* I JUST WANT MY HIGH SCHOOL TO BE A NICE PLACE. ( did that sound bitchy ? )
independent. selective. film based.
art.
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MOVED.
memes are most likely dropped but threads will be carried over
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* I JUST WANT MY HIGH SCHOOL TO BE A NICE PLACE. ( did that sound bitchy ? )
independent. selective. film based.
art.
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what if i moved blogs 😳
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taking veronica out of her original canon and developing her around a completely different set of circumstances has helped me figure out a lot about her and it’s so interesting to see the way she interacts with people she genuinely likes and how she changes in that different of a context
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samuel and i saw the tremor. the inside shakeoff of her heart. she was getting so good the cracks and fissures were smaller and smaller. soon, like a sleight - of - hand trick perfected, no one would see her do it. she could shut out the whole world, including herself. ❝ i’m fine, ❞ she said. she would not break. i watched her, felt the lines she repeated over & over again in her head : fine —— all of it is fine. ©.
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DEAR DIARY,
❛ can you just like ––––––– pretend you didn’t see that ? ? ❜ a solid effort ( though one not likely to work ) words followed by a lopsided grin and a chuckle that all but pleads for her to simply go along with it. / @bleuebird
-` ─ ! ( ❛❛ SURE, i could --- ❜❜ girl sizes him up : a mockingly demure tone takes to curling lips, her good mood seizing up good nature & flaring out the appealing option of light - hearted taunting. ❛❛ but i’m not sure if i feel like it. you’re getting way more out of all that effort than i am. right ? ❜❜
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DEAR DIARY,
boney elbow slams into your side, like a knife sliding into a fresh brick of butter. it’s a battle wound that you’d easily heal from - perhaps suffer the smallest of bruises but you’d make a production out of it nonetheless. could you possibly be richie tozier if you didn’t do such a thing? “ MAYDAY! MAYDAY! i’ve been struck! call in reinforcement, we’ve got a man down! ” voice rose in volume, limbs flail as you settle on dramatically laying across both of them.
“ christ! you could have broke my ribs. watch the merchandise, mikey boy. ”
-` ─ ! ( ❛❛ keep the merchandise off me --- ❜❜ the flurry of limbs is more weaponry than was likely intended by gaudily - printed jokester draping himself across distanced laps. it takes little strength to topple him to floor & even less for girl to seize the opportunity to perch self rightfully beside her blue beau. veronica ribbons thin arms around michael’s nearest, pressing her vexation rouged cheek to his shoulder / she pouts down to fallen foe, ❛❛ YOU’RE WORSE THAN JFK. ❜❜
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DEAR DIARY,
max looks around the space in feigned confusion , ❛ hey , do you –––– do you hear something ? ❜ there’s a pause before she speaks again , trying her best not to smile . ❛ it’s like an annoying sound that makes me wanna punch something , you know ? ❜
-` ─ ! ( ❛❛ DON’T WASTE YOUR STRENGTH. ❜❜ veronica nudges zoomer spryly, mock warning tinting her smile an amused wary. lithe arm knots ‘round maxine’s before she speaks again, ❛❛ it’s totally sexist. so what ? it’s not like you want to spend two hours looking at tops over at the limited, anyway. ❜❜
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DEAR DIARY,
“ yy - you can’t b - back out on our dd - deal when y - you become some big hh - hit –––– you know th - that , right ? a deal’s a dd - deal . ” / @bleuebird
-` ─ ! ( ❛❛ WHERE’S YOUR FAITH, JESSE JAMES ? i could say the same to you. ❜❜
❛❛ let’s add another clause ... if either of us forgets or tries to back out, it jumps up to fifty - fifty. ❜❜
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Anne Carson, The Glass Essay (1995)
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@monstears said: ‘ i’m always here for you. ’
-` ─ ! ( ❛❛ I KNOW. ❜❜ guilt sinks as irritation rises --- everything in her aches to click phone back into its cradle & call it a night. SHE DOES NOT, she settles forehead on the cool smoothness of bedroom wall, flutters eyes closed. frustration constructed a home in her. a perpetual state of ill - fitting interpretations. ❛❛ it’s not that. i know you’re here for me & all but ... ❜❜ small vessel of self sinks into mattress, disturbing feline resident & displacing neat bedding in its wake. ❛❛ can we talk about something else now ? i’m about to od on self pity, here. ❜❜
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DEAR DIARY·,
“ less , huh ? ” reflect on those words , lungs expanding with cigarette smoke . there’s something like shame lingering in the following confession . “ i hope i’m nothing like my parents when i grow up .. does that sound awful ? ”
-` ─ ! ( ❛❛ i don’t think anybody wants to end up like their parents. ❜❜ laces of smoke trail around them, mirroring her listless thoughts --- the sawyers, idle, sit at the forefront of spry mind : their mild gazes, their nauseating comfort. veronica liberates a sigh, leaning into beverly & resting the round of her cheek against faded blouse’s sleeve. ❛❛ if i ever end up like mine --- PUT ME OUT OF MY MISERY. ❜❜
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veronica’s physique, wardrobe, & overall personal style aesthetic
i.
