Tumgik
#totally not because he's played by David Tennant
Text
We are in a world where I (a French queer neurodivergent teenager (am I still a teenager?)) is watching an almost unknown Scottish show from the 90's.
All of that because of some actor.
172 notes · View notes
drzibs · 7 months
Text
its so funny to me, because i went into good omens a die-hard david tennant fan. like he’s my favorite doctor, ive watched most of broadchurch, hes like my emotional support bbc actor. and this is not me saying i love him any less, bc thats not true! hes a brilliant actor and a lovely human and is one of, if not, my most favorite actor of all time.
but mr. michael sheen…………. i have Words for you sir.
//all good words i am in awe of you my guy//
13 notes · View notes
ingravinoveritas · 2 years
Text
Posting by request: I’ve been asked by one of my followers to do an analysis of Georgia and Anna’s respective social media posts regarding the 2-year anniversary of Staged today. I’ll put some screenshots up so folks can see the posts if they haven’t already.
First, here is Georgia’s Twitter post:
Tumblr media
And then we have AL’s Insta story:
Tumblr media
Right off the bat, there were a few things that stood out to me. Both posts reference the show (of course), but Georgia specifically mentions the people involved (except for David, curiously) and tags them in her post. The focus, to me, seems to be more on “our,” on the fact that she was part of an ensemble and the team effort that was involved in making the show happen. AL’s post, by contrast, does not mention anyone, any member of the cast or crew, and is more focused on the show itself (as if it were just a credit on IMDb, for instance) rather than the people behind it.
What really caught my attention, however, is the choice of pictures in these two posts. I know Georgia’s is a QT, so she didn’t choose the picture that was used, as it was from the original tweet. But Georgia kept it at just the picture of Michael and David--she didn’t add any other pictures from Staged to her tweet, or post any in a separate tweet.
AL, again by sharp contrast, posted pictures of her and Michael, Georgia and David...but not one picture of just Michael and David. (As a note, I am operating under the assumption that AL made the photo collage chosen, but it certainly could have been made by someone else.) That being said, I thought this was peculiar for several reasons--one being that it makes her role look much bigger/more significant than it actually was--but also because, if you knew absolutely nothing about the show, you would have the impression that the plot of Staged is mainly centered around these two couples...except it’s not. So her post comes across as rather disingenuous to me because of that.
What makes this really interesting, though, is when we consider these posts in the larger context of whatever polyamorous arrangement is (probably, definitely) happening between Michael, David, and Georgia.
It’s become clear that, since the whole “other partner”/”other wife” thing started, AL has not been a part of it. She has never responded to any of the tweets Georgia or Michael have made, nor made jokes of her own, either on Twitter or Instagram. Not once. Nor has she ever publicly shared any opinion on this ongoing situation involving her own boyfriend that she is very much not a part of. So the absence of any picture in her post of Michael and David (who unarguably were the central focus of Staged, much to AL’s chagrin) is glaring, if not almost passive-aggressively deliberate.
It’s hard to think that there isn’t some reflection here of whatever is going on between the three/four of them, and what has been going on since both seasons of Staged came out. But what that is--and I think there is a lot more under the surface that we don’t know--and what we might learn about it in the days and weeks and months ahead remains to be seen. So we’ll see what happens... 
33 notes · View notes
procrastiel · 19 days
Text
My highlights from The Assembly:
Was John Taylor from Duran Duran your first ever crush? “Yes, he absolutely was.” Michael thought he was the most beautiful person he’d ever seen, man or woman. And he tried to imitate his hairdo (didn’t work out though, because Michael’s hair is really curly and John’s is straight).
He’s not brave enough to go on Strictly because he thinks he’s not a good dancer.
How does it feel to be dating someone that is only 5 years older than your daughter? “Both of us were quite surprised when we got together, it wasn’t something we were looking for. I haven’t dated anyone who is much younger than me but you meet who you meet. We were both very aware how people might respond, and that it would be difficult and challenging, but ultimately we felt that it was worth it, because of how we felt about each other. And now we have two beautiful children together. We’re really, really happy. I am aware that I am a much older father, and it does worry me, and makes me concerned, and makes me sad thinking about the time that I won’t have with them. But if you find someone who brings you happiness and you make them happy you gotta go for that. So that’s what we decided to do, and I’m so happy we did because we have this wonderful family now.”
The next question (asked by the same girl) was: Who is the rudest celebrity? “Have you heard of a man called David Tennant? He was Doctor Who. Doctor rude! No he’s very nice. Someone will occur to me and I’ll let you know. (pause) Jennifer Laurence was very cheeky! She is very cheeky.”
How tall are you? “I’d like to be 5”11 but I’m closer to 5”10.”
He likes Dylan Thomas, even though he doesn’t understand all of his poetry.
He cries probably every day. And it’s totally fine to feel things deeply and get emotional about things.
His favourite Disney film is Moana. And that’s Mabli’s favourite movie at the moment, too. She watches it about twice a day.
He’s worried that AI will take his job away, and that it will change everything, not just actors and writers. And that by the time we will want to put a stop to certain things it’ll be too late.
His favourite food is Egg and chips. Only enhanced by ham.
He loves going by train.
If he could replace 2 people of the royal family he’d take away Andrew & Camilla and replace them with Joe Lycett & David Attenborough. Or Tom Jones as the Prince of Wales!
If he could play the Doctor or the Master, he’d like to play the Master and play opposite David Tennant as the Doctor.
His biggest fear is being alone. And it’s also what he worries about the most for other people.
