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#tortall
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no "other/see results" we die like men
note that I'm not talking about the best SERIES just your favorite CHARACTER
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If people are sad about The Wizard Facism game coming from someone you used to look up to and admire, may I suggest an author whose books are filled with nuanced characters and strong, dynamic women?
Tamora Pierce has been writing since the 80’s and has two worlds of magic and fantasy and bonus!!! Isn’t a transphobic POS.
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nonasuch · 4 months
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I’m not going anywhere with this but it’s a thought I had.
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rowandriftwood · 1 year
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In honor of 2023 being the 40th anniversary of Tamora Pierce’s Song of the Lioness quartet, these are the beloved and much-read paperbacks I bought with my allowance money in 1992, when I was 13.
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minuiko · 2 months
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Platonic soulmates :’)
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nightmaskart · 8 days
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Alanna the Lioness
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dr-dendritic-trees · 1 year
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I love that an intrinisic part of Page training in Tortall is waiting tables. Like, if you want to be a knight and truly understand the ways of Chivalry you must first experience... The Service Industry.
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First look at the 40th anniversary Alanna collection!
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enter-the-bogman · 1 year
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Reading through the Tortall books in publication order is funny because you start with Alanna “the village healing woman taught me all she knew” going off to become a knight, and end with Numair “world’s most powerful mage” as young Arram Draper first learning magic at the Carthaki university. Because of the 40 intervening years and five(?) different series further developing the Tortall universe, the magic system is now SO much more complex.  Arram is learning an elementally-based, heavily theory-dependent form of magic where conceptual power is applied to physical objects or energy constructs. His teachers make him develop skills in non-magical areas like juggling, jewelry making, and gardening so eventually they can safely guide him through complicated applications of magic. In comparison, Alanna complains that Duke Roger is spending too much time on theory in order to prevent her and her peers from learning “actual magic” and becoming his rivals. And then she throws purple light at things until they explode or she passes out! We also learn from Arram’s misadventures that most of “magic” is creating methods of applying, storing, and accessing power so the user doesn’t drain their own life force and pass out or die. Alanna uses NONE of these techniques; instead, she pulls her magic directly out of her own life force, thinks about what she wants it to do, and hopes she reaches that goal before draining herself. She even (sometimes) factors in the impact of magically draining herself of energy while attempting tasks that require both magical and physical endurance (such as when deciding how much magic to spend warming herself when making her blizzard hike to claim the Dominion Jewel.)
For one thing, this makes Alanna insanely powerful. In In the Hand of The Goddess, she breaks open Roger’s magically locked door (presumably designed by Roger himself-- an immensely strong and well-trained sorcerer) by shoving her own magic into it until it MELTS. This builds an Alanna who decided magical theory was useless at age 12 because she has an immense access to magical potential energy, and who never learns the basic life-preserving models of magic usage that are taught in intro-level classes. She doesn’t have an interest in learning more sophisticated forms of magic, except in healing, which she cared about enough to learn non-magically. So when she heals, she uses magic as a guide or a supplement, rather than depending on it and then draining herself.  Since she isn’t attempting complex magic, most of the time the limitations of drawing directly from her own life force doesn’t impact her that much. The things she does magically all have much more efficient alternatives, but they require an understanding of magical theory and ability to store energy that Alanna never learned! If she wants to do larger spells, she just keeps feeding energy into it until it breaks or she does. 
The intervening series and Numair’s story makes Alanna’s simultaneously more and less believable. It now makes sense why everyone with even a slight understanding of Alanna’s type of Gift gets angry at times and tells her she’s using magic irresponsibly. (Before, we only understood Alanna’s side of the argument: “Well, I didn’t die and it worked, so calm down.” !!!) The fact that she never actually dies and only rarely is seriously harmed through her own magic use now requires some suspension of disbelief!
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I FEEL SO STRONGLY ABOUT THE CHAMBER'S REACTION TO KEL OK
kel is the lump, a stone, the calm surface of a lake- but ONLY on the outside- ONLY to make dealing with people work better
the chamber hammers your weak spots trying to make you BREAK, but KEL, WENT TO THE CHAMBER, AGAIN AND AGAIN, she GREW AROUND it like a TREE
the day came when the chamber had it's chance- to strike her as HARD AS IT COULD
and
there was almost nothing left for it to even aim at
because kel had stuck HERSELF already, had BEEN hammering herself this whole time- had been TESTING herself every step of the way QUESTIONING HERSELF AND asking herself how she could be and do better next time
for the sake of those who need someone when no one sees them as people. for the sake of unwanted animals and overlooked humans- kel became her own ordeal
the chamber couldn't break Kel. SHE broke IT
so it had nothing to do, except make her an ordeal in the real world-
the nothing man, child killer, the promise she will stare evil in the face somewhere somehow, that tantalizing and USELESS knowledge burning her as she is given charge of convicts and refugees and not enough soldiers to defend them and her old desire to be like the Lioness, her inspiration, to go out there and STOP THIS SUFFERING FROM HAPPENNG HERSELF
the chamber jammed this thorn into her heart and THEN it chose to Watch Her out there
as she.... chose people. Again. chose care over glory. everyday duty over heroics. obscurity to wider world- but a friend to a small corner of the world that desperately needed someone to see them, fight for them, and not ever look away... or abandon them
the chamber saw that. it NAMED HER- didn't chose her- didn't make her- gave no gift other than pain to her
but it was glad, to have seen her
Protector. of the Small
gently burying dead sparrows and scoffing at such a silly name
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ladylingua · 1 year
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it just occurred to me how funny this is, like
when the terrified villagers showed up raving about mythical beasts, George was all willing to go along with it in terms of providing them shelter and food, but he had to draw the line at sending soldiers because he fundamentally did not believe them that a griffin had popped out of legend to attack their village (understandable)
and that just makes me picture a monty python-esque scene where like some village leader is like "IT WAS A MONSTROUS BEAST! IT HAD CLAWS LIKE SABERS! YOU HAVE TO SEND MEN" and George is just like "Mmm, mmm, yes, I hear you...but like, are we sure that maybe it wasn't just...a bird?" and the leader is like "IT HAD THE HAUNCHES OF A LION! THE HEAD OF AN EAGLE! IT WAS NO BIRD MY LORD!" and George was like "Like maybe a really big, kind of aggressive, scary bird though?" and the villagers were like "MY LORD, TWAS A GRIFFIN, YOU MUST SEND SOLDIERS!" and George was like "Yeah...no, I'm probably not gonna do that...but hey, how about we all go have a nice dinner, my treat, everyone get a good night's rest here...and then tomorrow when everyone is feeling more relaxed we can circle back on that bird idea again, see how it strikes you then."
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morphmaker · 7 days
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Protector of the Small x Redwall
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Okay so I just finished watching Damsel on Netflix (it was fine, solid hero movie), and is it just me or does Millie Bobby Brown's last look fit Alanna the Lioness perfectly or what?
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Like I just wish there were more than like three shots of it, because I would use the hell out of this fancast.
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minuiko · 23 days
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Scene from the end of Lady Knight - Kel digging her own grave 💀
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You can really tell when fantasy book art started to go downhill when people started bringing computers into it. I really miss the days of gorgeous, highly detailed hand-drawn cover art. When did stock images and barely detailed photos become mainstream for book art?
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