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daydream-nightdream-darlingrose · 2 years

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Incredible research, and startlingly relatable for me. I’ve always known that she was made out to be something she wasn’t, but people always tend to focus much more on the scandal and intrigue than on actually unraveling *who* she was.

Marilyn Monroe

Who: Marilyn Monroe (born Norma Jeane Mortenson)

What: Actress, Model, and Singer

Where: American-Jewish (active largely in US)

When: June 1, 1926 - August 4, 1962

(Image Description: a photo of Marilyn Monroe by Richard Avedon from 1957. It is a black and white image showing Monroe on a sparkly dress from the waist up. It almost feels weird to describe her, her face is so famous. She is a white pale woman with an oval face and heavily lidded eyes with long lashes. She has full lips with a beauty mark beside them. She is wearing makeup and has her trademark short, curly, blonde hair. She has her arms hanging limply at her side. Instead of posing sexily she looks to be lost in thought, looking somewhere off camera. End ID)

Marilyn Monroe is The Hollywood Beauty. The quintessential sexy starlet. Even if you have never seen a movie with her in it, you know who she was, a bit like possible aces I have covered before Andy Warhol or Sir Isaac Newton, you can picture her in your mind just by existing in Western popular culture. She has become a part of our communal consciousness. Her life was brief and marked by tragedy below the glitz and glamor. Her biggest role was playing Marilyn Monroe.

She was intelligent, warm, and a gifted actress, but she is rarely remembered for that. She is far better remembered for singing Happy Birthday to her sometime beau President Kennedy and for the scene in The Seven Year Itch when wind from a subway grate blows up her skirt. You've seen it. Really her whole persona was often created rather than who she really was. She was an actress in her real life, unfortunately.

Monroe actually came into the spotlight in the Second World War when she posed for photos for the boys on the front. From there her modeling, singing, and acting career skyrocketed. Until her tragic death at the age of 36 she was among the go-to actresses for those sexpot roles especially in comedies. Her death by potentially intentional drug overdose (discovered by her psychologist) is just one piece of the evidence of how much of her life was hidden, like her struggles with substance abuse and mental health.

She was famous for playing Blond Bombshells and Dumb Blonds. She was all beauty, glamor, and sex appeal and it earned her millions of dollars. She always wanted to be more though, unfortunately she never really got it. "Please don't make me a joke," she told a journalist, "End the interview with what I believe...I want to be an artist, an actress with integrity...I want to grow and develop and play serious dramatic parts. My dramatic coach tells everyone that I have a great soul, but so far nobody's interested in it."

She is best known for as an icon and emblem of the popular culture of the 1950s and early 1960s, but her most definitive/important roles include All About Eve (1950) (a small role that would lead to her "discovery" and contract with 20th Century Fox), Monkey Business (1952), How to Marry a Millionaire (1953), Niagara (1953), Gentlemen Prefer Blondes (1953), The Seven Year Itch (1955), Some Like it Hot (1959), The Misfits (1961), and her final film, released posthumously as a short, Something's Gotta Give (1962). She also sang "Diamonds are a Girl's Best Friend" and the very sexually charged "Happy Birthday Mr. President" (just the song here).

(Image Description: the poster for Gentlemen Prefer Blondes. It shows drawings of Jane Russel and Marilyn Monroe in red costumes the size and shape of one piece bathing suits that are sheer or pink on top. They have on red top hats and long black and white necklaces. They have black canes and are dancing with one leg upraised. Behind them is a busy Paris scene done in a more cartoony/simplified style. There are musical notes around them. Their names are above their heads in blue. Below them on a black rectangle it says (in white and orange) "in Howard Hawks' Gentlemen Prefer Blondes [in] Technicolor" below that rectangle but above the studio info in blue it says "co-starring Charles Coburn". End ID)

Probable Orientation: Mspec Ace

Oh, I am going to get a lot of hate for this one.

And a lot of people are going to show a lot of misogyny and aphobia, be it overt, unintentional, or internalized. Indeed the first thing the first (allo) person I told these findings to said "but she had a ton of sex!" Yes, that is true, she did, and so do some other aces.

Not to mention that Monroe's relationship with sex was a complicated one. A very complicated one. Monroe had a deeply traumatic childhood (mentally ill mother, tossed between foster homes and orphanages) and married extremely young -- she had turned 16 just two and a half weeks earlier -- to prevent her from becoming homeless and returned to the orphanage after her most recent foster family planned on moving out of state and leaving her behind. Then while working a munitions plant in L.A. she became a model for the troops in World War II, aged 18. From her teen years she was made aware that sex was expected from her, thrust into adulthood and positions she might not have been comfortable with. She was a beautiful woman and people wanted her and she accepted that because it did get her what she wanted.