veronica could be classified as something of an offbeat, classical beauty. her eyes are a striking columbia blue, noticeably large and heavily frame by thick, long lashes. despite the charm and freshness of her appearance, she is visibly tired. her emotions read obviously in her full, open features.
she stands at a whopping 5′4′’, barely weighing over a hundred pounds. her figure is slim, and her way of shrinking in on herself (slouching a bit, crossing her arms, holding herself in) in spite of her tangible presence makes her seem that much more petite.
ii.
in a somewhat harsh contrast to the paleness of her face, veronica’s hair is a rich, dark brunette. while blunt, fluffy bangs are present from childhood, later teens and on leave her hair cut shoulder length or shorter. usually styled, her natural hair is on the wavier side making the height and curls of the 80s easier to manage. in terms of her brows, think elizabeth taylor volume with an audrey hepburn shape.
her make up is very natural given the era. in a nod to french beauty, her eyes are generally subdued. her lashes are curled and lightly coated, her eyeliner is thin, and her eye shadow is exclusively nude and defining in nature. a nude lip gloss is her primary go to, but on special occasions she may reach for a cooler red lip (which also doubles for a faint touch of rouge on cheeks). her nails are of medium length, always neat, always manicured with a french tip.
iii.
her clothes themselves are leaning on the conservative end: legs are always in nylons/tights/leggings and baggy/oversized clothes are preferred, save events/dates when crop tops and more form fitting wear come to play. Look is canonically described as chic, but understated - her color scheme is less loud and abrasive than the era lends itself to being, consisting exclusively of cool color tones ( blues, greys, white, black, and a few shades of purple here and there ). at parties, the loose wear tends to be traded in for more form fitting attire.
occasionally, especially in warmer months, crop tops make an appearance, though much of the skin that may show is taken up by high waisted skirts. pants are few and far between, almost never denim. overall, very demure, classically feminine, and new england inspired. her shoes consist entirely of dark colors. usually the styles are simple flat, oxfords, or feminine loafers. she is not keen on heels, but can be seen occasionally rocking kittens.
to match her classical, comfortable style: veronica is scant to accessorize. her earrings are a bit oversized, often hidden behind hair, and necklaces are a rarity. bracelets might make an occasion, but brooches are more common. nothing is too gawdy and tend to act more as a compliment than a statement.
iv.
veronica’s style is very chic, very feminine, and very her. while her looks are trendy, nothing seems off the rack. her influences are primarily french, but american actresses of the silver era ( audrey hepburn predominantly ) do often play a part in her stylistic choices.
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*accidentally stares at crush for 20 mins*
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@salmns & veronica in a twisting forest that beckons you.
-` ─ ! ( setting sun yawns portentously through reaching & slanted branches / mingling shadows, gaunt & taunting, betray every shift in position. somewhere in tangled light, she swears she sees a flash of her. veronica white knuckles handlebars as the sick in her stomach cements. DAYDREAMS, worse than nightmares, were too gossamer to risk the weight of reality. in that flash, she feels herself edged onto path / whispering leaves court & tease, the blind hope of reunion.
❛❛ SUSIE ? ❜❜ voice catches in her chest. mary janes take to pedals, chasing after glittering illusion between drifting leaves. again she swears she’s there, like a candle flicker in your peripherals. IT’S MOURNING, veronica’s sure. it’s heartbreaking & stupid, yet she carries on into eager forest. ❛❛ susie ! ❜❜
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