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hezzabeth · 5 months
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NANOWRIMO DAYS 1-10
Saying Farewell to Armageddon
Act 1
The first winter
This is not a ghost story. Well, technically, it is, as it involves the haunting consciousness of someone who is definitely dead. Probably dead. Most likely dead. In the far-off future, true death is mostly optional.
This is not a fairytale. Granted, there is a princess in disguise. There is a fair bit of magic. True love prevails. But no, this isn't a fairytale.
Rather, this is a war story.
3834 AD: Ten miles from Skandasaipur, a city on Mars, part of the country of Mangalrajya.
A cold and burnt-red winter. Turquoise snow gently falls in tiny cubes, landing on the rust-colored dirt. In the distance, right on the horizon, there are pillars of smoke. Somewhere a city is on fire. “Aiyo Rama! They better not have burned down the teleportation port again! It makes shipping the ice impossible,” a young woman called Sugafana sighed from deep within her layers of bright purple and emerald green protective clothing. Her companion, a man covered in dark blue and silver, sighed, leaning down on his shovel. “Calm down! We can always drive down to Samarthanagari and use the public pod station,” the man, whose name was simply Jay, said. Sugafana merely grunted with annoyance before picking up her own shovel.
Once, Sugafana had worked in Samarthanagari's best girls' school. Every Thursday and Monday, she would march in through the front gate with her smart green briefcase. The school was now nothing more than a steel shell. “The hair curlers burned that pod station last month,” Sugafana reminded Jay, who sighed. “Just keep digging, Martian snow is going for fifty credits per kilo right now,” Jay pointed out, and Sugafana picked up her shovel before digging into the ground. Fifty credits a kilo. Before the war, Martian snow went for five dollars a kilo. Every Shigmo, children would eat cups full of the stuff flavored with sugar and wild honey.
“I can practically feel your frown from here,” Jay remarked as Sugafana scooped then snow up before dropping it in her bucket. “Prices are getting ridiculous! Barf cheene ghan used to be super cheap, and now vendors will have to charge ten credits to make a profit,” Sugafana growled with annoyance. “And it’s just dry sugar ice,” Sugafana finished as she stuck her spade into the snow again. “Correction, it’s dry sugar ice that some people believe has magic powers!” Jay cried in a sing-song voice. “And do you believe that?” Sugafana sarcastically asked. Jay shrugged. It was the sort of shrug Sugafana had seen many times over the past two years they had spent ice farming. A shrug that indicated Jay wasn’t willing to really believe in anything. Sugafana struck the ice again with her shovel, and there was a sudden faint clinking sound. “There’s something here,” Sugafana said, feeling faintly surprised. “You probably just hit some black ice, the snow fell during the night and the field was empty yesterday,” Jay pointed out. No human alive would dare to go out into the snow at night. The icy winds would tear through layers of protective clothing freezing blood in its veins. “The appliances wouldn’t come out here, no energy charging grids for miles,” Sugafana pointed out as she leaned down to push the cubed snow away with her gloved hands. “I heard the richer appliances have started using humans as portable batteries. They make the humans run ahead of them on treadmills,” Jay recalled as he shifted, standing behind Sugafana. “And who told you that? Your gossiping premika?” Asked crisply. “I told you before, Minty is not my girlfriend,” Jay said wearily, and Sugafana gasped. An eye was staring back at her in the snow. A shiny golden eye. “It’s an android,” Sugafana said, pushing more snow away to reveal a lady's face. A long and elegant face with Cupid bow lips and a stately nose. “Hit it with your shovel,” Jay ordered her. “I said Android! Not appliance! Androids don’t have artificial intelligence,” Sugafana snapped with annoyance as she quickly used her shovel to clear more and more snow. “They don’t? I thought all electronics were determined to turn us into slaves,” Jay remarked as Sugafana unearthed golden shoulders covered in a magenta silk shawl. “My transportation pod uses an electric battery, the lights at camp use electric wind power, and none of them have killed us,” Sugafana pointed out, and Jay raised a gloved finger. “None of them have tried to kill us yet,” Jay merely replied. “Just help me! Baba Tarak will find us a buyer who will pay a small fortune,” Sugafana said, and Jay kneeled down next to Sugafana, his gloves brushing against the snow. For a moment, their eyes met. It was amazing, Sugafana thought, what a person could tell just by glancing at someone’s eyes. Sugafana had never seen Jay’s entire face. They always met five times a week on the fields in their uniforms, helped each other shovel the snow, and then said goodbye at the migrant camp's gates. It has been that way for years. Once or twice, Jay had been foolish enough to ask Sugafana if she wanted to stand together in the food ration line. She always said no. It was easier that way. Still, Jay’s eyes were so dark it was almost impossible to see their pupils. They did, however, crinkle in a way that whispered they were kind. “That’s peculiar,” Jay remarked, breaking away from her gaze. His hands had uncovered a peculiar glowing lump that extended just below the android's chest. “It looks like a perfectly normal maternity droid to me,” Sugafana replied, brushing more snow off its legs. “Is that what they look like? I’ve never seen one in real life! Most women had their babies in my town the old-fashioned way,” Jay remarked. “I used to walk past a boutique selling them on my way to work! I never saw actual pregnant women in the city,” Sugafana replied as she cocked her head to one side, trying to find the android's barcode. “Strange, there’s no identification,” she said to Jay. “And what does that mean exactly?” Jay asked.
