amihyperfixatingagain

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Critical Role x Delicious in Dungeon. The Mighty Nein x Dungeon Meshi. The moment I thought of it I had to draw it. I think Caduceus & Senshi would get along great.

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Critical Role campaign 3 NPC art !

my take on Dancer and Imahara Joe 

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you know, it really does make perfect sense in retrospect why ludinus was not only okay with trent's volstrucker program, but also admitted to finding it useful for his own means. when imogen asked liliana how ruidusborn are awakened (exalted, presumably, for the purpose of being a potential vessel for predathos), liliana responded, "through turmoil. and training."

that's....not very different at all from how trent created the volstrucker. the only real difference is that ludinus' exalted ruidusborn are for an even worse, potentially world-ending purpose

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New Blood, Old Regards

Thanks to @eyeofthenewt1 for this art piece!

Greetings! Although the Stats Team is still in a state of retirement, we’ve periodically updated several of our Campaign 3 Running Stats categories and galleries thanks to the efforts of a new team of data collectors. This team, consisting of Archivists Astral, Ethereal, Fey, and Shadow, have been preparing since the beginning of the year to launch their own site, and that day has come! With that, we’re pleased to present:

The Omen Archive

Although they have been providing CritRoleStats updates for our Campaign 3 records, their site will be its own thing with its own tools, toys, and focuses, such as graphics derived from their own databases of data. Please visit them at their website, reach out to them, and check them out on their various social media pages:

Website: https://www.omenarchive.com/

Twitter/X: https://twitter.com/omenarchive

Bluesky: https://bsky.app/profile/omenarchive.bsky.social

Instagram: https://www.instagram.com/omen_archive/

Tumblr: https://omenarchive.tumblr.com/ ( @omenarchive )

CritRoleStats will continue to update our databases and running stats pages with the data we receive from the Omen Archive until the end of the campaign, so that anyone from academics to casual fans have access to a complete catalogue of three campaigns worth of data. After that, our site will be completely (accessibly) archived, and our legacy will be carried on entirely by projects like the Omen Archive.

Thanks Are In Order

Outside of our final livecast, we realize we went out without the proper thanks to the community members who helped us grow. We’d like to take this opportunity to give credit where we feel it’s due.

We’d like to thank the team at Critical Role for their support over the years, with special thanks to Dani Carr for both her wonderful spirit, tenacious work ethic, and the marvelous send-off she gave us.

We’d like to thank the creators in the community. Thank you to the artist community for letting us feature your wonderful talent to give vibrancy to the numbers and words we’ve filled. Thank you to the information gathering community, from the wiki workers to the meta analysts, for giving your time to help make Critical Role more accessible. Thank you to the academics for finding value we didn’t know we had in our work. Thank you to everyone who creates in this community, whether your medium is music, words, stats, or art; whether you share for a large audience or for the joy of your private home or table; whether you encourage others with high presence, or quietly inspire and support from the shadows. Your creation makes the world a more interesting place.

We’d like to thank both our patrons and our Ko-Fi supporters for allowing us to carry on for as long as we have, and to make sure our work can continue to reach those who want to be informed and inspired. Thank you to our regular visitors, as well; traffic is supportive in several ways!

Thank you to those who have been with us, whether it’s the very beginning, sometime in the middle, or even if you’re tuning in just now. Your patronage and your expression of value in our work has been a blessing. (Thanks for the 1d4.) We’d also like to thank everyone who has continued to visit the site in spite of the lack of regular content creation on our part, and are grateful that so many of you are still finding use in the previous campaigns’ worth of data, as well as the current one.

We love you all very much. Now, back to retirement!

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"Ludinus was going to go back to seek out what tech was available. There's supposed to be a continued source of it excavated from his troop, his Vanguard, his allies, but there was a problem there. Something called... he called it the Dominox. It had begun to take up root there, was causing troubles with their excavation, so he was going to go take care of it himself."

all roads lead to aeor.

