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I just think they should be pretty, mean sluts together.

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While Blitzo was paid to be Stolas' playmate and was manipulated by his sleazy father into being a thief, Stolas was genuinely happy to have a friend his own age in childhood, which probably saved his sanity from Paimon's less than competent parenting.

When Blitzo explains his dream of running his own circus business, Stolas is incredibly supportive, if somewhat amused at a circus having an office. When the prospect of Blitzo hiring him comes up later, Stolas says he hopes he'll qualify and that Blitzo will make a good boss. While the start of their playdate had Blitzo being bored and clearly not thinking much of Stolas, and even if it comes after Blitzo tricking Stolas in helping him rob the palace, by the end they are laughing together and happily discussing their futures with mutual interest.

During the anniversary party, Stolas was so desperate for emotional connection that, when he met Blitzo again, he convinced himself that the imp was sneaking into his room to seduce him. Blitzo, who hadn't seen him in 25 years and was only after the book, took advantage of this not realizing Stolas was after a genuine connection and leading to the collapse we saw in "OZZIE'S".

It also turns that Blitzo was planning on just tying up Stolas so he didn't see him steal the book...then changed his mind and decided to give Stolas a fun night after discovering just how empty Stolas' life was, looking genuinely guilty upon realizing what kind of emotional damage that abandoning someone in makeshift BDSM would do to him. Especially someone who, in that bondage, called Blitzo his “first ever friend”. "OZZIE'S" has made it very clear that Blitzo might put on a front for everyone else, but I.M.P is his attempt at creating a family "circus", and he doesn't actually have very many friends of his own, having pushed his old friends away years ago (Fizzarolli, Verosika and even kept Stolas at arm's length as a child), and continuing the pattern with Moxxie and Stolas.

Stolas and Blitzo's relationship seem to have been very much headed for doom from the beginning, and it's clear that both Blitzo and Stolas has never had a healthy and meaningful relationship with anyone except maybe Octavia for Stolas and M&M and Loona for Blitzo, and even those relationships are fraught. It probably isn't a coincidence that both Blitzo and Stolas seem to be trying to make up for their horrible fathers by being better father figures to the people in their care. Stolas has been so deprived of love and affection for his whole life, other than Octavia, that he has no idea how real, non-transactional relationships work even though he desperately wants one.

Blitzo's the same, though he's spent more time hiding that, which is understandable given that he's a trained clown that has to hide his emotions. Just like Stolas, Blitzo desperately craves intimacy and a relationship of his own, but he doesn't understand intimacy without some non-love motive behind it, and he pushes others away to the point of resentment because his upbringing/mistakes with relationships in the past have led him to see himself as a failure and horrible person who doesn’t deserve love, despite being terrified of dying alone as a “wrinkly, old, withered waste”. Not to mention that Stolas, being a very sheltered member of the Goetia family, has a very poor understanding of power dynamics and as such, his "kinky fantasy" of “favors for favors” has real implications that he failed to consider, which may have permanently impacted his relationship with Blitzo. Only time will tell if they can make things right.

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In the music video, Blitzø is represented by the Moon, while Stolas is associated with the ocean, initially walking on it before being submerged in it. This is actually very symbolic of their dynamic. The Moon controls the tides, but at the same time, it orbits around the Earth. Blitzø relies on Stolas and is drawn to the force of his power that he needs to accomplish his goals. However, Stolas is controlled by Blitzø's gravity as well, to the point of drowning in his emotions for the imp. They both profoundly affect one another.

Even the string that ties Blitzø and Stolas together is deeply symbolic. The majority is Stolas's blue, which is representing how much he's put into the relationship so far, as well as the massive amounts of feelings he's going through dealing with possibly losing Bitzø once he gives him the crystal. He has so much length to it because he's being so much more open about his feelings as well.

Meanwhile Blitzø's red is barely there because he doesn't, and possibly can't, put more into the relationship than he currently does. He has so much self-hatred that it's almost impossible for him to love anyone romantically, considering he doesn't even love himself. That and he's scared to put himself out there only to be hurt. He shows so few emotions and so his portion of string is immensely shorter. When it snaps, it all goes back to red on his end as all his trauma and repressed emotions about it flood back and envelope him in the moon once more.

