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The Young Ones Were: A Final Word from Scumbag Monthly’s Editor 🖕💚

I was going to post this on 7th March – the birthday of the pan global phenomenon himself – but I think the emotion will be stronger tonight. Either way, I’ve chosen this post to say my last farewells to Scumbag Monthly and thank the people who helped make it what it was.

It was my decision as editor to end SM at Issue #25 and it was a difficult one to make. Although SM has come with both pros and cons, it’s something I’ve enjoyed creating and is something I’m very proud of. In a way, it would have been easier to carry on – sticking with the familiar is always easier – but I didn’t want our fanzine to drift off into nothingness. I thought twenty-five was a good number to end it at. Three years; twenty-five issues; three Rik specials; a zine for the fortieth anniversary – I think we’ve done alright, all things considered. More than alright! I’m so happy that we were able to add to the fandom in some small way.

I have a head for dates, so I can tell you with 99% certainty that I took on the reins of editorship at SM on 14th May 2020. It’s weird that that time feels both close and far away – international pandemics will do that to you. I’ve seen engagement and interest in this zine ebb and flow over the years. We’ve never really received enough submissions to keep us afloat long term. I used to ask my mutuals if I could add old art of theirs to zines to keep the Drawing Room full, and the amount of my fic that made its way into SM was not the result of an overinflated ego (I promise!), more the result of fic submissions falling even lower than art submissions. We’re a small fandom; that’s always been a problem for SM. While I’ve continually emphasised the importance of submissions to SM – how else would SM involve those not working behind the scenes? – the truth is that the end products simply wouldn’t have arrived on our website be it not for the so-called scumbag staff who dedicated their free time to making pages and content.

With a small fandom and ergo a small team, SM’s ambitions had to be realistic. We would all have loved to bring new segments out in every issue but, with a lot to do and limited time to get it done each time, this often wasn’t possible. I never wanted SM to become a burden to the people who made pages for it, as we all lead offline lives and SM was simply a passion project – we made this because we wanted to, because it was fun.

I won’t deny there have been points where SM burnt me out a tad. I think it was easy to lose sight of things during the lockdowns, or simply fall completely into one project. There are some zines where well over twenty of the pages were made by me because they had to be, and I’ve often feared that The People’s Poetry suffered because of this. I’m very pleased and grateful to point out that the page share became slightly less exaggerated after we found different people for each character, but (and I’m afraid I am going to have to be egotistical now XD) I’d be lying if I denied every zine since Issue #4 isn’t drenched in my blood, sweat, and improvised version of graphic design (not actually my passion, me being primarily a writer and all XD).

I hope this isn’t sounding too negative because SM really does mean a lot to me. I think it’s just that a mixed relationship is guaranteed with anything you give a lot of yourself to and I want to be honest here, at the end. It’s going to feel weird for me for a little while: no more new documents to set up, no more new pages to make, no more themes to discuss, no more Google Forms to collect. I will miss SM, but thanks to the internet it’ll actually still be here. We’ll be keeping the website up as an archive and the same with our Tumblr blog and Instagram (scumbag_monthly). For future runs of the Rik and Ade Fest, another blog has been set up (@rikandadefest). SM has also had a Redbubble on the down low for some time now and we’re planning on adding our designs of the lads there soon, if any of you fancy owning something with those on.

I realise this whole post comes at the risk of sounding pretentious and melodramatic… but sod it, you know? Here are the people I’d like to thank individually, on behalf of our fanzine.

@theevilesteviled -

First of all, the creator of SM: the reason you’re even reading this right now. During the period in which SM got going – that calm before the utter shitstorm of 2020 – we spoke nearly every day… though, living on different sides of the globe did limit our talk time to early mornings and late evenings. Ed is the reason SM ever launched. She did almost everything for the first few zines, often at the cost of her own sanity, and she inspired a passion for this fanzine within me.

