diarrheaworldstarhiphop

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one of my coworkers got fired for fucking the dishwasher at work

Do as you must but I have already won

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okaaayyy horses

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This is a dubious ask. Take this moment to feel mildly unnerved without being able to pinpoint why.

T-thanks

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Have you seen the Candace Owens/Daily Wire debacle? Along with people on the right raising questions about Israel, Nick Fuentes was brought up. Do you have any opinions on his media career? Is America First inevitable?

Hearing about it for the first time. I don't really care for gossip of professional media charlatans. Like I guess Owens is doing a black media tour because she left the right wing media sphere?

It's kind of funny there are folks who just kind of slide between readymade political worldviews like never do they start articulating something of their own research or beyond cynical aesthetics or step out of the ideological deep fryer, its just a shuttle between lib/con, socdem or wignat. Like Owens could have had a "man why DO we support israel" moment and like there could be so many illuminating paths of utilizing her platform to that end but she opts for the sentimentalist "because im being e-bullied, im waking up to (((them)))" canard. These kind of political celebrities who just are otherwise the most boring, self-interested people like I never learn anything new from them its like looking at college gamers who simulate knowledge by picking fights with others and doing cursory wikipedia searches. I think it is interesting that this genocidal war has seemingly begun to break the whole hasbara thing among Americans and the grip ADL/AIPAC has on public discourse, like normal folks who for the first time in decades are like "Israel is kind of indefensible here" - as far as Fuentes goes, I just dont care. I guess white nationalists watch him for the same reason that proglibs watch Jon Oliver. Like going to the ideology store to get bias confirmation treats.

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░N ░E ░U ░T ░R ░A ░L ░A ░S ░K ░

ＭＹ ＴＯＰ ＡＳ K ＩＮ ＢＩＯ． ＣＨＥＣＫ ＮＯＷ

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Wait nvm found DTstat. I hope he's well as he was very funny

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Hey someone sent you an ask in 2021 about circumsoldier being FSB affiliated? Do you have a follow up on that? Wtf happened to him? I don't know who you are but I used to lurk broteam/coolhole way back when. haven't checked up on that shit since like, 2016.

lolol

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Soviet cartoon "Nu Pogodi" [Just You Wait] on postcards from Czechoslovakia (1970s)

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was nathan rothschild capping or cooking when he claimed to control the british empire

King shitcoin of the London stock exchange and FUDcel bagholders

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nothing but the BIGGEST CUMS droppin tonight for my girl taytay and swifties all over the anglosphere. THE WHITE RACE IS FINALLY SAVED!! 🙌🙏💦💦💦🤰🏈

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not a hot take, but imo the majority of people do not and will never have the appetite necessary to become morbidly obese. for most people, if they eat as much as they want, they will reach the point where the more food they eat the less interested in eating even more food they will be

in the distant past i was a power lifter and i had to eat so much to build mass that i felt sick constantly

but then i went on estrogen and suddenly it was hard keeping mass off lmao

not morbidly obese but i definitely had a chumby era and it seemed to happen regardless of appetit.

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Do you like paper?

we are SO fucking back

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I watched hazbin hotel and the whole time I was thinking about your illustration style!

good

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we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

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ovaltine

ovaltine

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Do you still hear the Lil Jons?

nah

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Your reminder you can find my Souriaposting etc here now

#effortpost #syrian civil war