Hot or cold? He does like winter and snow. ❄️
Walk us through the before, during and after of the kiss with David Tennant: reading the script he thought “that’s gonna be a big deal”. They didn’t really talk about it and just went for it. Everyone was quite moved by the scene, all the people around them, so they knew it had gone quite well. And now they never talk about it. (He said that last bit with a smile.)
5 OF THE INTERVIEWERS SANG HERE COMES THE SUN FOR HIM AND EVERYONE JOINED IN AT THE END 😍 Michael had tears in his eyes
323 notes · View notes
khruschevshoe · 3 months
Text
How Behind-the Scenes Issues Affected the Writing of Doctor Who (Both Good and Bad)
Doctor Who is such a fascinating show to look at from a Watsonian v. Doylist perspective. Like, entirely just from an episode writing point of view:
Twice Upon A Time feels so slow and meandering and even boring in places because Chris Chibnall didn't want to start his run as showrunner and Steven Moffat didn't want the show to lose the coveted Christmas timeslot (ironic, I know) so he bumped the Twelfth Doctor's regeneration from the end of The Doctor Falls (where it makes sense) to the end of the Christmas special
Boom Town (my beloved) only exists because originally there was going to be an episode in its spot explaining that Rose had been molded to be the Doctor's perfect companion (by the Doctor, gross) and the writer didn't have the time to commit to the show
The ending of Last Christmas feels like one inside-a-dream too many because originally Jenna Coleman was questioning whether she was going to leave the show or not and the ending was rewritten after the first readthrough when she decided she wanted to stay for another season
The first five episodes of Season 7 feel like each one takes place in a different genre because that's literally how Steven Moffat pitched it to the writers; for example, A Town Called Mercy was literally pitched as "Doctor Who does a Western"
Not so much a weird one but one I find cool: Eleven's first words and Thirteen's first words were literally written by Moffat and Chibnall respectively, as they were brought in to write the first words of the first Doctors of their runs so as to make it cohesive
The reason why Fourteen isn't wearing Thirteen's clothes when he regenerates is because Jodie Whittaker is much shorter than David Tennant and Russell T. Davies didn't want it to look like he was making fun of the genderfluidity of the Doctor (still think he made the wrong decision, but eh)
Wilfred Mott isn't in the Runaway Bride and Donna's father isn't in Partners in Crime because the actor who played Donna's father, Howard Attfield, died after filming several scenes for Partners In Crime, leading to the character of "Stan Mott" from Voyage of the Damned being written into Partners In Crime as Donna's grandfather
Astrid Peth doesn't die in the original drafts of Voyage of the Damned, but Russell T. Davies wrote what is generally considered one of the most emotional deaths in Doctor Who just because he wanted Kylie Minogue to be able to focus on her music career
Originally Oxygen was written as a prequel to Mummy on the Orient Express, where a corporate representative appeared on a monitor. Said representative was fired for his fumbling of the station and would later live on as the company computer, Gus
During Season 11, Chris Chibnall had to do some major rewrites for many of the one-off episodes, therefore The Battle of Ranskoor Av Kolos ended up being a first draft that made it to screen. He later admitted it was his least favorite episode of the series
And this is only a fraction of what I found in terms of major behind-the-scenes writing reasons. Though I am still totally willing to critique the product that made it to our screens, finding out the reasons behind some of the more badly written episodes of the show really made me feel sympathy for every showrunner of the show as well as appreciate a lot of the good episodes that ended up here despite the short production schedule/unexpected problems (once again, Boom Town my beloved AND everyone's favorite companion Wilfred Mott only exist because of unforseen problems). Absolutely bonkers, isn't it?
380 notes · View notes
Text
pt XIV good omens season 2 (still not traumatic) episode 2
Here we go. It might not have been traumatic, but it has made me utterly in love with a fictional character. Great.
While everyone runs around between episode 1 and 2 to use the loo or fetch emotional support fruit, in preparation for my inevitable gay panic for Crowley, I eat an emotional support banana as the intro sequence plays.
I realise too late that bananas remind me of fellatio.
The episode begins. There are incoherent screams of BILDADDY through the chat. The phrase religious fervour and ecstasy comes to mind. I do not say it.
God and Satan are betting on a poor bloke so his goats and kids are going to be dead, Crowley has a permit to wreak havoc, Aziraphale is scandalised.
Gabriel's angel hair is very Lord Farquaad. Everyone agrees.
Jimbriel is determined to make his new dad proud, and rearranges all the books in alphabetical order of the first letter of the first sentence. Aziraphale struggles to compliment him.
CROWLEY LIVES IN THE BENTLEY. I'M READY TO RIP THROUGH REALITY'S FABRIC TO GIVE THAT IMMORTAL SOME LOVE AND AFFECTION. AND OF COURSE HE STILL KEEPS ALL HIS PLANTS AND HAS THEM IN THE BACK. @neil-gaiman WHY MUST YOU CAREFULLY CRAFT BEAUTY THAT BREAKS ME.
Anyway.
NO NOT ANYWAY I'M STILL RAGING BUT WE HAVE A SUMMARY TO DO AND I'M A FUCKING PROFESSIONAL GODDAMN IT.
Angels are assholes. Jimbriel is very supportive bookseller's son.
The shit-job subtlety attempt last episode was very powerful because TOGETHER THEY ARE STRONGER! *unicorn music*
Aziraphale strokes Crowley's chest. The fandom sobs.