Pay attention to the size of the moon. At first the moon was small, that is, these "walls" were thin or insignificant (this can be recognized from the childhood of Blitzo and Stolas, Blitzo was full of enthusiasm and hope, but now it is slowly fading away). Previously, Blitzo was more open, but after many events in his life, his walls began to increase (he was used by his father for profit, his best friend Fizzaroli suffered because of him, etc.), and eventually became huge and impenetrable (he does not share many things, not even with his own daughter, and he's afraid to trust Stolas on purpose). Even Stolas, with his tall stature, cannot compare with them. This literally shows that Blitzo can't trust anyone.

Stolas sees this and tries to break through them, but until they talk, the walls will not be possible to get through. It is precisely because this "barrier" cannot be destroyed that Stolas will give Blitzo the opportunity not to depend on him because of some kind of grimoire. The Moon's increasing size may also indicate that Blitzo is becoming a significant figure to Stolas. He wants to be with Blitzo not only physically (by type of sexual attraction), but also emotionally. In other words: Stolas fell in love with Blitzo seriously, not in childhood, when it was just sympathy, but real love, which is difficult to get rid of.

The symbolism of Blitzo as the Moon is very reflective of his and Stolas' relationship. Not only is it a callback to the fact that they mostly see each other once a month on a full moon to do “the deed”, but it it's also just a great metaphor for Blitzo as a character. Humanity has been fascinated by the Moon for a long time and tried to reach it for centuries and it was only in 1969 (relatively recently) that they managed to do it. The moon had always been this gorgeous, desirable, yet unreachable thing and that's exactly what Blitzo's love is from Stolas’ perspective.

Stolas' love for Blitzo is represented by the moon. First small and bright, something he can hold close and dear. Then larger, something harder to hold but something still fully within his grasp. Then at the end, impossibly large while also just out of reach

The moon also mirrors the power dynamics between Stolas and Blitzø, at the start with Stolas holding all the power, then Stolas putting himself at Blitzø’s level when he finally tries to look deeper and see what Blitzø needs and his walls. Then the moon grows larger than Stolas as he intends to give Blitzø the crystal so he doesn’t have to depend on him anymore. And now the power in the relationship shifted towards Blitzø. Whether the relationship continues is now up to him.

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Loona started off as a fan favorite, but as the series progressed, some hate her for being your typical "misunderstood teenage goth girl" who is bratty, temperamental and mistreats others around her as little more than nuisances, even her adoptive father, Blitzo.

Background and Trauma

Loona exhibits a complex personality shaped by a traumatic upbringing. Her behavior is rooted in her experiences at the Hellhound Adoption Foundation, where she was raised by uncaring caretakers. Devoid of affection and subjected to violence for disobedience, Loona's formative years were marred by isolation and mistreatment. This harsh reality of her childhood in the orphanage left her with deep-seated trust issues and an inability to properly give or receive love, influencing her interactions with others, including her adoptive father Blitz.

The so-called "adoption center" looks like a cross between a run-down dog pound and a juvenile detention center, with most of the hellhounds Blitzo sees looking malnourished or deformed. When he sees Loona, her cellmate is threatening her with a bloody nail bat before she flings him at the bars, growling and then she starts crying, looking more like a frightened, feral dog than anything. The social worker's indifferent description of her in her emotionally dead tone doesn't help, saying all this directly in front of Loona's cell, and only highlights how lonely Loona's life had been for almost eighteen years.

Loona's living space gets more tragic the longer you look at it. The back and side walls are covered in tally marks scratched into the tile. And there's a typical "Hang in there!" poster ripped with obvious claw marks, making it clear Loona had long given up hope of being adopted into a family. There are some drawings on the walls of Loona with storm clouds above her head and a giant version of her stomping on a city. Either they were drawn by Loona in which case they show just how frustrated and fed up with the world she has become over the years, or they were drawn by the other hellhound kids who only see her as a vicious monster.

The fact that this place is essentially a pound and not an adoption place paints Loona's situation as much grimmer. They're not treated as individuals but as animals and would normally just leave as rescued dogs. When the social worker mentions that Loona will age out it's implied that it doesn't mean that she's exactly leaving safe & sound.

You can also see that Loona takes a look at her tally marks, and as it lines up with the social worker's statement on her aging out, it wordlessly states Loona knows about this. Whether she's put to sleep or kicked out ownerless, it's a cloud of pitch-black dread she can do nothing about except countdown to.

