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"Impossible" Part One Writer: Mark Waid Artist: Dan Mora Color Artist: Tamra Bonvillain Letterer: Steve Wands Review by Bryant Lucas The cosmos is in chaos, as Earth is invaded by 5th-dimensional imps, in this month's Batman/Superman: World's Finest #26. The issue picks up where the World's Finest 2024 Annual and World's Finest #25 left off, with chaos in the 5th Dimension.  Bat-Mite and Mr. Myxzptlk have been on the run from a terrible unnamed foe who has murdered a group of their friends. Naturally, the mischievous imps make their way to Earth in search of help from the World's Finest. After making contact with Batman and Superman, they suddenly receive distress calls from other League members. Flash and Green Lantern are attacked each by a villain who now also has a 5th-dimensional counterpart. It turns out that Earth is facing an invasion of evil 5th-dimensional imps, each with an affinity for a DC supervillain. The teams split into two groups to deal with the threats only to discover that there's a more powerful and sinister force behind these attacks. Transdimensional Shenanigans Confession: I'm a sucker for 5th-dimensional stories. I love both Bat-Mite and Myxzptlk, so I'm predisposed to liking sagas like this one. Waid's script is a lot of fun, as he brilliantly captures the zaniness that has traditionally gone hand-in-hand with each of these iconic characters. From granting superpowers to summoning mech suits, these imps get up to a mess of fun and trouble. Waid also differentiates between these very similar imps by giving each a distinct voice. Mr. Myxzptlk was created as a goofy sci-fi villain for Superman back in the 40s. Bat-Mite, however, didn't arrive until the 50s, as DC attempted to produce more kid-friendly Batman comics. Therefore, DC poached the tone of Superman comics/villains for Batman, creating what's often seen as one of the lower points in the Dark Knight's history. [gallery columns="5" size="large" ids="189553,189554,189555,189556,189557"] Accordingly, it's easy for Bat-Mite to come across as a carbon copy of Mr. Myxzptlk. Using Robin as an analog for the readers, Waid has Superman pithily distinguish between the two imps, pointing out how each differs in their relationship to their corresponding hero. Bat-Mite all but worships Batman while Mr. Myxzptlk simply likes to annoy Superman. Narrative-wise, he continues the trend by pairing Mr. Myxzptlk with Batman and Bat-Mite with Superman. This allows Waid to once again use each of the characters as foils, contrasting each imp with the opposite hero. It's a clever writing tool that leads to some fun interactions. 5th-Dimensional Art As usual, Dan Mora's art is phenomenal, some may even say transcendent (I can hear your groans from all over the world). Seriously, Mora's vision of 5th-dimensional nonsense is great. He captures the loony-tunes aesthetics of these characters masterfully. What's even more impressive is how he translates this style into his designs for the 5th-dimensional imp villains. These knock-offs look both goofy and malevolent at the same time. He absolutely nails it, and I'm incredibly excited to see more of the new imps in the coming issues. Conclusion Batman/Superman: World's Finest #26 is another great issue in an all-star run. I might be a simple man to please, but there's something delightful about 5th-dimensional imps, they just bring me joy. That being said, it's worth noting that this title's consistency is remarkable, as Mark Waid and Dan Mora continue to produce comic book gold. It remains fresh after two years, and there's no sense that this title will be slowing down anytime soon. Final Verdict: Bring on the 5th Dimensional War! Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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"I am the Storm" Writer: Jason Aaron Artists: Doug Mahnke, Jaime Mendoza Color Artist: David Baron Letterer: Troy Peteri Review By Eric Lee Minor Spoilers Ahead! Batman: Off-World #4  continues to give wild, over-the-top action, but may feel slightly hollow due to fairly thin characterization. This issue has the same good and bad elements as the previous issues. Readers are treated to the insane, hyperbolic action sequences of Batman versus evil aliens and, to be honest, seeing the Dark Knight whooping on evil aliens while riding a space wolf is peak entertainment. Writer Jason Aaron knows how to wring the maximum amount of excitement out of a superhero comic. Thin Characterizations However, that also brings the cons of the issue: the characters can feel quite one-dimensional. Even Batman himself feels a little rote. Yes, he's still able to showcase that he's a true hero, but these instances are small and fleeting. This iteration of the hero feels way too competent and calculating for someone who's only been a vigilante for a year or so. Outside of the brief mention of his rookie status, there's little that distinguishes this version of Batman from the veteran, grizzled version we all know and love. It seems like Aaron's missing some dramatic opportunities to show Batman being overwhelmed by outer space and being exposed to alien cultures, but he never seems to be phased by any of it. There's a lot of emotional resonance for a reader to latch onto with this iconic character that seems to be missing. [gallery type="single-slider" columns="5" size="large" ids="189545,189546,189547,189548,189544"] The only time we feel a sense of real emotion is during a quick montage of Alfred and Commissioner Gordon missing Batman. .. but that only lasted one page! It almost feels neglectful how little storytelling time is