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she spilled, i fear 😔

how did you make a completely skipless album

well i always skip western nights so idk about that

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demoni

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i can't stop thinking about kris jokerout send help ‼️‼️‼️‼️‼️

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on their way to rob u blind

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wip

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Sketch

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@i-wrotethisforme // Jorge Louis Berges // @smokeinsilence //@viridianmasquerade //Jorge Louis Berges // @honeytuesday // Kaveh Akbar // F. Scott Fitzgerald // AKR //Olivie Blake, from “Alone With You in the Ether” // Kaveh Akbar, Pilgrimage

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on their way to rob u blind

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i wish i could see this picture for the first time again

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eating him

#isaiah to ethel in preacher's daughter (2022)

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My favorite mermaid art is the one of a family photo with a mermaid mother and old sailor father and their sons are both reverse merfolk (human legs with fish heads).

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Rick. Buddy. Amigo. Explain something to me. Real quick, I promise.

[The Trials of Apollo: The Tower of Nero, Chapter 4]

Good genetic package, Rick/Apollo? Are you sure about that?

Listen.

Estelle's physical description *clap* makes *clap* no *clap* sense. Why on earth does one of the only fully human characters in this series have to have unique and weird physical traits? Also, it makes no sense in the larger scope of Rick's writing style to have chosen this unless he had some sort of larger intention behind it. Not to mention the theories by fans haven't really done much to fully flesh out any perceivable reason as to why this might be:

Poseidon blessed Sally when she was pregnant - By far, this is the most believable to me, but it's still eh, because this feels very weird and I don't get the vibes from Poseidon that he would have done so to the extent that it shows up in Estelle's physical traits. Also if that were true, it doesn't make sense for Rick to just fully drop it in the story without the intention to flesh it out further, because to my knowledge he doesn't have plans for another novel that takes place after ToA.

Paul isn't Estelle's father - Firstly, this is out of character for Sally, and this doesn't fully justify why Estelle has Percy's eyes. PLUS, salt-and-pepper hair still wouldn't be natural for a newborn

Paul is Poseidon in disguise - This explains her traits the best, but Paul's character is so much more satisfying if this isn't true. It's also total bullshit.

Enter me. I have a theory. Yay. But first, we must discuss.

Firstly, I want to talk about her eyes. Going back to the theories, and based on my fair amount of knowledge of genetics (clarification: I write this as I procrastinate studying for my final genetics exam), the eyes are mostly interesting because Apollo specifies that they are immediately similar Percy's. The thing about eye genetics, though, is that they are what we consider to be 'complex traits', meaning that they are influenced by the interactions of multiple genes from both parents. What I mean to point out here is that Sally could definitely have the genes to produce two children with 'sea-green' eyes, considering her canonical eye color is blue. We don't know what Paul's eye color is, which makes my job a whole lot easier because I can assume that it doesn't directly contradict the possibility that Sally just has really strong eye genes (?). ALSO, who's to say that Poseidon didn't just change his eye color to match Percy's when he was born? Ah, yes, the perks of having a shapeshifting dad who seemingly loves you and your eye color a lot (but is still absentee, WHOOPS).

But what I actually found the most interesting about Estelle was her hair color. More specifically, the fact that Apollo says he's never seen an infant with that color hair. And we know Apollo is somewhat of an unreliable narrator (although this rarely affects his descriptions of people other than himself, and has also mostly evolved into a more honest narration since the end of book 3), but I believe we're supposed to trust this dude who just so happens to have been alive for over four millennia. Based on Apollo's previous descriptions of his own powers (see his conversations with Percy in TTC, when he pulls a Mufasa and basically admits to seeing everything the light touches), we know that Apollo knows and has seen a lot of stuff. So, how is this the first time he's seemingly witnessed this type of hair mutation?

I did some research, as one does. To me, it seems as if Estelle has what's called Griscelli syndrome, which is a type of rare autosomal genetic mutation that typically results in phenotypic hypopigmentation of the skin and hair. (It can also result in neurological disorders and immunodeficiency, based on the type, but I digress.) It's also pretty rare, considering both parents have to be carriers, and even then the child still has a one in four chance of being affected. Current statistics from the NIH say that Griscelli syndrome currently presents in less than 1000 Americans, and is rapidly fatal in 1-4 years without aggressive treatment.

