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Masahisa Fukase: Sasuke!! Dear Cat (1979)

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animals in medieval armor

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Guvinda autumn/winter 2000

scans 

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art nouveau bat brooch c. 1900/1910 by Meyle & Mayer Co.

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Yevonde Middleton (aka Madame Yevonde) (English,1893-1975)

Shell, 1937

tri-colour separation negative

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brooch by hubertus con skal, 1965 in twentieth-century jewelry - barbara cartlidge (1985)

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Nobuyoshi Araki: Hair on body (from Erotos) , 1997

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Amica Italia, 90s/00s.

Ph. Toni Thorimbert

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HELP A GOOD GIRL GO BAD - a portrait of Christina Ricci by Bruce Weber

On Vogue Italia, oct 1998

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Barbara Levine

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· Moth, 2020 - oil on linen. · Queen Anne’s Lace, 2019 - oil on canvas. · Orchard in Winter, 2019 - oil on canvas. — Miles Cleveland Goodwin (American, b.1980)

https://www.milesclevelandgoodwin.com/

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Tessa Kuragi for AnOther Magazine (2015) Photography: Nick Knight

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Man Ray :: Barbette Applying Makeup, 1926 | src Twilight Visions: Surrealism, Photography, and Paris @ International Center of Photography  (ICP) & Getty museum

A popular vaudeville performer of the 1920s and 1930s took the stage name of Barbette. He first began dressing as a woman when hired to replace a female tightrope walker. Barbette soon devised his own act, walking the high wire and performing trapeze stunts in elegant gowns, then removing his wig at the end of the show to reveal his true gender. Man Ray photographed the performer applying stage makeup with his face reflected in two mirrors, a composition that parallels the dual personas of performer and man. | src getty.edu

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Alexander Mcqueen: 'The Horn of Plenty' Autumn/Winter 2009