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fujoshina · 3 months

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Manga With Me: MHA Crackpot Analysis

I know we’re collectively running off the high of chapter 406 (just me??) but anyone else curious about the parallels we saw in chapter 407 to themes from way back in the training camp arc? I have a feeling they'll bear on what kind of ending our boys will have when all is said and done and I got time today to explore that.

⚠️ Spoiler warning: through chapter MHA 411.

Before you waste your time diving in, let's start with what makes this a crack analysis - I'm still making heads or tails on what this means for BakuDeku because... while I think the series will end with a reckoning between them, it doesn't mean it'll be to confirm the romantic underpinnings or that both of them will live.

Let's start with what informs this hunch:

Note: There's a serious bit of nuance we're missing from the English translation though I'm having a hard time finding the original post I liked many moons ago that essentially goes into the fact that, when Midoriya told Compress to "Give him back," referring to the Bakugo marble... he used language that had a possessive connotation. 👀 In fact, even with the English translation, we can see that Compress specifically calls out the phrasing to be odd, we just miss the subtlety of why that is (they really don't want us to be great). Compress nobly shoots back that Bakugo doesn't belong to anyone but this violent idea of possessing someone... DOES THIS SOUND FAMILIAR TO ANYONE??

We have seen, scattered throughout this entire story, that All For One has always been obsessed with recapturing the One For All quirk. It's why he targets the successors so compulsively. I assumed it was because, as the dynamic had been cast, that One For All has always had the power to best All For One. It wasn't until we saw the vestiges locked within OFA, Yoichi in particular, that we realize there's a bit more to the story. AFO's origin story in chapter 407 casts a really interesting foreshadow.

This alone isn't particularly damning or why I think it has impact on the story's end, or at least not comprehensively. Now that we see All For One up close... we've gotten some insight into his disposition as well. Specifically, here:

This mentality sounds exactly like...

At the heart of the story, everything has centered around Midoriya and Bakugo and their quest for number one, as inspired by All Might.

Canonically, we know that, in universe, their adoration of All Might has led to an embodiment of a facet of what they believe makes him a good hero. The Win to Save vs. Save to Win camps that are defined most readily at Ground Beta by All Might himself.

Midoriya and Bakugo are frequently cast as two halves of the same whole and as an impetus, not only for their mutually linked improvement, but also inspiring others around them to level up, as well. While it can be inferred that All Might as a mentor is largely the catalyst for this, it would be remiss to say that he doesn't have his own host of parallels but, at the center of this crack pot theory is his obvious relation to All For One.

To simplify where I'm going with this and explain the upcoming mental gymnastics: All For One is a foil for All Might.

We've seen Midoriya and Bakugo, in their quest to be heroes, embody two halves of who All Might is as a hero. In fact, Bakugo's reconciliation of his previous inability to "Save to Win" marked a major development in his character evolution and perception by people who aren't in Class 1A (Monoma. I'm talking about Monoma). On an unrelated note, members of Class 1A get to a point of not treating Bakugo like a ticking time bomb as they drag him around and infantilize him (Tsuyu) and this marked difference provided further exposition that the class has come to realize that he's mostly bravado and bluster and maybe not as awful as depicted at the onset of the story.

All that to say... given the parallels we see in the latest chapters. Are they meant to be two sides of All For One, too?

A continuing theme of the story (I'm sure I blab about it in other Manga With Me threads) is the fact that anyone can be a hero. However, there's also a critical examination of one's ability to be villainous regardless of intention or perception. We see it in the case of Endeavor, in particular, but also with characters like Hawks and Lady Nagant... and the Hero Commission, in general. Alternatively, even villains are redeemable or may have good intentions and we're seeing a lot of their redemptions play out through the duration of this war.

If we've seen the resolution of their embodiment of All Might, does it make sense to cast Midoriya and Bakugo in the shadow of who All For One is, as well? Arrogant, possessive, merciless and with an ego that looks only to subjugate others.

I think what causes unease about these panels and their comparison to AFO is because I'm expecting a huge cop out. We've been getting a lot of damning BKDK moments with an extra serving of Togachako. Would this new parallel cast them more in a brotherly light? With these parallel's and All For One's defeat... what does this mean for BakuDeku?