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lucidloving · 4 months
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Franz Kafka, Letters to Milena // Alain de Botton, Essays in Love // Eden Robinson, "Writing Prompts for the Broken-Hearted" // Chloe Liese, Always Only You // Anne Carson and Euripides, An Oresteia // Two—Sleeping At Last // Studio Bones, SK8 the Infinity // Trista Mateer, "is it okay to say this?" // @moodylilac // D. H. Lawrence, "The Rainbow"
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writersshitpost · 5 months
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burntoutdaydreamer · 6 months
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Things That May Be Causing Your Writer's Block- and How to Beat Them
I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.
In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:
(note that any case of writer's block is usually a mix of two or more)
Perfectionism (most common)
What it looks like:
You write one sentence and spend the next hour googling "synonyms for ___"
Write. Erase. Write. Rewrite. Erase.
Should I even start writing this scene when I haven't figured out this one specific detail yet?
I hate everything I write
Cringing while writing
My first draft must be perfect, or else I'm a terrible writer
Things that can help:
Give yourself permission to suck
Keep in mind that nothing you write is going to be perfect, especially your first draft
Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later
People write multiple drafts for a reason: write now, edit later
Stop googling synonyms and save that for editing
Write with a pen to reduce temptation to erase
Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail
It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page
Lack of inspiration (easiest to fix)
What it looks like:
Head empty, no ideas
What do I even write about???
I don't have a plot, I just have an image
Want to write but no story to write
Things that can help:
Google writing prompts
If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out
Instead of thinking about the story you would like to write, think about the story you would like to read, and write that
It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing
Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them
If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later
Boredom/Understimulation (lost the flow)
What it looks like:
I know I should be writing but uugggghhhh I just can'tttttt
Writing words feels like pulling teeth
I started writing, but then I got bored/distracted
I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window
Things that can help:
Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.
Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text
Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score
Find a writing buddy or join a writer's group
Give yourself a reward for every writing milestone, even if it's just writing a paragraph
Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer
Intimidation/Procrastination (often related to perfectionism, but not always)
What it looks like:
I was feeling really motivated to write, but then I opened my laptop
I don't even know where to start
I love writing, but I can never seem to get started
I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)
Can't find the time or energy
Unreasonable expectations (I should be able to write 10,000 words a day, right????)
Feeling discouraged and wondering why I'm even trying
Things that can help:
Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started
Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)
Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person
Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement
The Problem's Not You, It's Your Story (or Outline (or Process))
What it looks like:
I have no problems writing other scenes, it's just this scene
I started writing, but now I have no idea where I'm going
I don't think I'm doing this right
What's an outline?
Drowning in documents
This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)
Things That Can Help:
Go back to the drawing board. Really try to get at the root of why a scene or story isn't working
A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go
If you don't have an outline, write one
If you have an outline and it isn't working, rewrite it, or look up different ways to structure it
You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural
Study story structures, starting with the three act structure. Even if you don't use them, you should know them
Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers
Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough
Executive Dysfunction, Usually From ADHD/Autism
What it looks like:
Everything in boredom/understimulation
Everything in intimidation/procrastination
You have been diagnosed with and/or have symptoms of ADHD/Autism
Things that can help:
If you haven't already, seek a diagnosis or professional treatment
Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)
Seek out neurodiverse communities for advice and support
Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch
Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)
And Lastly, Burnout, Depression, or Other Mental Illness
What it looks like:
You have symptoms of burnout or depression
Struggling with all things, not just writing
It's more than a lack of inspiration- the spark is just dead
Things that can help:
Forget writing for now. Focus on healing first.
Seek professional help
If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic
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morbid-romance · 1 month
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🦇 🫀
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xisadorapurlowx · 5 months
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blue-eyed-author · 6 months
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Some of my writer’s block cures:
Handwrite. (If you already are, write in a different coloured pen.)