devoted to Earth. Yes, I know this series is called "Off-World", however, I also am curious about the Earth-bound consequences that stem from Batman's decision to stay in space. Has Gotham been overrun by villains? How has Alfred explained Bruce Wayne's disappearance to the media and Wayne Enterprises? Similarly, the interstellar villains are so grotesquely evil that it's also difficult to relate to their motives in any tangible way. We see more teases of the ultimate villains' powers, as well as how wildly evil they are, but that's about it. There's not much more that can be said about how fantastic Doug Mahnke, Jaime Mendoza, and David Baron's art is in this series. Their attention to detail makes every action scene pop. Every alien that's shown looks bizarre and out-of-this-world. Conclusion While Batman: Off-World #4 continues the fun, smash 'em-up story, the main plot feels like it's floundering, due to the lack of any real, in-depth characterization. The art's more than worth the price of admission, but for me, this feels like ultimately shallow entertainment. Images courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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"Nine Lives" - Part Six Writer: Tini Howard Artist: Carmine Di Giandomenico Color Artist: Veronica Gandini Letterer: Lucas Gattoni Catwoman #64 brings us a cosmic heist, which could be deadly for anyone other than Selina. It is a chatty issue, but one with stunning visuals and excellent action. The issue builds tension from the very start, concerning the forces we saw rally at the end of the last issue. Catwoman's time is running out. Plus, we're now only three issues away from chapter nine. Next, we see Selina's masterful infiltration of a satellite and the overarching narration that showcases her confidence. This is Catwoman at her finest, but this series' story is taking her in lots of different directions. There's a recklessness to her these days, and she's not handling all these heists as well as she should. An enfranchised fan of Selina's, like myself, should probably be concerned about her wellbeing. The details around the numerous settings are a wonder to behold. The ground crew members at this secret base are sprawling and limitless, and the sea of stars makes for a wonderful stage for this story to take place. [gallery type="single-slider" columns="5" size="large" ids="189538,189539,189540,189541,189536"] There are moments when we get some real insight into the DC universe, like the offhanded comment about Green Lantern Laws gives us such an outstanding level of interconnectedness that reminds us all that, even in a heist narrative like this one, we get to see Catwoman tangling with cosmic forces beyond the world. Conclusion Catwoman #64 has moments where its overall wordiness somewhat breaks the flow of the excellent tension, layered heist drama, and stunning visuals. Sometimes a story needs to let itself breathe in this medium, to tell the most effective story possible. Nevertheless, the issue still delivers a great tale for those who love the Cat, and get hints at what could be coming to get her in just a few issues time. Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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"The Dark Winged Queen" - Part Three Writer: Tom Taylor Artist: Lucas Meyer Color Artist: Adriano Lucas Letterer: Wes Abbott Review by James Attias Titans #10 takes classic stories from the team's history and brings them to the modern day, with team members changing and Demons rising from hell.  Let the good times roll!  The Devil's Son's Brother's Sister's Friends Demons. Devils. Protestors. This looks like a job for the X-Men! I mean... Titans! This issue really hit me in the nostalgia, with Trigon manipulating his kids into invading Earth and trying to get the worst out of his daughter. What the comic did perfectly was to keep the villains as the ones with all the info... although cracks are starting to show. So, we all know that the heroes are catching on. One thing that I hate hate hate, is when the audience knows sooo much more than the heroes, with no hope in sight. I was so glad to read that some of the greatest heroes around can sense when their closest friends are not themselves. Also worth mentioning is that Wally has gone, so I'm glad that I'm keeping up to date with the Titans'solo titles. Garth is back, though! This felt like Titans stories of the '80s... I Love it! [gallery type="single-slider" columns="5" size="large" ids="189523,189524,189525,189526,189522"] Magical, Colorful, Mystical I often get so excited about the story that I don't give enough praise and recognition to the artists. So, with this review, Lucas Meyer, Adriano Lucas, and Wes Abbott, I salute you. The characters look exactly how I picture them when I hear the word Titans, the vibrant colors light up the page, give Hell a vibrant red, and give our heroes the colorful splash they deserve. The lettering was also on point, especially when three demons are talking, as well as the one who's posing as a hero. Once again, the creative team is fantastic. I can't wait to see what you guys do next, as well as who will join the series in the future. Conclusion Titans #10 is a wonderful comic that had me smiling from ear to ear. Don't sleep on this title, people. Jump on ASAP... you won't regret it. Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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"Nightwing", and "00:01" Writers: Tom Taylor, Marv Wolfman, Michael W. Conrad Artists: Daniele Di Nicuolo, Bruno Redondo, Howard Porter Color Artists: Adriano Lucas, Hi-Fi Letterer: Wes Abbott Review by Steve J. Ray Nightwing #113 is a celebration... in every way possible. Not only does it highlight the character of Dick Grayson, it also shines a light on his brothers, his sister, his city, and the incredible Barbara Gordon. Oh... the fact that it's also the 300th issue, looking back over 29+ years, and his creators also get an extremely touching tribute, made this ancient fanboy's heart sing. "Good Robin, Bad Robin." Brilliant. I said last month that issues #111 and #112 were the perfect Nightwing comics... add this one to make that a trilogy. Writers Tom Taylor and Michael W. Conrad give us two completely different stories, showcasing two very different sides of Dick Grayson, and they deliver pure excellence. However, we also get two pages written by Nightwing co-creator, Marv Wolfman, which really got to me. I was there when Robin became Nightwing, I still own all the Wolfman/Pérez New/Tales Of The Teen Titans issues, so these pages feel almost like they were made for me. (Panel four of page 21 got me right in the feels... look at the picture on the wall). It was lovely to see the work of Bruno Redondo again, even if it was for just two pages, but he's back next month. More on that later... Daniele Di Nicuolo drew the bulk of the "main" story. I can't say that I loved it, as his style's a little too cartoony for my tastes, but his layouts and storytelling are strong, and the characters are immediately recognizable. [gallery type="single-slider" columns="5" size="large" ids="189530,189531,189532,189533,189529"] Of course, Adriano Lucas' colors and Wes Abbott's letters are, as always, perfect. Wes absolutely kills it in the second story, too... even though there's no dialogue. "00:01" by Michael W. Conrad, Howard Porter, and Hi-Fi is a powerhouse of a tale. I love stories where no one speaks, and the visuals give the readers everything they need to know (of course, Michael Conrad's script must be super detailed, but getting the action across, with no dialogue whatsoever, is no easy feat. This is a non-stop, kinetic thrill ride of a tale. The art, colors, and letters - a great "24" style countdown - add tension, drama, and real stakes to the proceedings. I'd LOVE to see the full script. Conclusion Yes, Nightwing #113 is a celebration, but next month will see the beginning of Tom Taylor and Bruno Redondo's final five-issue arc on this series. I'm fortunate enough to own all of the 299 Nightwing comics (plus annuals) that preceded this one, and every issue of Grayson, too. I will approach the "Fallen Grayson" storyline with excitement and sadness, as, for me, the run by Tom Taylor, Bruno, Redondo, Adriano Lucas, Wes Abbott, and all the wonderful guest writers and artists, has been the finest in the series' history. Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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Review: Nightwing #133- Legacy #300[Editor's Note: This review may contain spoilers] Writers: Tom Taylor, Marv Wolfman and Michael W. ConradArt: Daniele Di Nicuolo, Bruno Redondo and Howard PorterColors: Adriano Lucas and Hi-FiLetters: Wes Abbott Reviewed by: Matthew B. Lloyd Summary It's Dick Grayson's birthday, and after a mission with Tim and Damian he faces a bigger threat...receiving the Key to the CIty of Bludhaven. Positives Some have criticized Tom Taylor's run on Nightwing for not moving fast enough and settling into too many stories that are no more than "look how great Dick Grayson is" plots.  A couple issues ago I commented that it was clear that Taylor had settled in for the  long game with the Heartless storyline.  Taken together, this is a defining run for Nightwing.  Nightwing #113 not only continues to focus on Dick Grayson's character and relationships, for my money the most significant part of any story, but also throws in some celebration (this SHOULD be issue #300) as well as a tease for what will be a definitive encounter with Heartless in the upcoming "Fallen Grayson" arc which will also be Taylor and Bruno Redondo's swan song on the title. Nightwing #113 opens with a fun action sequence with Dick, Tim Drake and Damian Wayne as they work a mission together.  Taylor peppers it with revealing and purposeful dialogue that not only propels the issue, but works the overall characterization of the three as well as supporting characters like Batman and Barbara Gordon.  This sections absolutely sings and is a "how to" balance story and character. The majority of the issue is similar.  Dick receives the Key to the City from his sister, the mayor, and along the way Taylor makes the character bits stand out.  Not only does Bruce Wayne get a compliment on his parenting from Melinda's mother, but Dick forces Barbara into the spotlight as he makes sure she is honored for her work as well.  These bits build these characters and the relationships between them.  It seems like a no brainer that Dick and Babs will at the very least be engaged to be married by the end of this run.  It's a logical conclusion. Positives Cont'd Taylor turns over the scripting duties to comic book legend Marv Wolfman for a short sequence (illustrated by Bruno Redondo) that is as much from Marv's own point of view as it is his in-story stand-in Marv (of Marv and George's Pizza- George Perez that is).  It serves not only as a tribute to Nightwing/ Dick Grayson, but also to George Perez who passed nearly two years ago.  It's a special moment that might get you a little misty.  The issue concludes with Heartless commencing the final stage of his plan to take out Dick Grayson.   The second story by Michael W. Conrad and Howard Porter is a neat "silent" story in the tradition of "Silent Interlude" from G.I. Joe- A Real American Hero #21 and the opening sequence of Nick Fury, Agent of S.H.I.E.L.D. #1 (1968).  