I think we've seen Bakugo overcome his likeness to AFO, as it were. Despite their competition, he recognized why he couldn't face Midoriya's spirit so, instead he rejected him. He reveals as much to All Might directly. Midoriya is no longer just a pebble and, based on vestigal Bakugo, I think we can all agree they are linked by something akin to fate. In fact, Bakugo was only able to save All Might (and balance out his guilt for "ruining" All Might while pulling off an All Might signature fist of triumph) with Midoriya's help and their wordless collaboration. He even grabbed his hand!

But the object of AFO's obsession is his brother and I can't help but also draw the connection between Bakugo's previous inability to reach out and accept Midoriya's hand back at the pond where Yoichi willingly grasped Kudou's (... pre-Bakugo, Bakugo) and escaped his brother. The coincidence is too much and I can't help but look for meaning in how this story seems to be coming full circle. Because, on the one hand I want to compare them to AFO but on the other hand, is the better comparison between AFO and OFA themselves?

In the latest chapter, we've seen that Shigaraki has robbed Midoriya of at least one OFA vestige and subsequently their inherent quirk. Will it all end by him losing each of them until he's back to being quirkless? A destruction of AFO seeing a destruction of OFA and ending this dispute of ideologies that's gone back several generations? Successful in besting Shigaraki but... losing someone who means so much to him in the process?

Edit: to clarify, what I’m trying to say is: if the resolution to Bakugo’s hubris was reaching out a hand to a “pebble” to ultimately defeat AFO… would the resolution to Midoriya’s possessiveness be to lose everything?

It's too much to think about but I don't call it crack pot for nothing. I'm still formulating my hypothesis but think this next chapter should have something huge to explain how Deku is still able to avoid Shigaraki despite no longer being able to use Gearshift and losing Danger Sense. Maybe it'll be the linch pin in figuring out if there's a hypothesis to be had or whether this was all a big reach. I still can't decide.

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fujoshina · 3 months

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Behind the locked door

In honor of Izuku’s mask disintegrating into rubble, I think it’s finally time for me to really dig deep into his character. I’ve been keeping this one in my back pocket for a while. Amid all the talk about Izuku’s fading narration, the “control your heart” subplot, I’ve been trying to find the words to articulate how I know exactly where this is going, at least on a certain level. Most recently, I read this meta from pika who brings up how the word “control” alone can be misconstrued (by us). And then I thought about how a while back I made a similar point, although I said Izuku was the one who got it wrong. At that time, I was holding back a huge piece of evidence because it was external to the story and I wasn’t sure it would be received well. As a result, my argument fell a little flat. Well, now—after 411, right before leaks for 412—it might be my last chance to play this card.

So about that external evidence. I struggle to bring it up because it’s gonna sound an awful lot like I’m projecting onto Izuku if I don’t do it justice. But… I look at the way his storyline has been going lately and I see a pattern emerging that I’m very familiar with. Fortunately, I don’t have to dump a bunch of personal junk on you in order to illustrate this pattern, because a certain personality typing system already has it all figured out: the Enneagram.

Now, hang on. I’m not one to put people in boxes. My trans ass? I managed to get a different result every time I retook the P0ttermore quiz. MBTI, zodiacs—not my thing. But the Enneagram comes the closest I’ve ever seen to covering all the bases and revealing actually meaningful insight, at least for myself. On top of that, I find it extremely useful for fleshing out fictional characters, hence this post will be taking advantage of that.

For those who aren’t familiar with it, here’s a quick overview: The Enneagram consists of 9 individual personality types, each arranged carefully in a sequential, circular manner. They are also simply named 1 through 9. While this might seem kinda basic, there is actually a surprising amount of nuance and fluidity involved. Typing is done largely through personal introspection (you don’t really have to take a test). Adjacent numbers share some core themes with each other, and according to a web of arrows between them, one type can take on either positive or negative traits associated with other types depending on how emotionally ‘healthy’ they are, causing a lengthy spectrum of different ways each type can manifest. That part gets kinda complicated to explain here, so for more info, the Enneagram Institute website is a decent place to start. I also highly recommend the Enneagram album by Sleeping At Last (and if you really want to dedicate some time, the accompanying podcast) to really get inside the heads of the types on a deeper level.

