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#you just haven't thought of it yet
patd-victorious-of · 1 year
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maybe being a diva isn't what he expected
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vynnyal · 4 months
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So let me get this straight:
Hollow knight is about the journey of a small creature possessing the corpse of a god's discarded child, and the character arc that unfolds as they realize they're more than the path they were set to take, eventually defeating the corruption instead of merely postponing inevitable destruction.
Rain world is about the journeys and experiences of many small creatures sent by a bunch of gossiping computers, and the efforts to help stop the destruction caused by a corrupted god that unfolds over hundreds of years, all to postpone his inevitable death.
Man, video games are fun!
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fiepige · 6 months
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Miguel and Hobie making their entrances (I love that they both get a slow-motion reaction shot from another spider-person as they enter)
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the-casbah-way · 2 months
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everyone’s so bummed about voxval not being “official” that i think we’re forgetting how much potential there is now. slowburn mutual pining? awkward embarrassing attempts at flirting? a CONFESSION SONG???? i think them having a weird messy undefined relationship is WAY more interesting and in character than if they were to be fully dating in the conventional sense of the word
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chiscribbs · 8 months
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Apocalypse Future Donnie Concepts
I wasn't actually planning on posting these until I had a definitive final design to share alongside them, but- It's probably going to be a while before that happens and I feel bad for how inactive this blog has been lately. I've been working on stuff, but only in-between projects, and none of it is really ready to post. So, here's a little something to prove that I am still alive. ❤
Donnie's design is so hard to update. It's just...so good in its simplicity??? Every element feels necessary to his character - so figuring out what to keep, what to get rid of, and what to change slightly is a definite challenge. It's even harder when we're given so little (canonical) information about what role he played in the Resistance and what effects the Krang Apocalypse may have had on him...including how long ago he was killed in relation to the movie. Or how he was killed, for that matter.
So, I'm playing around with some potential ideas and trying to get something that feels right - feels like Donnie, but if he had to adapt to the apocalypse (while also trying to stick to the show's simplistic, shape-heavy style, so nothing too terribly detailed or complex.) I'll share a few of these ideas below, for anyone who's interested.
(Also, yes - I know the spot-goatee is in no way an original concept, but I have a deep affection for it and had to include it in my design.)
One of the concepts I'm considering is giving Donnie a prosthetic leg, something to sort of parallel Leo with his Robo-Raph arm. But in Donnie's case, he probably lost his leg long before Raph was killed or maybe even before he built the robots of his family (maybe this serves as the inspiration or catalyst for the idea.) My working theory is that he was attempting to detonate a mine field full of some Krang dogs and something went wrong which caused him to get caught up in the resulting blast. He was lucky enough to keep his life, but lost his leg and probably some of his hearing in the process. Naturally, because it's Donnie (and because they're living through an apocalypse), the leg will be more than just a prosthetic limb - it'll have some kind of weaponry or technological capabilities built into it. Just haven't decided what that's going to be yet, lol.
I'm also toying with the idea of him creating some kind of "Ninpo Protection Device" - something to act as a defense mechanism against the Krang's mystic-cancelling (or, more accurately, locking) abilities. He's testing it on himself before green-lighting it to be used on his brothers (which, obviously, never happens.) The problem is I can't decide how to visibly convey this idea, I was thinking something along the lines of one of those medical aid devices that become permanent attachments to the user's body. But most of the visible parts of his body are covered in natural armor, save for his limbs and head. So figuring out the best placement for a thing like that has been a little challenging.
I was considering giving him a mechanical hand along with/in place of the robotic leg, as well. Reason being - he works primarily with his hands and almost never wears practical protection gear (another thing I tried to partially remedy with the addition of the gloves), so if any part of him is going to be lost, his hands would be the logical first choice. I also think there's a poetic element to the guy who relies on his tech becoming more and more "mechanical" himself (but only in the physical sense). It would also imply that there was a time when he couldn't work as efficiently on his own as he normally is able to, due to having one less hand, so there was likely an adjustment period wherein he had to lean into his mystic abilities (and the aid of others around him) far more than he's used to doing. A little background character development for him, because I love that kind of stuff.
These are about all of the definitive concepts I have for him at the moment, but obviously, I'm nowhere near having a finished design just yet. So, all of these could potentially be scrapped or tweaked in the final version.
If you read this far - kudos! And thanks for your interest! :>
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uncanny-tranny · 3 months
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There's something so insane to me about being able to create and recreate vintage or even ancient music, clothes, fabrics, building architecture, anything, really.