That sad note aside, it's weird to me that the way Rick wrote Estelle's physical description makes it seem as if Apollo had never seen anything similar. I feel like a god of both medicine and knowledge would probably be a bit more up to speed with rare genetic disorders, especially because he's so old. The only explanations are that Apollo, in his mortal state, can't make a diagnosis, OR what he's seeing isn't actually something he can diagnose.

FURTHERMORE, from the same chapter, Apollo says something that muddies the waters even further:

It doesn't make sense that Apollo thinks that Zeus would take such an interest in Estelle. Her nature alone doesn't make me think that the king of the gods would take a sudden interest in a literal newborn, regardless of how much Apollo loves her (and honestly, I don't blame him).

What I think? Rick pulled the strings just tight enough that he has a very interesting plot point to go off of if he ever decides to pick up the pen again and write a new book.

What I think? Estelle doesn't have Griscelli syndrome, she is in much more danger than anyone realizes, and Apollo's subconscious put this together from the second he saw her.

Actually, let's rewind. I'm in the process of writing a fic (stay tuned!) and I had a random thought: do the Greeks have an apocalypse story? You know, like Ragnarök in the Norse mythos, and the Revelation stories in the Bible.

The answer? They don't. I guess that's what you get when the Greco-Roman gods are fully immortal and literally can't be killed.

That didn't stop the rabbit hole, though, and what I found was actually very interesting and I couldn't believe what I was reading.

I give you: Hesiod. More specifically, his poem Works and Days. More more specifically, his 'ages of man'. More more more specifically, the iron age.

For context, Hesiod was an ancient Greek poet who lived in the 8th century BC, and was walking right along with Homer in terms of fame at the time. The poem Works and Days is actually more of a really long Facebook post where he complains about anything and everything, especially in his section on the ages of man.

In summary, Hesiod wrote about what he perceived to be the five stages of human life since the creation of mankind by Zeus' hand:

gold: perfect in every way, pious, and blessed by the gods

silver: real bitches, the ugly middle child, so Zeus killed them

bronze: were so violent they wiped each other out

heroic: golden child, contained the heroes of the Greek mythos

iron: middle-aged men still living in their mom's basement

Hesiod wrote his poem during what he perceived to be the Iron age (it's really just him complaining about being born in the wrong generation), but he ends up listing a lot of qualities: 'everyone works too hard, the gods hate us, nobody respects family values anymore', blah blah blah.

I know what you're thinking: Tia, what does this have to do with an apocalypse?

Well, dear reader, bear with me. You see, every time Zeus didn't like an age of mankind, or it became too violent, or it generally wasn't pious enough, Zeus wouldn't hesitate to destroy that race and start over. Basically, an apocalypse.

So, you may ask a new question: what is the criteria for Zeus to destroy the Iron age? And, assuming that this is the age we're currently in, what would it take for Zeus to destroy everything our beloved Riordanverse characters know and love?

My friend, that is where Estelle comes in. Yes, a baby.

Take this excerpt regarding the Iron age:

"And Zeus will destroy this race of mortal men also when they come to have grey hair on the temples at their birth."

I think you see where I'm going with this.

My theory? Estelle, in her unique position as a bridge between not just the mortals and the demigods (eg. her relationship with Percy), but also the mortals and the gods (eg. her great impression on Apollo), is a living, breathing prophecy. A prophecy that the end is nigh for this current age of mankind.

Furthermore, I also think that Apollo made this connection, somewhere in the back of his mind, the very second he realized that her hair was entirely unique. According to Hesiod (who Apollo also mentions later in the book, so we know he knows who Hesiod is), the day that babies are born with gray hair (or, salt-and-pepper for the sake of the theory) is the second Zeus basically get the go-ahead to commit genocide.

This also brilliantly explains why Apollo suddenly, and seemingly without reason, makes to keep Estelle's existence a secret from Zeus, because he knows that it might be the easiest way to get everyone he knows and loves killed by his own father for "the greater good" as I'm sure Zeus will put it. Plus, in his mortal state, Rick didn't have to explain why Apollo did what he did, since Apollo's been having memory issues since the beginning of the series: why would he remember one line from a poem written almost three thousand years ago?

