WE ARE GETTING DOUBLE-WIELD SWASHBUCKLER KURT IN X-MEN '97 AND I AM GOING TO BE SO FUCKING OBNOXIOUS ABOUT THIS SHOW YOU GUYS.
THIS IS YOUR WARNING, THIS IS NOW AN X-MEN-ADDED FAN BLOG HGFAHFDJGJFFFFFFF
I wish Americans fucked with more foreign music. You don’t have to know the language to appreciate a good record. Folks in other countries listen to our music and don’t speak a lick of english. Music needs no translator
how fucking arrogant can you be to think any eugenics program could ever weed out “fascist genetics”. even if the “dark triad” was a reliable precursor to fascist ideology and even if “dark triad traits” could be reliably linked to genotype (they aren’t and they can’t be), how fucking far to jupiter are you if you think you can remove it from a population of seven billion, let alone in some “anarchist” manner? how do you programmatically sterilize anyone in an “anarchist” manner?
Bitches are excited for X-Men '97 (It's me, I'm hella bitches).
X-Men holds the SOFTEST spot my heart, right next to Gargoyles, as the foundation for my art style growth when I was in college and was struggling to figure out how to draw humans.
God Loves, Man Kills is one of my favorite comics from the series.
So yes.
I am vibrating waiting for that March 20 release, so I had to give my favorite lads a personal go utilising a heavy ink comic-book style I haven't used in AGES.
Gambit was my very first fictional human childhood crush (my baby brother was given an X-Men manga comic of some sort, and it quickly became mine the moment I laid my eyes on this scoundrel), while I grew to love Nightcrawler's narrative of exploring religion, faith and humanity in college.
Personally, swashbuckler!Nightcrawler always felt like Nightcrawler at his most fun and truthful self.
(Also Gambit say Free Palestine)
I'm also enthralled because this style has come such a long, long way from when I first drew X-men fanart, so it's validating to see the improvement. (Old art under cut!)