I watched this video about a lady who knit a WWII-era vest, and it was really unique, because the cable work would eat up yarn, when there were shortages of fibers. This pattern would have likely been used by people to send overseas to soldiers, and now it's being created in a time where this war has been over for generations. What were the people making this pattern thinking of? What about the people making the vest? Could they fathom a world where world wars didn't happen back to back? Could they imagine what peace felt like, or did it fade like a distant memory, a faint friend? All we have now are the remnants of their efforts, a "simple" vest that would warm the bodies of countless people the knitter would never have imagined were here on earth with them.
We're reaching across time to learn about other people - we're reaching our hands out just to grasp anything tangible. And when we've take hold of something, all we can do is say I love you I love you I love you
#positivity#art#i also come across this absolutely stunning woman who collects vintage pieces from the '50s and it's just. it's mind boggling#or how we've found ancient sheet music and have recreated its contents#do you ever think about how we're time travelers#do you ever think about what might be recreated of us in the future#this isn't about nostalgia baiting but about how we learn and process the ways that people in the past lived#you don't have to feel nostalgic for WWII to be intrigued by this (it would be very concerning if one WAS nostalgic for WWII)#i just. i die a little inside because i know i will never know everything...#...i will never know every lottle thing about people in the past especially...#...and i am never completely satisfied because only a very selective amount of things are preserved and remembered...#...i wonder then what 'forgotten' people thought and felt and how they lived...#...especially as individuals or as a small clan of family and friends. i want to know them intomately - as if i myself have become emeshed..#...does this make sense. i don't just want to know about nobles and kings and the wealthy...#...i want to know what the lacemaker for a king felt making lace for the royals...#...i want to know what the rice field worker thought about when the fields were flooded and they swatted a bug away from their skin...#...i want to know what a mother of a small child thought when churning butter - her baby cooing and making a mess...#...and it sucks sometimes to know that we're time travelers but in a very narrow sense. but i still love what we have got...#...don't get me wrong i love it. but i still grieve that we have lost a lot of history - a lot of people...#...or maybe we have only lost them in the sense that we just haven't located and found them *yet*#anyway i've watched that video multiple times now and i just go absolutely animalistic thinking about it#all of this is complex and i have Plenty of thoughts about that. but at least to me this is what i've seen a lot - a lot of love#and isn't studying this - recreating it and analyzing it - isn't that a form of love?#am i... a nosy person..........
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beanghostprincess · 3 months
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Something something modern high school AU in which Sanji is a soccer player and Usopp is one of the cheerleaders with Nami. Sanji won't stop flirting with Nami, though, Usopp thinks he's extremely annoying and one of those popular guys™ (a lie btw he's a fucking loser). The only times they talk are when Sanji approaches the cheerleading team (ignoring the men) and when Usopp goes to talk to Luffy and Zoro because they're friends (they're also soccer players). But! But then they start seeing each other again. Usopp goes to school earlier always to paint because the sky is pretty and the soccer field is calm, and since they have meetings right before school and after, he just gets there earlier. Sanji starts coming earlier than anybody too to run and train and exercise for some reason Usopp doesn't understand because he has never done this before. He tries to ignore the blond but he must say it's pretty hard to do so when he's right there looking gorgeous and sweaty and with a slim artistic complexion Usopp loves. Long legs. Cool to draw. Anyway- Sanji surprisingly is the one to approach him one day because he has a rigorous diet for training now but since he's used to packing his usual food, he does it mindlessly again. He asks Usopp if he wants to eat it because "If you don't do it I will and I can't but I would rather kill myself than wasting food haha" and he says it jokingly but not really and Usopp thinks "fuck it, free food". So they start talking and talking and it turns out it's the best food he has ever tasted and Sanji has been the one to cook it. And he also is training because apparently he wants to impress his father so, damn, sad. One thing leads to another and this becomes a daily thing! They start getting along too! So much so that now he talks to the cheerleaders and Usopp. And he only brings food to Nami and him now. It's kind of nice.
-> Nami has her own side plot about her being in love with a girl from the band (Vivi). She just never tells Sanji she's a lesbian bc she brings her snacks and breakfast every day they have training together.
-> Luffy and Zoro are on the soccer team too and they're so fucking gay it's insane. Luffy is the captain bc somehow he's great at sports and Zoro is down bad.
