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idontreadheartbeats · 23 hours
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did I ever tell yall I used to think charlie chaplin was a drag king. for like three years straight
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idontreadheartbeats · 24 hours
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Zutara, romance novels, and the female gaze
Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):
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And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.
On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:
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And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.
I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either
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idontreadheartbeats · 24 hours
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Caves are weirder and more varied than you think
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I'm aware this is petty and very unkarmic of me or whatever, but the amount of joy I just experienced logging in to Facebook to discover that a former boss, who bullied me relentlessly and made my mental health significantly worse, fell down a manhole loony toons style, is off the charts.
They're fine. Or they will be. Couple of bruises and a twisted ankle, according to the post I just read. But man, if the photos my other former colleague posted aren't going to keep me entertained for a while.
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Apparently people who don't have executive dysfunction think that actually working on something is the hardest part of doing something. And that's why they get mad that you call the rest of the project "easy" after you've finally worked through doing the plan and know what to do when you're working.
So when you're through with the epiphany of how to make it physically possible to make the thing you're making, and you're sharing the plan with excitement, because the hard part is over, and now you only have to get your hands moving and do it, they get mad at you like
"it's not that easy! It's a lot of hard work! >:C"
they mean it, because
to them, working is the hardest part.
They don't have to fight their brains to get started. They don't have to fight their way through making the choices, making the plan, making yourself make the thing. People who don't suffer from executive dysfunction think that the hardest part is actually doing the thing.
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idontreadheartbeats · 21 days
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I don't trust anyone who hasn't acknowledged their capacity for evil.
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idontreadheartbeats · 22 days
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So here's an interesting thing.
This is Saddler's POV when Ashley picks up Leon's gun:
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Leon isn't looking at Ashley.
He's looking right at Saddler. And that's the look of a man who's ready to kill.
It's only after the first shot is fired that Leon actually looks at Ashley, and his expression is completely different when he does.
From Ashley's POV:
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This might sound weird, but this is probably the best showcase of how fundamentally changed Leon is in RE4make from RE2make. In RE2make, his focus would've been Ashley first. He would've been worried about her and scared for himself. Saddler would be an afterthought; Leon can worry about Saddler after both he and Ashley are safe.
That was probably what Krauser was referring to during training when he told Leon that he was too soft to do what's necessary. You know, before Krauser himself went nuts, and the meaning of that statement became something else entirely.
But in RE4make, Leon's first response is rage. It's violence. It's murder. His instinct isn't to save Ashley or protect himself -- it's to kill Saddler.
It's only after it hits him just how stuck he is -- after that first shot is fired -- that the worry starts -- that the regret and heartache kick in.
What Krauser taught Leon -- what he really taught Leon -- was that protecting someone is more than shielding them from harm or pulling them to safety. It's eliminating the threat around them so that they can be safe. Shields can break, and running protects no one.
So, sure, the "being held against my will" thing is the main reason why Leon turns down Ashley's offer at the end of the game -- but it's not the only reason. It's because Leon came to accept, over the course of this mission, that he's not that guy anymore. He can't stand by and be Ashley's guard. The only way he knows how to protect her is by eliminating the threat around her -- and that's not what security detail does.
But that's who Leon's become now. The ship of "serve and protect" has sailed, for him. In his own words: "You've gotta keep moving forward."
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idontreadheartbeats · 25 days
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The Defenders S01E06 Ashes, Ashes
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idontreadheartbeats · 25 days
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🦀 Kudos Crab 🦀
If you are scrolling and see Kudos Crab, your fics will be blessed!
You will get good comments and kudos!
You will beat your writers block!
GO AND WRITE!
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idontreadheartbeats · 27 days
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Also The Tea Server’s Wife by @bulletproofteacup! I will never stop singing its praises!!! 😭😭😭
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Book 2 au with Zuko and Katara Lee and Huamei
Katara is separated from her friends, and so she's left to travel the earth kingdom on her own. She stumbles across Zuko, who is similarly travelling on his own. They decide that pairing up and travelling together would be best
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idontreadheartbeats · 1 month
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idontreadheartbeats · 1 month
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Nex was also Choctaw, and the incident happened on the Cherokee Nation reservation. I’m not entirely certain if Nex identified as two-spirit, but the Indigenous dimensions of the case cannot go unstated.
And I guarantee that man thinks insufficiently colonized or assimilated Natives are equally “filthy.”
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Don't look away from us. Don't ignore the Oklahoman queer community. Don't ignore the indigiqueer community. Don't forget Nex Benedict and the future they should have been entitled to.
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idontreadheartbeats · 1 month
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"if you're asexual then why do you keep making sex jokes?" oh i don't know... maybe because sex is a joke to me..?