In May 2020, when I found myself in lockdown limbo between college and university, Ed was struggling with the brunt of SM plus the new hell of online classes. When I took charge of Issue #4, I don’t think I realised the extent of what I was taking on – I certainly didn’t expect to still be editor nearly three years later! Even so, without Ed SM wouldn’t have gotten as far as Issue #4. I’ll admit when she initially proposed the idea for a The Young Ones fanzine, I didn’t assume it would ever actually happen. I agreed to take on Rick’s page, but never allowed myself to imagine we’d end up with a project that’d last three years. Surely, it was only other people who could pull off that kind of thing, right? Surely, a group of introverted young adults online weren’t really going to get anywhere with this, were we?

I’m not trying to make SM sound bigger than it is – I’m well aware how niche we are, have always been – but the point I’m trying to make is: thanks to Ed spearheading SM in the early days, I had the profound realisation that I can actually be creative and try new things and they’re not destined to fall completely flat on their faces. I think everyone involved with SM, be it through making pages or submitting their work, has experienced a version of this same realisation with the publication of each zine.

That’s thanks to Ed, so I’d like to formally express my gratitude. Thank you, ya bastard.

@xgardensinspace -

The lovely Deya! Deya has always been a big part of SM, right from the beginning. The portraits of Vyvyan, Rick, Neil, Mike, Balowski, and P that appeared regularly in our zines were drawn by them, as well as the ten portraits of our staff on our website. That’s not even mentioning the five exemplary covers they’ve whizzed up for SM!

Not only is Deya an exceptionally talented artist, they’re also an enthusiastic team player. From Issue #11 onwards, they’ve been our resident Mike. As most of us agree, Mike is the most difficult young one to characterise – Deya rose to the challenge with full commitment. Alongside taking on Mike’s Moments, for a period of time in late 2021 Deya posted as Mike to SM’s Instagram every Thursday, providing all of us with funny insights into Mike’s sense of fashion. There have also been times when my SM workload proved too much and they stepped up to write Comic Strip reviews for our Strip Tease – in fact, one of my favourite reviews is the one of Five Go Mad on Mescalin we wrote together for Issue #18.

Deya has always been passionate about SM, even when it seemed there were only a few of us who were. They’ve been incredibly supportive and understanding, often one of the first to volunteer to make art or write pieces for specials. To put it lightly, SM would be left severely lacking without their endless contributions and help and for that reason I’m incredibly thankful to them.

Last spring, I was lucky enough to finally meet Deya, when they visited the UK on holiday, and they were just as lovely in person as they are online. Thank you ever so much for your work on SM, you really are a cool person.

@drinkysketch -

I felt it only right to single out Julia here. Fandom spaces are ever changing and the individuals who’ve contributed to SM are no different. Despite this, Julia has been a constant cover artist for SM – not only did she create our first ever cover art back when SM was completely unknown, she’s since provided us with five more pieces for our covers. As the clever trousers among you will have worked out, that’s six in total. Almost a quarter of our regular zines!

There’s something instantly likeable about Julia’s art style: the shapes, the bright colours, the insistence on always giving Vyvyan one eye bigger than the other. The cover of Issue #1 especially is representative of SM – it’s the establishing shot – and I couldn’t imagine a better piece of art than the one Julia provided us with. I’d like to thank her for always being so eager to make art for us, even as the world’s gotten crazier and crazier. True scumbag style!

@codrington-road -

It was April 2020 when Haley first emailed SM with a fanfic submission and an offer to make pages for Neil. These were the early days of SM – Ed and I were just about keeping up with the zine’s Rick and Vyv content but were seriously struggling where Mike and Neil were concerned. It’s thanks to Haley that Neil is the only young one I’ve never had to make a page for… well, aside from that time we switched characters for April Fool’s in Issue #14… and she’s been a constant, reliable presence at SM since Issue #4.

There probably aren’t many people who could come up again and again with hilarious horoscopes on purpose, and I don’t know for exactly how many Wednesdays Haley manned Neil’s entries to our Instagram stories, but it was a lot. 9th June 2021 fell on a Wednesday – a little daunting for anyone. Yet, I think it’s that entry from ‘Neil’, a touching piece about missing people who are no longer here while still carrying the warmth they gave us within us, that sticks out to me the most.

Haley has always brought the exact right levels of surrealism, humour, and bloody hippie moping to Neil. She is probably secretly Nigel Planer. She’s helped keep the excitement for SM alive in me when I’ve been at my wit’s end with it and is in fact the main reason this fanzine didn’t fold after Issue #19. Honestly, she’s great. Have you read the fanfic she’s submitted? Pure brilliance. Her reviews of Rik Mayall's Bedside Tales and GLC were sublime.