Write outside or at a different location.
Read.
Look up some writing prompts.
Take a break. Do something different. Comeback to it later.
Write something else. (A different WIP, a poem, a quick short story, etc.)
Find inspiring writing music playlists on YouTube. (Themed music, POV playlists, ambient music, etc.)
Do some character or story prompts/questions to get a better idea of who or what you’re writing.
Word sprints. Set a timer and write as much as you can. Not a lot of time to overthink things.
Set your own goals and deadlines.
Write another scene from your WIP. (You don’t have to write in order.) Write a scene you want to write, or the ending. (You can change it or scrap it if it doesn’t fit into your story later.)
Write a scene for your WIP that you will never post/add to your story. A prologue, a different P.O.V., how your characters would react in a situation that’s not in your story, a flashback, etc.
Write down a bunch of ideas. Things that could happen, thing that will never happen, good things, bad things.
Change the weather (in the story of course.)
Feel free to add your own.
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kristinastanley · 7 months
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New Release: Secrets to Outlining a Novel
Would you like to get faster at outlining your books? Faster at going from an initial idea to a story that is ready for you to write? Faster at creating your next bestseller? L. Cooke and I are super excited to announce the release of our second book in the Write Novels That Sell series. The eBook edition of Secrets to Outlining a Novel: The Creative Story Outlining Method is available…
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manincaffeine · 3 months
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when the teasing goes from cute and innocent to ‘oh that turned you on, didn’t it?’
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sirobvious · 28 days
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“You just wrote your medieval fantasy setting to have medieval gender roles and homophobia and prejudice because you secretly fantasize about being able to be sexist and homophobic in a land with no PoC without any pushback! It’s fantasy, there’s dragons and wizards, it doesn’t have to have prejudice unless you, the writer, want it like that! In *my* D&D setting, there’s no sexism or homophobia, so that gay transgender women of all races can be holy knights fighting to protect the good kingdom from the endless hordes of the evil dark race that has threatened its borders for a thousand years!”
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thepedanticbohemian · 8 months
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hezzabeth · 5 months
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The baby made a faint grunting noise before it did something unspeakable down the front of Sugafana’s shirt. Sugafana barely flinched. “I’ll be fine; I’ve done it before! Now if you’ll excuse me, I have to clean up and get this baby something to wear.”
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When Sugafana’s street was flooded by human rebels trying to short out the circuits of headphone guards, she didn’t take much. Just the essentials: a blanket, her water refillable condensation bottle, and her mother’s box of wedding jewelry. She also took her roommate.
“Afternoon, Nani,” Sugafana greeted her grandmother as she pushed aside the curtains that gave their small cave a tiny bit of privacy. Home was two rolled-up sleep mats on the floor with bedding, a box filled with clothing, and a small hissing and spitting machine standing in the corner. Natural grooves and holds in the lava stone walls had been used to display jars filled with buttons and thread. An embroidered tapestry depicting a little girl holding a cat hung from the ceiling.
“You’re back early,” Nani remarked, barely looking up from a dress shirt she was busy repairing.
“Yes, I found something expensive on the field,” Sugafana admitted, and Nani looked up, her hand still instinctively stitching away at the shirt's tear. Looking at Nani was like looking into her future. They both had the same round faces, amber eyes, and warm beige skin. Nani’s eggplant purple hair, however, had long ago turned ashy white with faint streaks of black. Her suspicious eyes were now surrounded by thick lines.
“You found a baby,” Nani said flatly, as Sugafana gently placed the baby in the center of the sleep mat.
“I found a maternity droid and sold it to Bappa; the baby was locked inside,” Sugafana replied as she shed her filthy shirt, switching it for a plain black blouse.
“We can’t keep a baby! I barely have time to keep up with all the clothes people drop off, and you’re out working twelve hours a day,” Nani grumbled. Many of the refugees in the camp had spent decades using A.I. appliances to clean and repair their outfits. Most of them found washing their socks baffling and panicked at the thought of torn trousers. Thankfully, before the war, Nani had worked as a historical preservationist at the Museum of Ancient Textiles.
“I never said I was keeping her, Nani! I’m taking her into the city to find her family,” replied as she grabbed an old scarf, wrapping it around the baby's bottom like a makeshift nappy.
“The city,” Nani said flatly, “It’s not like this camp has genetic testing pods lying around,” Sugafana pointed out. “We avoid the city for a reason!” Nani said, tapping her legs.
Nani’s legs hadn’t worked right since she caught Martian Polio as a child. The machines insisted that those who couldn’t run to generate power had to be “recycled.”