Conrad and Porter present a five minute incident as Nightwing has to get on a train and defuse a bomb.  Slow down with this one in order to experience the excitement and Porter's art.  Conrad uses a ticking clock throughout to give the reader a sense of the passage of time that is very effective.  Porter, inking himself on this story, appears to be channeling the legendary Gene Colan.  Porter's linework and use of shadows seems evident of Colan's influence.  It also serves as an argument that Porter should ink himself. Negatives While Di Nicuolo turns in a fine job on most of the art on the main story, Redondo has been missed for a lot of recent issues.  He's as much a part of the success of this series as writer, Taylor.  It's a shame the legacy numbering will only appear as an acknowledgement on this issue and won't be reflected on future issues as the only numbering.  Dick Grayson deserves that. Verdict Nightwing #113 is a wonderful set up for the final Taylor/ Redondo arc.  Taylor reinforces the focus on character and relationship (including some not mentioned above), but prepares the reader for what will surely be a massive encounter between Dick and Heartless.  To top it off the issue is rounded out by a well conceived and beautifully illustrated story by Conrad and Porter, respectively.

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A new novel titled Batman: Resurrection will be published that is set in the Batman '89 continuity. Popular Star Wars novelist John Jackson Miller will write the continuation. Penguin Random House will publish the sequel. Despite making his name in Star Wars novels, Jackson Miller is pretty excited about writing Batman, even hailing it as a "dream project". “There are dream projects, and then there are projects you never dreamt were possible. This is the latter. People always ask what world I wanted to get the chance to write in; I never named Burton’s take on Batman because I never imagined it could happen. But [PRH] editor Tom Hoeler found a way.” Of course, Bat-fans are already familiar with the world. DC Comics has published two series Batman '89 and Batman '89: Echoes that are set in the same universe. However, Jackson Miller is well aware of those comics. He stated that his novel directly continues where the original Tim Burton film left off. “Whereas the DC Batman ‘89 comics are set after the Tim Burton films, I chose to make Batman: Resurrection a direct sequel novel to [the 1989 movie], meaning characters ranging from Vicki Vale and Alexander Knox to Max Shreck and Selina Kyle from Batman Returns can appear in the book." The Plot of 'Batman: Resurrection' So what is the Batman: Resurrection about? It deals with the fallout of the Joker's crime spree from the movie. Many citizens are still traumatized by the Joker's attempt to gas everybody at his Gotham parade. Additionally, Batman is still trying to round up the remnants of the Joker's gang. But the criminal element seems more emboldened, making Batman wonder if he needs to help Gotham City as both Batman and Bruce Wayne. Miller continued about how he is so excited for the novel. He reported how the Batman film heavily influenced his writing. “Batman shaped the writer I am. I saw it in the theater 12 times. I reviewed it for my college paper and wrote about it often in comics magazines, including an essay on Prince’s Warner Bros. Records soundtrack. Writing Batman: Resurrection has been like reuniting with old friends.” Batman: Resurrection will come out on October 15. You can pre-order the novel now at Amazon, Penguin Random House and Bookshop. Source: Gizmodo.com

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Sideshow Collectibles has teamed up with Iron Studios to give us the great new 'Batman Black Version' Deluxe Art Scale Statue. The 1:10 scale statue shows The Dark Knight standing on top of his iconic, but damaged, Bat Signal. A red smile, crossed-out eyes, and a green squiggle decorate the usually plain light. [gallery type="single-slider" columns="6" size="large" ids="189504,189505,189506,189507,189508,189509"] Along the sides, The Joker's tagged his latest joke, just in case the World's Greatest Detective can’t work it out. Disturbingly, the little angel crouching beneath the light, pointing it up to the night sky, also has the villain's laughing face. Wearing a torn, muddied cape, Batman's armor is scratched and ruined. The Dark Knight looks even grumpier than usual. Carefully hand-painted, the lovely 'Batman Black Version' Deluxe Art Scale Statue is available to pre-order at Sideshow Collectibles. He'll look great anywhere, but especially next to another Batsy.  The 'Batman Black Version' Deluxe Statue features: Limited Edition Based on original movie references Made in Polystone Hand-Painted [gallery type="single-slider" columns="5" size="large" ids="189502,189503,189510,189511,189512"] Additional Details Purchase Limits Limit of 1 per person Materials Polystone Product Size Height: 10.5" (27 cm) Width: 6.4" (16 cm) Depth: 7.2" (18 cm) Weight: 2.4 lbs (1.1 kg) Source: Sideshow Collectibles Images And Press Release Courtesy of Sideshow Collectibles (adsbygoogle = window.adsbygoogle || []).push();