Crowley suggests getting humans wet to make them 'vavoom' and the apple falls from my slack jaw mid bite.
Aziraphale and Crowley are shit at interpreting human media.
Job storyline. If I open my mouth I'll start scream-crying about how Crowley didn't even kill the goats. He had both heaven and hell's permission, orders from God and Satan, and he didn't even kill the goats. Anyway no we're not doing this now thanks.
Crowley introduces Aziraphale to food. Aziraphale goes ham on the ox rib while Crowley has a little spring awakening about his kinks. I eat my other emotional support banana in honour of the blowjob angles.
Crowley didn't even want to reveal that he'd saved the goats to Aziraphale even though Aziraphale was looking at him with betrayal, because it was for the goats and he wanted to-
Sorry. I'm so fucking normal about goats.
David Tennant and his son are having a HECK of a time.
All Crowley wanted to do was ask questions and christ if he isn't angelic who is he put goats' safety over his-
Bildaddy is the best cobbler and obstetrician. Gabriel is an idiot.
Back in actual time, Crowley gives up on Aziraphale mid-flashback and they saunter off to facilitate some lesbian romancing.
OUR BOOKSHOP. OUR CAR. PLENTY OF USE.
Boundaries, Aziraphale, please. Someone reminds us that the Bentley is all Crowley has left. I fill with preternatural RAGE again.
Aziraphale poor baby has a crisis over betraying heaven. Crowley comforts him even though Crowley fell so every defence of heaven is an attack to himself. I'm totally normal and start eating my emotional support kiwi.
Still eating my emotional support kiwi when the episode ends. Crowley says Aziraphale is too pure and angelic looking to be a demon which means that she doesn't see how pure and angelic she was while making the stars, she thinks she was marked in some way, imperfect. It is okay for her to fall, not Aziraphale.
Anyway yes summary all done.
BUT THE GOATS. CROWLEY DEFIED HEAVEN AND HELL FOR GOATS. AND-
END END THE SUMMARY NOW.
187 notes · View notes
consanguinitatum · 3 months
Text
A peek into my research database....
Hello fellow DT fans!
As most of my followers know, I research and write about a lot of David Tennant's rare and obscure work in all mediums, like audio, film/TV, short films, etc. (you can find my Substack for all of that writing here, or if you'd rather read it all on Tumblr, here's a link to my pinned post.)
But I would hope my followers also know my main research focus for the last almost-decade has been David's early Scottish theatre (c1980-c1994, before his move to London) for my glacially-bloody-slow podcast in development, A Tennantcy To Act.
In that vein, it's occurred to me my audience may not really grasp just how much theatre David's done. So I will try to highlight just how much by showing you the catalogued list of plays I have in my research database. You will see them below.
If you can't be bothered to count them, let me be of assistance: the total is 62.
Yes, you read that right. SIXTY-TWO.
Tumblr media Tumblr media Tumblr media
Now - whilst you sit with that amazing number for a bit - I want you to contemplate another number: 25.
TWENTY-FIVE.
And what does this number mean? Well, my friends, that's how many OTHER, as-of-yet unknown plays I've discovered David was involved with during his years in Scotland. I have THEM in this database, too, but I didn't reveal them in the photos I shared with you above because, well...they're to be revealed in my podcast!
What's more, I'm sure there are more plays I haven't found!
And that's why I've been researching all of these, and why I want to share my findings with a podcast. Twenty-five more incredible things David's done in his career that people deserve to know about.
As if he hasn't been busy ENOUGH!
61 notes · View notes
orionsangel86 · 5 months
Text
I find it so infinitely funny that the Doctor Who creators were like "well its inevitable that David Tennant will return again at some point so lets just make it easy for him" and wrote it so that 14 gets to go on and live a happy ending but still keep his own Tardis and have adventures if he wants to whilst knowing that The Doctor is still out there saving the universe like... part of me is so mad about it for being such an obvious way to keep David Tennant around because they know he's the golden nugget that boosts the ratings everytime (sorry but he is) but the other part of me is that David Tennant obsessed bitch who squeels with joy everytime he is on my screen and the thought that he may just come back to Doctor Who every now and again fills me with so much joy and has healed some of my trauma from having to say goodbye to him 15 years ago.
At the same time this is ridiculous and as wonderful as Ncuti was (he was seriously brilliant) there will be a subsection of Who fans just itching to see what David Tennant is up to and that makes me feel a bit sad for Ncuti and his Doctor.
I also feel a bit robbed of the emotional moment I was fully anticipating throughout the specials. I was fully expecting to have to watch DT regenerate again and relive some of the pain and sadness I felt saying goodbye to him 15 years ago, and honestly I was sort of looking forward to that because its rare that a show makes me feel that way about a character and DTs Doctor is one of very few that I do feel that way about. Part of me really WANTED to see that regeneration and feel those feelings again.
Also funny that there are now TWO former Doctors with David Tennants face out in the universe somewhere separate from The Doctor. The one with Donna, and the one with Rose. I always figured if DT returned he would play TenTwo. I was hoping at some point to see what became of them but this new canon makes that seem less likely idk.
So I am very split on my feelings over the 60th specials. I love them and am annoyed at the same time. I have already seen grumblings about David Tennant favouritism and well, yeah, I agree, its super blatant, but I also totally am on the side of David Tennant as he's the only Doctor I've ever loved and will continue to love so ¯\_(ツ)_/¯
I dunno. It was joyful. It was so joyful. I shouldnt complain. It means we could potentially see more of DT in DW again in the future and I will never complain about that. But I can recognise that this is an attempt to revise the popularity of a show that had long since passed its golden age by bringing back its golden boy and there is something a bit cheap and disengenuous about that if you pick at it too much.