-Critical Role Campaign 3, Episode 92

#critical role #c3e92 #cr spoilers #critical role spoilers #ludinus da'leth #I have lots of thoughts about what the dominox is or could be but my brain can’t put it into words yet #gonna come back later once I can figure out how to write it out

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she deserves to go a little apeshit as a treat

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In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:

There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.

Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.

Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?

From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.

Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?

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It’s Thursday. 🔴🌙

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Caitvi bicep meme

#caitvi #caitlyn #vi #arcane

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now the funniest thing sam could do is make his new character AGGRESSIVELY anti-flat exandrian, just so so so angry at anyone who could ever think that exandria is flat, says how anyone who could think that is an absolute moron, just so the rest of the party has to angrily defend their dead friend who was so so dumb and so so wrong

#critical role #cr spoilers #critical role spoilers

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Official art of Ashton and Fearne's titan transformations by Tyler Walpole, used to create their miniatures featured in the most recent episode!

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Critical Role gets so much weirder when you remember that lines like “I wish for you in the future, to find someone who will mourn you when are gone” and “You were not born with venom in your veins” aren’t scripted, but lines like “Mother, I bring news from the womb” and “Meow. I’m a cat” are

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OK, but I love that Essek might be appearing in the Mighty Nein series before he meets the Nein! It's not just me wanting More Essek (though I do) or wanting to see more of what was going on with his dealings with the Assembly (which I also do). I think this could be super fucking interesting from a narrative construction standpoint.

Because I cannot see how you can include Essek from early in the series and not make it clear to the audience that he's the Dynasty traitor loooong before the Nein find out. Essek having stolen the beacons will not be a surprise. It looks to me like the cast are swapping out surprise for a fuckton of suspense. (Suspense vs surprise was explained to me when I was studying narrative structure as 'surprise is when a bomb goes off that the audience didn't know was there. Suspense is when they see the bomb being placed and have to sit there begging the characters to realise it's there.' In this analogy, Essek is the bomb.)

When we watched C2, the question was is Essek the traitor? In the M9 show, the question for new watchers will be when will the Nein realise that Essek is the traitor? When Essek meets the Nein, the countdown starts ticking; people will know that he is a danger. He is manipulating them. He is going to hurt them. Will the Nein realise before it's too late? But then Essek starts really befriending them, showing more of his loneliness and vulnerability, and... I think the mood will shift. Oh, shit, he really cares about them, doesn't he? What will the Nein do if they find out? Do I even want them to find out? What if they reject him and it makes him worse? He can't keep this up much longer, this is unbearable, they're going to find out - OH FUCK THEY'RE FINDING OUT -

It's such a fascinating choice and I think it goes to show that adaptation is an art form in itself! The actual events in the world will be the same, or at least very similar, but a new format means you can show those events in a totally new way and create a completely different tone! Narrative structure is the fucking coolest! I'm so excited for this show!

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An old Yasha sketch I never finished

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How do you want to do this?

—

Goodbye, Faithful Caregiver.

#fresh cut grass #faithful caregiver #cr spoilers #critical role spoilers #critical role #critical role fanart #cr3 #bells hells #fcg critical role #critical role campaign 3 #bells hells fanart #cr fcg #gonna go cry over the robit again #it’s fine i’m fine #this is so pretty

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hey so like

hi, you. yeah im talking to you. You like my stuff from time to time and reblog once and a while, and I always recognize you in my notes. we’ve never talked, maybe you dont like to say much or you’re nervous or something. it’s okay, whatever it is. 

I see you. you mean a lot to me. sometimes when I’m having a hard day, I’ll notice your name once again in my notifs and it makes me smile. im not kidding.

I don’t care if you’re a “ghost” follower or you send me asks all the time. i see you and I love you so much, genuinely and truly. you are really important to me. 

thank you. thank you for being there. <3

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I've been futzing around with the art style again and also I keep drawing ✨them✨