Frankly, Zeus doesn't care about mortals: the only reason he really cares about anyone is if they have enough power to threaten his own, or if they have some sort of power he can benefit from. This, certainly, falls under the category of the latter. Wouldn't you want a chance to remake humanity into the perfect image that it used to be? You would, if you hadn't gone through a five book long grow-a-conscience speedrun like our lovely Apollo over here.

Fortunately for Rick, this is such an outrageous theory that if it never comes to fruition, I won't be surprised. If he ever writes something similar, though, know I called it first.

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Heroines of Olympus! I wanted to revisit the armor I designed for them about two years ago. I missed drawing these babes!

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baghra’s wrong because aleksander’s problem was never a lack of empathy or compassion (rather, he had too much of it), but instead that she taught him how to react to such emotions with violence and ruthlessness. his problem was never a lack of loving others, it was how she taught him how to love and it was how she taught him what loving was. and aleksander's problem was never entirely because of her presence and her teachings in his life, but instead because of her lack of presence and her lack of support towards his suffering and the suffering of others - it was all of the ways she attempted to teach him to view the world as unsaveable when everything within him screamed that that was wrong.

baghra will always be wrong about aleksander because there was never a time they were fundamentally united in their beliefs. aleksander has always been an idealist. he has always been too empathetic. he sympathized with those who hurt him too much. baghra has always championed inaction in the face of persecution. she held a mild sympathy for those who hurt her son, but it was all practical - an acceptance of the world where aleksander saw something that needed to change.

where baghra looked inward aleksander looked outward. and she could never have predicted his reaction to her statement about the grisha who hurt him because she doesn’t feel the way he does about the world - she can literally never understand it. they will always be fundamentally at odds because of this. and because of this everything baghra says about her son must be taken with a grain of salt.

she assumes he is too much like her. that he is selfish. that his only motivation is a lust for power and everything else is secondary. that his corruption lies only in his search for power and so he can be redeemed if he simply turns away from it. she assumes it is his pride and his hubris, his arrogance and his fear for himself. and because of this she will never realize that he is unredeemable because his lust for power doesn’t come from just that. that she cannot reach him about his redemption not because he is so corrupt and prideful that he cannot see his path is wrong, but because his drive to give his people freedom has led him to forsake everything else.

turning away from power will not solve the problem of aleksander's 'corruption'. it will not give him peace. it will not make him better. because all power he has sought for his people. all pride he has fought tooth and nail to maintain in the face of his persecutors. all fear is a fear not only for himself but for grisha as well.

all the pain in the world makes him worse and day by day his agony increases tenfold because day by day grisha continue to suffer and so day by day he seeks more power and he seeks more and more and more for a future where he doesn't have to live in fear anymore and where he can look at his people and know they are safe. and no carving the power out of him is going to help. no making him realize he is too corrupt and greedy is going to help.

because baghra will never be able to address the root of the problem because it is something she so fundamentally cannot understand about him. she is only treating surface wounds. just like alina killing aleksander and destroying the fold is only treating the surface wounds of the world. because in the end what motivated aleksander in the depths of his soul is the same unending, aching wound that stretches across the land. and baghra and alina are similarly blind in that they will never be able see it as something that needs to heal in order to truly begin to set things right. all the harm aleksander committed is only a symptom of the problem. aleksander is only a symptom of a problem that never gets resolved.

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Building a transistor out of treated wood

A team of organic chemists and engineers from Linköping University and KTH Royal Institute of Technology, both in Sweden, has demonstrated that working transistors can be made from treated wood. The results have been published in Proceedings of the National Academy of Sciences.

Transistors are devices that switch or amplify electrical signals in a larger device. Scientists have, over the years, learned to make them ever smaller—currently, billons of them can fit on a single computer chip. Most transistors are limited to use in certain materials—those on a chip, for example, exist on a base of the semiconducting material, silicon. In this new effort, the team in Sweden looked into the possibility of creating transistors that could be used in bioelectronic products, or even purely plant-based devices. To test the possibility, they created a transistor out of wood and a few other materials.

The team tested a variety of tree types and found that balsa seemed to suit their needs best due to its strength, permeability and low density. They started by bathing small strips of the wood in a chemical bath to remove some of its lignin, making it more porous. Then they forced a conductive type of plastic called PEDOT:PSS into the small vessels of the wood normally used for water transport, which coated the vessel walls.

Read more.