So I'll leave it there. I loved it regardless. I am looking forward to 15s era and hope it can recapture my attention the way 11, 12, and 13 never could. But we shall see.
27 notes · View notes
thealogie · 2 months
Note
ThinkTom Hiddlesron is an amazing actor and I hope he gets to play Benedick one day but I honestly hope he doesn’t adopt a David Tennant approach because he’ll never live up to it (ofc It’s. unfair to hold anyone to David tennant’s standards of performing Shakespeare)
Like DTs and BCs hamlets were very different but there were similarities too in the way they were performed and BC also incorporated a similar type of quirkiness, madness and tried to bring fortha similar kind of humor to the role that as much as I tried to I couldn’t help myself at times from comparing the two. (Even beside this I had problems with his hamlet so it’s really an unfair comparison)
And yeah I’m aware DT is not the only performer who has performed Shakespeare in such a way but he is so iconic that once he’s done it you really should t attempt it
Tom can be a similar type of actor to DT on the quirkiness scale so I really hope he doesn’t start doing things like “love me… why?” Because he will never be as funny as DT
The power of David Tennant is that he has found a style of Shakespearean performance that he totally owns and no one else can do. To the point where anyone who walks out of one of his Shakespeares is like “wow I know it’s been said but the words have never felt as contemporary as when they come out of his mouth”
Hiddleston and Cumberbatch are both massively talented (sad that they were both a little bit or a lot victim of overexposure/too much popularity) but they just have a different and more classical style. I haven’t seen any Hiddleston stage performances but Cumberbatch was just a victim to a bad production of hamlet that he was very good in. Agree that he tried to bring in a quirkiness that doesn’t suit him as well as it does DT but like he was really a victim to that production more than anything.
18 notes · View notes
variousqueerthings · 7 months
Text
some things about s2 doctor who confidential + david tennant's video diary
mvp of season 2 goes to nicholas briggs for voicing all the daleks and cybermen (as he did in s1 and continued until today -- also judoon, jagrafess, zygons, nestene consciousness, ice warriors)
also at this point need to shout out to everyone who got stuffed inside a robot suit -- first actually to the guy who played the ann-droid back in s1, but my goodness did the cybermen do a lot of fun background choreography work to become uniform, led by a very small delightful movement teacher
david tennant fangirling over elizabeth sladen. david tennant fangirling over anthony head. david tennant fangirling over K9. david tennant fangirli-
goooosh the whole bits about the last couple of episodes -- the emotions everyone's going through, especially with regards to billie piper of course. quite happy they cut almost immediately post-filming the goodbye scene, because I heard she wasn't doing too great for a bit, and yeah, that performance was Intense. would have liked to have heard some final words on her part on the experience of doctor who, but that's me wanting more billie
last actual filmed episode was satan pit and the last two scenes filmed was the doctor and rose reuniting in the TARDIS and then "who are you?" "oh... the stuff of legends." -- followed by "that's a wrap" and billie and david immediately hugging each other very very hard :(((
ofc I also heard the rtd let her know early on that she was coming back for s4
very sweet to see the david tennant video diary for season 2 and him being a tad nervous about how people will feel about his portrayal -- flash forward 17 years and....
julie gardner talking about first meeting to develop torchwood, and how she right off the bat went, "right, the things we need to establish is how much violence and nudity we're going to do" because it was totally untrod ground until now
28 notes · View notes
panelshowsource · 6 months
Text
Tumblr media
this was my first time seeing tim and also getting a chance to say a brief hello! (though, i’m not particularly keen on meeting celebs or comedians and rarely take the opportunity, tim just seemed so approachable and that "this really could be my only chance ever" feeling hit hard, so i did it!; that said, i am incredibly disappointed having missed richard osman's book signing last month, but now i’m digressing…) he seemed so, so chuffed at the show being sold out and people being so happy to see him, it made my heart happy 🥹 and, yes, totally polite! (and quite hairy?) i said this before, but one of the best things about nyc shows is watching artists brim with pride — nyc brings out the 15-year-old dreamer in them that they used to be, you can see the "holy shit i really did it" in their eyes... never gets old!!
Tumblr media
(this is a follow-up to a question about which 3 comedians i’d want to have dinner with!)
i think people would typically approach this question one of two ways: you want to meet the people you really, really love no matter what or you want to meet the people you really, really want to know more about. those two things can overlap, but sometimes a person you adore has already shared so much, written so many books, created so much, done so many interviews and answered so many questions that you might feel it's a greater privilege to see behind the door of a fiercely private person instead, if forced to choose. stephen fry and simon amstell are great examples of people i've loved so long, respect so much, find endlessly funny and interesting and inspiring — but they've been so generous with their lives and thoughts that there are other comedians & writers i'd never know 1/100th as well even after a three-hour dinner and their undivided attention, and i may selfishly, desperately want to. i say "may" because i don't really blame anyone who would prefer to live in ignorance about their favourite comedians & writers and just enjoy them through their work. sometimes i think that's how i feel about victoria; she's so witty and so smart and represents so much of what i respect about women in her industry that i love her to bits, but because her opinions can be so strong and even acerbic i'm intimidated by the reality that we may clash in some of our ways of thinking — and, selfishly, i don't necessarily want to face that. anyways—
if we were having dinner all of us together, i think it'd be nice to pick 3 people who are friends and would have a lot to talk about amongst themselves — since i'd mostly be there as a voyeur, or to ask a question to spurn on more stories. there are also comedians i'd pick in this scenario because they'd do much better amongst their own kind than a one on one with a normie...
do you ever regret asking me these kinds of questions bc my answers are always so long and qualified and boring like i type this shit out thinking "who would ever read all this or care even half as much just list the fucking comedians" im so sorry for who i am
...like, really, someone like alex horne...he'll be much better in a group, with his friends to play off of...but fock he's kinda hard to fit in with my other faves...