Inspired by this post btw:
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akai-anna · 2 months
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I thought it might be interesting to share the process of making this particular piece...🥺
And yes, I do use both sides of the paper. *puts on sunglasses and flips canvas in traditional style*
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ode2rin · 1 month
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hi... (runs away)
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shima-draws · 23 hours
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I briefly considered a roleswap AU where Cora is the one to be enslaved by the Celestial Dragons and get horribly mistreated by them but then I realized it would be over in five minutes bc if Law saw that he would literally burn Mary Geoise to the ground with ZERO hesitation whatsoever
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harukakitous · 7 months
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Ohsama Sentai King-Ohger | #30
"Moffun... it's cold. But... I can feel a little bit of warmth."
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viric-dreams · 2 months
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Tamaas (eventually Tamara)
Addressed as: Madam* (she/her)
Age: 23
Height: 5’4”
Occupation:
Main Skills: Shadowy, Watchful
Prominent Quirks: Melancholy
Closest to: The Urchins
*it's a form of address that feels strange compared to its Varchaasi equivalent, but she no longer has any claim to that title.
Backstory below the cut:
She never questioned her life, much like she never questioned her love for Mihir and her native Varchas. One rarely has to when all is well and life is easy.
She doesn’t understand why her brother did not share this contentedness. Fraternal twins, they were ever-close, sharing everything, but his interest in the Jewel-Turbaned Youth and his fanciful club was something that she simply could not get her mind around. The rest of the family paid it no mind—they’re harmless anyway. Let him have his fun.
She doesn’t know what it was that stopped her from retiring to bed that one fateful evening, a nagging in the back of her head that something was off. When she stepped back out into the yellow evening lamplight, a familiar shape slipping down the streets confirmed her intuition. Her brother made it as far as the Mirrored Gate before she clamped her hand around his wrist. Was he mirror-mad? What could he possibly be thinking? Who would want to leave the light, and to set sail on a steamer with a Tamaas captain he’d only met that morning? She’d argued with him, begging him to see sense, until they were both shouting. Deep in their quarrel, she’d barely noticed the shape in the mirror pressed up against his back until it was too late. It struck and he screamed, jerking to the side. Hand still latched around his arm, she slipped in turn, down the slope beyond the gate and both of their lives ended in an instant.
She’d later piece together what had happened from The Sympathetic Captain, most of her memories a blur, and Mihir knows, she’d had enough time on that ship to play her retelling back in her head in endless combinations. Before her brother had even met the ground, before his head had hit stone and his heart had stopped beating, he was Tamaas. As was she, not a fraction of a second later. The Captain had heard the commotion and was not far from the bottom of the cliff. She had insisted that the Captain take them both, that no one in the city would help them anymore. She had to get him to the next port where he could recover.
How his body had disappeared a day later, on a ship miles from the coast, was not one the Captain could answer, no matter how much she raged, how many objects in the cabin she smashed in her fugue. The Captain could only offer a sympathetic ear and a cup of tea.
When the ship finally docked in London she disappeared into the darkness, too ashamed of her grief to say goodbye. Her life was over, but somehow she would have to keep living, Tamaas or otherwise.
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atanxdoesstuff · 3 months
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Here, some Ryley sketches ft. Cuddlefish skritches, Peeper, Bladderfish, and This Is Ozzy From The Cafeteria What The Hell Guys!
i haven't drawn in quite some time but yknow its exam phase so :/ ofc my motivation comes back when I really should be doing something else like idk study? or somethin
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zishuge · 5 months
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Today I gave myself feels thinking about Fang Duobing, Di Feisheng, and Hulijing moving on and aging in a world without Li Lianhua. A world where Li Lianhua isn't there — but then again, he is there, in Lianhualou, and in the townspeople who flock to it, bearing gifts for the miracle doctor who once saved a life, fixed a roof, exposed a conman, comforted a child. Young Fang Duobing used to want to know every little detail about his hero, Li Xiangyi. Now Fang Duobing wants to know every detail about his beloved friend, Li Lianhua. The years pass and fewer people come. But if they remember him, Li Lianhua lives on.
(long post, half meta, half fic, bittersweet)
They travel together, with Hulijing, in Lianhualou. Fang Duobing has nothing better to do, so he takes up detective work again. Di Feisheng has nothing better to do, so he comes along. Everywhere they go, they look for Li Lianhua. And in their journeys, it seems like everywhere they go, someone is talking about Li Xiangyi. Li Xiangyi, who had always been something of a legend, but ever since his reappearance and subsequent (re)disappearance, has seemingly been elevated into something approaching godhood.
you should've seen him, people say, floating across the rooftops in red, cold and beautiful, like an avenging hero out of some novel. wasn't he dead? no — of course he wasn't, li xiangyi would never have been so easily killed. but it was bicha poison, i heard nobody could survive bicha poison. yes, he was definitely dead, and came back to life through dark magic. no, he'd been alive the whole time, just held captive by di feisheng. he tried to kill his shixiong ten years ago and failed, and came back to finish the job. no, his shixiong tried to kill the emperor and li xiangyi came to stop him. the emperor? impossible. yes — don't you know, li xiangyi is the emperor's long-lost son?
