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why-so-serious-lucifer · 5 months

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K-pop Discography Deep Dives: Red Velvet (Part TWO)

A Disclaimer: I was planning, when I first started Tumblr, to be a lurker, but then I began an office job and needed something to listen to to keep myself occupied. And then, I started going through entire K-pop groups’ repertoires, album by album, and jotting down my thoughts. And then, I stumbled into K-pop tumblr and decided, you know what, there’s at least four people on this hell site who would read in depth rants about these discographies and at least five who wouldn’t read it and then get mad because it’s kind of our job as K-pop fans. My lukewarm takes should be taken with an entire silo of salt and the knowledge that this is completely for fun and occupying my very bored, very neurodivergent brain. All this to say, for the love of god, I’m a sleep-deprived student and I don’t have time for internet hate, so don’t kill me. With that being said, enjoy!

Here are my credentials: Red Velvet was the first k-pop group I ever loved, even though Blackpink was really my introduction. I became a ReVeLuv in 2019, because of Russian Roulette, and I’ve been a fan since, including of the members’ solo careers (Wendy in particular). But as I’ve gotten more into k-pop and since they come back so infrequently, I haven’t really been keeping up with them and I feel like I’m less of a fan than I once was. So, I’m super excited for their comeback on the 13th (especially with a full album!) and I’m hoping that through this deep dive, I’ll fall back in love just in time for the new album.

This is Part Two of the review, and we left off just before another famous summer comeback in Power Up. Right away, Power Up feels like an interesting combination of Red Flavor’s warm excitement and Ice Cream Cake’s high bubbliness. It’s unusual for their music, because despite its bursts of aegyo in its choruses, it also has more subdued moments in the verses to breathe. I confess that for me, it doesn’t balance quite enough and I find that the song just feels immature and shrill, rather than Red Flavor’s good mix of youthfulness and wistfulness. It’s not for me, but it’s not a bad song.

From the Summer Magic EP, it was hard to choose a hidden gem. Blue Lemonade has a delightfully fizzy feeling with its popping, while Hit That Drum has (unsurprisingly) a great driving beat and a smash of a bridge / last chorus, and Mr. E’s “abracadabra” refrain remains stuck in my head.

#Cookie Jar and SAPPY are both Japanese releases, so I won’t spend long on them, but suffice to say I do like them both. SAPPY is a touch too bubbly for me, but it mixes its R & B and pop better than Power Up, but #Cookie Jar (despite the silly title), is actually a pretty good balance and very catchy.

Really Bad Boy immediately introduces itself as a little bit strange with Joy’s 1,2,5! countoff. With all my ranting and raving in past reviews about how much I hate empty, chanty choruses, I’m sure everyone’s expecting me to rip this one to shreds. But I’m actually not going to. A little bit of excellent harmonizing and background vocalizing goes a long way, and there’s not much harmonizing better than that in RBB. Red Velvet’s voices really are doing the heavy lifting here, but that’s really what sets it apart from all those songs I’ve complained about. It may be a little hard to take seriously, but just like War Of Hormone of BTS, it’s a pretty good time if you suspend your disbelief, throw up your hands, and have as much fun as the people singing it.

From the RBB mini-album, Butterflies was a standout for me. Like the best of RV’s b-sides, it zings along with a delightfully breezy feeling and some great slowly rising vocals to complete the sound. Shoutout also to the interesting vocal fry in Sassy Me and the playful back-and-forth vocals in Taste.

RV’s 2019 work is divided into three EPs, each with its own title track, that together form one mammoth album: the ReVe Festival. Zimzalabim is the first single, and is infamous both amongst ReVeLuvs and other k-pop stans alike. While other RV titles have been odd, this song takes it to a whole other level, like Rookie’s insanity on steroids. There are parts that work (like the na na na na na higher in the pre-chorus), but many more that don’t, and, just like with Rookie, we’re left with a song that has good ideas and good parts, but needed a few more drafts and way more editing. “Are you ready for this?” Wendy asks at the beginning. Well, apparently not.

From part one of the ReVe Festival, I liked both the calming, slightly reggae-inspired Sunny Side Up (because who doesn’t love terrible puns?) and the drum-line heavy, quick-footed Bing Bing, which, despite much of it being nonsense vocalizations, is very catchy and will have you dancing before the first chorus.

Umpah Umpah is often overshadowed in the ReVe Festival, due to the craziness that comes before and the that comes after (we’ll get to that), but it’s actually my favorite of the three songs. On first listen, I didn’t appreciate its humor, odd lyrics, and 60’s-at-the-beach vibes, but after learning that it’s actually a special track marking their 5th anniversary, it grew on me. I especially like the background vocalizations that round it out beautifully and the way-too-short acapella section at the beginning of the last chorus because it was probably my favorite part of the song. It’s really a celebration of their friendship and how far they’ve come, and I’ve never been able to resist songs that wear their heart on their sleeve.

Just as Umpah Umpah is my favorite of the three titles, the ReVe Festival Part Two is my favorite of the three mini-albums (and one of my favorite RV albums in general). I found it quite difficult to choose between the carnival-meets-doo-wop of Love Is The Way, the brisk chantiness of Carpool, and the feel-good girl power disco of Ladies’ Night. But the other songs are great too.

Despite the popularity of the many titles mentioned before, none come close to the almost inescapable fame that Psycho reached internationally. From the first whispered accusation “psycho” and the swirling electronic background meeting the delicate strings, it has this creeping unsettling feeling that never quotes goes away—which makes sense, given that it’s a song about a toxic relationship. While I do like this song, I think it’s not surprising that it doesn’t live up to the insane amount of hype it recieves, because really, how could it? It is what it is, and it does what it sets out to do well, but in such a strong discography, it’s just a footnote.