My interest in applying the Enneagram to Izuku comes from observing how differently one can interpret his character based on whether you read him as a 2 or a 9. And even though no one uses this language to talk about him, the distinction accounts for a bunch of different rifts in the fandom: whether you appreciate bkdk’s relationship, whether you can acknowledge Izuku’s flaws and weaknesses, the severity of his vigilante/rogue phase, and most importantly the gravity of his concealed heart, his rage, and what it all means—what he needs in order to grow and triumph.

Discussion of Enneagram types in the fandom is pretty scarce, but where it exists, I have only seen him labeled as a 2. Type 9 and type 2 can be similar at a glance in a lot of ways (actually, 9s can be mistaken for any type because they are like all of them combined). It’s easy to see Izuku as a 2 because he is the helping hero archetype. He puts others’ needs above his own and he is always ready and eager to help. If you listen to Sleeping At Last’s song for 2, you’ll notice that it’s all about care and noble sacrifice with the underlying theme of neglecting or even harming oneself: “I just want to build you up, until your good as new, and maybe one day I will get around to fixing myself too.” Sounds pretty obvious, right? Well, here’s the thing. You really get to know what your type is by how it hits you where it hurts, so I like to focus on each type’s basic fear and basic desire, first and foremost, as a tell. A 2′s basic fear is of being worthless and unloved. Consequently, their most basic desire is to be loved. And 2s have been taught through their negative experiences that love is conditional, something they have to earn from others. They need to be needed. So let’s say you think Izuku is a 2. This means you consider his heroic, self-sacrificing tendencies to be a result of his growing up quirkless and being told he is worthless and powerless because of it. Through this lens, he is trying to prove himself to the world by being useful. Along these lines, you may also assume he is trying to prove himself to Katsuki. Taking this train of thought even further, you may interpret Izuku’s relationship with Katsuki as an obsession of his, where he is either blind to Katsuki’s more negative traits in favor of gaining his love and praise, or else bitterly determined to prove him wrong. This is how a 2 might behave in an unhealthy relationship with an 8, which, yes, I do think Katsuki is an 8. That’s a tangent for another time, though.

But does Izuku ever “need to be needed?” It’s worth noting that while 2s’ search for validation might seem insincere, it is actually motivated by a deep, heartbreaking insecurity. They think they don’t even deserve love unless they are useful to someone, so they do everything they can to be worthy. Does Izuku show signs of this motivation?

If I stop to think about it, I can’t exactly see this in Izuku’s character. Yeah, his dream is to be a hero, and in his childhood, he was denied that dream. However I think we need to take a step back from that for a second if we want to dig deep. I mean, a lot of the other characters also behave heroically, act selflessly, and strive to help. Does that mean all of them are 2s as well? Of course not. So let’s instead turn to observe how Izuku acts with his loved ones, friends, and peers in other/adjacent contexts:

Inko: He is committed to protecting his mother from fearing for his safety. He wants to be good enough to not cause her to worry, rather than good enough to make her proud or make her love him. Idk about his father but at this point I think it’s safe to assume he is deeply unimportant.

All Might: I would describe their relationship as one of mutual responsibility. Izuku feels a responsibility to uphold All Might’s legacy, All Might feels a responsibility to teach him well. Because of this mutuality, I don’t think it quite makes sense to say Izuku deliberately seeks approval for its own sake. You know what I mean? They may be a mentor and a pupil but in practice they are almost more like co-conspirators. They don’t really have a power dynamic going on.

Shouto, Tenya, other friends: Izuku seems to take an interest in what makes his friends tick, and he sets himself aside in order to both analytically and intuitively determine what’s wrong and how to solve it. Examples include his fight against Shouto in the sports festival, and his stubborn concern for Tenya’s reaction to his brother’s forced retirement. He will put himself in the line of fire specifically when confronted with another person’s inner demons. This is not a labor that is asked of professional heroes, it’s just who Izuku is. You can also extend this observation to how he sees through Tomura to Tenko, but I’ll get to that later. Basically, while 2s seek to help in all kinds of ways, a 9’s strategy is always centered on the realm of the mind.

