Tumgik
#why do people like that movie?
Text
I hate you mfs that don't like Gwen after across the spider verse it smells like misogyny
2K notes · View notes
walrus150915 · 25 days
Text
I feel like people underestimate Ballister's actions in the movie and dumb him down to be just a guy with sad big eyes when he's literally a metaphor for transphobic gay men who participated in the system based on violence and hate. He's so much more than what fandom makes him out to be and he's quite flawed
Like :/// yes he's cute but let's not infantalize him???
278 notes · View notes
lilaccatholic · 4 months
Text
Complex feelings about copyright and Disney's appalling ethics aside, it does unsettle me how quickly people jump to make and monetize the most unnerving, depraved content imaginable about characters created for children the second it hits the public domain
260 notes · View notes
albaharu · 9 months
Text
Tumblr media Tumblr media Tumblr media
local man loves his friends and doesn't want to die
616 notes · View notes
thelaurenshippen · 5 months
Text
ah yes, the sweet sting of rejection from a billion dollar corporation who believes that "action stories don't appeal to romance audiences", welcome back my old familiar friend
391 notes · View notes
chirpsythismorning · 3 months
Text
Mentally I'm here (wait for it…)
247 notes · View notes
penofwildfire · 4 months
Text
If the Movie Ninja went through Skybound Jay would wish it all away the second the pirates tried to do anything and Nya would kill Nadakhan with her bare hands I think.
257 notes · View notes
blueskittlesart · 2 days
Note
deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
#people ask me sometimes why ill occasionally talk about something i like and then go 'but it's bad' and the answer is usually because it is#i love teen wolf. i love genshin impact. i love detective conan. and i fucking LOVE taylor swift. that doesnt mean theyre good#it just means i like them. and recognizing their flaws actually helps me better identify what i like about them!#it's like. in my mind bad > good is the x axis and i like it > i dont like it is the y axis yk. they're not mutually exclusive#tldr it's not that serious. we can all relax a little#irt taylor swift i do also think she has done some real harm to her fans in enabling them to deflect all criticism of her as misogyny#and i don't think it's fully the fault of these people who are parroting that response bc so much of her marketing has deliberately#reinforced this idea that to be a swiftie is to be a part of a sisterhood and that any attack on taylor is an attack on all of those women#who are in that in-group. when that's obviously not the case. but she's marketed herself as. for lack of a better term. 'girl music'#to the point where it makes her fans feel as though any criticism of the music or the woman responsible for it is an attack on their#personal experience of womanhood/girlhood/sisterhood/etc. and that's how you get all of thess bad-faith accusations of misogyny#i don't necessarily think this was her deliberate goal with her marketing tho because like. on first glance such a strong sense of communit#among fans sounds like a great thing. the friendship bracelets i got at the eras tour movie are really genuinely special to me.#but it does present a problem when your fans are unable to separate how they feel about the community and experience your music has fostere#from how they feel about you as a person. especially when you are a billionaire who absolutely CANNOT be above criticism in this economy#anyway. tldr i love taylor's music and i don't think swiftie hivemind is as deliberately malicious as it may seem#but it's obviously necessary to be able to take a step back and look objectively at what you're participating in.#anyway stream ttpd or don't idc <3#taylor swift
144 notes · View notes
kanansdume · 18 days
Text
I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
75 notes · View notes
r0b0t1me · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
the death of cassandra jones
Tumblr media
1K notes · View notes
walrus150915 · 7 months
Text
I feel like a lot of people in the fandom tend to forget this, so I'm just here to give a kind, thoughtful reminder :]
Ambrosius Goldenloin in the movie is an East Asian man (Korean-coded), his skin is tan, his eyes are monolid and his nose is big
Tumblr media Tumblr media Tumblr media Tumblr media
He's voiced by Eugene Lee Yang - a Korean-American actor who also has Chinese and Japanese heritage. Eugene Lee Yang looks like this:
Tumblr media Tumblr media Tumblr media
During the production, when Ambrosius was decided to be East Asian, artists looked up queer East Asian-American men, and based Ambrosius off of them. Ambrosius is literally drawn to look like Eugene Lee Yang
Please draw him as such, thank you
512 notes · View notes
buttercup-barf · 1 year
Text
The Mario movie was cute, best scenes are the ones with the bros just being. Bros.
