Fuck Your Lecture on Craft, My People Are Dying
by Noor Hindi
Colonizers write about flowers.
I tell you about children throwing rocks at Israeli tanks
seconds before becoming daisies.
I want to be like those poets who care about the moon.
Palestinians don’t see the moon from jail cells and prisons.
It’s so beautiful, the moon.
They’re so beautiful, the flowers.
I pick flowers for my dead father when I’m sad.
He watches Al Jazeera all day.
I wish Jessica would stop texting me Happy Ramadan.
I know I’m American because when I walk into a room something dies.
Metaphors about death are for poets who think ghosts care about sound.
When I die, I promise to haunt you forever.
One day, I’ll write about the flowers like we own them.
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Wanting to Die
by Anne Sexton
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water, I have rested,
drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don’t always die, but dazzled,
they can’t forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death’s a sad bone; bruised, you’d say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love whatever it was, an infection.
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On the Pulse of Morning
by Maya Angelou
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon,
The dinosaur, who left dried tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out to us today, you may stand upon me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song. It says,
Come, rest here by my side.
Each of you, a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet today I call you to my riverside,
If you will study war no more. Come,
Clad in peace, and I will sing the songs
The Creator gave to me when I and the
Tree and the rock were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
The River sang and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African, the Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheik,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.
They hear the first and last of every Tree
Speak to humankind today. Come to me, here beside the River.
Plant yourself beside the River.
Each of you, descendant of some passed
On traveler, has been paid for.
You, who gave me my first name, you,
Pawnee, Apache, Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet,
Left me to the employment of
Other seekers—desperate for gain,
Starving for gold.
You, the Turk, the Arab, the Swede, the German, the Eskimo, the Scot,
You the Ashanti, the Yoruba, the Kru, bought,
Sold, stolen, arriving on the nightmare
Praying for a dream.
Here, root yourselves beside me.
I am that Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours — your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain
Cannot be unlived, but if faced
With courage, need not be lived again.
Lift up your eyes upon
This day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands,
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For a new beginning.
Do not be wedded forever
To fear, yoked eternally
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out and upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here, on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, and into
Your brother’s face, your country
And say simply
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by Jorge Luis Borges
The world has lost its magic. They have left you.
You no longer share the clear moon
nor the slow gardens. Now there is
no moon that isn’t a mirror to the past,
Solitary crystal, anguished sun.
Goodbye to the mutual hands and the temples
that brought love closer. Today all you have
is the faithful memory and the deserted days.
Nobody loses (you repeat vainly)
Except what they don’t have
and never had, but it is not enough to be valiant
For to learn the art of forgetting
a symbol, a rose, rips you apart
and a guitar can kill you.
I will no longer be happy. Maybe it doesn’t matter.
there are many other things in the world;
any moment is more profound and
diverse than the sea. Life is short
and though hours are very long,
a dark delight lies in wait for us
Death, that other sea, the other arrow
come to free us from the sun and the moon
and the love. the joy you gave me
and took away must be crossed out;
that which was everything has to be nothing.
All I have left to enjoy is sadness,
that vain habit that brings me
South, to a certain door, to a certain corner
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by W.B. Yeats
We sat together at one summer’s end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, ‘A line will take us hours maybe;
Yet if it does not seem a moment’s thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.’
That beautiful mild woman for whose sake
There’s many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, ‘To be born woman is to know—
Although they do not talk of it at school—
That we must labour to be beautiful.’
I said, ‘It’s certain there is no fine thing
Since Adam’s fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
Precedents out of beautiful old books;
Yet now it seems an idle trade enough.’
We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time’s waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one’s but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we’d grown
As weary-hearted as that hollow moon.
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How It Is
by Maxine Kumin
Shall I say how it is in your clothes?
A month after your death I wear your blue jacket.
The dog at the center of my life recognizes
you’ve come to visit, he’s ecstatic.
In the left pocket, a hole.
In the right, a parking ticket
delivered up last August on Bay State Road.
In my heart, a scatter like milkweed,
a flinging from the pods of the soul.
My skin presses your old outline.
It is hot and dry inside.