Thank you, Haley, for encouraging not just me but everyone behind the scenes of SM and for being our resident Neil for so long. I know you’re a girlie, but I hope the seed of your loin is fruitful in the belly of your woman. Ta very much!

@martian-martian-martian -

Part of SM since Issue #18, Wisely is a person who truly deserves so much love. I first spoke to Wisely on Tumblr when they signed up to write about Rick and Kevin in our second Rik zine, in 2021. Needless to say, the results of their endeavours were some of the most memorable pieces in that zine. Rick still hasn’t recovered.

After that, Wisely only became more and more involved in SM, until they’d taken on the enigmatic fifth housemate, that scumbag named Petyr, as a regular in our zine. They did this despite the graphic design element being out of their comfort zone and even came up with a whole new page idea to spearhead. Cliff ‘sHits – as well as having a perfectly Young Ones-esq name – is exactly the kind of thing I always hoped would start happening with SM: that staff would strike out with new page ideas when they had the time. Wisely has a talent for twisting well known verses to fit the scumbag agenda and we thank them for it.

A keen promoter of SM – they could frequently be found suggesting submitting to our fanzine in the comments of TYO fanart on Tumblr – they’ve even written fanfic to keep zines full of content. I’d like to thank them for joining the team and enhancing the zine in the process. SM is all the better for having them.

@the-tardis-in-221b-baker-street -

Zoe already has a name for herself in Rik Mayall circles outside the scumbags; what fan wouldn’t go absolutely crazy at the sheer time and dedication she puts into her many cosplays? Zoe has a knack for morphing into the bastards she portrays… physically, at least. I’ve always found her to be as friendly as Alan B’Stard is devious. XD

It was during SM’s hiatus, when the spot of resident Vyvyan fell vacant, that Zoe immediately jumped at the chance to help SM out. Since Issue #20, she’s provided the voice of the beloved punk as well as producing a page of her own design, Top of the Plops. Zoe has also been quick to help out where reviews of Filthy, Rich and Catflap and of the music in The Young Ones are concerned, for which I am very grateful. Despite being the newest staff member at SM, she’s thrown herself fully into it and offered much needed reassurance and submissions whenever necessary. Zoe has been an optimistic voice at the fanzine: always up for new ideas and competitions, always there with schemes to boost engagement. Her DnD stats for the lads in Issue #24 were incredible.

We’ve had many scumbags writing for Vyvyan at SM over the years – more than we’ve had for any other character – and I’m thrilled we got Zoe in for our final run. She even made the cover art for our last issue. Thank you!

@aspinecone -

Aspen is someone I’ve shared online fandom spaces with since 2017. We’re both fans of Red Dwarf, but it was our shared enjoyment of The Young Ones that finally got us talking to one another. Last autumn, we finally met in person when we went to see Ade in A Christmas Carol - a brilliant day with a great friend that I'll always remember.

Aspen has had a presence behind the scenes of SM since the beginning, often submitting fanart and the odd piece of fanfic, until they took on the role of resident Balowski at SM from Issue #16 onwards. Creating content for the character most out of the loop with the others isn’t as easy as you might think, but Aspen has always produced insane, amusing pages for him. Aspen was also the original cover artist pencilled in for Issue #21, but graciously stood aside when they realised offline commitments were going to need more of their time.

During SM’s run, I’ve sometimes had hairbrained schemes such as making the badges several scumbags will be receiving very, very soon. I’m no design whiz – Ed and I always made SM out of Word Documents – and Aspen helpfully volunteered to remove the backgrounds from designs and clean them up. Like I’ve always said, producing SM has been a team effort. I’d like to thank Aspen for always being in my corner.

@cloubdustings -

Ava, the mad meme machine! If I recall correctly, Ava first popped up in scumbag circles in late 2020. She surprised SM with cover art for Issue #10 and kindly took on the role of resident Vyvyan from that same issue until Issue #19. 2021 was not a fun year – in fact, I’d argue it was worse than 2020 in some respects – so having Ava on the SM team to handle all Vyvyan content was a great help.