Kota: Adjacent to the paragraph above, before Izuku literally gets into a position where he needs to save Kota, he becomes interested in the boy’s point of view out of genuine curiosity. He doesn’t go “oh no, this kid doesn’t like heroes, I better get him to like heroes.” Instead he seeks out information as to why he thinks that way, and patiently listens. He’s sorry about what happened to Kota, and he understands. Twice (ch 71 and 72), he recognizes the fact that everyone has their own point of view on quirks, and he can’t really do anything about that.

Mirio: This might be one of the most telling examples. Mirio is the platonic ideal of an All Might successor. He’s “perfect.” He even looks the part. While this initially makes Izuku uncomfortable, he doesn’t become insecure and defensive over it. On the contrary, he easily comes to the conclusion that actually, Mirio should have One for All. Just like that (ch 172). If Mirio hadn’t dismissed the “hypothetical,” he probably would have gone through with giving it to him. That’s not how a 2 would respond. A 2 would double down and aim to be better than Mirio by trying to establish some relationship of need, fueled by the insecurity. Their shared subplot with Eri would have looked pretty different, I think.

Katsuki: I’ve mentioned before that I believe their rivalry only exists because Katsuki put it there. First of all, we can see that after the sludge villain incident, Izuku weirdly takes Katsuki’s dismissal of Izuku’s help as practical advice. Like, “oh yeah, I guess what I did was pretty stupid and dangerous, and I’m not cut out for this hero stuff. Now I can move on and find a realistic career.” Hello?? He accepted that so easily. So Izuku clearly isn’t motivated by a desire to prove himself to Katsuki. Even when he proclaims he’s going to surpass him, it’s like he’s happily mimicking Katsuki, not reacting based on insecurity or pride. Izuku is content to meet Katsuki wherever he is, and he’s satisfied with whatever kind of relationship they are able to have, including a rivalry, so he isn’t vying for his affection either. We can observe this when he gives up the role of reaching out a hand to save Katsuki to Kirishima, and also when he thinks about how “blessed” he is to even have a normal conversation with Katsuki. He doesn’t push things. It’s also stated in Deku vs. Kacchan 2 that Izuku doesn’t excuse or overlook Katsuki’s “bad side” but still admires him for his other traits. This is not at all characteristic of a toxic 2x8 relationship.

When 2s are at their very worst or pushed into unhealthy situations, they tend to become more needy and self-centered, even downright manipulative. But at Izuku’s worst, when he went rogue, he pushed everyone away to avoid being a burden. When the refugees at UA tried to prevent him from returning, he was like, “you’re right” and would have turned back immediately if not for his friends, loved ones, and other people who care about him telling him it was all okay. Meanwhile, Katsuki, in true 8 fashion, was pissed off at being rejected and having to deal with Izuku’s stubborn and evasive side (oh yeah, have I mentioned 9s are actually stubborn as hell?), but he made sure to establish that they are (he is) here to step in when Izuku can’t handle things by himself. Katsuki even opened up and admitted to his own weaknesses to show why mutual support is so important. Tbh, a lot of the above can be construed as just super healthy type 2 behavior, but not this. The way Izuku acts at his lowest, and his dynamic with Katsuki? Totally different. Dead giveaway for a 9.

Let’s get into the type 9 itself in more detail to show how it applies to Izuku more deeply—seriously, it’s beat for beat. One of the key differences is, while 2s seek validation, 9s are actually resigned to the belief that they aren’t important. Similar to 2s, a 9′s basic fear is of separation, but their basic desire is actually just peace or harmony rather than love. Notice how these motivations are just like a 2’s, except they have the “self” part taken out. With that in mind, they “achieve” their basic desire through selflessness in and of itself, without the need for recognition. That’s not to say that 9s are better than 2s. In fact, a 9 can be worse, in a way. If unhealthy, they will seek peace at almost any cost to themselves. In other words, they can be more self-destructive while still under the impression that they are doing just fine. “Peace” may refer to the expression of empathy, fulfilling the needs of others, sheltering someone, or mediating a fight—but also to repressing their own opinions and needs, not “rocking the boat,” ignoring negative emotions, or becoming a vessel for someone else to vent to.

