at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.
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okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel
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Characters that are younger than Xiao and it feels wrong
Over half the archons (Nahida, Focalors, Furina, probably the pyro archon and the Tsaritsa assuming they were born after the cataclysm. Idk I feel like we assume gods should be the oldest and they just... aren't)
Yae Miko
Dainsleif
NEUVILLETTE
Characters that are older than Xiao and it feels wrong
Ganyu
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In your Magus AU, is Agnes just another a wizard/witch, a noble, or is she some sort of royalty for the Desolation-based kingdom? Also, does she still have a *thing* with Gertrude?
Soooo...
Agnes is the queen of the desolation-based kingdom-
she is an exception to the 'witches are only noble in name' rule but mostly her advisors make decisions.
She and Gertrude don't have the same *thing* as in GiSA but they have met 👁👁
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there’s enough brainrot abt this au to write like a book series so I thought i would finally introduce it properly,, so here goes NOTHING !!
image descriptions:
jedi knight (botw) zelda conversating with padawan ahsoka tano strolling through the jedi temple on coruscant
there’s a firm reason the jedi council never allow commander link (botw) and general anakin skywalker on the same missions during the clone wars
general zelda and link (tp) of the rebel cell referred to as the twilight squadron debriefing their next attack towards the empire
jedi padawan link (ww) and his pirate best friend tetra have no idea what they’re about to face up against when his clone captain suddenly aims his blaster in their direction, claiming to execute the unknown directive of order 66..
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i think it'd be fun if while the master was on gallifrey and messing around in the matrix he found about abt the confession dial. not the sanitised story that twelve might've told missy during the vault but the actual real 4.5 billion years of the time lords using twelve's own will and testament as a torture chamber story. and he loses it. and he burns gallifrey. except he can't ADMIT that's why he did that he'd look SENTIMENTAL he'd look like an IDIOT so instead he makes up a story about how he found something in the matrix something so horrifying and awful and unbelievable that he HAD to destroy the time lords. and then thirteen ends up on gallifrey and digs a little deeper than he had and manages to reconstruct some of the missing files and when she runs back into him she's like i finally found out why you burned gallifrey and i can't believe they did this to me i can't believe they wiped my whole life and experimented on me and built the time lords from my stolen dna and the master's like yeah while mentally he's like hm i'm sorry they fucking what
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For your post finals art request, how about something from your Zutara scars au? Maybe Zuko gently kissing the scars on Katara's hands, with Katara looking absolutely flustered.
Thanks for your consideration and time.
I love soft scar kisses so much, I hope you don’t mind that I added a touch of angst to this
I saw something recently that was like what if Zuko thinks he’s the one that burned Katara’s hands, and I really like the idea so I wanted to incorporate it into this au. So here’s a little comic about Zuko apologizing for burning Katara’s hands (which he did not) insipired by your request :>>
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“Wild Geese” by Mary Oliver x “Dungeon Meshi” by Ryoko Kui
Inspiration under the cut<3
This was heavily (completely) inspired by “a little creature who loves you” by wtfoctogon on ao3 (@wtfoctagon/@possamble on here) and the way they write falin. The second i saw this quote i thought of falin and their story. When i asked if it would be ok to post this they said its the same quote they had in mind when writing her😂 Sadly i am not the genius i think i am, wtfoctogon is just that good at creating such a beautiful and clear picture of falin. I cant imagine there’s very many of you who haven’t, but if you like farcille and haven’t been reading this story you should drop everything and go read it right this second
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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