Here are some of the animated gifs Santa Monica Studios have been putting out for God of War: Ragnarök
Sorry for the quality, tumblr only allows for 10MB gifs & these are quick & dirty rips straight from twitter which were already not great quality to start.
I'm assuming these are made to be used, so go right ahead & save & use however you like
Animator credits I could find:
Kratos making a heartshape & Kratos swearing about Valkyries by Dennis Pena, aka @/Boltfinger on twitter
Wolf paw slap by Grace Pan, one of the animators
Angrboda making faces by Jack Ebensteiner, aka @/AnimJack on twitter
Sweating Atreus by Kim Nguyen, aka @/KimbaWin on twitter
Thor sliding by Roberto Clemente, a senior combat animator
Its good for stories to just be one movie, one book, one series of 3 seasons, etc. In fact sometimes that’s the preferred length. Its good to use your own thoughts and imagination to fill in the blanks. Not everything should be franchised into oblivion and back.
Does anyone else feel, like, a weird inhibition against starting new TV shows? Like, there are shows I want to watch but when I think about sitting down to start it something in me goes “no you can’t just do that.” What am i waiting for? I feel like I need to prepare? Brain: You have to wait. Me: Wait for what??? Brain: WAIT
thinking about atla thematics as usual and fascinated by how many fans insist they wanted aang to “grow up” more at the end of the series without considering how one of the show’s major themes is the terrible ways war and imperialism rob people of their childhoods. one of aang’s major gifts to every single character is restoring a piece of their lost or stolen or brutalized childhood. aang reminds katara there’s still joy in the world, and fuels her hope.
he brings wonder to sokka’s life with his flying bison. he sees zuko not as a terrifying enemy but as a boy he might have been friends with and had fun with, he offers toph a way out of her repressive home to have the adventures she’d been longing for, and all these characters rise to fulfill their destinies through honoring their inner child - the parts of themselves that are hopeful, kind, gentle, fierce, innocent, deserving of protection - and breaking the cycles of violence and abuse that interrupted their childhoods. azula was convinced she had no need for her inner child, and killed aang in cold blood in ba sing se, after which she slowly but surely lost everything she cared about, including her sense of self.
and finally, aang shows ozai mercy, thematically reminding the latter that the children he tried to kill and brutalize are a force capable of rising above petty violence, and reshaping the world. you could even argue that the original rupture in the mythos was when both sozin and the air nation sought to rob a child of their right to childhood - sozin by hunting a child, the air nomads by hastening aang out of his childhood so he could help them - and that balance is restored when aang, who represents the world’s lost gentleness and mercy, and upholds values that a war torn world regards as “childish” and “immature”, manages to end the war with a gesture that honors those values and affirms everyone’s right to a safe and loving childhood, to a life free of violence.
A shark was leading me to save a princess and as I stepped out of the water he told me, “This is as far as I can take you,” to which I responded, “Because it is dangerous?” And he said, “No, it’s because I’m a fucking shark, you idiot. I can’t walk on land.”
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