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#will to power
byuntrash101 · 3 months
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EXCUSE ME WHAT THE FUCK IS THIS????
grabbing the junk and the eye roll?? mingi im not your strongest soldier
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halavibe · 3 months
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(mostly) park seonghwa in japan x
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bonus coloring
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sictransitgloriamvndi · 2 months
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“We have art in order not to die of the truth.” - Friedrich Nietzsche
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blackswaneuroparedux · 10 months
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To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities - I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not - that one endures.
- Friedrich Nietzsche, The Will to Power
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palatinewolfsblog · 8 months
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"Remember: For centuries people lived in fear of witches, magicians, dissenters, "infidels". Instead of fearing and fighting those who sow such fear to maintain and increase their power." U.N. Owen.
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kristalisaa · 3 months
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mother seonghwa has arrived, everyone🧎🏻‍♀️
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thierrydemontfort · 2 months
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ATEEZ 에이티즈 Yeosang 여상 (Kang Yeosang 강여상)
Concert TOWARDS The Light : Will to power day 1, Seoul
27 January February 2024 (240127)
fantaken photo by DZLGT___
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ARCH ENEMY The Eagle Flies Alone | 100 millions views
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funeral · 11 months
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Friedrich Nietzsche, The Will to Power
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hit-song-showdown · 11 months
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Year-End Poll #40: 1989
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[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Chicago, Bobby Brown, Poison, Paula Abdul, Janet Jackson, Paula Abdul, Bette Midler, Milli Vanilli, Will to Power, Anita Baker. End description]
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NINETEEN EIGHTY NINE the number another summer!
Okay Public Enemy didn't crack the top 10 so I'll stop.
But yes, we've reached the end of the 1980's. Soft rock and ballads are still a surefire way to perform well on the charts regardless of the changing trends. But one of those changing trends I'd like to shine the spotlight on is the rise of new jack swing, with the chart presence of Bobby Brown (formerly of New Edition), Paula Abdul, and Janet Jackson. The genre, with its fusion of r&b, funk, hip-hop, and dance will largely be associated with the 1990's, but these artists and tracks helped to set the foundation before we move into the next decade.
Another artist on here I want to talk about is Milli Vanilli. Not because of the song itself, but because it's a weird moment of music history and I want to talk about it. Girl You Know It's True was the duo's most popular single, but it was also the song that led to their downfall. For those who don't know, Milli Vanilli was one of the first major instances of an act being caught lip syncing during a performance after the backing track kept skipping. This wasn't a case of an artist lip syncing to their own tracks either, but rather it was revealed they were lip syncing to someone else's voice. The story goes to some rather sad places and it's questionable how much control Rob Pilatus and Fab Morvan (the two men making up Milli Vanilli) had over their careers. According to the producer, Frank Farian, the session singers were brought in because he didn't believe the two men to be capable of singing themselves. Their request to sing on the album following the controversy were turned down and the group was fired. To this day, Milli Vanilli remains the only musical act to have a Grammy Award revoked by the Academy (seriously if you look up the 1990 award for Best New Artist, it still says "none"). While we won't get a major lip syncing scandal like this until Ashlee Simpson's 2004 SNL incident, the debate over lip syncing will continue in the coming decades. Especially with the rise of dance music, and artists like Martha Wash demanding credit for the use of their voices.
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the-greatest-fool · 4 months
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what's your opinion about Bojack's self destructive tendencies?
I think that broadly speaking, BJH (which I hereby use to denote BoJack Horseman, the show, vs “BoJack”, the person) does two things with his self destructive tendencies. Spoilers.
The first thing it does for much of its run is peel back the layers of his self-destruction. From the first episode we see fairly relatable examples of BoJack’s self destruction. So for instance, he fails to meet deadlines, doesn’t like commitment, etc. But, over the course of the next seasons, we see him destroy his public image, sabotage the closest he’s ever had to a healthy relationship, commit ethical violations you wouldn’t even want say out loud—in short, he fucks up real bad.
