Yes, I watched the entirety of Queen Charlotte in one day. And yes, I am completely and irrevocably destroyed.
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i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us
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I need to write about how Jun Wu's belief that everyone has the capacity for evil, if you just push them hard enough, torment them long enough, is directly contradicted by the entire story of tgcf, which posits that, actually everyone has the capacity for good. The misogynistic womanizer, the depraved cannibal, the man dead set on revenge, the one filled with envious resentment, are all able to do the right thing when it comes down to it. In a way, doing good is a surrender, it's giving up, it's as easy as falling asleep. And it's so much easier than letting the evils of your past dog your heels for hundreds of years. Isn't it such a release to change? To not be stuck in your old ways?
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So like...Sam's Liminal. Definitely Liminal.
She's also very pretty.
Constantine's a little tipsy, but he's very, very sure he just accidentally sat next to a Fae at the bar.
Heavily influenced by certain lines in Inferno, buttttt
Sam's a very pretty young woman. Beautiful smile (with too sharp teeth), lovely eyes (but they're a little too wide, a little too bright), fantastic skin (unnaturally pale, suspiciously cold), and a very pretty face (perfectly symmetrical)-first glance anyone who leans towards women would get instant butterflies in the stomach.
But Constantine's been around danger enough to recognize those aren't butterflies.
That's fear.
There's a deep, instinctual fear that is telling him he has to run.
Just as he's about to leave, though, her hand rests itself on his arm.
"Leaving so soon, Hellblazer? And here I thought you'd want to take a look at this...interesting contract I found."
Ah. Shit.
He sits back down, next to the Unseelie Fae who, apparently, owns part of his soul.
Sam, for her part, just wants to scare the idiot straight so he'll stop making work for Danny. (Danny's days are almost nothing but fielding complaints about Constantine and he's so fucking close to hunting the man down himself).
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How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?
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i'm still processing everything and my mind is both all over the place and hyperfixated on that final scene.
but.
oliver said there have been crumbs throughout the show for years
oliver said this is how he has always seen buck
oliver said the fans weren't crazy for clocking buck as queer, because he himself saw it too
oliver said he had to pull back from fan interaction on social media because he wanted to validate our feelings so much but couldn't because those as*holes over at fox were holding him back
oliver said he planned on playing buck differently this season, leaning more towards bi buck and this was WITHOUT knowing what tim had planned
tim said there were studio execs back when who held all the cards basically confirming that fox refused to give them the green light for this story arc
tim said he's always viewed buck's love interests as flat and never moved the story forward
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"You've been hurting so much, and for so long… Please, let me soothe your pain."
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There was a scenario I had imagined in which Mario would suffer emotional trauma and keep it to himself to the point of becoming depressed, growing more distant and avoiding others as a result. He would so desperately want for his loved ones to be at peace that he would rather endure unbearable misery in silence than speak on it; not knowing just how tired he really is and how badly he needs to be comforted.
So when Peach would finally -and ever so gently- confront him on the matter, his walls would crumble almost immediately, and he would break down in front of her. Anguish and exhaustion slowly giving way to healing. ❤️🩹
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suzume was so good…it’s about abandoned places overwhelmed by the feeling of being abandoned, fit to bursting. it’s about remembering the people who once inhabited those places, remembering what those places once meant to them, and then letting go. it’s about the kindness of ordinary, everyday people. it’s about wanting to fight fate for the sake of loved ones. and most of all, it’s about a girl in love with a chair. in love with what it represents and the memories it holds, but also literally in love with it. what’s not to love
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