OKAY
i think for a group dinner i'd enjoy so much seeing catherine tate, lee mack, and david tennant. how epic would be that? the oldest of friends, who used to be in a group on the circuit as kids, and the long-time colleagues and icons, who have ruled tv culture with their talent and their charisma; three open, warm people, all legends in their own rights, with endless stories, who may not otherwise show lower-key sides of themselves. i'd sit at that table forever, i think, learning about the comedy scene, the acting scene, television and movies, how the industry circles have overlapped and evolved and helped and hurt. i could sit at that table forever, i think.
as for one on one dinners, it's too difficult not to say david mitchell (is that so predictable ╥﹏╥ ), who is someone who feels close but far; i think — apart from his love of history — he's offered many more scratched surfaces than deep dives, and i deeply appreciate the spectrum of his career and interests. i couldn't keep him too long because i don't think he appreciates going on and on about himself, and i'm sure i couldn't be too interesting, but man what an experience that would be no matter if it was just a short tea! otherwise, i would say sean lock and...as a kind of wild card...richard osman. i think a lot of people will relate to sean, just wanting to see him again, just wanting a moment of his humanity, his great balance between accepting the harsh and coping what we can. richard is a strikingly fascinating person — the younger brother of a famous rockstar and a massive comedy nerd who went on to become one of the richest comedy tv producers and now a crime author? talk about containing multitudes. he's been around for so long but really hasn't given much of himself away — i'm so curious about his life! and he seems such a polite, gentle, intelligent, insightful person, i think the conversation would just be so enlightening!
as you can imagine i have about 15 other people i'd be dying dying dying to have dinner with but i stuck with the prompt!!! sorry i was so word vomit about it >.<
Tumblr media
the thing is julian has 0% dad energy — what he has is INTENSE rich childfree aunt energy. she’s gonna come around for dinner once in a while and wear that fake smile around the kids that makes it very obvious she’s not into them but is happy for you and talk about her recent trip to paris and after about two hours she has to leave 1) to go to the theatre but mostly 2) for her own sanity. as for lucy and sam, i saw an amazing exchange (i think on tiktok?? idr) discussing the quite serious difference at the foundations of james acaster’s and sam campbell’s comedy, since they’re being often erroneously compared, and someone made a point that went more or less like this: “the basis of james’ comedy is the fact he is a deeply angry, self-loathing and mentally ill person. sam is just a toddler who has had way too many lollipops.” and…that’s it. older sister lucy and younger brother sam have had too many lollies — you can even find some in their hair 🍭🍭
Tumblr media
well you know what i watched an episode of pointless where THIS FUCKING CLUE got 86!!!!!!!!!! 14 people didn’t get sheep!!!!!!!!!!!!!! so frankly i don’t trust this audience anyways!!!!
Tumblr media
hahaha no i just threw it together for that ask post that’s why it’s so sloppy 😂 you can use it if you want!
BONK
Tumblr media Tumblr media
aw anon that's so nice! like i said, someone else made that action and i would love to know who (well, i know their name is ana, but have never found their blog in all these years) — the whole community is built on sharing resources and tips! hope you're having fun :')
Tumblr media Tumblr media Tumblr media
get out of here!!! these were so sweet. thank you so much. to echo my answer to the anon before these, it's a huge community effort and the people who rip this content are my heroes. i'm happy you have some resources to help you smile and laugh 🥹
Tumblr media
WATCH LINKS MASTERPOST / FAQ / TAGS / ASK
#a
20 notes · View notes
13thdoctorposts · 7 months
Note
Jodie and chibnall went out of their way to be inclusive with jodie's doctor outfit. She wanted everyone to be able to wear it. If it was good enough for Sacha Dhawan to wear her costume then it was good enough for David Tennant. If I recall David Tennant has worn clothing that could be considered feminine in other projects (he had a mary poppins look in good omens) I do not see how a trench coat, a rainbow top, suspenders and 3/4 trousers with boots is considered to be drag.
I wore Jodie's costume to a pop culture dress up day at my work and nobody thought it to be drag and a co worker of mine (who looks like sacha dhawan funnily enough) thought it looked really cool. Also, why was it okay for John Simm to wear at least two dresses in the end of time specials when he created the master race. Why were there no concerns about "weaponising drag" back then.
Why was it okay for Jodie to wear Peter capaldi's costume but David Tennant couldn't wear hers? I just hope that there's at LEAST an explanation in the specials (say like if it was an effect of the forced regeneration/degeneration or it has something to do with the villian's plan in the 60th) rather than when the 14th doctor regenerates the costume doesn't change and no explanation is given as to how that's happened again. If Chibnall did this he would be hauled over the coals yet when RTD does anything it's magically okay. It's a double standard and I hate it.
All this. I totally agree, the answer of drag, must be a lie he thought would sound legit and progressive enough that he would get away with it because the British media are so horrible.
