Tumgik
ahdriking · 30 days
Text
My shadow ban era is OVER, I'M BACK BABY
14 notes · View notes
ahdriking · 1 month
Text
Tumblr media
Promised KinnPorsche schmexy time art
428 notes · View notes
ahdriking · 2 months
Text
For another KinnporscheAU story that combines the world of KP and TLoU
Wicked Grace by Ahdriking 😊
https://archiveofourown.org/works/45588094/chapters/114711130
Tumblr media
9 notes · View notes
ahdriking · 2 months
Text
Welp I've been shadowbanned. Trying to fix it. Until then, I'm contactable on twitter @ahdrik1ng or discord (user ID: 1200167638127628448, username ahdrik1ng). If I've sent you a message about being invited to my server, please reach out to me on either of those platforms!
6 notes · View notes
ahdriking · 2 months
Text
FARK ME my DM's broke, oops. If I've sent you a DM inviting you to my KinnPorsche server, EDIT MY ASKS ARE ALSO BROKEN FOR FUCKS SAKE. Here's my discord user ID: 1200167638127628448 (name ahdrik1ng) please send me a friend request and I'll get you a link! I apologise for the inconvenience, I am also Annoyed (thanks tumblr).
0 notes
ahdriking · 2 months
Text
Tumblr media
Khem enjoying gifts from his admirers
(Because let’s be real he’d be getting a lot of them in Man Suang)
319 notes · View notes
ahdriking · 2 months
Text
Tumblr media
-The Summer Palace -
2K notes · View notes
ahdriking · 2 months
Text
Hello frens! It's been a good long while since I've promoted or talked about my KinnPorsche Discord Server, so I figured it might be a good time to poke the fandom and see if I shake loose any newbies in need of a welcoming community to scream about our blorbos in! EDIT: TUMBLR DM'S ARE BROKEN. OOPS. Please send me an ask if you're interested in an invite, and I'll send you back an ask (keep it private, please) with a link!
5 notes · View notes
ahdriking · 2 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
THE OLD GUARD 2020 | dir. Gina Prince-Bythewood
5K notes · View notes
ahdriking · 2 months
Text
Are y'all sick of my truly incessant barrage of Mansuang gifs yet? Cos if not, I could keep going. I might never stop, actually.
18 notes · View notes
ahdriking · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Khem meet Wichien for the first time
- Mansuang (2023)
58 notes · View notes
ahdriking · 2 months
Text
do you guys remember the Old Guard. remember when there was a major mainstream hollywood action scifi motion picture starring hot women with guns where gay people kissed on the mouth passionately. and the movie was both critically and financially successful. that movie feels like a fucking fever dream. i'll never achieve the high i got when that movie came out ever again
10K notes · View notes
ahdriking · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"I love dancing. Every time I dance, I feel an elegant aura exuding from me. I feel proud of myself. But no matter how good I am, how much hard work I put in, all people want from me is just my body. My pretty outer shell. That's it."
- Mansuang (2023)
32 notes · View notes
ahdriking · 2 months
Text
Tumblr media Tumblr media
The way they smile at each other 🥹
Mansuang (2023)
73 notes · View notes
ahdriking · 2 months
Text
Tumblr media
KP deleted scene
579 notes · View notes
ahdriking · 2 months
Text
I can't stop thinking about Khem and his relationship to sex as power and where it lies in relation to his own experience of sexuality. I also can't stop writing rambly, unstructured nonsense.
As we know, there's no explicit indication as to how Khem identifies sexuality-wise, other than subtle hints that Chatra's positive attention pleases him somehow (the repeating of 'you did a good job today', the very slight smile and perplexed pause at Chatra's admission that he just wanted to spend time with him, and finally, his frankly reckless trust in Chatra in the tree). And of course, 19th century understanding of 'sexual identity' as a character trait was different from the present.
I would have been interested in seeing more of Khem's perspective of his own sexual identity, considering that there was a scene that addressed homophobia directly. The fight that broke out was essentially used as a plot device to get him alone with Chatra, so I'm intrigued as to why they chose to emphasise homophobic rhetoric, when it seems that it isn't really presented as the issue. In Khem's case, class always trumps everything else.
All instances of Khem's sexuality we see are completely predicated on exploitation, with no suggestion at all as to what Khem's experience is beyond that. He has sympathy for the courtesans, because he understands what it is like to be reduced to the value of the pleasure to be derived from one's body. The first encounter with Phraya Wichiendej and the Inao performance, combined with the opening scene of the film, establish (to me at least) that he is practiced at recognising men's desire to 'have' him in a sexual sense, but perhaps more importantly, to exact class-facilitated power over him (he isn't really in a position to refuse). The way he smiles up at Wichiendej upon greeting him, the tone of voice he uses, come off as deliberately deferential in a way he has learned strokes the egos of men who see him as lesser. He recognises that it is the only tool for security or potential advancement he has in that particular kind of social situation. Tragically, the delivery of his lines during their meeting also holds a sliver of tenacious hope for the compliments to really only be for his efforts and not a veiled assertion of dominance ("you please me and I have all the power I need to make you do what I want"). And who knows, this may well have been the case, as we aren't shown Wichiendej pursuing Khem in any way after the Inao performance. We get the flashback montage of Khem's history of being sexually exploited by what appear to be men and a woman. So, again, the sex part of this exploitation is primarily about power, to reaally drive home that Khem has never had agency over his body or in his life. It is his base trauma.