(Image Description: the 1944 factory photos that launched Monroe's modeling career, taken by David Conover for Yank Magazine at the Radioplane Munitions Factory in which she worked. Interestingly the commanding officer that sent him to take the photos was Ronald Reagan. The photo shows an 18-year-old Monroe. She is holding a small propeller and is beside some kind of red machine. She is wearing a simple green top and gray bottoms with a photo ID badge at her waist. She wears a wedding ring. She has much frizzier brown hair. She is smiling broadly. End ID)

Over the course of her life she was in love with and had sexual relationships with many different men and women. That doesn't mean she was sexually attracted to them. Indeed throughout her life she had a lot of difficulty with sex. She didn't like it. She thought she must have been doing it "wrong" and stated that a lot of her sex appeal was applied to her rather than something she felt. She was playing to the crowd. Which makes sense, Monroe was a people pleaser. She desired closeness, she romantically loved many people, I have no doubt, and from the time she was a teenager the best appreciated way to show it was by being sexual. The fact that later in life she had a sexual encounter with a literal 16-year-old when she was 30 shows she had a pretty fucked up understanding of what was appropriate sexually. The 16-year-old was the leader of her fan club, she also had an affair with her acting coach, her first husband was her neighbor who was kind to her. She was loving the people who loved her and was showing it the way society told her to. (On her being mspec, there were several women she had affairs with, including the fan and acting coach mentioned above, indeed it has been speculated she was more attracted to women than men).

No matter how she appeared on screen, she voiced fear that she was broken and frigid to her psychologist (who agreed with her) because she didn't really enjoy/want sex. The desire of wanting to fix herself and wanting to please the people who loved her and who she may have romantically loved in return. She probably romantically loved some of these people but didn't know how to separate that from the sexual aspect or didn't want to lose them if she did. She was giving them what they wanted and expected and what culture told her was essential to normal loving relationships.

Her sexual "failure" was a subject she returned to often in therapy throughout her life. She had only one sexual encounter she actually said she enjoyed and it seemed to be more of a relief because it made her normal than what she got from the sex itself.

She said again and again that she wasn't the sexpot people thought she was, nobody listened.

(Image Description: a series of photos from a photoshoot from Life Magazine. It shows Monroe at home in 1953, a huge year in her career. The photographer is Alfred Eisenstaedt [a photographer of whose work I am extremely fond]. They show Monroe wearing a dark turtleneck and checkered trousers. She is in a bunch of different positions and wearing different expressions. Some of these appear candid and others posed. I am especially fond of one in the middle in which she appears to be trying to stop herself from laughing or sneezing. I like to imagine it is the former. It is very human. End ID)

“People had a habit of looking at me as if I were some kind of mirror instead of a person. They didn’t see me, they saw their own lewd thoughts, then they white-masked themselves by calling me the lewd one.”

-Marilyn Monroe

"I never quite understood it, this sex symbol. I always thought symbols were those things you clash together! That's the trouble, a sex symbol becomes a thing. I just hate to be a thing. But if I'm going to be a symbol of something I'd rather have it sex than some other things they've got symbols of."

—Monroe in an interview for Life in 1962 (both of these quotes illustrate that her "sex appeal" was manufactured and applied rather than her own natural state. Her audience made it clear what they wanted and she played to it.)

"A man who had kissed me once had said it was very possible that I was a lesbian because apparently I had no response to males - meaning him...I didn't contradict him because I didn't know what I was... Now, having fallen in love, I knew what I was. It wasn't a lesbian."

-Marilyn Monroe in her autobiography My Story (written 1954, published 1974). (Note that she has "no response". She loves a man, this one or another, but she has "no response" to men physically. That is the only response he could comment on, her physical one. Clearly she feels some kind of attraction to someone eventually, but not sexually/physically. It is the difference between romantic and sexual love. It also shows that homosexuality and asexuality have always overlapped.)

"Primary frigidity"

-the diagnosis from Monroe's therapist Dr. Ralph Greenson, he worked to "cure" her of this "frigidity"

“Maybe I’m a sexless sex goddess.”

– Marilyn Monroe to Life magazine journalist Richard Meryman, 1961

(Image Description: a photo of Marilyn Monroe behind the scenes on the set of The Misfits in 1960, photographed by Inge Morath. She is leaning across a table and smiling at someone to the right of the frame. She has tired eyes. End ID)

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