I think of the last day of your life,
old friend, how I would unwind it, paste
it together in a different collage,
back from the death car idling in the garage,
back up the stairs, your praying hands unlaced,
reassembling the bits of bread and tuna fish
into a ceremony of sandwich,
running the home movie backward to a space
we could be easy in, a kitchen place
with vodka and ice, our words like living meat.
Dear friend, you have excited crowds
with your example. They swell
like wine bags, straining at your seams.
I will be years gathering up our words,
fishing out letters, snapshots, stains,
leaning my ribs against this durable cloth
to put on the dumb blue blazer of your death.
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Thanks in Old Age
by Walt Whitman
Thanks in old age—thanks ere I go,For health, the midday sun, the impalpable air—for life, mere life,
For precious ever-lingering memories, (of you my mother dear—you, father—you, brothers, sisters, friends,)
For all my days—not those of peace alone—the days of war the same,
For gentle words, caresses, gifts from foreign lands,
For shelter, wine and meat—for sweet appreciation,
(You distant, dim unknown—or young or old—countless, un-specified, readers belov'd,
We never met, and ne'er shall meet—and yet our souls embrace, long, close and long;)
For beings, groups, love, deeds, words, books—for colors, forms,
For all the brave strong men—devoted, hardy men—who've forward sprung in freedom's help, all years, all lands,
For braver, stronger, more devoted men—(a special laurel ere I go, to life's war's chosen ones,
The cannoneers of song and thought—the great artillerists—the foremost leaders, captains of the soul:)
As soldier from an ended war return'd—As traveler out of myriads, to the long procession retrospective,
Thanks—joyful thanks!—a soldier's, traveler's thanks.
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Any Prince to Any Princess
by Adrian Henri
August is coming
and the goose, I’m afraid,
is getting fat.
There have been
no golden eggs for some months now.
Straw has fallen well below market price
despite my frantic spinning
and the sedge is,
as you rightly point out,
I can’t imagine how the pea
got under your mattress. I apologize
humbly. The chambermaid has, of course,
been sacked. As has the frog footman.
I understand that, during my recent fact-finding tour of the
despite your nightly unavailing efforts,
he remained obstinately
I hope that the Three Wishes granted by the General
will go some way towards redressing
this unfortunate recent sequence of events.
The fall in output from the shoe-factory, for example:
no one could have foreseen the work-to-rule
by the National Union of Elves. Not to mention the fact
that the court has been fast asleep
for the last six and a half years.
The matter of the poisoned apple has been taken up
by the Board of Trade: I think I can assure you
the incident will not be
I can quite understand, in the circumstances,
your reluctance to let down
your golden tresses. However
I feel I must point out
that the weather isn’t getting any better
and I already have a nasty chill
from waiting at the base
of the White Tower. You must see
the absurdity of the
Some of the courtiers are beginning to talk,
not to mention the humble villagers.
It’s been three weeks now, and not even
a cold, black wind
howls through our empty palace.
Dead leaves litter the bedchamber;
the mirror on the wall hasn’t said a thing
since you left. I can only ask,
bearing all this in mind,
that you think again,
let down your hair,
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by Amy Lowell
Color of lilac,
Your great puffs of flowers
Are everywhere in this my New England.
Among your heart-shaped leaves
Orange orioles hop like music-box birds and sing
Their little weak soft songs;
In the crooks of your branches
The bright eyes of song sparrows sitting on spotted eggs
Peer restlessly through the light and shadow
Of all Springs.
Lilacs in dooryards
Holding quiet conversations with an early moon;
Lilacs watching a deserted house
Settling sideways into the grass of an old road;
Lilacs, wind-beaten, staggering under a lopsided shock of bloom
Above a cellar dug into a hill.
You are everywhere.
You were everywhere.
You tapped the window when the preacher preached his sermon,
And ran along the road beside the boy going to school.
You stood by the pasture-bars to give the cows good milking,
You persuaded the housewife that her dishpan was of silver.
And her husband an image of pure gold.
You flaunted the fragrance of your blossoms
Through the wide doors of Custom Houses—
You, and sandal-wood, and tea,
Charging the noses of quill-driving clerks
When a ship was in from China.