All of it only amuses Di Feisheng, but it irks Fang Duobing. The same Fang Duobing, who, when he was younger, would've hungered for every little detail about Li Xiangyi and begged to hear more, now finds it maddening to listen to these strangers talk about him as if they knew him. The world might have known Li Xiangyi, but it had never known Li Lianhua.
Li Lianhua, who could wield Shaoshi like it was a natural extension of his arm, but regularly cut his fingers clumsily slicing radishes and onions. Li Lianhua, who would invariably try to shrug off an attack of bicha poison, but yelped and jumped back from hot oil splatters in the kitchen like a child. Li Lianhua, who frowned when a passing carriage splashed mud onto his robes, but knelt carelessly into the dirt and grass to play with Hulijing.
None of them knew any of that.
But as Fang Duobing and Di Feisheng continue their travels, they begin to encounter other people as well. People who come running when they see Lianhualou in the distance tottering their way. People who come bearing gifts — a woman looking for the shenyi who had helped her with her back pain and also exposed the con artist who had tried to trick her daughter into marriage. A young man coming to thank the doctor who had given his father herbs for stress while uncovering the corrupt official who had falsely accused him of theft. An elderly couple looking for the young man who had helped them thatch their roof before a rainstorm and had given them some medicinal cream before he left. (One middle-aged man with a club, looking for the wangba quack doctor who had exposed his infidelity to his wife — he had left after one look at Di Feisheng, standing silently in the doorway with his arms folded across his chest and dao strapped across his back.) People who greet Hulijing like an old friend.
Fang Duobing listens eagerly to every story they tell him, and in return, he tells them about his brilliant, kind, exasperating friend. Di Feisheng rolls his eyes every time, but Fang Duobing notices he never walks away either. They don't talk about it. But it’s as if Li Lianhua returns, however briefly, during those visits; in those moments, Fang Duobing can almost see him standing there, bending down to pet Hulijing alongside these old friends as she grins her little doggy grin and wags her tail. She escorts their guests to the door, and sits in the doorway after they leave, looking out at the world as though waiting. He doesn't ask if Di Feisheng can see him too. They sit and share wine after these visits, and eat the fruit that the visitors bring, until Di Feisheng can stand the heavy silence no longer and pushes Fang Duobing outside to spar. Hulijing follows faithfully, as always.
(fang duobing had brought home a puppy, once. he can't remember where he found it, but he remembers that he had held it in his lap in his wheelchair, eager to show it to his uncle before taking it home to his mother. his uncle had glared, and told him that dogs were only useful to guard the house, and tianji manor already had guards, human ones, and that fang duobing would do better to focus on his swordplay rather than waste time on such useless and frivolous things. he had taken the puppy away and fang duobing had never seen it again. it wasn't until those blurry months as he rode across the countryside looking for li lianhua, hulijing trotting along ever so loyally at his side, that he realized this was just another way that shan gudao and li xiangyi were opposites.)
The years pass, and there are fewer and fewer people who come. One day Fang Duobing wakes up with the unbearable realization that he is now older than Li Lianhua had ever been, would ever be, and is unable to get out of bed for a good half a shichen. Di Feisheng leaves him be.
The years pass, and Di Feisheng grows older too. There are lines on his face, snowy white beginning to thread through his jet-black hair. Fang Duobing wants very much to tease him about it, but the words catch in his throat when he looks too closely at the signs of time on Di Feisheng's face. What a precious and altogether rare thing it is, to age.
The years pass, and Hulijing grows older too. Fang Duobing finds that more and more often, Hulijing can no longer keep up with him when he goes riding. He stops going riding. She gets cold more easily now too, and more and more often Fang Duobing wakes in the morning with Hulijing curled up under the covers next to him, her wet nose shoved into his armpit. He holds her close and thinks about Li Lianhua shivering in his arms.