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Sideshow Collectibles has added this stunning Batman: Scars Fine Art Lithograph, by artist Alex Ross. The legendary artist spoke briefly about this piece in Mythology: The DC Comics Art of Alex Ross, saying: na na na na na  I was inspired by a Joe Staton drawing, from a story about a future version of Batman marrying Catwoman. At one point in the story there was a scene when he was out of costume and she saw his back and gasped at all the scars. Until this piece, they remained unseen. na na na na na  [gallery columns="4" size="large" ids="189470,189471,189472,189473"] Created in 1996 as a pin-up illustration for Batman Black and White, this realistic piece pays homage to The Brave and The Bold #197. Batman's empty cowl watches over Bruce Wayne, checking the marks and scars littering his bare back like a demonic guardian. Each mark earned in battle against his foes, a mark of failure and fuel for his drive to get better. The rough, imperfect darkness surrounding the man and his persona only makes this moment feel more personal. Limited edition, with only 195 pieces being made, each print is hand-signed by Alex Ross, with hand-torn decked edges, and comes with a Certificate of Authenticity. Pre-order today at Sideshow Collectibles to avoid missing out on adding this stunning Batman: Scars Fine Art Lithograph to your art collection. He will look amazing no matter where the piece is hung, but especially beside other Dark Knights. na na na na na  Batman: Scars - Print Details: Officially licensed by DC Comics na na na na na  Limited edition of 195 na na na na na  17.5 x 23.5" certified archival fine art lithograph print Archival giclée on heavyweight textured paper with hand-torn deckled edges na na na na na  Hand-signed by the artist, Alex Ross na na na na na  Certificate of Authenticity na na na na na  Print is wrapped and hand-rolled in acid-free paper, inserted in a protective plastic sleeve, and shipped in a 4” diameter tube na na na na na  Source: Sideshow Collectibles Images Courtesy of Sideshow Collectibles na na na na na  (adsbygoogle = window.adsbygoogle || []).push();

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"Shattered Dreams" Writer: Nicole Maines Artists: Eddy Barrows & Eber Ferreira Color Artist: Adriano Lucas Letterer: Becca Carey Review by Philip Clark Suicide Squad: Dream Team #2 is out, and after the shocking end of the last issue, will the team be able to complete their mission; or will they revolt against their command in chief? There's only one way to find out! Hopes and Dreams I love that Suicide Squad has consistently brought some of the lesser-known DC characters into public view. This series is shining the spotlight on Dreamer, along with two characters I've not heard of before, Black Alice and Deadeye. Throw in Bizarro, Harley Quinn, and Clock King and you've got yourself a plethora of very unique characters. For this issue specifically, I'd like to give a shoutout to Clock King... man is he terrifying? It's his mentality that sends shivers down my spine. With a huge fight going on around him, he remains calm and composed as he explains the team's current predicament; eventually finishing the mission himself. Read through those first few panels and tell me that you don't get a little twinge of terror in your stomach. [gallery type="single-slider" columns="5" size="large" ids="189489,189490,189491,189492,189488"] I'd also like to talk about Bizarro. He gives off such Golden Retriever energy, he's just a happy boy who wants someone to tell him he's doing a good; or bad, job. He also plays an integral role in Dreamer's trials and tribulations. Unfortunately, I do have a slight gripe with this issue and that is that it's a little heavily written. There's a lot of exposition and filler text which makes it difficult to digest. I can tell that Maines is setting up a brilliant story, it's just not quite firing at the moment. Conclusion Suicide Squad: Dream Team #2 continues setting the scene for Maine's run, which so far is going well. I'm looking forward to seeing what she can bring to the story and seeing how, or if, the team will survive their missions. Images courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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Batman/Dylan Dog - Book Two  "To Hell And Back" Writer: Roberto Recchioni Artists: Gigi Cavenago and Werther Dell'Edera Color Artist: Giovanna Niro Letterer:  Pat Brosseau Review by Carl Bryan Batman/Dylan Dog #2 introduces none other than John Constantine joining the case. Of course, with Dylan Dog involved, it would naturally mean that Constantine would eventually be brought into the mix somewhere. Meanwhile, Batman's hunting for a kidnapped Catwoman in London. All of this is then further complicated by the fact that the Joker's still at large... so pack your bags and bring plenty of sun tan lotion.  It's not London anymore...this circus is going to Hell! Yes Dylan... The Joker wants to resurrect Christopher Killex! – Groucho." Hell is Wherever You Build It, Mate! Roberto Recchioni hits a home run with this piece of dialogue as Dylan Dog and Constantine are off on a quest to go to Hell... literally, and where does one enter that portal of suffering? Through Constantine's fridge.  There's so much commentary on this one frame in the comic... however, I digress! Recchioni's got a great funny bone; I mean, who else would give readers Groucho Marx as a butler? 'Jumping Judas!", "Yep he's here too".  We get a great exchange between Constantine and Dylan Dog. Finally the shared experience of Picadilly Circus being Constantine's Hell... hilarious. Well done Rechhioni with the "tongue in cheek" high-brow humor! Constantine Speaks Roberto Recchioni really writes a great commentary from John Constantine to Dylan Dog. Do you want a social statement about the state of the world today? Spend some time in the pages of this book! We once wore Hell on our bodies like a filthy coat... now we hide it behind our social media profiles!" - John Cnstantine Those are some poetic and thought-provoking words, however, Dylan Dog gives it right back to Constantine, and that's where Recchioni excels. He writes to all readers! [gallery columns="6" size="large" ids="189415,189416,189417,189418,189419,189414"] Etrigan... The Rhyming and Rapping Demon from Hell... sigh. He's been showing up a LOT in DC lately, especially in recent issues of Batman, in various stories. However, why should we be surprised?  