The social worker's dialogue makes it clear how hellhounds are treated in this world. They're not treated as sentient individuals; instead, they're valued for either being strong laborers or cute family pets. Loona is both strong and beautiful, but being a self-actualized person with internal struggles and self-preservation instincts makes her undesirable. For an imp, one of the lowest creatures in Hell's hierarchy, to be able to adopt a hellhound as a pet or servant shows that despite their strength, they're seen and treated as even lower than imps.

If Blitzo hadn't adopted her, Loona would apparently have "aged out of the system" and been "out of the kennel's hair". This could simply mean that Loona would be kicked out, but given a mix of how scared she looked, the way hellhounds are treated in this setting and what sometimes happens to real dogs when they're deemed too old for adoption…

Personality

Loona's past manifested in various aspects of her demeanor. Her reluctance to perform her job may stem from a newfound appreciation for freedom, contrasting with her previously constrained life. Her agreessive nature, particularly towards characters like Moxxie, can be seen as a defensive mechanism, a way to assert control in situations where she might feel vulnerable.

Blitzo's adoption of her before she aged out ensured her gratitude and was why she didn't leave him. But years of hardship have made it hard for her to open up to him properly. Despite her tough exterior, moments of genuine vulnerability reveal her social awkwardness and desire for connection, which she struggles to navigate due to her lack of social experience.

Loona is shown throughout the series to have a strong aversion to being touched, reacting either with threatening growls or violence. However, her aversion to being touched might've stem from her past in the adoption center, yet she can handle being touched when she's the one initiating the contact, as seen when she allows Octavia to hug her and then holds her hand through the portal. That being said, she never reacted aggressively to Blitzo's affections beforehand, so this felt out of place, even for her.

Social Skills

Loona seems to be hiding some deep insecurities and feelings of loneliness, having never had any friends before meeting Vortex and briefly glancing with visible sadness at a picture of an happy family in "Murder Family", which implies Loona does wish to have good relationships in her life, but is unable to due to her tendency to see the bad in people and vent out her frustrations on others, including (and, arguably, especially) those who try to be nice or fatherly to her, like her adoptive father Blitzo.

However, after having been friend-zoned by Vortex, Loona didn't resent him and kept in touch with him, becoming great friends with him and going to parties with him, which might be making her more open to people and less hostile, as she's gradually becoming less rude and apathetic towards her co-workers.

Father-Daughter Relationship

Blitzo is her adoptive father, but she almost always refers to him by his name since she doesn't like showing the fact that she cares about him. That said, there are times where she slips up: on Instagram, she was so worried about him being kidnapped that she straight out called him "dad", though she immediately tried to walk it back out of embarrassment by claiming she was just upset that food was running low in their home. In "Spring Broken", she was so flustered with seeing Vortex that she almost slipped and called Blitzo "dad" before catching herself.

Once, she showed to be more than capable of both showing affection to and taking care of Blitzo: when he became severely intoxicated at Vortex and Queen Bee-lzebub's party to numb his pain after having rejected Stolas, she drove and carried him back to I.M.P. headquarters, set him on the couch and covered him with a blanket. When Blitzo shared his insecurities regarding loneliness and asked her if she'd be by him once he met his end, Loona promised him she would, showing her seriousness and true care by willingly calling him "dad".

Sisterly Bond

For the longest time, Loona and Octavia never met each other, only being connected to each other through their dads being in a rather complicated relationship with each other. This changed one day when Octavia snuck into I.M.P.'s office to obtain her father's grimoire so she can watch a meteor shower on Earth on her own. Loona actually spots Octavia trying to sneak in, but deliberately chooses not to say anything (partly because of lingering anger from a discussion she had with her father earlier).

As Loona approaches Octavia when she finally finds her, she's incredibly gentle with the girl and even compliments her on her photos. Loona rags on Blitzo at the beginning of "Seeing Stars", even physically assaulting him. But on Earth, she ultimately does do what he wants in finding Octavia, confiding in her that she recognizes that Blitzo is trying to be a good dad to her. It's as close as Loona gets to admitting that maybe things with Blitzo aren't as bad as she's ever gotten.

When Loona asks Octavia if she's ready to go while extending her hand out to her, Octavia gives the grimoire over to Loona and hugs her, glad to have someone who listened to her and can relate to. Previous episodes have shown that Loona does NOT like physical affection, shown most often with Blitzo. Yet here, Loona accepts and even returns Octavia's hug with no resistance whatsoever. It's even better since Loona was the one who initiated the contact. She holds her hand out to Octavia twice as though to help her stand up and looks a little confused when Octavia instead hands her the book the first time.

