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Little girl kissing pet bird, ca. 1912

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©Philomena Famulok

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In The Reeds by Constant Puyo, 1903.

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Mieko Shiomi, Mirror, 1963

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Einar Erici • shoemaker, woodcarver, and fiddler Petrus Norling playing the violin • Uppsala, Sweden, 1938

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Auroras glow above Jupiter and moon, 1981

Ron Miller

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“I was never really insane except upon occasions when my heart was touched.”

— Edgar Allan Poe 

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Jordi Gual • his blind daughter Natasha

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Andrew Wyeth

Dryad. 2007, tempera on panel, 107 x 123cm. Private Collection

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Justine Kurland, The Mud Puddle (2001)

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In every wood in every spring there is a different green.

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E-MORTALITY / @blueskies-bluescreens / status of a steam user / death, virtual grief and your digital footprint by kelley edwards and johanna j. lunn / STurner4077 on twitter / the new forms of mourning: loss and exhibition of the death on the internet (2016) by julie alev dilmaç / description for all the ghosts in the machine: illusions of immortality in the digital age (2019) by elaine kasket

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some snippets from notes on craft by lauren elkin, published in granta.

a short piece but it has shifted my view of how i personally journal and how i could be journaling! ‘a journal as a unit of measuring space’.. she also says later that it is the purest form of attention and i’m not sure i agree entirely but i definitely want to take some of that purpose into my writing in the future. journaling looking outwards!

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Ten insects (including three species of dragonfly, a grasshopper, a wood-wasp, a frosted orange moth and a cricket). After Jacob Hoefnagel. Produced 1600-1620.

Watercolour.

© The Trustees of the British Museum.

Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.

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forest pages

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Sophie Lécuyer (French, b. 1987, Épinal, France) - From series The Time Of Anemors, 2016  Etchings, Aquatints printed in Green Ink on Fabriano Paper