So what do I think about that? It’s easy to say he’s just a simple moral metaphor, a cautionary tale. Don’t be consumed by alcohol, sex, self-loathing, and pettiness like him. Don’t cope like he does, do the terrible things he does. But maybe that’s too easy an answer. We see his back story of childhood abuse, constant self-doubt, and alcoholism. There are many times when I feel the BoJack in myself coming out.
It’s “easy”, and even in vogue, to believe in Good People and Bad People. We normal people watch in horror as The Bad Men, or indeed The Bad Hollywood Men (you know who), have their way and wreck wanton violence on the world for their gain and pleasure. But we have the kernel of possibility within us, and in many ways act out similar behaviors in our lives. Here I am somewhat ready to blame this conclusion on my masculine perspective so that I can be One Of The Good Men who knows It’s My Fault and I Should Do Better. Which—yes! I should. But the fact that there are even Bad Hollywood Women (fine, just think about Princess Carolyn if real world examples are too controversial) goes to show that it’s not so simple so as to reduce the problem to people’s “fundamental natures”, whether it’s just that “some people are bad” or “men are bad.”
And this brings us to the second thing the show does about BoJack’s self destruction: it tries to undo it. The last season comes in the midst of MeToo. Should BoJack see justice, or at least be freed from his Sisypheseun cage? Well—it’s complicated. He works on himself, as I should, and as we all should. He tries to better himself, make amends, and do good unto the world.
But even after all that, he seems to fail. He starts drinking again. His attitude towards women—as disposable or instrumental—seems to remain. He loses it all. And in a moment so rare in fiction or real life, he gets punished, *but* has a chance for redemption in the final. What I read from this is the genuine difficulty of changing.
I have terrible habits. I wish I didn’t have them. I wish I treated my loved ones better. I wish I processed pain and difficulty better. It’s not easy, but everyday you wake up and you just have to try. You have to. It’s what we’re called to do. We do right.
And the thing is, destruction is NOT just self-inflicted. Self-care can’t undo structural harm. BoJack runs into producers who commodify and pervert his genuine artistic dreams, media environments that are swift to condemn and unlikely to admit fault or nuance, and generations of trauma, violence, and misogyny. What’s truly needed is a family of care and love, a little luck, and his bravery to try to live in the face of a world that seems not to care.
For most of BJH, BoJack feels like a tragic character in the truest sense, always seeming so close to redemption or fulfillment before crashing down. I don’t think there’s a guarantee we always get a happy ending in life. We can only try to live not as bitter cynics and nihilists who don’t care because it’ll all fall apart one day, but as genuine artistic romantics who do right for right’s sake.
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byuntrash101 · 3 months
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after arriba django and wake up i am a changed woman
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hwakakeri · 2 months
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saw this video of hongjoong earlier today
instagram
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shroomco · 6 months
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Zerdüşt dinletisi C318
Ali Çetin 2023
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jacquelinemerritt · 1 year
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The Philosophy of Undertale
Originally posted December 1st, 2015
Fortuna, Will to Power, and DETERMINATION
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So, if you haven’t played Undertale, this is part of the article where I join the hype train and tell you that you should. It’s a fun and relatively short role playing game that’s fantastically written, and it’s also one of the funniest games I’ve ever played. The greatness of Undertale goes beyond humor though; it also serves as a critique of the Machiavellian notion of conquering Fortuna and the Nietzchean Ubermensch.
Spoiler Alert: This article spoils all three of the three possible endings of the game, so if you haven’t played through them yet, you should probably do that first.
Now, before we dive into Undertale, let me refresh your memory on what that philosophical jargon means. In his writing, Machiavelli attempts to dismantle the ancient understanding of Fortuna, or the idea that humankind’s best efforts will always be limited by our circumstances. Machiavelli didn’t believe that Fortuna was something that people had to accept, and so he argued for the conquering of Fortuna through force, with The Prince being a guide for how a ruler is to overcome Fortuna.
At the core of Nietzchean philosophy is the concept of the “Ubermensch,” or the “Overman.” The Ubermensch is a man who exerts his will to power over all those around him, dominating them so that they serve his purposes. Nietzsche came up with the Ubermensch in response to Modernism’s failure to prove the existence of an objective morality, and conceptually, the Ubermensch represents the idea that in the absence of objective morality, all that matters is how much stronger one person’s “will to power” is compared to another’s (or to paraphrase Plato, justice becomes the advantage of the stronger).