This book already features one of DC's main occult figures, so why not bring in Etrigan? When our intrepid duo gets to Hell, that's where artists Gigi Cavenago and Werther Dell'Edera take over as the pages turn hot from their art! Even Roberto Recchioni pays homage to Heavy Metal Albums with a spirited exchange in conversation. Humor Abounds In This Issue  Talk about the success of The Walking Dead, Constantine, and Dylan Dog need a series on the Talking Dead. The exchanges are awesome in this issue as the writing has certainly improved hugely from the first issue. While the first chapter felt a little formulaic, it appears that Recchioni was just hitting his stride. We even get a glimpse of where the Joker is going to end up...but it appears he has already visited.  Whew! Conclusion Well... Batman/Dylan Dog #2 doesn't really have a conclusion as much as a cliffhanger. How does this intrepid due get out of Hell? I would imagine by meeting the Devil himself? Recchioni's done an excellent job with the writing in this one, I wasn't expecting the clever humor that I encountered and arguably wasn't really looking forward to reading and reviewing this issue. However...what a rebound! Perhaps with having to catch up American audiences who may not be familiar with Dylan Dog made it the main task for issue #1, but #2 is all go! Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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"The Turn" Writer: Shawn Martinbrough Artist: Tony Akins Color Artist: Matt Herms Letterer: Troy Peteri Review by Adam Ray Red Hood: The Hill #3 is the kind of comic I really love. It shows characters interacting in a light-hearted, realistic way, then puts them all into immediate and deadly peril. When you then add the consistently perfect, and unique character designs, and the powerful, and vibrant color art, we can continue to say that this heartfelt and thoughtful Red Hood story is going to be one to remember. The issue opens with what could easily be one of my new favorite villains in all of comics. There's nothing I like better than a truly sinister force looking like someone innocuous, or even friendly. I've seen this guy in the many, many comic book stores that I visit. Despite this, they've been able to keep the mystery around him very high. I'm eager to see what develops. [gallery type="single-slider" columns="5" size="large" ids="189393,189394,189395,189396,189392"] Tony Akins slides into the creative team with ease. He brings a statuesque quality to our characters that makes them all striking. The designs on the strange, monstrous beings are all well-realized and feel both lifelike but stylized at the same time. Shawn Martinborough just knows these characters so clearly at this point, particularly Jason himself. His off-handed comments about Amanda Waller just show how far he's come over the years, and the choice to fight off the threat with crowbars is a very emotionally charged choice, but one that makes for very striking images. Conclusion Red Hood: The Hill #3 brings us a deep look at character-driven stories, a compelling and new antagonistic force, and the welcome but surprise return that'll really show how high the stakes are. All the characters have become real people that we truly care about, and hope for their wellbeing. This makes this unique series even more gripping. Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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"The Crazies" Writer: John Layman Artist: Jesus Hervas Color Artist: David Baron Letterer: Andworld Design Review by Philip Clark The Arkhamverse assault continues in Suicide Squad: Kill Arkham Asylum #3. This issue brings the crazy with it! With everything that's happened in the last two chapters, this one doesn't slow down and focuses on the escape attempt of one Harley Quinn. The Harley Quinn Show Oh how I've missed this version of Harley; the off-the-wall crazy, but with just an underlying glimmer of a deep, hidden intelligence. That's not to say I don't enjoy the 'anti-hero' Harley, she's great too, in her own way, but this version just has me cracking up! Her wit and one-liners are unparalleled, only competing with her manifestation of self-importance. The interactions between her and the incoherent Scarecrow are fantastic. The way she acts like she can understand his babbling, so it seems like they're sharing an inside joke, had me chuckling. This is the Harley I grew up with and fell in love with as a character. I mean, she pokes Killer Croc in the eyes... for crying out loud, who does that? Then, for her to become completely infatuated with Scarface, while ignoring the fact that he's a puppet, is totally Quinn! I simply love everything about how she's written in this issue. [gallery columns="5" size="large" ids="189460,189461,189462,189463,189459"] The art style's had to grow on me I'll admit. I wasn't a massive fan of it in the first issue, but I liked the second installment a lot more. With Suicide Squad: Kill Arkham Asylum #3, I'm sold. The chaos and combat are a really big part of any Suicide Squad comic and need to be handled well. Here, Hervas and Baron really pull it out of the bag and blend everything together into a mosh pit of pure, chaotic fun! Conclusion I can tell that this is going to be a series that will continue to grow and improve. I've already noticed an increase in confidence in the creative team from the first issue to this one; they're really finding their feet and starting to run. Hold onto your hats people, because we're going for a ride! Also, (because I know someone from DC must be reading this), please give us a road trip-styled spin-off series of the doctors in Batman's Rogue Gallery. I'd love to see Harley, Freeze, Ivy, and Scarecrow all going across the country causing mayhem. Pretty please? Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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The Batman: First Knight - Book Two Writer: Dan Jurgens Artist: Mike Perkins Color Artist: Mike Spicer Letterer:  Simon Bowland Review by Carl Bryan The Batman: First Knight #2 continues the tale of a Dark Knight from the era of the Great Depression when America was on the brink of World War II.  Man-made zombies continue to terrorize Gotham City, and Gotham's police are no closer to solving the mystery behind the appearance of a rash of murderous undead creatures. Batman's formed an alliance with Commissioner Gordon, but it seems like he's next on the hit list. Will the Caped Crusader forego using only his fists and arm himself? It seems the only way to stop these creatures. So long as I live this life, I'm all I got!" – Bruce Wayne . "@#$%^".... It's a Black Label Comic! If you like your comics with some spice in the stew, then this one's for you! No, there's no gratuitous cursing, but the use of language is perfect for the situations and the storm brewing in Gotham. Gordon's angry, Batman's incensed, and the Criminal element wants the Dark Knight's head on a stick and adorned with.... well...buy the issue. Be warned, though... it's spicy pulp noir! Dan Jurgens is flexing his writing chops!  Jurgens is turning up the heat with more than just colorful dialogue. Last month, he left us with quite the cliffhanger and he manages to resolve it quite well in this chapter. The writer delivers the explanation in an old-school style but does so very eloquently. Jurgens knows that his readers are educated and so he writes to them. Again, I'm more used to the Dan Jurgens who had to paint within the lines when Superman died, but with this Black Label format, he gets to ride all over the road.  As his passengers, we're the ones who are in for a thrill! [gallery columns="5" size="large" ids="189408,189409,189410,189411,189406"] Rabbi Jacob Cohen Lacking an Alfred, we find Bruce seeking solace among the Rabbi and also finding a medical need fulfilled by actress Julie Madison. It turns out that these actions do occur to replace Alfred in Bruce's life. "Sparky"... it's not quite the nickname for Bruce, but this is a whole different universe. Gordon Saves the Day, But Plants Quite the Seed... Mike Perkins has, as always, understood the assignment and stands on business. His art is wonderful and the battle scenes rival anything that's ever been done with Batman and zombies/undead/creatures... ever.  However, what will resonate after Gordon insists that Batman arm himself?  Those images at the end of the comic resonate as Jurgens may be taking Batman to places he hasn't been to since DC's Golden Age. Conclusion The first issue was an appetizer, but this time Jurgens really shows off his writing skills in The Batman: First Knight #2! This comic is well worth checking out, as I'm not one for period pieces and wasn't even a big fan of Gotham by Gaslight. However, we do see a Gotham at its lowest point and a Batman with absolutely no tech, but full of resolve. Dan Jurgens has shredded the Dark Knight down to his bare bones, so let's see what Gotham can throw at him now! Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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The trailer to the anticipated sequel Joker: Folie à Deux shows a magical musical journey between Arthur Flek and Harley Quinn. 'Joker: Folie à Deux' Trailer Breakdown Folie à Deux shows Arthur where we last saw him at the end of the first Joker: in Arkham Asylum. It looks pretty bad for Arthur. He is just rotting in the cell, until one day he passes by a certain Harleen Quinzel in the the facility's choir room. From there, we see a series of brief interactions between the two of them. This culminates to an epic dance number with Joker in full makeup on top of a roof that is decorated with a giant electric sign reading "Hotel Arkham".   From there we are treated with various scenes of the Joker and Harley causing trouble. One has Harley with her full clown makeup and coordinated suit walking up the court steps amongst the press and protestors. Probably the scene that is most memorable shows Harley and Arthur talking through a glass prison phone line. Harley draws a red smile on the window in front of a sad-looking Arthur with her fingers. He then moves and curl his face to match the red smile. All of this is played over a melodic version of What the World Needs Now is Love. It is pretty cool to say the least. The trailer wastes no time to set a somber tone of the film. And it also shows that the movie is a musical. While it does not feature either Joaquin Phoenix or Lady Gaga singing, it shows plenty of musical tropes, like big dance numbers and the Joker on the piano. There is a poster that was also released in anticipation of the trailer. It features the Joker and Harley in the middle of a dance. Joker: Folie à Deux hits theaters in North America on October 6, 2024. Source: YouTube.com All images and videos maybe subject to copyright.