What about inner peace? 9s value serenity, and thus they have a complicated relationship with the most tumultuous of emotions: anger. On the surface, 9s look like the type that is extremely slow to anger and highly tolerant. However, as much as they would like to believe this about themselves too, deep down, 9s are afraid of what might happen if they lose control. My phrase for it is this: I feel like a bottled tornado. Personally, I also think of anger as a basic desire to make others feel your pain—not necessarily sadistically, but in an effort to be known, to be understood. The difficult thing to grasp, especially for a 9, is that this is NOT inherently a bad thing. It isn’t wrong to seek sympathy. On the contrary, it is harmful to tell yourself that getting angry is wrong, because it’s like telling yourself that your pain is wrong, your pain doesn’t matter.

The problem is it doesn’t stop there. A 9, in shutting down their anger, ends up with such a low opinion of their own heart, their other emotions dull along with it. They cry less, laugh less, love less. It’s often said that they “fall asleep” to themselves. It all starts with anger. It’s interesting to note how different this whole mindset is from toxic masculinity—where men only feel allowed/able to express emotions through anger. This is sorta like the opposite. Anger becomes the dam rather than the river. For Izuku, I want us to consider that his suppression of anger carries with it the implication that he is hiding other things, too. It’s a given. There’s a whole sea of feelings out there, and we can only see the waves hitting the shore. This brings me to the whole “control your heart” thing. I do think it is worth mentioning that Banjou didn’t just tell Izuku to exercise control. He also told him that his anger could be useful if it is harnessed. With this added context, “control” here means “to master.” And Izuku seemed to grasp this concept… sorta. I think that if Izuku is like a 9, we can assume he has trouble understanding how anger could be a worthy source of strength. His emotions in relation to Katsuki feel more like a weakness to him, a character flaw in a hero, who is supposed to be detached and selfless. But he’s trying to understand, even though he’s afraid of it. He essentially applied the same strategy he used for mastering OFA itself: incremental strength training. Which, okay. Take a moment to absorb how odd that is, in relation to emotions, specifically. Does one learn to cry incrementally? Does one learn to use anger by bottling a fucking tornado?? Like, what, you think you’re gonna be able to let out juuust the right amount of air to avoid an explosion??? No, man… if you want to be the master of your emotions you have to be willing to sit with them. Confront them. Listen to them. Take them in completely and accept them as a part of yourself.

For someone like Izuku, though, it is very difficult to imagine how this is even possible. Tomura, as with every villain, can be used to reflect his hero counterpart’s greatest fear about himself. Tomura literally touches everyone and everything with his rage, and as a physical manifestation of that desire to pass his own pain onto others, destruction radiates from his fingertips. Thus, losing control in this manner must be Izuku’s worst nightmare, as if he would be completely unable to stop the collateral damage like an infinite line of dominoes. But his anger is not something he can overcome, as such.

An overarching theme in this heroes vs. villains conflict is that the villains are not merely obstacles to be overcome. Just think back to Himiko’s bitter rejection of the heroic sense of superiority. She demanded not to be pitied, condescended to, or lied to. Likewise, the answer cannot be that Izuku needs to restrain himself where Tomura doesn’t. What purpose would it serve to show that Izuku is better than him? Certainly not saving Tomura. If this was a battle against AFO, it might have been a different story. In that case, Izuku would have to overcome his emotional manipulation tactics. Tomura, on the other hand, is not so strategic. With his strangely childlike tendencies, he must relish making Izuku mad because it brings them closer to the same wavelength. It’s his own twisted way or seeking sympathy, or at least, the closest thing to sympathy he can get anymore, because he believes he is beyond saving. With that in mind, Izuku isn’t going to get anywhere unless he rises to meet him. Izuku has to match Tomura’s hatred with equally strong emotions of his own, whatever they may be, or else face the loss of OFA (as established in 305). This is not an easy thing to ask of a 9, once they have started to pull the blood from their extremities, become cold and numb. Bringing back circulation is painful and makes the skin crawl.