Well I would love to know how he’s protecting all his LGBTQAI+ cast now against the British media or does he just protect the one straight white man who, let’s be honest, would probably not care if the British media decided to say anything about him regening into 13s costume, and also it was expected I think it made it more of a story because he didn’t regen into Jodie’s costume then if he had, and considering Sacha did it in the exact same episode and the horrible media didn’t bother to do anything with it makes the situation even more bizarre. And if they didn’t want him wearing it in the comics they could have just released the promo photos and he could have gotten it in the comic like he lost the sonic in the comic.
And you’re absolutely right I’ve seen so many Men and non binary people absolutely slay 13s cos play and it’s amazing because it is so gender neutral that I bet people out side the fandom wouldn’t even know it’s a ‘females’ costume, unlike all the suits the doctors have worn which people would likely assumed are men’s. Those actors never considered how their costumes would work for women.
It also stings more because of the lengths Jodie went with designing it to make sure everyone could wear it but it seems the only one who couldn’t was her next incarnation!
And what’s worse is that Power is a 13 doctor episode that’s meant to celebrate her and her time as the Doctor and in the final scene he chose to just completely disrespect her and now makes fun of us complaining we feel she’s being erased… your literal first action was erasing her, obviously the body gets changed out but you BURNT her clothes, like a metaphor for a witch, then her sonic in a comic, they didn’t add her sonic at all to 14s which is a celebration of all of who, and then come out with no books and only 1 audio from BBC sounds nothing from Big Finish, not even the fugitive doctor or master audios the have had on pre order for over a year, and then go ‘but I have her TARDIS exterior’ the one thing no one cares they keep as it gets an update every few years anyway it’s the least Jodie item they could possibly keep.
It’s all so disappointing because he Cleary wouldn’t do it to his cast just thought Jodie didn’t matter.
*just to note women also slay in the costume but in the context here it’s obviously about a man wearing it.
23 notes · View notes
denimbex1986 · 5 months
Text
'You might expect a season finale to be shrouded in secrecy, with plot points and even the full cast list concealed so as to not to spoil viewers' enjoyment of the climax, but in fact it's the middle instalment of Doctor Who's "mini-season" of 60th anniversary specials that's proving to be the most mysterious.
Even before it aired on Saturday (25th November), we were familiar with the broad strokes of opening episode The Star Beast – an adaptation of the 1980 comic strip of the same name, featuring the cute but not so cuddly Beep the Meep, and reuniting the Doctor (David Tennant) with former companion Donna Noble (Catherine Tate).
We've also seen a fair amount come out around the trilogy closer, The Giggle – it'll feature the return of the villainous Toymaker, last seen on television way back in 1966 and now played by Emmy-winning actor Neil Patrick Harris.
Though not officially announced, trailer footage and interview teases have also pointed to appearances from UNIT, their leader Kate Stewart (Jemma Redgrave) and their scientist advisor Shirley Anne Bingham (Ruth Madeley).
But we know next to nothing about episode two, Wild Blue Yonder, which airs this Saturday (2nd December) – showrunner Russell T Davies has called it "weird" and "scary", but the brief plot synopsis that's been released is impressively vague: "The TARDIS takes the Doctor and Donna to the furthest edge of adventure. To escape, they must face the most desperate fight of their lives, with the fate of the universe at stake."
Besides Tennant and Tate, only one additional cast member has been confirmed – Susan Twist, who'll play a character named "Mrs Merridew".
The key art for the episode (see above) suggests the inclusion of a robot, though it's unclear whether it'll be friend and foe.
The trailer released shortly after broadcast of The Star Beast, meanwhile, also seems to delight in keeping things ambiguous, revealing only that the Doctor and Donna have landed in a mysterious space-age location, where they encounter "life signs" and are menaced by an unseen threat...
Doctor Who fans, of course, abhor a vacuum, so the lack of information about Wild Blue Yonder has sparked rampant speculation. Why the secrecy? What's being hidden?
Fan theories have included suggestions that the episode is set entirely within a TARDIS – with the Doctor's ship landing inside another time/space machine – or that all this cloak and dagger is concealing a huge surprise return, with names put forth including Carole Ann Ford as the Doctor's granddaughter Susan and Matt Smith as the Eleventh Doctor.
There's also a school of thought that the episode will feature an early appearance from Ncuti Gatwa's Fifteenth Doctor, and even Millie Gibson's new companion Ruby Sunday.
We know for a fact that the events of Flux, the Doctor Who series arc aired in 2021, will be dealt with "very slightly" in the episode, which has led fans to guess at everything from some involvement from The Division to a story set during "the Dark Times" (an age of chaos and monsters that predated the Doctor's reality).
To be clear, all of this is just guesswork at this point. In fact, Tom Kingsley, director on Wild Blue Yonder, has sought to play down the rumours while acknowledging that the plot is "a TOTAL SECRET".
Describing the episode as "weird and exciting", he added: "Fan PSA: the story of Wild Blue Yonder isn’t a secret because there are any surprise returning actors or villains. It’s just because we thought you might find it fun to watch it without knowing what’s going to happen next. Promise!"
Couldn't that rationale apply to any other episode, though? Adventures that weren't/aren't being kept under wraps to the same degree?
Perhaps the biggest clue we have to latch on to comes via David Tennant. Speaking to Total TV Guide, he said: "The second script is unlike any Doctor Who I’ve ever seen.
"I don’t want to give too much away, but I was always aware of the casting that was going to be part of the episode. That was something that Russell was very specific about. I just didn’t imagine it would… manifest itself in the way that it does..."