“I’ll be fine, Nani! I go to the city's teleportation pod every week for ice deliveries,” Sugafana said firmly, and Nani sniffed, glancing down at the baby.
“Odd little thing, isn’t she? Her hair is green! You don’t see that much around here,” Nani remarked.
“No, you don’t,” Sugafana admitted. Almost everyone she knew had hair that was either black or in various shades of deep purple. Green hair belonged to tourists from the outer planets. The baby's skin, however, was darker than hers, and she stirred slightly, her eyes opening a crack, revealing black eyes.
“She’ll need feeding,” grunted Nani, turning to the spitting machine in the corner. The Creatrix was an essential household item that could be found in almost any home. Using electrified sand from the moon of Titan and computer codes, it had the ability to generate almost any inorganic material. Sugafana’s Creatrix was a small portable camping one that her grandfather took on hiking trips. It couldn’t create clothing and only had fifty recorded codes, but it had its uses.
“I’m sure the machine still has the baby formula codes in it; we used to make bottles for your sister when she was tiny,” Nani remarked, and Sugafana pursed her lips together.
“Then that means those codes are at least twenty years old,” Sugafana pointed out, refusing to think about her sister.
“Codes are codes! You’ll need four bottles for a trip into the city and back, and an ever-cleaning nappy! Not a filthy scarf,” Nani said, scooping four cups of glittering black sand out of a flour bag.
“You need that sand for your pain tea, Nani!” Sugafana protested, and Nani waved her away with annoyance before punching in several numbers.
“I can handle leg twitches! You won’t be able to handle a screaming, filthy newborn,” Nani said firmly.
“Fine! But as soon as I get back, we are packing to head to Harris Park, and you will need to drink four cups of tea for that journey,” Sugafana said as Nani handed her an ever-cleaning diaper. Sugafana still remembered dressing her baby sister in one when she was ten years old. The diapers were supposed to clean a soiled baby automatically forever, but they tended to break down after a few weeks.
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lucidloving · 25 days
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Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"
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sas-soulwriter · 6 months
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Dark past ideas
A dark past can be really intresting in books .here are some ideas:
Mysterious Orphanage Escapee: A character who grew up in a sinister orphanage and narrowly escaped its dark secrets.
Traumatic War Survivor: A soldier who witnessed unspeakable horrors on the battlefield, leaving deep emotional scars.
Secret Criminal Past: A reformed criminal who once led a life of violence, but is now trying to make amends.
Kidnapped as a Child: A character who was abducted at a young age and endured years of captivity before escaping.
Tragic Family Betrayal: A character who was betrayed by a close family member, leading to a life filled with distrust and pain.
Cult Escapee: Someone who managed to break free from a dangerous cult, but is haunted by their past involvement.
Haunted by a Violent Crime: A person who accidentally caused harm to someone in their past and has been tormented by guilt ever since.
Dark Addiction: A character who battled a severe addiction that nearly destroyed their life before seeking recovery.
Betrayed by a Friend: A friend who turned out to be a traitor, leading to significant emotional trauma.
Abandoned in Isolation: Someone who was left alone and abandoned in a desolate place, struggling to survive.
Witness to a Murder: A character who saw a murder as a child and was forever scarred by the experience.
Childhood Experimentation: A person who was subjected to unethical scientific experiments in their youth, leaving lasting physical and emotional scars.
Kidnapped and Forced into Crime: A character who was abducted and forced to commit criminal acts against their will.
Betrayed by a Mentor: Someone who was betrayed by a trusted mentor, leading to a deep sense of betrayal and loss.
Survived Natural Disaster: A survivor of a catastrophic natural disaster who lost everything they held dear.
Abusive Relationship Escapee: A person who managed to escape an abusive relationship, but continues to struggle with the trauma.
Witness to a Dark Ritual: A character who stumbled upon a sinister occult ritual in their past, leaving them haunted by the experience.
Family Curse: A character burdened by a dark family curse that has brought suffering to generations.
Identity Theft and Framing: A person who had their identity stolen and was wrongfully accused of crimes they didn't commit.
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lyralit · 1 year
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traits turned sour
honest - insensitive
persuasive - manipulative
caring - overprotective
confidence - arrogance
fearless - cocky
loyalty - an excuse
devotion - obsession
agreeable - lazy
perfectionism - insatisfaction
reserved - aloof
cautious - skeptical
self loved - selfish
available - distractible
emotional - dramatic
humble - attention-seeking
diligent - imposing
dutiful - submissive
assertive - bossy
strategic - calculated
truthful - cruel
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mikedawwwson · 7 months
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What Are You Going Through
Published in The New York Times Sunday Book Review, 4/2/23
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