In case you’re worried about the focus on anger here, I want to reiterate that concealed anger in a 9 is just one sign of so much more. Back when everyone started fretting about Izuku’s habit of self-sacrifice, which would have been the only thing we need to worry about if he were a 2, I was freaking out because Izuku was also starting to look like a person who has too many secrets. You don’t even have to acknowledge the possibility that he lied about what triggered blackwhip. It’s written all over his face all the time these days. It’s especially noticeable when you contrast him with Katsuki after all his own growth. Katsuki confides in people. He acknowledges his weaknesses. He enjoys being himself. He asserts his place. He thinks about Izuku all the damn time and now he even lets himself be soft about it. All this warmth while Izuku is distant, muted, and blank. I know all too well what this state of mind is like. Man, I hate secrets. You get to the point where you don’t know how to talk about even the simplest most inconsequential shit. And the bigger things? They’re like a growing snowball of words in your throat that cannot possibly fit out of your mouth. The “easiest” way to cope is to simply fade into the rhythm of life. Go with the flow.

Since 9s have a natural curiosity about the interiority of other people, they may choose to focus on that in order to divert their own attention away from themselves. Taken to the extreme, they will lose track of their sense of self. Like I said, you can see Izuku doing this as he fights, analyzing the psyche of his opponent, and his match against Shouto in the sports festival was a fantastic early example. They became friends because of how observant Izuku is. His emotional intelligence and intuition are very strong, but gradually, as he has taken on greater responsibilities and experienced more trauma, he has gotten worse at applying these skills to himself. You know, we go on and on about how his narration has been reduced to nearly nothing, and it’s not just an absence of introspection, it’s an absence of self. It creates a lack of ownership over the narrative—what should be his narrative.

Right now, he’s focusing on trying to see Tomura as a person, figuring him out. I think it would be really satisfyingly ironic if in the process, he ends up uncovering insights about himself instead. It’s about time we learn what Izuku’s secrets are. I don’t actually think that Izuku mastering anger will constitute the emotion that is strong enough to keep Tomura from taking OFA. Moreover, he can’t expect to reach Tomura’s core, Tenko, unless he exposes his own. Rather, anger is the conduit for Izuku to unlock something else. Think of the way he described how Katsuki is his image of victory. The feeling manifests when he asserts a stronger sense of self (the urge to win) and he becomes more free with his words. I have no doubt that Tomura has the power to make unfiltered honesty spill out of him. He knows how to bring out his selfish needs, his pain, his pressure points, his fears, his insecurities. Hell, maybe Mt. Fuji erupting is a metaphor. I want to see Izuku explode while Tomura watches with mad glee. But then I want Izuku to Realize Things such that it finally sets him free. Then, instead of Tomura witnessing yet another person he touches fall apart, he gets to see someone become whole.

"I let the scale tip, feel all of it. It's uncomfortable but right. And we were born to try to see each other through. To know and love ourselves and others well is the most difficult and meaningful work we'll ever do." --Sleeping At Last, 'Nine'

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fujoshina · 3 months

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🌞The journey of two suns 🌞 by kappamairi

A personal interpretation of the winter AU that has been developed in the fandom! It's inspired by the drawing Horikoshi made for the 7th popularity poll ✨

I hope this drawing will bring you a bit of joy 💓If you're interested in the other visual references I took inspiration from for this fanart, don't hesitate to take a look on my Twitter : link

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fujoshina · 3 months

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Los quiero ver juntos otra vez

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fujoshina · 3 months

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七五三(Shichi-Go-San), 2023/11/15.

- Heeey I'm back hereeeeee! ^0^) _ 2023/11/24 _ 01:10

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fujoshina · 3 months

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The Doubt Of Izuku's Feelings

If you think Katsuki's romantic feelings may be more apparent than Izuku's...

I kinda understand.

Izuku could love Katsuki,just not romantically.

But,here's the thing,we have seen time,and time,and time again that the feelings Izuku feels for Katsuki are different from the ones he feels for Katsuki. I have no doubt in my mind that if Katsuki's romantic feelings are cannon,then so are Izuku's.

"Kacchan and the others"

Izuku OBVIOUSLY sees Katsuki differently than he does the rest of his class,sure we could sum it up to them being childhood friends,BUT,even though Izuku gets extremely close with the rest of his class,he still separates them like that.

(This whole scene is gay as hell).

But,I'd like to bring up something interesting:

We established Ochako's crush on Izuku before this happened. (Y'know,when Ayoama said she was in love?) I think it's interesting that's a very common pattern. We'll say something Ochako does/feels for Izuku is romantic then Izuku will do the SAME DAMN THING for Katsuki .

After he got closer with everyone else:

It's still the SAME. Kacchan and the others. So,we established Izuku was Katsuki,and from one of the last times we saw him kinda think,still sees Katsuki differently.