Could this piece of casting be the cause of all the covertness? If we take director Kingsley at his word that Tennant and Tate will be the only series veterans appearing, then perhaps it's not a returnee we should be expecting but some other familiar face – a big name actor whose casting is yet to be announced? Or just a particular type of performer?
Clearly, whoever it is, or whoever they are, said casting has a significant impact on the plot...
"I love humans," the Eighth Doctor once commented. "Always seeing patterns in things that aren't there," - it does feel, however, as though something is definitely afoot here.
Just three days to wait until the exact nature of that secret is revealed...'
12 notes · View notes
invisibleicewands · 9 months
Text
The second season of "Good Omens" will give us more of many people's favorite supernatural entities: Aziraphale (Michael Sheen), the angel with a penchant for fine wine and old books, and Crowley (David Tennant), the demon who can't help but have a conscience.
The supernatural entities' time on Earth, however, gets disrupted when an amnesiac angel Gabriel (Jon Hamm) shows up (naked, no less) on the doorstep of Aziraphale's bookshop. "I loved playing the scenes where Jon just sits there with that stupid grin on his face and just drives Aziraphale bonkers," Sheen told me in an interview conducted before the SAG-AFTRA strike about his experience shooting season 2.
Sheen and I talked about what it was like to don Aziraphale's robes once more, how the story in season 2 grabbed him, and his favorite details of the production's Soho set.
What it was like for you to don Aziraphale's robes again in the second round of episodes?
Well, it was wonderful. Yes, it was absolutely wonderful. I mean, during "Good Omens," the first season, was one of the most enjoyable professional experiences I've had — working with David [Tennant] and playing these characters and working with Neil [Gaiman] on something that I've been a fan of since the book came out. So it was just an absolutely joyful experience, that first [season].
So to be able to come back to the character and that world and to take the story forward into new places, it was just glorious. Yeah, I loved it. And it was very moving, the first time I put the costume back on. It was very moving to meet the character again, to feel him suddenly appear again. It was wonderful.
Then seeing David appear as well, because David was ill when we started filming on season 2. I think he had Covid and so he couldn't start. So I did the first week or something, or the first four or five days, without him, and then suddenly there he was. He walked onto the set in full Crowley garb and it was very emotional.
How did Neil describe what Aziraphale would be doing in season 2? How did he lay out the season at a high level for Aziraphale?
I can't remember now. I'm sorry. I can't remember that, how he described it, because having done it, I now have no memory whatsoever of how he described it to begin with. But I know what we wanted to explore and I always remember what he was aiming to get to by the end of the second series, because of ideas that he and Terry [Pratchett] had talked about with where the story might go. So I remember him talking about where we were aiming to get to, and obviously it begins with [Aziraphale and Crowley] no longer working for their respective companies. They're sort of out on their own. They're a team unto themselves now.
And then this fly gets stuck into their ointment and everything changes again. So I feel like, if my memory serves me correctly — which it invariably doesn't these days — I think it was about the idea of Gabriel coming into their lives again in a very unexpected way, and then that eventually building to the point that they get to at the end of this series, which I won't say because that would be to give things away.
Speaking of Gabriel, and you see this in the trailer and especially in the first episode, Crowley and Aziraphale are like an odd couple in certain ways and it's almost like they got a child. How is that dynamic with Jon Hamm [who plays Gabriel]?
Well, certainly for a character like Aziraphale, it's great comic material. For a character like Aziraphale, who frets and worries, stresses, and gets exasperated, to have a character who just is totally exasperating that he has to look after was just a very rich area to explore. But yeah, very much so.
I mean, they are like a married couple, even though they're a very odd couple, they do complement each other in all kinds of ways. And yes, they suddenly have this person who's dependent on them […] but they're also aware, having had past experiences with him. So it was a brilliant idea to have Gabriel suddenly show up with apparently no memory of who he is and to have them have to look after him and deal with him. It's a brilliant device, I think, and it was great to play.
I loved playing the scenes where Jon just sits there with that stupid grin on his face and just drives Aziraphale bonkers. They were great scenes to play, and I really enjoyed them. And it was great to see Jon again. I mean, we had such a great time together on the first one, and I know Jon anyway, outside of "Good Omens," and it was just so great to get to spend more time together.
I know for the second season, the Soho lot, it was a whole street, right? Created in Scotland?
It was a whole block, or more than a block even, of Soho that was built in the studio. It was extraordinary. I mean, in this series, not only do we expand the world of Soho in story terms to where we meet all the people who run the different shops and cafes and stuff around there, and we get to know that community a lot more. But also it physically grew as well.
I mean, in the studio, in Bath Gates up in Scotland, there was just this huge Soho set with cars driving around in it and hundreds of people and all these shops and the detailed work in these shops. I mean, this is what I always get blown away by on productions, is the detail that goes into the design. I mean, Maggie's record shop, every single album in there had to be made up. It was just made-up albums, made-up names of bands. I would spend hours in between takes, just wandering around looking at the designs of these records and the ridiculous names of bands that they'd come up with. It was brilliant. And the pub and the magic shop — oh my God, the magic shop, I just wanted to live in. It was just brilliant. All that detail and all that design work was fantastic.
You've had a long and very impressive career, and among many other roles, you've played now an angel, a vampire, and a werewolf. Is there any other supernatural being you'd want to play next?
I played a lot of different things. I'm not sure. Have I played a ghost? I'm not sure if I've played a ghost. Maybe I have. Yeah. I'm up for any supernatural beings. I'm open to any and all.
