*takes off your glasses and sets them to the side before we fuck*
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*puts hands on hollywood exec's shoulders, staring unblinking into their eyes* listen to me. you will never get people who hate musicals to like musicals by making your musical less of a musical. if you hide the fact that your film is a musical in the advertising, you're going to get a lot of low ratings from people who hate musicals and went into your movie not expecting a musical and got one anyway. people who hate musicals will hate them no matter how realistic and diegetic and lowkey you try to make it. they will hate musicals even if you completely excise anything complicated, over the top, silly, or even slightly challenging. they will hate musicals even if you cut half the songs. they will hate musicals even if you cast that a-lister who can't sing worth a damn. stop trying to market to people who hate musicals. they're a lost cause. your audience should be people who love musicals. this half-assed middle ground pisses off both camps. just embrace the fact that your movie is a musical. lean into it. don't try and trick musical haters into coming to your film when you could be marketing to the theater kids. better cringe than a coward.
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"you sound smart" that's because i've spent years doing academic writing to the point that it's my default cadence plus or minus the use of profanity as a tone indicator
"you sound stupid" that's because i'm dumb as fuck
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im jesus
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She doesn't need to drink. She's a wreck.
Baby Becka, Bad Sisters, 1.04
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A dark comedy with a useless lesbian is something that can actually be so personal
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ladies and gentlemen her
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every friend group should include:
a himbo
a mean bisexual
an even meaner lesbian
she/theys
he/theys
a token straight who's on thin ice
an astrology bitch who has everyone’s birth chart memorized
and a short king
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*walks into my mind palace*
*opens a drawer labeled Bad sisters*
*it's all pictures of just Bibi*
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Nora coming to get her wife before she fucking decks John Paul while the entire parish is watching
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