Ava has a very distinct sense of humour and you can usually tell which British comedian she’s most recently become obsessed with by checking her Instagram. XD Even with changing tastes, she’s still making content about Mr Mayall and her brand of whackiness is most definitely beloved by the fandom. Thank you for sharing it with SM!

@lumivarjo -

Lumi was around at the very beginning of SM and is actually responsible for the piece of grey tape bearing the zine’s name that became our logo. He was our original resident P, producing pages for us during the autumn of 2020. Lumi has always been more behind the scenes than at the forefront of SM, but has nonetheless also always been supportive. Being an artistic sod, Lumi is to thank for many of the key headers SM used, which were all vital pieces of the SM brand… if we want to get really pretentious. Thank you for being there for the zine!

@serenpop -

Pol was also around when Ed was proposing this insane new idea of a fanzine for The Young Ones and was our first resident Neil. Offline commitments saw them have to drop the role, but they reappeared again to help us out when we needed cover art at a pinch for Issue #9. A lot of SM’s Drawing Rooms have featured art from Pol, so I’d like to thank them for brightening up our pages!

Additionally, I'd like to thank the other scumbags who’ve made cover art for us: @frankenbolt (who made three(!) beautifully chaotic covers, including everybody’s favourite Modern AU); @whatacompletebastard (for the fab Breakfast Club parody that’s always been popular with the scumbags); @heinzpilsnerbloody (another talented artist who drew me a whole bunch of cool stuff in an exchange and kindly helped SM out); @colourshot-draws (our first anniversary zine cover artist and a genuinely lovely person); @postpunkpontypandyphantomthief (a massive Rik Mayall fan and integral part of the fandom); thedinodoodles (for being ahead of the curve and bringing us pirates before the Tumblr obsession); @rikhead (for the sheer dedication to detail on her cover and for her legendary skills in Rik Pic Hunting™); and @smashingblouses (for providing us with the brilliant TYO 40th anniversary zine cover art). I’ve said it before, but I’ll say it again: SM couldn’t have functioned without its cover artists. Thank you all. Big respec.

There are a few final scumbags I wish to mention and thank - SM's cheerleaders, if you will. These people have brightened up my day on various occasions and their enthusiasm helped make the zine what it was: @anglophobias, @my-blood-is-maple-syrup, @friedhofcreative, @shotsofnovacaine, @5gogh2, @mariigoldmayall, and @fourstarsandahamster.

Finally, of course, I’d like to say a quick thank you to the people who inspired this fanzine in the first place. Without the canon, there would be no fanon. They’re never going to read this thank Cliff but without the brilliance of Rik Mayall, Adrian Edmondson, Nigel Planer, Christopher Ryan, Alexei Sayle, Ben Elton, Lise Mayer, and all the recurring comic guest stars of The Young Ones, SM would have quite literally never existed.

We need comedy in hard times – to call out the shits in power, to keep us grounded, to simply make us laugh. I count myself incredibly lucky to have stumbled across fans of this anarchic ‘80s sitcom on Tumblr. Despite the time gone by between 1982 and 2023 and the changes in society and sensibilities, I think it’s an incredibly good thing that this comedy still connects with us. Most of the people I’ve spoken to on here, like me, weren’t alive during TYO’s initial run. It’s often assumed by certain bastards who shall remain nameless that the youth are trying to kill comedy, that we take offence too easily, that comedy classics are a thing of the past. To them I say: UP YOURS, UGLY! As long as there are people, there will be laughter; and among those of us laughing, there will be the young ones.

So thank you, scumbag reader, for downloading our zines and supporting our bastardly endeavours.

Signing off from Scumbag Monthly for the last time,

- R / @neil-neil-orange-peel <3

"This is it! It's really happening! Who needs qualifications? Who cares about Thatcher and unemployment?! We can do just exactly whatever we want to do! And you know why? Because we're Young Ones. Bachelor boys! Crazy, mad, wild-eyed, big-bottomed anarchists!!" - The People's Poet, 1984

#yayayayayay!!!!#this is so sweet and amazing #thank you r ��🧡🧡🧡#for all of it. all of this. all of sm.#scumbag monthly #the young ones #tyo

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