33 notes · View notes
billpottsismygf · 5 months
Text
That was a really well written episode, with some great sci-fi concepts and amazing character work. It obviously gives a slightly Midnight energy, with these mysterious creatures copying people, but it manages to be completely its own thing. The only place it really fell down were the effects, which is such a shame.
To get that out of the way, the body stretching stuff could have been really effective and creepy, but it mostly just came off very silly. After the incredible production values last episode, it's such a jump down. My suspicion is that The Star Beast and The Giggle were incredibly expensive, and that this was the budget-saving episode - just our main two actors and a spaceship set - but they tried to combine it with a story that required body horror to work, and sadly that element just didn't. Funnily enough, I noticed as the opening credits rolled that it was directed by Tom Kingsley, the original director of Ghosts, and I remember that the reason Ghosts hired him was because of his ability to do special effects on the cheap. Sadly, while I think he could get away with ghosts walking through walls in a budget-saving manner, here it just looks like David Tennant and Catherine Tate have been messed around awkwardly in photoshop and it totally took me out of the horror and the tension the episode was trying to build. It would have been far better, and still would have saved money, if we had barely been shown what they actually looked like and instead focused on Donna and the Doctor's reactions. Once the creatures started to stabilise and to look basically human, it was a fantastic episode, though.
Catherine Tate and David Tennant were on top form throughout, bringing so much comedy and also drama when necessary. I love the subtlety of their performances as the entities. When Donna started monologuing about how her family would react to her being gone, I thought it was an odd acting choice for the Doctor to be slightly smiling, but it turns out it was a genius acting choice.
Speaking of genius choices: Flux! Ahhhh, I cann't express how pleased I am with the way this episode tackled it. Trust RTD to do what Chris Chibnall totally failed to do and actually give it weight (gravity, one might say). Actually seeing the Doctor express emotions about it and have a complicated guilt over the whole thing was so goddamn cathartic. I've posted extensively in the past about how disappointing it was that the Flux seemed to not matter at all once it was over (Half the universe was destroyed, hello? The Doctor committed triple genocide without batting an eyelid, and both that and the destruction of the universe might as well have not happened by the next episode???), and RTD just swooped in and made it work with one scene. I also liked the acknowledgement that the Doctor doesn't know where they're from. I think that was perfect. I know there are people who want Chris Chibnall's run to be ignored, but I'd much rather the approach RTD is taking, which is to take those things and turn them into character moments.
This is one that I'm really looking forward to rewatching. Despite the goofy effects taking me out of what are meant to be suspenseful moments, it was a really effective episode, and what a joy to see David and Catherine at the height of their abilities bouncing off each other for an entire hour.
Small things:
Not so small, but Wilf! Wilf! Wilf! Wilf!!!! I'm so happy to see him <3 And the episode was dedicated to Bernard Cribbins' memory <3
Seeing Donna getting left behind genuinely had me terrified. I'd seen people speculating about Donna dying in these specials, which I rejected as not going to happen, but oh boy I really thought they might just do it here. My headache ramped right up as my heartrate did!
I loved seeing the Doctor having to get by without the TARDIS and the sonic, especially given how many new powers the latter was given last week.
The TARDIS was so extra this episode. Why was she playing Wild Blue Yonder as they arrived and left? I liked the anti-war discussion with Donna's teacher vs Wilf, echoed somewhat in the entities' experience of the universe, but I wonder if it'll have any further relevance.
The whole 'mavity' thing was very silly, but I also kind of liked it. Newton going for 'mavity' over gravity doesn't really make sense, given that gravity had an etymological reason to be called that - as my friend said, something like 'gravitude' or whatever would make more sense - but whatever. It was silly and kept making me laugh. I wonder if, as with the salt thing, there's an implication that messing with history might have a hand in summoning the Toymaker...
Oh, on the topic of Newton! Canon queer Fourteen! I like that the Doctor continues to be canonically queer now. I mean, my personal favourite Doctor headcanon is aro-ace all the way, but if I can't have that I'm overjoyed to have him think Newton is hot.
19 notes · View notes
blondedonaldduck · 5 months
Note
- Your top five DTs episodes
- Rant about anything
Astro Boyd (obviously fhfhdh), Let’s Get Dangerous, Whatever Happened to Della Duck, The Golden Spear, and I can’t decide on a fifth but I loved Louie’s Eleven when I rewatched it recently so I’m gonna go with that for now
Also I’m one of those people who totally blanks when not given something specific to talk about so I’m just gonna talk about random Ducktales opinions. Specifically, this show is WAY better to me now than it was in 2018. It’s not without its issues obviously (no show is), but the emotional scenes hit way harder now and it’s just one big masterpiece. David Tennant, Paget Brewster, and everyone whose character appeared in Astro Boyd especially did an amazing job selling the emotion in certain scenes. And they’re all really funny as well??? I love it
I have a soft spot for Danny Pudi in particular because his portrayals of both Huey and Abed Nadir make me feel so seen. Like, personality wise, I basically AM both of them combined. Outside of Astro Boyd, my favorite serious scene of his is the locker scene in Community. It hits so close to home and even with Abed’s usual vocal inflections you can almost feel Abed’s pain when he thinks about all the people who have mistreated him. I’m amazed by that scene.
Also, I really love how different Huey and Abed actually act. I almost consider ‘Abed Nadir Danny Pudi’ and ‘Huey Duck Danny Pudi’ to be kinda different because it’s like he just transforms when he plays these characters.
7 notes · View notes