You called to them: “Goose-quill men, goose-quill men,
May is a month for flitting.”
Until they writhed on their high stools
And wrote poetry on their letter-sheets behind the propped-up ledgers.
Paradoxical New England clerks,
Writing inventories in ledgers, reading the “Song of Solomon” at night,
So many verses before bed-time,
Because it was the Bible.
The dead fed you
Amid the slant stones of graveyards.
Pale ghosts who planted you
Came in the nighttime
And let their thin hair blow through your clustered stems.
You are of the green sea,
And of the stone hills which reach a long distance.
You are of elm-shaded streets with little shops where they sell kites and marbles,
You are of great parks where every one walks and nobody is at home.
You cover the blind sides of greenhouses
And lean over the top to say a hurry-word through the glass
To your friends, the grapes, inside.
Color of lilac,
You have forgotten your Eastern origin,
The veiled women with eyes like panthers,
The swollen, aggressive turbans of jeweled pashas.
Now you are a very decent flower,
A reticent flower,
A curiously clear-cut, candid flower,
Standing beside clean doorways,
Friendly to a house-cat and a pair of spectacles,
Making poetry out of a bit of moonlight
And a hundred or two sharp blossoms.
Maine knows you,
Has for years and years;
New Hampshire knows you,
Cape Cod starts you along the beaches to Rhode Island;
Connecticut takes you from a river to the sea.
You are brighter than apples,
Sweeter than tulips,
You are the great flood of our souls
Bursting above the leaf-shapes of our hearts,
You are the smell of all Summers,
The love of wives and children,
The recollection of gardens of little children,
You are State Houses and Charters
And the familiar treading of the foot to and fro on a road it knows.
May is lilac here in New England,
May is a thrush singing “Sun up!” on a tip-top ash tree,
May is white clouds behind pine-trees
Puffed out and marching upon a blue sky.
May is a green as no other,
May is much sun through small leaves,
May is soft earth,
And windows open to a South Wind.
May is full light wind of lilac
From Canada to Narragansett Bay.
Color of lilac.
Heart-leaves of lilac all over New England,
Roots of lilac under all the soil of New England,
Lilac in me because I am New England,
Because my roots are in it,
Because my leaves are of it,
Because my flowers are for it,
Because it is my country
And I speak to it of itself
And sing of it with my own voice
Since certainly it is mine.
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by Louise Glück
Do you know what I was, how I lived? You know
what despair is; then
winter should have meaning for you.
I did not expect to survive,
earth suppressing me. I didn’t expect
to waken again, to feel
in damp earth my body
able to respond again, remembering
after so long how to open again
in the cold light
of earliest spring–
afraid, yes, but among you again
crying yes risk joy
in the raw wind of the new world.
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“Something I learned about agape when I was young...”
by Christina Pugh
Something I learned about agape when I was young: the Iliad tells
us fellow-feeling is finite in communities. Brotherly love becomes a
number that has to be divided among persons—so if you’re too kind to
others, that might explain your neighbor’s graft. I sometimes wonder if
perception is the same; if the quantity of percepts, or our trove of eidetic
things, is not limitless but rather constant: the measure, say, of a sunlit
field. So if we dip like deep-sea divers to the world, we’ll have to use a
purse-seine to sieve our sense impressions. We’re hoarding the image
at our peril. That bluest scilla smeared by a finger writing in the grass?
Endangered. Poetry’s work is not to ravish, but diminish.
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To Be in Love
by Gwendolyn Brooks
To be in love
Is to touch things with a lighter hand.
In yourself you stretch, you are well.
You look at things
Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but
You know you are tasting together
The winter, or light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes
Because your pulse must not say
What must not be said.
Shuts a door—
Is not there—
Your arms are water.
And you are free
With a ghastly freedom.
You are the beautiful half
Of a golden hurt.
You remember and covet his mouth,
To touch, to whisper on.
Oh when to declare
Is certain Death!
Oh when to apprize,
Is to mesmerize,
To see fall down, the Column of Gold,
Into the commonest ash.
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by Jean Little
I peel oranges neatly.
The sections come apart cleanly, perfectly in my hands.
