heywriters

[heywriters]

May Writing Challenge

This May I want to get back into writing. I’m not at all consistent. I’m at a point where I don’t feel like I can work on bigger things, because I can’t guarantee myself to keep working on it in a week from now. So I will take this month as a training month to get back into the habit of writing. I will do this by writing (or trying to write) 200 words every day. Topic is irrelevant. How great my writing is that day is irrelevant. Just 200 words written down. A habit taking 21 days to form was debunked, it does take a lot longer, but 31 days are a start I would say. These are already 140 words, so 200 words every day are hopefully manageable. You're more than welcome to join me if you like 😊

[heywriters]

Hello, can you recommend grammar books? :)

The Blue Book of Grammar and Punctuation is a highly recommended one, as is Understanding and Using English Grammar. But if you're looking for a grammar book from a writer's perspective, The Elements of Style is often a go-to (ignore the Amazon link, you can easily find this book online for free).

[heywriters]

So, say you have a story idea. The development is going well, you have your characters, etc… but when you try to actually start your outline, it’s like it all suddenly turns to static. It suddenly just isn’t understandable and you can’t get it out of your brain and onto paper - and you’ve tried all sorts of methods to outline before. You can’t figure out the plot fully if you can’t get it out of your head which is proving to be a frustrating task. That’s the issue I’m having right now, and I’d love some suggestions or ideas on how to combat it.

Struggling to Outline Story

You have a story idea... and you say "the development is going well" but all you mention is characters. You might have a general premise, developed characters, and a fleshed out setting... but do you have a plot? Does your plot revolve around conflict? Do you know the goal your characters will have to reach in order to resolve that conflict, the plan they'll follow in an attempt to reach that resolution, what obstacles they must overcome along the way, and who/what is responsible for putting their obstacles in place? Do you know what plot points are typical in the type of story you want to tell?

If you don't know all of the above, that's probably why you're having a difficult time outlining.

Here are some previous posts that should help:

Plot Driven vs Character Driven Stories Understanding Goals and Conflict How to Move a Story Forward Basic Story Structure Finding a Story in Characters and Setting

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[heywriters]

It it really plausible for people to talk while traveling at a face pace on horseback? In my experience in riding, once you went faster than a trot it was hard to hear anyone without shouting over the hoofbeats, but I read stories all the time where characters will talk to each other normally while running.

Hey, thanks for the ask!

It’s possible but not terribly easy. Past the trot, the wind generated by the speed of your horse becomes LOUD and you can’t hear much over it, never mind the hoof beats and the sounds of creaking tack, grass rustling, etc. And even very fit riders become breathless while riding at the canter and gallop, so that further inhibits your ability to speak clearly.

At the trot, I’ve held full conversations out hacking. It’s easier to talk clearly while posting than sitting, in my experiences at least, but very possible. Talking at the walk is the same if not easier than talking while walking on your own two legs.

I hope this answers your question!

~Mod Charlotte

[heywriters]

[heywriters]

IT’S NOT ‘PEEKED’ MY INTEREST

OR ‘PEAKED’

BUT PIQUED

‘PIQUED MY INTEREST’

THIS HAS BEEN A CAPSLOCK PSA

[heywriters]

Hello! Small question, how would one go on to portray panicked rambles? I have a character who is afraid of the dark who has to escape with his friend through a dark cave, but as I was trying to write his panicked pleadings, they came across as flat and rational due to how the dialoge is written. I tried to make it feel rushed by conjoing some of the words together, but it looked a bit odd to me. Do you have any tips?

Writing a Panicked Ramble

Some things to keep in mind:

1 - Make sure there's context for the panic. Whether you lay the foundation for that panic ahead of time, or have to build to it in the moment, it's important that the reader has context for why this character is panicked. Otherwise, something like, "This is fine, I'm okay, there's nothing lurking in the shadows..." just falls flat. Why is this person panicking about being in the dark cave? Are they afraid of what may be in the cave? Are they afraid due to a past bad experience in a cave--or maybe just in darkness? Do they have some underlying fears that are being triggered? Again, you can lay these out ahead of time or use dialogue and thought to explore them in the moment.

