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Valencia, October 2019.

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St John of God sister checking blood smear, Derby Leprosarium, 1948

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Vesuvius 070424

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Katja Kublitz: Anger Release Machine (2008)

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Collection

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Masahisa Fukase: Sasuke!! Dear Cat (1979)

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Auroras on Saturn © Hubble

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crash 1996 reference on my car after hitting a staircase

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Academy Award Winners for Best Cinematography: 2022 — Greig Fraser, ACS, ASC Dune (2021) Directed by Denis Villeneuve Aspect Ratio: 2.39 : 1

Desert colors dominate throughout the movie, but Fraser, [production designer Patrice] Vermette and costume designer Jacqueline West went to great lengths to imbue that palette with subtle and organic variations of color. “We worked very hard to make sure the world of Dune was not monochromatic,” Fraser says. “For example, Patrice worked veins of reds and blues into the sand walls. He — and Jacqueline, who built these subtle gradations of color into the costumes — both did wonderfully subtle work, and I had to make sure we were capturing those subtleties.“

“My approach was to pull as much color as possible out of non-colorful situations,” he continues. “It was all subtle differences, not necessarily bold color contrasts. Achieving bold color in film is super easy. Achieving depth [in the image while creating a natural-light look] when you’re working with a digital sensor and digital lights is harder than it might first appear.” — The American Society of Cinematographers, January 2022

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Violent Shadows (New Orleans Victorian Moorish-Revival), Photo by Clarence John Laughlin, 1939

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he was unreachable. As music is present yet you can’t touch it.

— Mary Oliver, The First Time Percy Came Back

#slove #mary oliver

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Andrea Kiss, Self, 2017

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