When Emily peels an orange, she tears holes in it.
Juice squirts in all directions.
“Kate,” she says, “I don’t know how you do it!”
Emily is my best friend.
I hope she never learns how to peel oranges.
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by Pablo Neruda
It was passed from one bird to another,
the whole gift of the day.
The day went from flute to flute,
went dressed in vegetation,
in flights which opened a tunnel
through the wind would pass
to where birds were breaking open
the dense blue air--
and there, night came in.
When I returned from so many journeys,
I stayed suspended and green
between sun and geography--
I saw how wings worked,
how perfumes are transmitted
by feathery telegraph,
and from above I saw the path,
the springs and the roof tiles,
the fishermen at their trades,
the trousers of the foam;
I saw it all from my green sky.
I had no more alphabet
than the swallows in their courses,
the tiny, shining water
of the small bird on fire
which dances out of the pollen.
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Walking Home from Oak-Head
by Mary Oliver
There is something
about the snow-laden sky
in the late afternoon
that brings to the heart elation
and the lovely meaninglessness
Whenever I get home—whenever—
somebody loves me there.
I stand in the same dark peace
as any pine tree,
or wander on slowly
like the still unhurried wind,
as for a gift,
for the snow to begin
which it does
at first casually,
Wherever else I live —
in music, in words,
in the fires of the heart,
I abide just as deeply
in this nameless, indivisible place,
which is falling apart now,
which is white and wild,
which is faithful beyond all our expressions of faith,
our deepest prayers.
Don’t worry, sooner or later I’ll be home.
Red-cheeked from the roused wind,
I’ll stand in the doorway
stamping my boots and slapping my hands,
covered with stars.
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The First Rule of Sinhalese Architecture
by Michael Ondaatje
Never build three doors
in a straight line.
A devil might rush
deep into your house,
into your life.
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by Octavia Butler
Here we are--
We are born
Not with purpose,
But with potential.
All that you touch
All that you Change
The only lasting truth
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“I lived in the first century of world wars”
by Muriel Rukeyser
I lived in the first century of world wars.
Most mornings I would be more or less insane,
The newspapers would arrive with their careless stories,
The news would pour out of various devices
Interrupted by attempts to sell products to the unseen.
I would call my friends on other devices;
They would be more or less mad for similar reasons.
Slowly I would get to pen and paper,
Make my poems for others unseen and unborn.
In the day I would be reminded of those men and women,
Brave, setting up signals across vast distances,
Considering a nameless way of living, of almost unimagined values.
As the lights darkened, as the lights of night brightened,
We would try to imagine them, try to find each other,
To construct peace, to make love, to reconcile
Waking with sleeping, ourselves with each other,
Ourselves with ourselves. We would try by any means
To reach the limits of ourselves, to reach beyond ourselves,
To let go the means, to wake.
I lived in the first century of these wars.
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by Li-Young Lee
I’ve pulled the last of the year’s young onions.
The garden is bare now. The ground is cold,
brown and old. What is left of the day flames
in the maples at the corner of my
eye. I turn, a cardinal vanishes.
By the cellar door, I wash the onions,
then drink from the icy metal spigot.
Once, years back, I walked beside my father
among the windfall pears. I can’t recall
our words. We may have strolled in silence. But
I still see him bend that way—left hand braced
on knee, creaky—to lift and hold to my
eye a rotten pear. In it, a hornet
spun crazily, glazed in slow, glistening juice.
It was my father I saw this morning
waving to me from the trees. I almost
called to him, until I came close enough
to see the shovel, leaning where I had
left it, in the flickering, deep green shade.
White rice steaming, almost done. Sweet green peas
fried in onions. Shrimp braised in sesame
oil and garlic. And my own loneliness.
What more could I, a young man, want.
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by Langston Hughes
Democracy will not come
Today, this year
Through compromise and fear.
I have as much right
As the other fellow has
On my two feet
And own the land.
I tire so of hearing people say,
Let things take their course.
Tomorrow is another day.
I do not need my freedom when I’m dead.
I cannot live on tomorrow’s bread.
Is a strong seed
In a great need.
I live here, too.
I want freedom
Just as you.
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