2 - Use thought, emotion, and physical cues to add dimension. Dialogue on its own, even with context, doesn't go as far as dialogue that is bolstered by the character's thoughts, feelings, and physical sensations and body language. "This is fine, I'm okay, there's nothing lurking in the shadows..." he chanted to himself as images of hungry cave bears and rabid bats played through his mind. Every shifting shadow or far off noise sent cold fear slithering down his spine. His teeth chattered when he finally managed, "Are we almost out?" See how much more expressive that was?

3 - Make sure the environment/situation fits the reaction. Sometimes a character's reaction falls flat because we don't do a good enough job illustrating the things they're supposed to be reacting to. For example, if you haven't done a good job describing this dark cave and the things that are triggering the character's fears, their panic isn't going to feel warranted. You can do the work of describing the environment or situation as they get into it, or if necessary, as it's being experienced. And, if the character's reaction is supposed to feel unwarranted... for example, maybe they're panicking as though they're in a dark, scary cave, but they're not, then you can use other characters, dialogue, and description to offset what the character thinks they're experiencing versus what they're actually experiencing.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[heywriters]

Hey there! I need some help and advice on not using 'as' all the time to join sentences when multiple things happen at once. I'm finding it everywhere in my story!

Eg. She opened the door as the monster turned the corner. The window rattled as the monster's footsteps stomped against the floor. A painting on the wall fell to the floor as the door slammed shut. etc.

How can I stop?

Over Reliance on "As" to Join Cause and Effect

Like so many things where writing is concerned, this is something you'll need to correct in revision, and then the more you do it in revision, the more naturally it will come to you as you write. So, for now, it's just a matter of rewording...

The monster turned the corner at the very moment she opened the door, the windows rattling with each stomp of its footsteps. She slammed the door shut again, and a painting on the wall fell to the floor.

She opened the door at the very moment the monster turned the corner. The windows rattled with each stomping footstep. Fear jolted through her, and she slammed the door shut, causing a painting to fall off the wall.

So... there's no magic to it. No trick. Just a matter of playing with the words. Moving things around, trying out different things, and arranging the words in a way that doesn't require the constant use of "as" or any other word that feels excessive.

It's something you can bear in mind as you write, but ultimately it's something you'll pay attention to when you revise. And the more time you spend revising sentences to eliminate "as" or other excessive words, the better you'll get at doing it when you're actually writing. :)

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[heywriters]

i love having ocs because i'm a cruel and uncaring god to them. i can be like "what if your name was sylvester" and there's nothing they can do about it.

[heywriters]

About the AO3 "No Guest Comments for a while" warning

If you're not following any of AO3's social media accounts you might be in the dark as to what kind of "spam comments" have engendered this banner at the top of the site:

These spam comments have been posted about a great deal on the AO3 subreddit for the past couple of days. Initially they comprised a bunch of guest (logged out users) bot comments that insulted authors by suggesting they were using AI and not writing their own fics. Some examples, from the subreddit:

But it then escalated to outright graphic porn images and gifs being posted in comments, again by logged out 'Guest' accounts. Obviously, I'm not going to give examples of those, but between these two bot infestations, AO3 has clearly decided to act and has temporarily closed the ability to post comments for users who are not logged in with an AO3 account.

Unfortunately, this means that genuine readers who don't have an AO3 account won't be able to leave comments on fics that they enjoy.

If you are a genuine reader who doesn't yet have an AO3 account, I strongly suggest getting yourself on the waiting list for one. More and more AO3 authors are now locking their fics down to registered users only - either due to these bot comments or concerns about AI scraping their work - which means you're probably missing out on a lot of great stuff.

Hopefully guest commenting will be enabled again at some point soon, but I suggest not waiting until then. Get yourself on that list.

Wait times are going to be longer than usual at the moment, due to the current Wattpad purge [info on Fanlore | Wattpad subreddit thread], but if you're in line, then your invite will come through eventually.

