ballerina since first stepping foot in a ballet class, that followed those dreams all the way to her place at a professional ballet company.
Though they'd all loved it, Amy was the one who'd wanted it, wanted it all, had ambition for it beyond the passion. She didn't only want to dance - she wanted to be great. That ambition carried her through her apprenticeship, through the corps, through being one of many and feeling like she'd never be good enough to stand out, all the way through to one of the coveted soloist positions. At last, a chance to be seen, to be exceptional! A chance she wasn't going to give up that easily, not even when she was cast opposite Theodore Laurence for the company's production of Firebird.
Laurie had been the closest friend of the March sisters, once. And though he'd cared for them all, Jo was definitely his favorite. She was his partner, his best friend, his beloved. And when she'd abandoned dance, she'd left him too. He'd envisioned them working side by side forever, spending their lives together. But that wasn't what Jo saw. It wasn't what she wanted. Though they'd always fit together so well, they couldn't understand each other in this, not really. So, Jo went on, and Laurie did too, signing with the furthest company that would have him, determined to forget all about Jo, and about their childhood.
Amy and Laurie had not seen each other for years. They'd gone on to different companies, in different cities, and only now, by chance, did they find themselves in the same place, Amy just promoted, and Laurie just hired. Though she was still new and eager to prove herself, he'd been a soloist at his previous company for some time, had grown comfortable and complacent in his position. The two had been pleased to see each other again after so long, if not also surprised, and it could've been fair to assume they would've worked perfectly well together, if not for that difference in their careers and dispositions.
Dancing Katerina, Amy was working hard every day to be great, yet also constantly feeling the sting of second best. Laurie's attitude was no help, either. As Ivan, he had a principal role and every advantage and talent one could have, but he seemed intent on wasting it, going through the motions every rehearsal and putting in only the bare minimum in his performance. He had lost his passion for dancing, carrying on mostly out of habit and duty, but he hadn't felt the same ever since Jo left. And Amy, in his arms, couldn't help but feel like a poor substitute.
The pair had been friends for years, before. Even clashing during rehearsals, they did get along well now, managed to become closer than before and have fun together. But this wasn't something they could move past. Amy finally had enough of it. She couldn't bear to see Laurie waste it all like this, throw away everything he had, while she was fighting for every opportunity. He wouldn't work with her, and he wouldn't work for himself. She came very close to quitting the production.
Amy had always been powered by her ambitions, but deterred by the knowledge of how hard it was to succeed in this business. If there was something she couldn't get past, if this was the best she'd ever get, if she'd only reach second tier, only ever good enough, and never great, then what was the point?
Surprisingly, however, Laurie heard her. Amy made him see what he'd been avoiding for years. He knew what he was doing. He knew he was wrong. He just didn't want to face his own pain, didn't want to change, to grow up, to truly leave it behind. But he also knew he had to. If he wanted to keep going, he couldn't be dragged back by the past.
And then there was her. He and Amy had become so close through the course of rehearsals. She had been the one to wake him up, and to see there's a future beyond Jo, to make him start to love dancing again. He desperately didn't want her to quit the show, to quit him. He wanted to be there, to be better for her, wanted to dance with her, wanted to be the partner she deserved.
Laurie committed. He showed up, for Amy, every rehearsal and every show after that. More than that, he worked hard on it, not just for her, but because he'd begun to feel passionate about dancing again. And in his revival, he made Amy feel it too. Though she'd never abandon her dreams, seeing Laurie like this made her remember why she loved dancing in the first place. Not just to be a prima, not just to be great, but to be an artist.
The two of them, dancing together, managed to get past complacency, past ambition, past insecurities. They managed to dance, to create something beautiful, to fall in love with it all over again. They managed to fall in love.
Amy and Laurie made each other better. They inspired each other, captured one another's hearts. They danced together, and together they shined.
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So fucking pissed at people who say that hyperspecific labels “make the queer community look bad” or “is just pure attention seeking”, NO MF I JUST LIKE HAVING A NAME FOR THINGS I FEEL.
Like, my situation with gender is so fucking complicated that having a person coin something such as “dazegender” was so good to me, and I still have a complicated relationship with gender !! I’m so glad for whoever coined the term “Omnisexual/romantic” because it would've been a living nightmare to do mental gymnastics to feel like I fitted pan or bi.