Conclusion

So far, I can see that Loona's character among fans is kinda mixed. While some viewers are sympathetic with her traumatic past and understand her defensive behavior, others find her attitude off-putting, which is understandable. It's also understandable that due to her recent absence and lack of dialogues during the second season, Loona's VA was probably given time to grieve due to the losing her partner and probably a busy schedule with other projects.

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While Blitzo was paid to be Stolas' playmate and was manipulated by his sleazy father into being a thief, Stolas was genuinely happy to have a friend his own age in childhood, which probably saved his sanity from Paimon's less than competent parenting.

When Blitzo explains his dream of running his own circus business, Stolas is incredibly supportive, if somewhat amused at a circus having an office. When the prospect of Blitzo hiring him comes up later, Stolas says he hopes he'll qualify and that Blitzo will make a good boss. While the start of their playdate had Blitzo being bored and clearly not thinking much of Stolas, and even if it comes after Blitzo tricking Stolas in helping him rob the palace, by the end they are laughing together and happily discussing their futures with mutual interest.

During the anniversary party, Stolas was so desperate for emotional connection that, when he met Blitzo again, he convinced himself that the imp was sneaking into his room to seduce him. Blitzo, who hadn't seen him in 25 years and was only after the book, took advantage of this not realizing Stolas was after a genuine connection and leading to the collapse we saw in "OZZIE'S".

It also turns that Blitzo was planning on just tying up Stolas so he didn't see him steal the book...then changed his mind and decided to give Stolas a fun night after discovering just how empty Stolas' life was, looking genuinely guilty upon realizing what kind of emotional damage that abandoning someone in makeshift BDSM would do to him. Especially someone who, in that bondage, called Blitzo his “first ever friend”. "OZZIE'S" has made it very clear that Blitzo might put on a front for everyone else, but I.M.P is his attempt at creating a family "circus", and he doesn't actually have very many friends of his own, having pushed his old friends away years ago (Fizzarolli, Verosika and even kept Stolas at arm's length as a child), and continuing the pattern with Moxxie and Stolas.

Stolas and Blitzo's relationship seem to have been very much headed for doom from the beginning, and it's clear that both Blitzo and Stolas has never had a healthy and meaningful relationship with anyone except maybe Octavia for Stolas and M&M and Loona for Blitzo, and even those relationships are fraught. It probably isn't a coincidence that both Blitzo and Stolas seem to be trying to make up for their horrible fathers by being better father figures to the people in their care. Stolas has been so deprived of love and affection for his whole life, other than Octavia, that he has no idea how real, non-transactional relationships work even though he desperately wants one.

Blitzo's the same, though he's spent more time hiding that, which is understandable given that he's a trained clown that has to hide his emotions. Just like Stolas, Blitzo desperately craves intimacy and a relationship of his own, but he doesn't understand intimacy without some non-love motive behind it, and he pushes others away to the point of resentment because his upbringing/mistakes with relationships in the past have led him to see himself as a failure and horrible person who doesn’t deserve love, despite being terrified of dying alone as a “wrinkly, old, withered waste”. Not to mention that Stolas, being a very sheltered member of the Goetia family, has a very poor understanding of power dynamics and as such, his "kinky fantasy" of “favors for favors” has real implications that he failed to consider, which may have permanently impacted his relationship with Blitzo. Only time will tell if they can make things right.

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just look my way × it's over, isn't it? 💔

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Cardan : where have you been ? And what’s with all that mud on your clothes ?

Jude : I’ve been ..

Jude : gardening

Cardan : did you plant something new this time??

Jude : uh yeah Valerian gave me things to plant

Cardan : I see you guys have become friends

Jude : very good friends actually

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I was drawing warm-up sketches and suddenly I wanted to try to draw Stolas Now you have this

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morning

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the duality of man (1)

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The sight I most want to see now.

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honeyypears.

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Cardan : *is staring at Jude while she sleeps*

Cardan : the only time you're without your daggers. ITS SO CUTE.

Jude : *holds the dagger to his throat* no

Cardan : do that again

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Will: I would kill someone for some Kraft mac and cheese right now

Hannibal: That's quite the exaggeration to make

Will: Who's exaggerating?

Hannibal: *positively ecstatic that Will is talking about murdering people, but deeply distraught that it's over macaroni*

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