Update: There's now a Megathread about this on the AO3 subreddit.

[heywriters]

"AO3 doesn't need a "dislike" button"

Um, actually, it already has one. Depending on your specs, it might look a little different but over all it looks kinda like this:

You can find it at the corner of your screen, which corner is dependent on your layout.

Anyway, if you dislike a fic, you can hit this Dislike Button until the fic goes away. It really is pretty amazing actually.

[heywriters]

If anyone's wondering why the majority of my stories have been unpublished on watty! Watty won't miss us, so just move on.

This is what happened when a fanfic site is profit driven. Wattpad sucks 😞

The email from Wattpad is so condescending imagine pressuring writers to update and work while they are doing it for free and fun. Also the discovery? Algorithm? Of Wattpad looks like a stressful popularity contest 😑

[heywriters]

Endlessly diabolical how you can't say words like rape and suicide uncensored without either being criticised by idiots or punished by conglomerates.

[heywriters]

Advice I gave someone today was: 'do it stupid.'

She wants to learn photography. Do it stupid. Take a million photos. Don't think about why they're not good. Enjoy the process of taking photos.

Pick out tge ones you like the most and figure out why you like them. Is it because the subject is centered? Is it because you caught them doing something cool? Is it because the light made cool shadows?

Do it stupid. If you try to do it smart, youll get stuck. If you think too much you'll never get to doing. Do it stupid.

[heywriters]

Guest comments temporarily disabled

Due to an influx of abusive spam comments, we've temporarily turned off the ability to leave comments while logged out. We apologize for the inconvenience, and hope to have guest comments back on soon! (16:06 UTC April 21, 2024)

[heywriters]

[heywriters]

Let's talk about character voices.

Giving a character a unique voice in your writing involves several elements, including word choice, sentence structure, dialogue quirks, and mannerisms. By incorporating these elements into your writing, you can create characters with distinct voices that resonate with readers and bring your story to life.

Here are some tips to help you create distinctive voices for your characters:

Distinct Vocabulary: Choose words that reflect the character's background, personality, and education level. Consider their profession, interests, and experiences when selecting vocabulary. For example, a well-educated professor would likely use more sophisticated language.

Dialogue Quirks: Give each character specific speech patterns or quirks that set them apart. This could include repeated phrases, stuttering, using or avoiding contractions, or speaking in a particular dialect or accent. Be careful not to overdo it, though, as too much can become distracting.

Sentence Structure: Pay attention to the rhythm and structure of their sentences. Some characters might speak in short, abrupt sentences, while others might use long, flowing ones. This can convey their confidence, hesitation, or urgency.

Internal Monologue: Show the character's unique thought process through their internal monologue. This can help readers understand their motivations, fears, and desires, further distinguishing them from other characters. (This may not necessarily apply to your story if you're writing in a third person omniscient perspective, or if you intend to exclusively follow the internal monologue of the main character.)

Physical Gestures and Actions: Incorporate the character's physical gestures and actions into their dialogue to add depth to their voice. For example, a nervous character might fidget, slouch, or avoid eye contact while speaking, while a confident character might stand tall and make direct eye contact.

Background and History: Consider the character's background and history when crafting their voice. Their upbringing, cultural influences, and past experiences can all shape the way they speak and interact with others.

Consistency: It's important to maintain consistency in the character's voice throughout the story. Pay attention to their speech patterns, vocabulary, and mannerisms to ensure they remain true to their established personality.

Listen to Real Conversations: Pay attention to how people speak in real life, including their tone, vocabulary, and speech patterns. Drawing inspiration from real conversations can help you create authentic and believable dialogue for your characters.

Read Aloud: Reading your dialogue aloud can help you identify areas where the character's voice may not sound authentic. If it doesn't sound like something they would say, revise.

Avoid Stereotypes: While it's okay to draw inspiration from archetypes, be careful not to rely too heavily on stereotypes. Instead, strive to create complex, multidimensional characters with unique voices.

Hope this helps!