Let's not forget my favorite:

Compress's gaydar!

Izuku's feelings are called out for being possessive,a feeling we still haven't seen Izuku feel for any other of his friends,speaking of,

Even thought most of Izuku's friends are okay,even though they had managed to prevent Tokayami from being kidnapped,he still sees it as a complete loss because of his different feelings for Katsuki,which even Kirishima notices!

So,yes,Izuku's feelings are different,they aren't like the ones he has for his other friends,we have yet to say what these feelings are..or have we? We'll check in with that soon!

Black Whip

When Izuku gets Black Whip,we all know it has to do with Kacchan on some level. But,how do we know this is the case? How do we know Katsuki is the one triggering Black Whi-

Oh,yeah,it was said directly in the manga. (I'll talk about this scene in another section).

BUT,Black Whip is all about Izuku keeping his emotions in check,controlling his heart,I've said it before,and I'll say it again:

Black Whip is the result of negative feelings,caused by strong/positive emotions. Seeing someone you care about so MUCH,get hurt can make you get mad. Yes,Izuku obviously cares about everyone,and he gets upset when they get hurt too,but as I stated previously: we've already established within the manga Izuku feels differently about Katsuki,so it makes sense his anger would be more intense/different since that's how he feels.

Black Whip is about keeping your negative emotions in check,

SO,why does Izuku control his heart,and what does it have to do with Katsuki? Well,Black Whip kinda seems like a metaphor for being closeted,but here's the thing:

If you're like me,you think Izuku struggles with internalized homophobia,and,here's something kinda sad,since the feelings he feels for Katsuki are so tied to Black Whip,he views his feelings for Katsuki negatively,that's why Izuku is so hell bent on "controlling his heart," since he sees the way he feels about Katsuki like this. It also doesn't help that his feelings only seem to hurt Katsuki.

Izuku doesn't want to hurt the person people he loves (I'm foreshadowing in my own damn post,deal with it) with his negative emotions,and since his biggest feeling seems to only bring negativity,he should control his heart.

Toga's rejection

Here's something extremely important when considering Izuku's feelings:

When and how he rejected Toga.

In the rejection; he brings up the fact,

He understands,wanting to be like someone can be fulfilling,it is to Izuku too (which no one brings up?) but he could never hurt someone he loves. And here it is,guys. Izuku literally says he loves "All Might" in this romantic context,but here's the thing,we already know Izuku feels closer to someone than All Might,we already know Izuku has been chasing after and trying to be like someone.

It's Katsuki. How do we know if it really is him? Clues! First,

I've seen people say the narration probably isn't by Katsuki,but we all have already seen "That damned nerd" as something Katsuki would say. So,even if it isn't Katsuki (which I think it is!) We already get the impression "oh,yeah,Katsuki."

Also think that little coincidence is telling. ALSO. Those who are worried about Hori doing an Izuchako endgame,Izuku rejecting Toga's feelings is the same as him rejecting Ochako's. Since we've established the way Toga and Ochako feel about Izuku is very similar.

Targeting

The villains quite literally target Izuku because of his feelings for Katsuki (this kind of goes with the first section) but why doesn't he directly target anyone else with the same mindset?

Because of what Izuku feels for Katsuki is so much different than everyone else.

And Monoma! He targets Katsuki to get a rise out of Izuku when he realizes that making fun of,or threatening Izuku's group doesn't work.

Then, of course,when we have this scene,it honestly clears the air.

When he says Katsuki will be a "present" for Izuku ,well,what does Shiggy say to Izuku when he sees him?

How do we know it's romantic? Well,the last chapter we saw Izuku in was all about 'romance ',isn't it odd it turned out like that? A love confession,then this. Just interesting timing....

And those are just the basics! If you feel like Izuku's feelings may not be romantic,I think it's important to note we have Izuku do the same things Horikoshi has established as romantic to Katsuki. I mean,when Izuku doesn't finish his thinking when it's about Black Whip or Katsuki? That's very similar to how Ochako was with Izuku. Which,yes,guys,Izuchako is very important for GreeNade and Togachako's development. I'll probably make a whole post about my thoughts on that sooner or later.

Anyways,this has gotten to long.

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