“But those are spectrums” do people treat them as such ? Do they really ? Plus it's just difficult to my head to grasp the concept of “spectrum” it either is or is not, that's how my brain works personally. (My brain needs to be able to name things, basically. And also to know exactly what to do, if we're talking about chores, per say).
In today's generation so many people (me included) just find it SO HARD to put their feelings into words that it is genuinely a blessing to have labels that can label what we feel so precisely (to us, at least), “but you're overcomplicating something that should be simple” feelings are so far from being simple, honestly, and what is simple to you may not be to me, and that's okay, just don't call me attention seeking or whatever.
Also, also !! Hyperspecific labels/flags just make me (at least) feel more validated, since it makes it clear to me that I'm not alone in the way I feel and it kinda validates me (in a good way) :] And it's the Queer Community after all, so I think it's past the time we start actually acting like that.
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Idc anymore i think i'm a good enough writer that i can say that when i noticed the pattern in what exactly makes a book "good" on booktok (and, bc of that, what makes it popular and top bestseller lists), it feels almost demeaning and denigrating to the entire craft. Idk if i should blame the way tiktok-esque social media has utterly rotted everyone's ability to concentrate and read more than three sentences, but literally none of those books are objectively good.
(Yes, yes, art is subjective. HOWEVER. Art is subjective when you look at style, at themes, at motifs, at plots and characters. Art is still a craft, it still requires skill. I've seen beyond the tiktok quotes of these books. Not even their editors are good given the amount of typos/spelling mistakes. That is not something that you should find in a traditionally published book.)
You look at these books, and you know the only reason for their existence is to make money. I cannot and will not accept that as art.
(I'm on Tumblr, of course I have to explain every point. Artists who make money off their art =/= people who only create art meant to be profitable. There is a difference between an artist who hopes to monetise doing what they love, who creates what they wish to see more of and who happens to then create something that other people wish to see more of, and a person who looks at what's trending and decides that making an unholy frankenstein's monster of a book that mashes all those trending tropes and motifs together would get them rich quick. The fact that a lot of these booktok books become popular because of nepotism is just the cherry on top. It's soulless.)
And to finally say what I wanted to say, it's because none of these books have any deeper message or even artistic value to them. You will find a few out of context quotes or paragraphs, ones written specifically so they'd look deep and beautiful when taken out of context, so that people would post them, so that people would buy the books. Entire books written just so those few lines could become viral and make cash. It cannot even be compared to a hook line writers would post to get people interested in their works, because in booktok's case, those are the only lines of quality and in the context itself, they are often out of place and forced.
I just hate booktok, i hate what modern social media has done to art. It's all created to be quickly consumed, for the few ☆aesthetic☆ glances, and then discarded. Just to make more money for those who are already nepo babies. As if artists needed more obstacles to jump over.
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this is like. a fun question. the gala boots reminded me of my school's own booths during festivals and i was wondering which activity do you think you'll realisitically be good at? or not good at? if the booth activities were done irl, i think i'll probably flunk Haravatat's booth LOL. i'm so bad at riddles and puzzles. -- @milkstore
Aaaaaa I wish we had school festivals here. That sounds like really fun. ;A;
But realistically looking at this? I think I would be the best at Kshahrehwar (Project Connectivity) and Vahumana's (Antiquity Hunt) booths. Definitely, Ksahrehwar would be the easiest. With things like that, there are so many loopholes you can exploit to just make getting from beginning to end work. Although I kinda learned how to fight dirty from my dad HAHA. As for Vahumana's.... well, honestly academically speaking I absolutely hate history and politics LOL. But I do enjoy scavenger hunts like that.
As for the worst? I'm absolutely terrible at Rtawahist's (Gathering of the Stars) booth. I kid you not I'm just trying to randomly move the stars around to get things to hopefully match up. LOL Irl, I would be terrible at Amurta's (Mimetic Replication) booth because me and biology just don't get along. I am simply Not Observant enough to understand plant and animal behaviors. LOL
In the middle would be Spantamad (Concocted Reaction) and Haravatat's (In Truth's Steps) booths. I'm not much of a fighter, but if I were, I'd probably find the potions intriguing. Not to use, but to see how it works in other people. I'd like to know how they're made. But I don't think I'd be too bad at the fighting part either. And as for Haravatat... Well, I'm honestly terrible at riddles as well, but I do enjoy riddles and puzzles. Escape rooms are my favorite. So I'd hope I'd know what questions to ask haha. I think I'd just be average overall.
But what about you? Which would be your strengths and weaknesses? *eyeballs emoji*
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