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Getting back to Undertale, Machiavelli’s concept of Fortuna is represented through the concept of DETERMINATION, which your character is filled with anytime they visit a save point in the game. You discover at the end of the Genocide route that DETERMINATION is what allows you to reset your timeline to your last save, and you have a conversation with Flowey, who used to be able to reset time in this way before your character came along. This ability to reset time is the ultimate method of conquering Fortuna, but the game shows the negative consequences of this ability when it tells us Flowey’s story.
Flowey was a flower injected with DETERMINATION by Alphys, the royal scientist, and it came to life after being injected. This flower contained part of Asriel’s soul, a monster who was the prince of the underground, and he was brought back to life as a sentient flower. Flowey was rejected by his mother and father, Toriel and Asgore, and his isolation led him into a deep depression, causing him to commit suicide.
But as Flowey neared the brink of death, he realized that he didn’t want to die, and then he reappeared back at the beginning of his life as a flower. He then realized that he could reset his own timeline by bringing himself to the brink of death, and after a while, he began to use his ability to manipulate people. His ability to completely conquer Fortuna led him to a state of moral depravity, and he lost the ability to see people as anything but tools for his personal gain.
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The Nietzschean Ubermensch is also shown through DETERMINATION, as the ultimate realization of the Overman’s potential. Nietzsche’s Ubermensch was able to overcome most human limitations through his will to power, but even he couldn’t overcome death. DETERMINATION allows your character to persist beyond even death, and when combined with your character’s domination over the lives of the monsters on the Genocide route, your character becomes an Ubermensch beyond what Nietzsche could have believed possible.
Of course, this is not without its costs; at the end of the genocide route, it is revealed that your character has been playing into the schemes of another since the beginning. Their name is Chara, and ever since they died in the underground, they have been plotting their revenge. By going through the underground and killing every single monster, you help realize their scheme, and after destroying the underground, they are released.
Chara then confronts you with a question: do you want to destroy the entire world? Of course, if you tell Chara that you don’t want to destroy the world, they will reveal that you have long since forfeited that option. The only choice Chara leaves for you is the option to reset your timeline, and proceed through the underground once more, as Chara respects the strange sentimentality you hold towards the world. (Interestingly, even Chara, the embodiment of destruction, suggests that you take a different path, as it might be better for you).
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DETERMINATION, and its associated will to power beyond death, has other negative effects as well, which are seen in the True Lab along the Pacifist route. In the true lab, you discover that Alphys has been performing experiments with DETERMINATION, injecting it into monsters so that they might persist beyond death as well.
In the lab, you see that DETERMINATION is actively harmful to a monsters being, causing them to physically melt, with some melting together to become Amalgamates. The monsters, who throughout the game are shown to be very kind and nonviolent, cannot exist alongside DETERMINATION, and in this way, Undertale makes its final critique of Nietzschean morality: the will to power is actively destructive towards kindness, generosity, and goodness, and it is impossible for these things to exist within Nietzsche’s amoral framework.
*Flowey/Asriel is able to survive containing DETERMINATION because of Asriel’s soul bonding with the flower that was injected. The flower’s physical form is stronger than a monster’s body, and so DETERMINATION will not destroy it.
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palatinewolfsblog · 1 year
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Untitled...
In the light of certain events - on the first Advent.
Long time ago the biblical prophet Zechariah foresaw the coming of a king promising true peace and justice.
One who renounces external power and chooses a donkey to show himself to his people.
Show, what he stood for... (Zech 9:9-10)
Centuries later a man named Jesus connects to this word and enters the state capital on on the common man's mount. (John 12:14-15)
An unworldly, hopeless idealist?
A dreamer?
A detached visionary?
Well, what would this world be without ideas and dreams and visions?
This world needs people who take a stand against war and weapons.
Against the power of money, against elbow mentality.
This world needs a revolution in thinking.
This story is a demonstration against the age-old will to power.
It's an old story - but highly topical.
Have a good time everyone.
Peace be onto you.
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