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#the letters about you
the-gayest-sky-kid · 4 months
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god i love my friends. shout out to people who love their friends. this is a post for friend lovers
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liorlen · 6 months
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gale origin playthru from astarion’s pov or smth like that
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astearisms · 7 months
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but it ain’t called love without a little tragedy 🍁
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loth-creatures · 1 year
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🏳️‍🌈BE GAY DO CRIMES 🏳️‍⚧️BE GAY DO CRIMES 🏳️‍🌈 BE G A Y DO CRIMES🏳️‍⚧️ FINALLY FINISHED YEEHAW 
MAY THE 4TH BE WITH YOU FUCKERS
NOW GO CAUSE SOME TROUBLE KARK SHIT UP LETS GOOOO
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theoldkyokodied · 1 month
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[Hi Dennis. How was the lion feeding?...?]
This has been something I've been working on for quite a while now, as some people who look at my insta story might know, but I'm finally done!! those text messages from s14ep5 are so unhinged, they haunt me every goddamn day. To drop "i love you so much" just to follow it with what essentially is a "no homo.. for u... even tho u r so hot and i like you so much!". exploading them with my mind into a million pieces, okay?
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ikayblythe · 3 months
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A new transliteration of the Rain World scripts
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An update to this. I am the original creator of that interpretation, and to be fair I'm a little tired of not getting proper credit for it.
The entirety of this was done by comparing the 'alphabets' to our own, and assigning phonetic values from there. The logographs were interpreted similarly, but with Mandarin 'etymology' instead. I wrote...quite a bit! About it! You can read the individual interpretations for each symbol in the doc below:
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voltaical-art · 4 months
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whadya mean he didnt tell you he loves you??? his eyes literally went soft when he looked ur way...
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rendevok · 10 months
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“Take my hand” pages 5-11
1 - day 2 - truth - 3
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kiashieart · 1 year
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you try to hide it. hidden it in plain sight. your heart on your sleeve, boiling over as it drives you forward
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celluloidbroomcloset · 5 months
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Just thinking about how Ed doesn't just put his arms around Stede; he holds him.
Just thinking about how Stede has probably not been held since he was a small child, if then.
Just thinking about how Stede was hiding alone in his cabin and thought he would be alone that night and Ed shows up with nothing but sympathy and concern. And how Ed cradles him and wraps his arms protectively around him and says he's wanted and desired, yes, and also that he's safe.
Just thinking about how Ed heard Stede say, "I'm here, you're safe, I'll never leave again," and how Ed himself is saying that now with his arms and his hands and his kiss.
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obsidianbit · 6 months
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I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans
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secretmellowblog · 6 months
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Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!
One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.
Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.
(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)
The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.
Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.
It’s politeness at gunpoint.
Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)
So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”
Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.
The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.
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beanghostprincess · 6 months
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luffy knowing a bit too much information about beetles and zoro being oddly good at math are concepts that make me extremely happy for no reason
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"White Lily Cookie Harem isn't real it can't hurt you."
White Lily Cookie Harem:
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Now that the Elder Fairy is finally in-game, even with Cotton-Sherbet treatment, I can finally post these silly sketches I did since Beast Yeast just released. I added Mercurial Knight recently lol.
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My existential crisis girl accidentally collected male-wife kings like collecting Pokemon wheezzzeeee
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drrav3nb · 10 months
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MARCUS & LUCA | THE BEAR SEASON TWO
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uncanny-tranny · 7 months
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It is my sincerest and unironic belief that we must invest in preserving "old technology." The more we move to a hegemonic, easily-surveilled way of living, the worse we will find this world to be.
Letters, public phones and transport, cash, and so much more are key to ensuring both freedom of movement and information, but also to combat the surveillance state. We need to preserve the ability to both access the world but also to be untraceable. I truly hope more people start to recognize this. It isn't about nostalgia for the past. It is about ensuring that we are actually afforded freedom, from the richest person to the person who lives on the sidewalk.
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