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It's been nearly a year since their last visitor, but today there is an old man. He comes in the morning, bringing a basket of plums. A long time ago, he says, a young man who lived here saved my life. I had been poisoned, he says, by my son who wanted my money and my lands. The doctors said there was no cure. But then the young man came and performed a miracle. He saved my life. He saved my life.
Fang Duobing knows it was no miracle that saved him. He asks for the old man's hand and it is given readily, albeit bemusedly. He presses his fingers to the inside of the man's wrist, and is greeted with a whisper-faint, gentle thrum of yangzhouman — a soft hello from a much-beloved friend. You fool, he thinks dazedly, caught somewhere between overwhelmed that here is someone, inside whom a piece of Li Lianhua lives on, and so bitterly angry. What had it cost? Some hours, days, weeks? He doesn't let himself think of what another week might have afforded them in those wild final days, in their desperate search for a cure. Fang Duobing gives the old man back his hand and blinks back the sting of tears. He cannot talk about Li Lianhua today. He apologizes and tells him that the man he is looking for is traveling and won't be back for a few days, but that Fang-mou will pass on the message. Before he leaves, the man leans down to rub at Hulijing's ear. My old friend, he says, like me, you, too, are truly old now.
After the man leaves, Fang Duobing folds himself into a sit on the floor of Lianhualou and gathers Hulijing into his arms. Gently — her joints are stiff now, and he can't haul her around, can't roughhouse with her the way he used to. Di Feisheng comes down the stairs from where he had been listening; he stands behind Fang Duobing and places a warm, steady hand on his shoulder. At the edge of his vision, near the door, Fang Duobing can see the hazy hem of green robes. If he looks up, he wonders brokenly, what would he see? The face of a man forever frozen in youth? Or a face lined with age, snowy white beginning to thread through jet-black hair? He suddenly finds that he cannot bear to find out.
Fang Duobing knows. He knows that the myth and the outlandish rumors about proud, arrogant, beautiful Li Xiangyi will never die. But he also knows that one day, there will be no one else who comes to Lianhualou; no one left who remembers gentle, sly, infuriating Li Lianhua. One day, the old man will pass on and the piece of Li Lianhua that he carries with him will fade as well. And one day… Fang Duobing presses his forehead against the soft fur of Hulijing's neck where it has gone white and thin with age. He closes his eyes and breathes.
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Years and years and years later, Fang Duobing is awakened from where he has fallen into a light doze reading in his chair by a soft knock on the door. There is a woman standing outside, holding a small basket of pears. I think I remember this building, she says. I must've only been six years old, but I had run off and lost my parents. I fell down in the street and skinned my knees. A kind gege helped me and gave me a piece of candy. He said he would walk me home but I said I didn't know whether I should tell him where I lived. He laughed and asked if it would help if I knew where he lived. He pointed to the most fantastical and wild house I had ever seen. I think it was this place. Xiansheng, does he live here? Who was he? Do you know him?
Fang Duobing smiles and invites her inside. On the bed, the small white dog that Di Feisheng has named, ridiculously, Baigujing, raises her head and thumps her tail a few times in hello. Di Feisheng looks up from where he is writing a letter at the table. Fang Duobing leads the woman over and waves at her to sit down. He sits across from her, ignoring Di Feisheng's eyeroll, and offers her a piece of candy. He always keeps candy around. Fang Duobing smiles once more and says, if you'd like to know — there is so much I would like to tell you.
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gendertrickster · 3 months
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i find very cool how you're dating the writer of the comic you were (still are) swooning over
it's literally so fucking funny. you guys cannot even comprehend all the reasons why this is the funniest shit ever
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retourne-toi-eurydice · 3 months
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i was tagged by @kissingmonsters to list 7 comfort films 🎬 thank youuu!
1.Portrait de la jeune fille en feu (2019, dir. Céline Sciamma) because it's my favourite
2. Housebound (2014, dir. Gerard Johnstone) because cringe personal reason
3. Giselle (2014, Royal Opera House) because i will never, ever tire of it
4. Hot Fuzz (2007, dir. Edgar Wright) because i'm English
5. Alice in Wonderland (2010, dir. Tim Burton) because it changed my life (i was 12)
6. Knives Out (2019, dir. Rian Johnson) because everything you want to happen happens
and finally...
7. Wallace & Gromit: The Curse of the Were-Rabbit (2005, dir. Steve Box & Nick Park) because it's just so fucking funny
here are my no-strings-attached 7 tags, if you fancy it!: @gavetheflamingswordaway @a4chocolate @hammerhouse @almost-born-in-1893 @parnagfegg @whizbang-cap (i may have double tagged someone here)
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