The fight is Khem being slut shamed to compound on the humiliation he already feels from having received a thorough and public dressing down from Kru Phikun. And to add insult to injury, not only is he a slut, he's potentially 'a gay slut' (D.E.B.S? anyone?). He's understandably frustrated and angry, because he has had no choice in the matter, like, ever. What we don't know, is how he feels about the accusation regarding the gay part.
We don't get to see him as a sexual being on his own terms, he doesn't do any explicit desiring at any point in the narrative. So, the question is, how are we to interpret Khem's reaction to the disparaging of sexual conduct between men specifically? That's a big part of the argument, even to the point of surpassing the accusation that he is performing sexual favours in general. In fact, his assailant makes sure to let him know that he thinks performing gay sex acts for profit is worse than being a female sex worker in man suang, because gayness is particularly disgusting. Khem demands to know who presented the claim and whether they have proof, and he does it in a defensive, aggressive manner, and understandably so. Rather than commenting on the gay part of the accusation further than denying it, he chooses to openly defend the courtesans, effectively aligning himself with them, negating any discussion of the gender specificity of the accusation, but implicitly confirming the sexual favours part.
Does he recognise himself as experiencing desire for men? Or anyone, for that matter? Can he, when the primary association he is shown to have with sex is power-driven transactionality, instead of pleasure? Clearly this has been going on for a long time, but how long exactly? How has this impacted his perspective on sex and sexuality?
I was actually quite surprised how much time they devoted to establishing this part of Khem's character, without it playing a more pivotal role in the plot as the story advanced. I was sure at the Inao performance that Wichiendej would be built up as some kind of lech whose downfall would lie in his classist underestimation of Khem as a person, clouded as he would have been, with lust and a sense of superiority.
That leaves it to be simply a building block of Khem's character background, with the purpose to elicit sympathy in the viewer and contribute to world-building. But how does he feel? What does he think??
I know that Apo mentioned in an interview that Khem is some flavour of alphabet soup (not sure how specific he was tho), but within the narrative, they leave us guessing on multiple levels.
My fanfic fantasy for this whole thing is Khem finally being given a chance to get to know himself and have agency in choosing what he wants. Emancipate the lad!!!
97 notes · View notes
ahdriking · 2 months
Text
Mansuang Review:
Mansuang was amazing. I was particularly impressed by Apo's performance as Khem, which was emotional and complex and deeply moving. His story was riveting to me. I personally love characters with trauma in their backgrounds, who have been beaten down by the world into a certain way of thinking and behaving, and Apo captured that experience gracefully and expertly. There is palpable pain in his performance of the darkest moments. I will say that they could have expanded upon his character development a lot more. It would have been nice to have a bit more emotional nuance in his journey towards self-love and acceptance, but I definitely didn't feel unsatisfied by where his narrative ended up. The movie was already juggling so much they clearly just didn't have the time to dedicate to expanding upon the nitty gritty aspects of his healing.
I will say that I am honestly kinda surprised this didn't have any romance in it at all, because there is such a good foundation for it that it feels like they wasted? Like, Khem feeling that no one cares about him except for his body could have been the gateway to Chatra demonstrating care and affection for him outside of sex, proving that he's capable of being loved for who he is. That jumps out at me. That might have been an opportunity for them also to have expanded on Chatra's character, and given him more presence and personality. Khem is a protector, that's clear in the way he treats Wan, but he so often has to sacrifice himself in that role that it would have been devastatingly effective if Chatra had had an opportunity to take care of him in some way instead.
I loved the *bad touch* backstory, for whumping reasons, but it did leave me a little confused. Why did Khem have to have sex with those people? Was it because he's ambitious enough that he'll sell himself to advance his position? Was it because someone was forcing him to, like a boss or person in power? Was it because he felt he had no choice, or was protecting Wan from something? I just wish we could have gotten to know him better, because we get to see the impact of the trauma but we don't really get to understand it, and that leaves me wondering. It felt like, during the dance scene where Khem goes off script, that he did that as an attempt at seduction, because seduction is what he knows and what he expects. He's used to trading in on his beauty and sex appeal to get what he wants. That suggests so many characteristics to me that just... don't quite exist in the rest of the story. And there's no real conclusion to it other than Khem, at the end of the story, choosing to be a dancer because he's at peace with his place in society. Again, lots and lots of opportunities were built up that just didn't quite manage to hit a home run.
Mile did a fucking fantastic job with what he was given, but I was a little disappointed with his role in the story. I felt like the relationship between him and Khem was half-done and underdeveloped, but it had so much potential! He put in an absolutely solid performance, and knocked the emotional scenes out of the park, but I couldn't help but feel like he wasn't given the chance to really shine.
Tong killed it. Killed it fucking dead. That man has the screen presence of a King, which surprised the fuck out of me cos I thought he was a character actor based on his performance in KinnPorsche. But no, this guy has range. I was very impressed.
Bas did a great job playing a racist sad boy. RIP Wan.
In conclusion: a flawed movie, but still so enjoyable and so, so worth watching. I cannot fucking wait for Shine, I hope that it delivers in some of the areas Mansuang wasn't able to.
63 notes · View notes