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guulabii · 3 days
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guulabii · 3 days
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April 11, 2024. Displaced Palestinians in Gaza prepare celebrations for Eid, despite the harshness and uncertainty of their circumstances.
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guulabii · 4 days
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guulabii · 4 days
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engraved carabiners
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guulabii · 4 days
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Anaïs Nin, from The Diary of Anaïs Nin vol. I: 1931-1934
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guulabii · 4 days
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i do, often, think of that quote from wislawa szymborska talking about love and the inexplicability of some of it. "great love is never justified" etc. and it truly isn't. and thank god for that.
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guulabii · 11 days
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you are the blood which turns me tender
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guulabii · 14 days
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On Love and Community
@princes-heels // ? // @inkskinned // mitski, my love mine all mine//@littlespoonsokka // @boymiffy // @2aminhouston // ? // @theviralwitch // @noodle // @criterioncollectiongirl // @fatsoupy // ? // @mjalti // george saunders, congratulations, by the way// @jb-blunk // @ponchopeligroso // @headspace-hotel // everything, everywhere, all at once(2022) //@cheruib // ? // ? // @tordenvejr
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guulabii · 14 days
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love changes you
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guulabii · 14 days
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Solar Eclipse Shadows
These solar eclipse shadows form due to the distance between the sun and the leaves on the trees. The distance and the proximity of the leaves to one another cause for a "lensing" type effect, making the eclipse shadow clearer to the human eye.
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guulabii · 14 days
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{Juansen Dizon, I Am The Architect of My Own Destruction page 24/ Anaïs Nin, The Diary of Anaïs Nin, Vol. 6: 1955-1966/ Alice Hoffman, The Red Garden/ Anaïs Nin, from The Diary of Anaïs Nin, Vol. 5: 1947-1955/ Haruki Murakami: Norwegian Wood, page 276/ Michael Ondaatje/ Catherynne M. Valente, The Orphan's Tales: In the Night Garden/ D.H. Lawrence, from The Complete Works; The Plumbed Serpent/ Jean-Paul Sartre, from No Exit/ Alice Notley, from In The Pines: Poems; "In The Pines,"}
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guulabii · 19 days
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"You survive this and in some terrible way, which I suppose no one can ever describe, you are compelled, you are corralled, you are bullwhipped into dealing with whatever it is that hurt you. And what is crucial here is that if it hurt you, that is not what’s important. Everybody’s hurt. What is important, what corrals you, what bullwhips you, what drives you, torments you, is that you must find some way of using this to connect you with everyone else alive. This is all you have to do it with. You must understand that your pain is trivial except insofar as you can use it to connect with other people’s pain; and insofar as you can do that with your pain, you can be released from it, and then hopefully it works the other way around too; insofar as I can tell you what it is to suffer, perhaps I can help you to suffer less."
- James Baldwin, The Artist's Struggle for Integrity
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guulabii · 1 month
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Born to be a girl who’s curious about everything forced to be a girl who’s scared of trying anything new
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guulabii · 1 month
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pencils and brushes
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guulabii · 1 month
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حملته مرتين / she bore him twice.
by Jana Traboulsi 
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guulabii · 1 month
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— Warsan Shire, Home
[text ID: Mother says there are locked rooms inside all women; kitchen of lust, / bedroom of grief, bathroom of apathy. / Sometimes the men - they come with keys, / and sometimes, the men - they come with hammers.]
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guulabii · 2 months
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my favorite lines from this article about poetry from students grades 3-6
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