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Midori Ito at the 2023 International Adult Figure Skating Competition

She’s 53, she’s amazing and she radiates joy ✨✨

(She won btw)

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if ever i need to feel pure love and joy in my life once again i simply rewatch jason' brown's riverdance routine:

(and if you're going why does he look familiar yes, he was also the guy with the cotton eye joe routine, the can't touch this routine and more recently, the backsteet boys routine)

#i think i m in love

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As a kid, when your parents are poor, you're poor. If they don't have money, that means none of you have money. But if someone's parents are rich, that doesn't necessarily mean the kid is. Sometimes rich peoples' kids aren't rich kids, they're just some rich freak's exotic pets that can talk but aren't allowed to.

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we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

#this house sucks so bad it goes right around to ruling

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the humble "like" is oft mocked despite what it does for us. "like, three people" is a vastly different statement from "three people". "and i was like 'what the fuck'" is vastly different from "and i said 'what the fuck'". i love you "like" and anyone who says you make people sound stupid will be killed on sight

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This dance is not mutual.

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Catie speaks the truth.

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analog horror needs to let go of daisy bell I am FED UP

#we literally made a room-sized contraption made of cold metal and wires #sing a cute little love song and youre making horror out of it #youre making horror out of people giving even the most unlikely object a kind of capacity for warmth and jolliness

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They should remove the age requirement for presidency. Its time for america to enter its despotic boy-king era

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If anyone is looking for a keffiyeh, a friend of a friend in Palestine has partnered with an existing factory after their tourism business has been out of work. They finally got a website and a distributor and you can buy them here

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I love Matilda because it's a story about a child who sees injustice around her and gets mad about it and questions why things aren't fair, and instead of the ending being that she learns how the world works and that life isn't fair, she catapults one of the adults who abused her out of a building with her mind

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Fragments and memories. My old personal artworks of Koties, fantasy felines, depicted in the surreal world. Some of these artworks are edited to make the anatomy a bit better and the colors more clean.

I'm trying to go back to my old art and give it a new life, editing some of them and trying to continue the stories of my old characters that I gave up on back then. To find a way out of my internal conflicts and fears associated with these artworks and creatures. To find a love for them that still lives in me. Each of these artworks was born in very deep feelings, and I tried to give these feelings to them again ~

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serial unaliver takes me out every fucking time

#prev yeah this is just bluebeard #but you know it probably has a really weird romance plot between the maid and the guy