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"The Place Between Pages" Writers: Jackson Lanzing and Collin Kelly Artist: Robert Carey  Color Artist: Valentina Taddeo Letterer: Tom Napolitano Review by James Attias Outsiders #6 is the end of the book as we know it. Wait, no it's not! Let's not finish here... Horton Hears a What? This run's been the drunk uncle of the non-linear storytelling model, jumping from episodic issue to what appears to be the main story thread issue. It's starting to get difficult to follow, even for my nerd brain. We seemingly go back to the narrative, written in prose, (we assume this is being told by The Drummer, but who knows at this point). The tale also seems to be narrated by a somewhat older and softer Lucius Fox. Either way, it appears that he and The Drummer, as well as the omnipotent ship they're all living on, have figured out the shape of everything. That's right, the shape of reality is... A snowflake. Boomers must be laughing in their La-Z-y Boy chairs. That's right, a snowflake. I'm sure there's some scientific, genius-level reasoning for this creative choice, but I couldn't stop thinking about The Grinch, and how the entire story takes place on a snowflake. Am I the fool... or are the writers fools for not doing a better job? [gallery type="single-slider" columns="5" size="large" ids="189430,189431,189432,189433,189429"] The End is The Beginning... is The End Once this strange shape has been shown, we're then pulled into a world that can only be compared to something from Doom Patrol... the place between the pages. That's when our story gets really meta and things start to get very weird. I don't want to give anything away because the shock value is almost the best bit. Either way, the art was good, and consistent, which means more and more to me these days. A consistent artist on a title, really makes it easier to escape and believe what you're reading. These are clearly the same characters we saw last issue, they haven't changed due to a completely different style of line art. Either way, I'll be eating my own words next issue, if they change the creative team. Until then the art and a few somber moments were all this book had to offer this month. Conclusion Outsiders #6 is a very unusual meta-issue that aims to add to the bigger picture when in reality it made everything feel just a bit more confusing. Hopefully, we'll get a more linear tale next time. Images Courtesy of DC Entertainment (adsbygoogle = window.adsbygoogle || []).push();

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Review: Green Lantern #10[Editor's Note: This review may contain spoilers] Writer: Jeremy AdamsArt: Xermanico & Amancay Nahuelpan and Kevin MaguireColors: Romulo Fajardo, Jr. and Rosemary CheetamLetters: Dave Sharpe Reviewed by: Matthew B. Lloyd Summary Jo Mullein leads Hal into the intrigue on Oa.  Hal finally understands the big picture that reveals United Planets President Thaaros as the man behind it all. Positives The lead story is well paced and looks great.  A lot of the pieces are filled in as Hal, Jo and the other "renegade" Lanterns jump into action to save one of their own.  Adams nicely connects some of the pieces from the Geoffery Thorne Green Lantern series.  While this run started out feeling very Hal-centric, with Green Lantern #10 Adams has got all the pieces moving and shaking so that it feels firmly interconnected with previous runs. Since Hal constructed his own ring through his will, it still operates a little differently and it's great to see that as a plot point that matters.  This keeps Hal as the focus as well as setting him apart just enough from the rest of the Corps to keep him special.  The art from Xermanico and Nahuelpan looks great throughout.  They deliver the espionage aspects and the power ringing equally well. In the back up story featuring Guy Gardner, Adams and Kevin Maguire provide a huge dose of nostalgia for Guy and the JLI era including a guest appearance from Booster Gold.  If this is your jam, you'll really enjoy this.  Adams hits all the right beats and writes Guy pitch perfect for that era.  Maguire's art is great as usual and makes it the story appear it was plucked out of time. Negatives The only time I've liked Guy Gardner was in his original appearances in the sixties and seventies and then under Robert Venditti in Hal Jordan and the Green Lantern Corps as one of the "Four Corpsman."  Green Lantern #10 sees Guy in his less nuanced iteration and it's difficult to take him, as it's always been for me. Verdict Green Lantern #10 continues to ramp up the excitement.  It took a little while to get to this moment but it seems that this title is now where Jeremy Adams has been heading since issue #1.  Something big is just around the corner and the scope has expanded nicely to encompass not only the recent continuity but older events as well.