Tumblr media
Peppino is their cousin. That's it, that's the funny.
And per tradition? I guess? Some more (unfortunately Mario-less) doodles under the cut.
Tumblr media
... Yeah. Twinsomnia again. These damn sibs are still on my brain. They're here to - Oh? Oh, Peppino's not a kid? They had the wrong address? Oh well. Might as well help him get through the tower!
Tumblr media Tumblr media
Something-something functioning as a single character, something-something throwing each other around, something-something basically Gus and Brick.
Tumblr media Tumblr media
Some more self-indulgent crossover'ish nonsense...
Tumblr media Tumblr media
Same mirror, same man, different time, different reflections. Shoutout to @/rascal-rose for the idea of young Peppino having curly hair!! I cherish him.
Tumblr media Tumblr media
And some wholesome stuff to top it off. (I feel like my handwriting is especially bad on the last one, so just in case, it goes "Buongiorno, ranocchio. Do you want the coffee?".)
414 notes · View notes
sprucestairs · 19 hours
Text
so. I'm fishing on the dock near Willy's shop right? And it's roughly 6pm. And who do I see, on their merry way back home from ginger island?
All. Six. Bachelors.
Alex, Sam, Harvey, Elliott, Sebastian, Shane, and NO ONE ELSE. like... were they having a boys day? Throwing the gridball around in the sand?
...are they a polycule? Was this their whole-polycule-date?
Literally WHAT are the odds of this happening, I would love to know.
74 notes · View notes
americankimchi · 2 months
Text
it's so hard to take star wars seriously nowadays because i'll watch someone get skewered by a lightsaber and then somehow walk it off with a bacta patch and a slap on the ass. like you're telling me a weapon that can carve furrows into foot-thick solid durasteel doors, dripping melted slag in its wake, when applied to the flesh of a sentient being leaves behind nothing more than superficial damage. like be so ffr. "it cauterizes the wound instantly" this is not a little cut. this is not minor burns. you were IMPALED BY A BEAM OF PLASMA. your ORGANS have been COOKED. your BLOOD has BOILED. your BONES were INCINERATED. what are you TALKING ABOUTTTTTT
106 notes · View notes
spicler-man · 1 year
Text
me thinking about irondad’s canon fate for longer than six seconds
Tumblr media
601 notes · View notes
aroanthy · 1 month
Text
i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
#what am i trying to say here?#idk! think about all of the pieces you have#dying is complicated in ohtori in countless different ways#and i find it boring to see so much ‘this character is dead and that’s it’ stuff#when death is used farrrrrrr more figuratively than some ppl give credit for#and i think the movie too does wonderful things with death#and what ‘dying’ really means#being disbelieved. being forgotten. being rejected. haunting despite this#much more interesting to think about wrt commentary on abusive relationships than it is#to think about what?? oh me when my brother died but plot twist he’s alive and can walk on this road all cool. like?????#akio doesn’t have the power to make himself revenant#he THINKS he does and he absolutely has power when he’s alive and he imbues that power with such meaning that it does live on after him#but ANTHY. anthy is the one struggling with herself and her feelings and the impact of trauma and abuse (that power!!) in aou#he’s dead? he died? she brought him back through her memories? or she’s left him (metaphorical death) and he’s haunting her??#all such interesting interpretations#i haven’t mentioned touga bc i don’t have the energy today. if dead and just illusion of others memories then why active. why awful#like in aou akio is only Obviously scummy when he’s alive. his illusory self is based upon anthy’s love for him#if anime!touga is nothing more than nanami/whoever’s memories of him before he died……. why does he actively choose to suck again and again#like nanami wouldn’t do that. unless it was meant to be a subconscious thing like ooo he’s dead all along but that’s not what her arc is#it’s not ‘he’s been dead all along’ literally or figuratively. it’s ‘he’s unsafe and i don’t want him’#sigh. once again i am asking people to think about nanami and touga’s dynamic through touga’s eyes#it’s so interesting to me how people forget to consider his motivations or feelings on ANYTHING#like sure his motivations and feelings are scummy but they’re interesting!!!!! they intrigue me!!!!#compel me even#anyway ignore how i said i didn’t have the energy for this and then typed it all out anyway#dais.txt
69 notes · View notes