From the last part of the ReVe Festival, my favorite was definitely the jazzy, bluesy La Rouge, which I wish could’ve gotten a special music video like Be Natural or Automatic, because it’s definitely at that same level. I know I’ve mentioned the harmonizing in nearly every b-side but it’s just so good that, well, how could I not? The vocals are at some of their most refined here, oscillating between drawn-out and self-assured and gently emotional, giving the song much-needed layers.

Soon after Psycho’s release, Wendy suffered a terrible stage accident that injured her hip, jawbone, and wrist, and, needing time in order to recover, Red Velvet went on hiatus for almost two years, before returning with Queendom in late summer 2021. Because of when I became a fan, this was the first RV comeback I saw in real time, so I fully acknowledge the rose-colored glasses I’m looking at it through. It’s a basic pop song, and I’m not going to champion it like it’s the best thing since sliced bread, but it does get me bopping my head. It’s got the bones of another of their classics, but none of its strongest moments are pushed quite far enough.

From the Queendom EP, I had two hidden gems. Pose, despite what in lesser hands would immediately make me classify it as an anti-drop, is actually my favorite, and the combination of self-assured sing talk and exuberant singing really works for me. Knock On Wood is a calmer R & B b-side, and like many of their Velvet tracks, it’s nothing incredible, but their voices elevate it to great. That post-chorus is a highlight too.

Feel My Rhythm is the 1st single from the ReVe Festival’s 2022 counterpart, and is honestly one of my favorites. The song is lovely, weaving in a classical background and samples of twittering birds and running water to truly establish a calm feeling. The song bursts with life, but a more refined, almost mature version of it compared to Red Flavor’s bombast. The title “Feel My Rhythm” may create the image of a very dancy, upbeat song, but in truth, it’s more like the quiet beauty of an Oh My Girl track than that. Also, the MV is just really pretty, with its moving impressionist paintings, while keeping some of that signature Red Velvet strangeness.

From the mini-album, though I did like both Bamboleo and Rainbow Halo, In My Dreams was my clear standout. That chorus is the stuff of legends: the way it rushes back and forth from quiet to loud, the way the voices blend in such a stunning way, and the way it combines its driving emotion and the beautiful elegance swirling around it. Perfection.

Birthday is the single from the 2nd part of the ReVe Festival 2022. After how much I liked the 1st part, I wish I could say I liked this one too. Unfortunately, I think that despite a few standout moments (like the pre-chorus), I have no idea what on earth SM Entertainment was thinking. This song isn’t “bad”, in the way of Rookie or Zimzalabim, where, despite not being for me, I can at least respect what they were going for. Instead, it sounds nothing like an RV song, and just rumbles around in bizarre, uncharismatic sing-talk that does a disservice to such great vocals. The girls do their best but even they can’t save this one, because every time I hear this song I just wonder who mixed up the tracks for Red Velvet and NCT 127. I also think that the accompanying EP is one of their weakest, and I don’t have a hidden gem for it.

Red Velvet just came back today (the 13th, as I’m writing this) with their third full album (finally!!) and the title track Chill Kill begins with the kind of creeping yet lovely string-accompanied verse that I wish Psycho had. I was worried that we’d get a repeat of Birthday but thankfully I needn’t have worried. The chorus bounces with horrid delight in alt-pop perfection while the girls cover up a murder in the background (as one does). The bridge, meanwhile, culminates in a 3rd gen trademark high note as a house burns to the ground, the girls dance in front of the police pursuing them, and face their fate together in a surprisingly touching show of sisterhood. I couldn’t have asked for a better single; it’s that more vocal focused and emotionally driven Peek-A-Boo that I always wished for.

The album, Chill Kill, is just as strong, harkening back to the Red Velvet I loved back in The Perfect Velvet. It was difficult to pick a hidden gem, as I loved the cathartic high part and scratchy strings in Knock Knock (Who’s There?), the surprisingly video game like chorus in Will I Ever See You Again, the catchy yet gentle comfort in Nightmare, and the slowly rising a-capella in Wings that encourages the listener to be a brave butterfly no matter what the world says.

My Top 5 songs by Red Velvet are One Of These Nights, Russian Roulette, Umpah Umpah, Dumb Dumb, and You Better Know, with In My Dreams and Peek-A-Boo as honorable mentions. Red Velvet gets a 9 out of 10 from me, and I think that both that and my distance from the band can mostly be put down to the fact that while the songs themselves are almost all technically excellent, very few of them have deeper meanings than a typical b-side.

The ones that do—like One Of These Nights or Umpah Umpah—are some of my favorites, but on the whole, I don’t have as deep an emotional connection to their music as I do to Dreamcatcher’s or to Seventeen’s. This is also down to the fact that Red Velvet doesn’t write any of their own songs, unlike the previous two (who write / compose some and all, respectively), and thus the members have less of an emotional connection to the music too. This isn’t a dig at Red Velvet, who are all incredibly talented, but I would love to hear more of what they have to say, like on their solos.

So, did I meet what I set out to do at the beginning and rediscover my love of Red Velvet? Well, I think I did! I’ve honestly yet to find another group like them, barring maybe SHINee, whose voices are all excellent separately but together become something far greater than the sum of their parts. I think it’s safe to say that Red Velvet will always have a special place in my heart, even if I don’t listen to them every day. No matter if they disband tomorrow or not for decades, I’m proud to call myself a ReVeLuv. I’ll be here on August 1st. 2024 for their tenth anniversary, blue lemonade in hand, and I hope you will be too.

Next time, we’ll be back to our regularly scheduled programming with just one group a week. See you then, for a boy group. Tschüss!

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