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idontreadheartbeats · 1 month
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I think it's insane that after the final Agni Kai, Zuko was able to tank a hyper-powered lightning bolt (I mean, tank in the way he was still moving after getting hit, even if it was just groans of pain and slight twitching). He just got healed by Katara for about 5 seconds and was A-OK afterward.
When Aang got struck by lightning, he was in a coma for like what? Almost a month? And you're telling me Zuko gets struck by lightning, and 5 minutes later, is walking around like it never happened? Sorry, I can't believe that.
But Sno, you say, Aang was in his most fragile state. Of course, he was in a month long coma after he basically died. Okay, and I think that Zuko being hit by a lightning bolt 100x more powerful than the one Aang got hit by would also put Zuko in a coma; especially because Katara doesn't have the spirit water to bring him back to life. Unlike Aang, Zuko only gets regular water, not magic water, to heal him.
"But, but Zuko redirected it," you say. Uh no, Zuko wasn't grounded, so that shit still hit him like a damn truck. He redirected some of it, but not all of it. I would probably say that it burnt him from the inside out. It's a miracle that in LOK, that man is still kicking it and being a badass in his early 90s. He should have serious heart issues, if not have died in his 70s at the absolute latest. The man should not be kicking ass in the poles. He should be on bed rest.
In conclusion, Zuko should have been in a coma for like at least a year (realistically he should be dead, but this is a kids show where the main characters aren't allowed to die, so I'll let it slide) and I will stand by that.
If you wanna read how the creators could have worked with comatose Zuko, read under the cut. If not, then I hope you enjoyed my little rant. This post got longer than I thought.
Here's how the creators could have dealt with comatose Zuko and the potential storylines our other favorites could have had at the end of book 3 and a majority of the potential and nonexistent book 4:
Aang is having to deal with the consequences of Ozai being left alive, as I'm sure the Earth Kingdom and the Water Tribes would not like that fact. As well as their newest Fire Lord currently being in a comatose state. They barely trusted Zuko. Are you telling me they're gonna trust The Dragon of the West? (More on this at the end) And maybe Aang would actually get some character development, unlike in season 3.
I don't think Sokka, Suki, and Toph would have storylines that center Zuko all that much, but they would also definitely be mourning the semi-loss of Zuko along with whatever storyline they get. Maybe Sokka and Suki can have conflict in their relationship now that the war is over and they might physically have to go their own ways. Toph can probably wonder where she can go from here. Will she try and reconcile with her parents again? Will she travel with Aang once Zuko wakes up? Will she stay in the Fire Nation and help Zuko sniff out traitors with her seismic sense? Needless to say, the 3 of them have endless opportunities.
Katara is now dealing with the guilt of not only having put Zuko in that position in the first place, but also not being able to fully heal him (even though he would have done that for anyone, not just her). And if you're a Zutara shipper, like myself, even realizing potential feelings and the conflict that comes with that. Or if we still wanna go through with the canon ending of Kataang, have her navigate her feelings about Aang properly and not whatever that original canon ending was. And if we wanna go the "Katara doesn't need a man" route (my personal favorite despite my shipping tendencies), she could try and navigate where she goes from here, like Toph. Obviously, she'll go back to the Southern Water Tribe and help out there, but what comes after they've recovered? She's not the type to stand by and settle when there are other people who need her help. Will she go to the Earth Kingdom and help rebuild there? Go to the Fire Nation and help out there? Become an ambassador of the Southern Water Tribe to help better relations with the other nations? (My personal favorite) The possibilities are endless for her.
But you know who would be affected the most? Iroh. Not only did he (kinda) lose his nephew, who was his second son, but he now has to deal with the diplomatic repercussions of his past as a general of the Fire Nation. Like I said before, the Earth Kingdom and the Water Tribes barely trusted Zuko; no way in hell are they gonna trust the man that laid seige to Ba Sing Se for nearly 2 whole years, regardless if he's the reason the city was freed from Fire Nation control. The pressure Iroh would feel from advisors regarding the fact that his only heir is comatose would increasingly get worse as the months go by. We know that Zuko will wake up, but Iroh and the rest of the cast don't. Iroh is dealing with the fracturing Fire Nation and pressure from the Earth Kingdom and the Water Tribes, all while his son is in a coma. He could see what he was going to have Zuko face by himself with no support around him. What would he do with Ozai? Would be a major question throughout the season.
Of course, in the end, Zuko wakes up because we want a happy ending for them all. But the turmoil we could have gotten in the end would have been *chefs kiss*
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idontreadheartbeats · 1 month
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Felt like sharing some Lee & Kya From The Tea Shop AU sketches ✨🍵
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idontreadheartbeats · 1 month
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The symbolism of flowers
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection
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idontreadheartbeats · 1 month
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Good Traits Gone Bad
Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:
1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.
2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.
3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.
4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.
5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.
6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.
7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.
8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.
9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.
10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.
These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.
Happy writing!
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