br0k3nbl0ss0ms

[br0k3nbl0ss0ms]

Gena Rowlands in A WOMAN UNDER THE INFLUENCE (1974) dir. John Cassavetes

#gena rowlands #john cassavetes #a woman under the influence #independent cinema #independent film #1970s #1970s films #1970s aesthetic #peter falk #film #cinema #movies

[br0k3nbl0ss0ms]

Michelle Phillips and Cass Elliot in September 1966

[br0k3nbl0ss0ms]

“What I think everybody needs is a way to say, ‘Where and how can I love- can I be in love so that I can live? So that I can live with some degree of peace?’” - John Cassavetes

Inspired by this post <3

#john cassavetes #love streams #a woman under the influence #minnie and moskowitz #gena rowlands #edit #film

[br0k3nbl0ss0ms]

Holding someone's hand was always my idea of joy. Often before falling asleep - in that small struggle not to lose consciousness and enter the greater world - often, before having the courage to go toward the greatness of sleep, I pretend that someone is holding my hand and I go, go toward the enormous absence of form that is sleep. And when even then I can't find the courage, then I dream.

Clarice Lispector, The Passion According to G.H.

[br0k3nbl0ss0ms]

Romy Schneider, c.1969

[br0k3nbl0ss0ms]

Anna Karina photographed by André Grassart, 1965.

[br0k3nbl0ss0ms]

#john cassavetes #mikey and nicky #columbo #husbands #film #cinema #lana del rey #edit #film edit

[br0k3nbl0ss0ms]

All alone she was. All alone with her soul. She lived on the top of a solitary hill. Her house was small, and bare, and alone too. She seemed like a creature of the forest herself, sometimes. She walked with a swift silent tread. She spoke to no one. No one spoke to her.

Katherine Mansfield, from Selected Prose; "The Lonely One"

[br0k3nbl0ss0ms]

Agnes Varda, por Martine Franck

[br0k3nbl0ss0ms]

Delphine Seyrig by Agnès Varda, 1962

#delphine seyrig #agnes varda #1960s #1960s photography #1960s style #1960s aesthetic #french cinema #cinema francais #french new wave #nouvelle vague #female filmmakers #feminist cinema #women’s cinema #last year at marienbad #cinema #film

[br0k3nbl0ss0ms]

Virginia Woolf wearing her mother’s Victorian dress, photographed by Beck and McGregor for British Vogue, 1926

[br0k3nbl0ss0ms]

Just a reminder that a "neutral stance" on the occupation of Palestine does not exist. You either stand for or against ethnic cleansing and apartheid. You're not big brained/an intellectual for "seeing both sides". At best you're an idiot and at worst you are complicit in the ongoing efforts of Israel to spin this as a "conflict."

We are, in real time, witnessing a tremendous escalation to an already on going ethnic cleansing of Palestinians. There is only one right stance here and you need to get educated.

[br0k3nbl0ss0ms]

Delphine Seyrig

by Agnès Varda

1960s

[br0k3nbl0ss0ms]

James Joyce, from Solitary Hotel in The Complete Works

[br0k3nbl0ss0ms]

I lost you in the night, Julien. I should have left you alone. I shouldn't have kissed you or caressed your face.

Jeanne Moreau as Florence Carala in Elevator to the Gallows (1958) dir. Louis Malle

[br0k3nbl0ss0ms]

AUTUMN SONATA (1978) dir. Ingmar Bergman

[br0k3nbl0ss0ms]

PARIS, TEXAS

— 1984, dir. Wim Wenders