rating: 10/10
song: blowin' in the wind
album: the freewheelin' bob dylan (1963)
artist: bob dylan
Originally published in the late May 1962 publication of Broadside Magazine, it is considered one of Dylan’s best compositions in his over 60-year career. Its iconic introductory line, “How many roads must a man walk down / Before you call him a man?”, has been sung by countless artists such as Stevie Wonder, Neil Young, and Mary Travers. This line can be interpreted in many different ways and contexts, but one way it can be interpreted is simply, how many experiences and how much life should a man have lived before he is considered an “adult”? Before he has the privileges that men have in our society? This can also be linked back to the Civil Rights Movement and how people of color, specifically Black people were not considered human and still are dehumanized to this day. The fact the tune is based off of an old slave protest song called “No More Auction Block for Me” emphasizes this idea even more. The next line I’d like to focus on is “Yes, and how many years can some people exist / Before they’re allowed to be free?”. Again, Dylan tackles slavery, and calls for the freedom of all oppressed individuals and groups. Dylan is clearly tired of white Americans and Europeans “deciding” when certain peoples are “allowed” to be free, and instead wishes that people who have existed for so long should finally just exist without prejudice. The next line of the song is also significant here; Dylan sings, “Yes, and how many times can a man turn his head / And pretend that he just doesn’t see?” -- and just a few lines later -- “Yes, and how many ears must one man have / Before he can hear people cry? [See Joan Baez’s “To Bobby”] / Yes, and how many deaths will it take ‘till he knows / That too many people have died?”. Here, he is actively calling out those who choose to ignore the oppressions that plague society. Within the context, it was likely written about the Vietnam war as Dylan was outwardly and adamantly anti-war in the early '60s, but can be interpreted to just about any atrocity in history. And finally, the refrain of the song; “The answer is blowin’ in the wind”. Dylan has said in reference to this song that people who choose to ignore the wars are the biggest criminals, and I believe here, he is saying that the answer is obvious, yet so many people actively ignore it. Obviously, from the very second one hears human suffering, their response should be to help, but so many stay neutral and act like they don’t have basic human decency or common sense. Neutrality is one of the biggest crimes in the eyes of 21-year-old Bob Dylan.
Lecture 6: Bob Dylan (a.k.a., Robert Allen Zimmerman), the towering giant of the folk revival, performs his legendary song “Blowin’ in the Wind” on television, 1963. The song originally appeared on his second studio album, The Freewheelin’ Bob Dylan (1963). It went on to become one of Dylan’s most beloved ballads, and was remade a number of times by such singers as Joan Baez, Stevie Wonder, and Peter, Paul and Mary. Dylan’s songs were anthems of a generation and reflected the idealism and the despair of the 1960s. Even today, Dylan remains one of the most important and influential American songwriters and musicians of all time.
There ain't too much I can say about this song except that the answer is blowing in the wind. It ain't in no book or movie or TV show or discussion group. Man, it's in the wind – and it's blowing in the wind. Too many of these hip people are telling me where the answer is but oh I won't believe that. I still say it's in the wind and just like a restless piece of paper it's got to come down some ... But the only trouble is that no one picks up the answer when it comes down so not too many people get to see and know ... and then it flies away. I still say that some of the biggest criminals are those that turn their heads away when they see wrong and know it's wrong. I'm only 21 years old and I know that there's been too many wars ... You people over 21, you're older and smarter.
bob dylan on "blowin' in the wind", sing out, june 1962
The early 60's remain an era to be discussed despite them being trapped in a certain set of platitudes and cliches way too many accept without any sort of problems at all. I understand the need for this, we like all of our pasts to be uncomplicated, though this can also lead to a weird standardization, where there shouldn't be any. For instance, Bob Dylan remains a walking contradiction, yet he continues to still be seen as what he supposedly was during the whole 60's. While I can agree he did cut a fine countercultural figure, do not forget he rebelled immensely over the label as he demolished such a persona during the latter part of the 60's. Thus, he does remind us of many important musicians in that way, i.e. what they did before defined them no matter what they did after.
Bob Dylan
The Freewheelin’ Bob Dylan
1963 Columbia
—————————————————
Tracks:
01. Blowin’ in the Wind
02. Girl from the North Country
03. Masters of War
04. Down the Highway
05. Bob Dylan’s Blues
06. A Hard Rain’s A-Gonna Fall
07. Don’t Think Twice, It’s All Right
08. Bob Dylan’s Dream
09. Oxford Town
10. Talking World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free
—————————————————